Subscribe to
Opera Today

Receive articles and news via RSS feeds or email subscription.


twitter_logo[1].gif



9780393088953.png

9780521746472.png

0810888688.gif

0810882728.gif

Recently in Books

Book Review: Opera in the British Isles, 1875 – 1918

Opera in the British Isles might seem a rather sparse subject in the period 1875 to 1918. Notoriously described as the land without music, even the revival of the native tradition of composers did not include a strong vein of opera.

Diary of a Redneck Opera Zinger

Heldentenor Jay Hunter Morris tells us about the lean times when the phone did not ring, as well as those thrilling moments when companies entrusted him with the most important roles in opera.

Weill's Musical Theater: Stages of Reform

Commonly viewed as a ‘second-rate’ composer — a European radical persecuted by the Nazis whose trans-Atlantic emigration represented a sell-out to an inferior American popular culture —

Opera from Cambridge University Press

Although part of a series entitled Cambridge Introductions to Music, Robert Cannon’s wide-ranging, imaginative and thought-provoking survey of opera is certainly not a ‘beginners’ guide’.

James Melton: The Tenor of His Times

Those of us of a certain age have fond memories of James Melton, who entertained our parents starting in the 1930s and the rest of us in the 1940s and beyond on recordings, the radio, and films.

Essays on Italo Montemezzi - D'Annunzio: Nave

An important new book on Italo Montemezzi sheds light on his opera Nave. The author/editor is David Chandler whose books on Alfredo Catalani have done so much to restore interest in the genre.

Alfredo Catalani — A new perspective on later Italian opera

Assumptions about later Italian opera are dominated by Puccini, but Alfredo Catalani, born in the same town and almost at the same time, was highly regarded by their contemporaries. Two new books on Catalani could change our perceptions.

The Sopranos — Dissecting opera’s fervent fans

I was feeling cowed by Herr Engels. The four of us had retired from the Stravinsky performance to a Billy Wilder-themed bar in Berlin, the least horrible late-night option in the high end mediocrity of Potsdamer Platz.

Opera Remade, 1700-1750

This substantial book is one of the latest in the Ashgate series of collected essays in opera studies and draws together articles from a disparate group of scholarly journals and collected volumes, some recent, some now difficult to locate.

Operatic Advice and Counsel…A Welcome New Reference Book

Vincent Giroud’s valuable new French Opera, a Short History, is in hand and very welcome it is.

Lotfi Mansouri: An Operatic Journey

The noted operatic impresario and stage director, Lotfi Mansouri, with the professional help of writer Donald Arthur, has issued his memoirs under the title Lotfi Mansouri: An Operatic Journey.

Cosima Wagner — The Lady of Bayreuth

Originally published in German as Herrin des Hügels, das Leben der Cosima Wagner (Siedler, 2007), this new book by Oliver Hilmes is an engaging portrait of one of the most important women in music during the late nineteenth and early twentieth centuries.

Operatic Italian

Robert Stuart Thomson’s Italian language learning text, Operatic Italian, promises to become an invaluable textbook for aspiring operatic singers, voice teachers, coaches and conductors.

Musical Exoticism: Images and Reflections

Ralph Locke’s recent book on Musical Exoticism is both an historical survey of aspects of the exotic in Western musical culture and a discussion of paradigms of the exotic and their relevance for musicological understanding.

Magic Flutes & Enchanted Forests: The Supernatural in Eighteenth-Century Musical Theater

Readers may recognize the author of this book, David J. Buch, a specialist on the origins of the libretto to Mozart’s Magic Flute.

Opera from the Greek

Perhaps it will be enough to tell you that I wasn’t halfway through this book before I searched the web for a copy of Professor Ewans’s study of Wagner and Aeschylus’s Oresteia, and ordered it forthwith: It has to be good.

Along the Roaring River

Chinese bass Hao Jiang Tian was 30, when he enrolled as an undergraduate at the University of Denver 1983.

Books 'n Things

Two excellent books on opera have come to hand, providing many hours of entertaining reading. I combine notice of them with a few thoughts about composer Paul Moravec’s CDs, and his forthcoming opera premiere at Santa Fe Opera in 2009.

On Venetian Opera: a new edition of Monteverdi's Ritorno, and Eleanor Selfridge-Field on Time and Opera in Venice.

Claudio Monteverdi. Il Ritorno d’Ulisse in patria. Edited by Rinaldo Alessandrini. Urtext. Kassel: Bärenreiter, 2007. BA 8791. A vocal score is available as 8791a.

Handel's Riccardo primo, Re d’Inghilterra (HWV 23) and Tolomeo, Re d’Egitto (HWV 25) from Bärenreiter

Published in 2007, Riccardo primo, Re d’Inghilterra (HWV 23) and Tolomeo, Re d’Egitto (HWV 25) mark two of the latest installments of vocal-score editions of Handel’s operas based upon Bärenreiter’s Urtext editions.

OPERA TODAY ARCHIVES »

Books

Opera Remade, 1700-1750
22 May 2011

Opera Remade, 1700-1750

This substantial book is one of the latest in the Ashgate series of collected essays in opera studies and draws together articles from a disparate group of scholarly journals and collected volumes, some recent, some now difficult to locate.

Opera Remade, 1700-1750

Charles Dill, ed., The Ashgate Library of Essays in Opera Studies, Ashgate Publishing Company, 530 pp.

ISBN 978-0-7546-2900-9

$250.00  Click to buy

The format of the series as a whole is continued here: the Editor, Charles Dill of the University of Wisconsin, USA, provides an intriguing and detailed introduction to the period itself and also poses some pertinent questions on the state of current operatic scholarship. Both purely academic as well as musicological work is included and the reader will find a variety of approaches represented in the collection: sources, criticism, performers, authors, composers, culture, theory etc. The historical context is heavily represented as are the socio-political parameters of the time.

The collection is divided into four separate parts, three general, and one specific: Librettos, Gender, Theatres & Performing and, lastly, Handel. Presumably the latter section was given a separate heading due to the over-arching importance of this composer in this specific period of 1700-1750. With the regeneration of baroque opera performance in the late 20th and early 21st century, there has been a parallel regeneration of academic study of this specific period, so this substantial volume of works should meet a need. However, it is important to note that there are only five essays out of the total of 23 that were written since the year 2000, the vast majority being from the years 1995-98. One presumes that more modern work is widely available to today’s scholars as the essays here need to be placed in their own context of performance practice in the mid-90’s when much was in flux still after the seismic rethinks of the 70’s and 80’s.

The original sources for the essays are not wide, many from the Cambridge Opera Journal, Music & Letters, and Early Music and some will be already familiar to students of baroque opera – for example Katherine Bergeron (1996) “The Castrato as History” (COJ). From a practical viewpoint, there are many pages reproduced in very small print which is not easy to read; however, this is somewhat counterbalanced by useful musical illustrations of specific passages and apposite photographs of artworks and manuscripts. All the original footnotes and references for each essay are included and there is a useful, if limited, Name Index at the end of the volume.

Sue Loder

Send to a friend

Send a link to this article to a friend with an optional message.

Friend's Email Address: (required)

Your Email Address: (required)

Message (optional):