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Elsewhere

The Met’s ‘Le Nozze di Figaro’ a happy marriage of ensemble singing and acting

The cast of supporting roles was especially strong in the company’s new production of Mozart’s matchless masterpiece

Syracuse Opera’s ‘Die Fledermaus’ bubbles over with fun, laughter and irresistible music

The company uncorks its 40th Anniversary season with a visually and musically satisfying production of Johann Strauss Jr.’s farcical operetta

Capriccio at Lyric Opera of Chicago

Although performances of Richard Strauss’s last opera Capriccio have increased in recent time, Lyric Opera of Chicago has not experienced the “Konversationsstück für Musik” during the past twenty odd years.

On The Death of Klinghoffer

This is a revised version of my review of the Sept 5th 1991American premiere of The Death of Klinghoffer, at the Brooklyn Academy of Music. The opera was first performed at Brussels’ La Monnaie the previous spring.

Anna Netrebko, now a dramatic soprano, shines in the Met’s dark and murky ‘Macbeth’

The former lyric soprano holds up well — and survives the intrusive close-up camerawork of the ‘Live in HD’ transmission

Arizona Opera Presents First Mariachi Opera

Houston Grand Opera commissioned Cruzar la Cara de la Luna from composer José “Pepe” Martínez, music director of Mariachi Vargas de Tecalitlán, who wrote the text together with Broadway and opera director Leonard Foglia. The work had its world premier in 2010. Since then, it has traveled to several cities including Paris, Chicago, and San Diego.

Plácido Domingo: I due Foscari, London

“Why should I go to hear Plácido Domingo” someone said when Verdi’s I due Foscari was announced by the Royal Opera House. There are very good reasons for doing so.

Philip Glass’s The Trial

Music Theatre Wales presented the world premiere of Philip Glass’s The Trial (Kafka) last night at the Linbury, Royal Opera House. Music Theatre Wales started doing Glass in 1989. Their production of Glass’s In the Penal Colony in 2010 was such a success that Glass conceived The Trial specially for the company.

Joyce DiDonato: Alcina, Barbican, London

To say that the English Concert’s performance of Handel’s Alcina at the Barbican on 10 October 2014 was hotly anticipated would be an understatement. Sold out for weeks, the performance capitalised on the draw of its two principals Joyce DiDonato and Alice Coote and generated the sort of buzz which the work did at its premiere.

Un ballo in maschera in San Francisco

The subject is regicide, a hot topic during the Italian risorgimento when the Italian peninsula was in the grip of the Hapsburgs, the Bourbons, the House of Savoy and the Pontiff of the Catholic Church.

A New Don Giovanni and Anniversary at Lyric Opera of Chicago

Lyric Opera of Chicago opened its sixtieth anniversary season with a new production of Mozart’s Don Giovanni directed by Artistic Director of the Goodman Theater, Robert Falls.

Grande messe des morts, LSO

It was a little over two years ago that I heard Sir Colin Davis conduct the Berlioz Requiem in St Paul’s Cathedral; it was the last time I heard — or indeed saw — him conduct his beloved and loving London Symphony Orchestra.

Guillaume Tell, Welsh National Opera

Part of their Liberty or Death season along with Rossini’s Mose in Egitto and Bizet’s Carmen, Welsh National Opera performed David Pountney’s new production of Rossini’s Guillaume Tell (seen 4 October 2014).

Mose in Egitto, Welsh National Opera

Welsh National Opera’s production of Rossini’s Mose in Egitto was the second of two Rossini operas (the other is Guillaume Tell) performed in tandem for their autumn tour.

L’incoronazione di Poppea, Barbican Hall

In Monteverdi’s first Venetian opera, Il Ritorno d’Ulisse (1641), Penelope’s patient devotion as she waits for the return of her beloved Ulysses culminates in the triumph of love and faithfulness; in contrast, in L’incoronazione di Poppea it is the eponymous Queen’s lust, passion and ambition that prevail.

Rameau’s Les Paladins, Wigmore Hall

After the triumphs of love, the surprises: Les Paladins, under their director Jérôme Correas, and soprano Sandrine Piau are following their tour of material from their 2011 CD, ‘Le Triomphe de L’amour’, with a new amatory arrangement.

Puccini : The Girl of the Golden West, ENO London

At the ENO, Puccini's La fanciulla del West becomes The Girl of the Golden West. Hearing this opera in English instead of Italian has its advantages, While we can still hear the exotic, Italianate Madama Butterfly fantasies in the orchestra, in English, we're closer to the original pot-boiler melodrama. Madama Biutterfly is premier cru: The Girl of the Golden West veers closer, at times, to hokum. The new ENO production gets round the implausibility of the plot by engaging with its natural innocence.

Anna Caterina Antonacci, Wigmore Hall, London

Presenting a well-structured and characterful programme, Italian soprano Anna Caterina Antonacci demonstrated her prowess in both soprano and mezzo repertoire in this Wigmore Hall recital, performing European works from the early years of the twentieth century. Assuredly accompanied by her regular pianist Donald Sulzen, Antonacci was self-composed and calm of manner, but also evinced a warmly engaging stage presence throughout.

Il barbiere di Siviglia, Royal Opera

Bold, bright and brash, Moshe Leiser and Patrice Caurier’s Il barbiere di Siviglia tells its story clearly in complementary primary colours.

Gluck and Bertoni at Bampton

Bampton Classical Opera’s 2014 double bill neatly balanced drollery and gravity. Rectifying the apparent prevailing indifference to the 300th centenary of Christoph Willibald Gluck birth, Bampton offered a sharp, witty production of the composer’s Il Parnaso confuso, pairing this ‘festa teatrale’ with Ferdinando Bertoni’s more sombre Orfeo.


OPERA TODAY ARCHIVES »

Books

Paul Rodmell: Opera in the British Isles, 1875 – 1918
07 Feb 2014

Book Review: Opera in the British Isles, 1875 – 1918

Opera in the British Isles might seem a rather sparse subject in the period 1875 to 1918. Notoriously described as the land without music, even the revival of the native tradition of composers did not include a strong vein of opera. »

Recently in Books

All Pages |  1  |  2  |  3 
04 Dec 2013

Diary of a Redneck Opera Zinger

Heldentenor Jay Hunter Morris tells us about the lean times when the phone did not ring, as well as those thrilling moments when companies entrusted him with the most important roles in opera.  »

19 Aug 2013

Weill's Musical Theater: Stages of Reform

Commonly viewed as a ‘second-rate’ composer — a European radical persecuted by the Nazis whose trans-Atlantic emigration represented a sell-out to an inferior American popular culture —  »

16 Jul 2013

Opera from Cambridge University Press

Although part of a series entitled Cambridge Introductions to Music, Robert Cannon’s wide-ranging, imaginative and thought-provoking survey of opera is certainly not a ‘beginners’ guide’.  »

20 Jun 2013

James Melton: The Tenor of His Times

Those of us of a certain age have fond memories of James Melton, who entertained our parents starting in the 1930s and the rest of us in the 1940s and beyond on recordings, the radio, and films.  »

03 Feb 2013

Essays on Italo Montemezzi - D'Annunzio: Nave

An important new book on Italo Montemezzi sheds light on his opera Nave. The author/editor is David Chandler whose books on Alfredo Catalani have done so much to restore interest in the genre.  »

13 Apr 2012

Alfredo Catalani — A new perspective on later Italian opera

Assumptions about later Italian opera are dominated by Puccini, but Alfredo Catalani, born in the same town and almost at the same time, was highly regarded by their contemporaries. Two new books on Catalani could change our perceptions. »

22 Jul 2011

The Sopranos — Dissecting opera’s fervent fans

I was feeling cowed by Herr Engels. The four of us had retired from the Stravinsky performance to a Billy Wilder-themed bar in Berlin, the least horrible late-night option in the high end mediocrity of Potsdamer Platz.  »

22 May 2011

Opera Remade, 1700-1750

This substantial book is one of the latest in the Ashgate series of collected essays in opera studies and draws together articles from a disparate group of scholarly journals and collected volumes, some recent, some now difficult to locate.  »

09 Jan 2011

Operatic Advice and Counsel…A Welcome New Reference Book

Vincent Giroud’s valuable new French Opera, a Short History, is in hand and very welcome it is.  »

06 Aug 2010

Lotfi Mansouri: An Operatic Journey

The noted operatic impresario and stage director, Lotfi Mansouri, with the professional help of writer Donald Arthur, has issued his memoirs under the title Lotfi Mansouri: An Operatic Journey. »

21 Jul 2010

Cosima Wagner — The Lady of Bayreuth

Originally published in German as Herrin des Hügels, das Leben der Cosima Wagner (Siedler, 2007), this new book by Oliver Hilmes is an engaging portrait of one of the most important women in music during the late nineteenth and early twentieth centuries.  »

19 Jan 2010

Operatic Italian

Robert Stuart Thomson’s Italian language learning text, Operatic Italian, promises to become an invaluable textbook for aspiring operatic singers, voice teachers, coaches and conductors.  »

24 Nov 2009

Musical Exoticism: Images and Reflections

Ralph Locke’s recent book on Musical Exoticism is both an historical survey of aspects of the exotic in Western musical culture and a discussion of paradigms of the exotic and their relevance for musicological understanding.  »

15 Jul 2009

Magic Flutes & Enchanted Forests: The Supernatural in Eighteenth-Century Musical Theater

Readers may recognize the author of this book, David J. Buch, a specialist on the origins of the libretto to Mozart’s Magic Flute.  »

07 Sep 2008

Opera from the Greek

Perhaps it will be enough to tell you that I wasn’t halfway through this book before I searched the web for a copy of Professor Ewans’s study of Wagner and Aeschylus’s Oresteia, and ordered it forthwith: It has to be good. »

28 Jul 2008

Along the Roaring River

Chinese bass Hao Jiang Tian was 30, when he enrolled as an undergraduate at the University of Denver 1983. »

27 May 2008

Books 'n Things

Two excellent books on opera have come to hand, providing many hours of entertaining reading. I combine notice of them with a few thoughts about composer Paul Moravec’s CDs, and his forthcoming opera premiere at Santa Fe Opera in 2009.  »

13 May 2008

On Venetian Opera: a new edition of Monteverdi's Ritorno, and Eleanor Selfridge-Field on Time and Opera in Venice.

Claudio Monteverdi. Il Ritorno d’Ulisse in patria. Edited by Rinaldo Alessandrini. Urtext. Kassel: Bärenreiter, 2007. BA 8791. A vocal score is available as 8791a. »

16 Mar 2008

Handel's Riccardo primo, Re d’Inghilterra (HWV 23) and Tolomeo, Re d’Egitto (HWV 25) from Bärenreiter

Published in 2007, Riccardo primo, Re d’Inghilterra (HWV 23) and Tolomeo, Re d’Egitto (HWV 25) mark two of the latest installments of vocal-score editions of Handel’s operas based upon Bärenreiter’s Urtext editions. »

02 Mar 2008

Miles Davis, Miles Smiles and the Invention of Post-Bop

It is a measure of the classic status that the music of Miles Davis has acquired in American culture that a single LP produced for Columbia in the 1960s (Miles Smiles) is the focus of a short monograph from Indiana University Press. »

19 Feb 2008

SALIERI: Prima la musica e poi le parole

In 1786, Habsburg Emperor Joseph II commissioned a pair of short operas from two of the biggest names in Viennese musical theater: Salieri and Mozart. »

31 Oct 2007

Oper als Geschäft

This book is in German, which may make it of limited interest to people who are not sufficiently familiar with the language. »

22 Oct 2007

La Nilsson: My Life in Opera

Birgit Nilsson probably never heard of “the Protestant work ethic,” but she didn’t need to know it. »

04 Oct 2007

HAYNES: The End of Early Music — A Period Performer’s History of Music for the Twenty-First Century

Once upon a time, there was something known as early music. This was not so much a repertoire, a musico-historical epoch, as an attitude, a counter-cultural group. »

16 Aug 2007

Madame Butterfly: The Search Continues

Over the past decade, there have been a plethora of works trying to identify the historical models for characters in Puccini’s famous opera Madama Butterfly. »

29 May 2007

Eight Centuries of Troubadours and Trouvères: The Changing Identity of Medieval Music

The interpretive reception of medieval music begins, as John Haines lays forth in the present investigation, already during the latter period of the Middle Ages. »

23 Jan 2007

Gustav Mahler. Letters to His Wife

True to the title of this collection, the present volume of correspondence edited by Henry-Louis de La Grange and Günther Weiss — here translated, revised , and supplemented by Antony Beaumont — offers, to date, the most complete body of letters of Gustav Mahler to his wife Alma. »

15 Nov 2006

The Grove Book of Operas (2nd ed.)

The New Grove Dictionary of Music and Musicians (the “New Grove”) stands as the definitive encyclopedia on music in the English language.1 »

08 Oct 2006

Settling the Score — An Interview with Philip Gossett

Introduction: Philip Gossett is one of those rarities in academia: a scholar of the first order and a consummate teacher. »

16 Sep 2006

150 Years of Opera in Chicago

This is a very attractive book, which, in addition to the expected text, has many striking photos, a list of the operas performed in Chicago, indicating all the seasons in which each work was given, and a season by season chronology, limited to professional companies. »

24 Jul 2006

PHILLIPS-MATZ: Washington National Opera 1956-2006

This is a highly impressive coffee-table table book, loaded with stunning photographs of productions, singers, composers, and even our nation’s glorious capital. »

17 Jun 2006

HURWITZ: Exploring Haydn—A Listener’s Guide to Music’s Boldest Innovator

The world of J.S. Haydn is one gravely underappreciated and undervalued. He never earned the right to a 1980’s bio pic like Mozart or was appreciated and saluted in pop culture through early rock n’ roll like Beethoven. »

02 May 2006

BROPHY: Mozart the dramatist

Brigid Brophy (1929-1995) was a noted novelist and critic who was passionately interested in opera, and especially Mozart and his operas. »

05 Mar 2006

GALLO: Opera — The Basics

Is it possible to say something new and fresh about opera? While many books have been written about the artform, it is rare to find an introductory text that serves its subject well. »

10 Feb 2006

LEE: The Great Instrumental Works

This book is for any aficionado or lover of classical instrumental music. »

02 Feb 2006

DAVIES & JAHN: Care of the Professional Voice

This second edition, co-authored by D. Garfield Davies, Consultant Emeritus Otolaryngologist to The Middlesex and University College Hospitals, and Anthony F. Jahn, Professor of Clinical Otolaryngology, Columbia University College of Physicians and Surgeons, was published by Routledge in 2004. »

23 Jan 2006

KINDERMAN & SYER: A Companion to Wagner's Parsifal

Some twenty years ago, a leading German musicologist remarked that the music of Parsifal »

17 Jan 2006

IT MUST NOT HAVE BEEN EASY BEING MOZART

It must not have been an easy life, being Wolfgang Amadeus Mozart (1756-1791). Perhaps even more so after the fact when scholars began to do their research and “wanna bes” began their intimations and psychoanalyzing. In the more seventy-five years of Mozart scholarship and its coming of age, one must ask: How much more is there to learn, to research? »

14 Jan 2006

GASPAROV: Five Operas and a Symphony

This new volume from Yale University Press is one of those rare and treasured phenomena in Russian music scholarship that illuminate their subject from a new angle — that of cultural history. Indeed, Boris Gasparov's expressed goal in Five Operas and a Symphony is nothing less than turning the table on poetry, philosophy, and literary criticism that have for so long ruled the field of Slavic research, and elucidating them from a musical point of view. »

28 Dec 2005

SPITZER & ZASLAW: The Birth of the Orchestra — History of an Institution, 1650-1815

At a time when the press has made the public aware of the difficult circumstances that exist for the symphony orchestra in the United States, it is refreshing to find a book that demonstrates unequivocally the nature of that institution and, as a consequence, its power in culture. »

20 Nov 2005

Verdi's Macbeth — The Critical Edition

Shakespeare’s Macbeth is a weighty play, and Verdi’s Macbeth seems to be a weighty opera: the three volumes of this edition (two of the full score, plus a smaller Critical Commentary containing the critical notes and a description of the sources) weigh 16.6 pounds. It is remarkable to think that this is the first full score of either the 1847 original or the 1865 revised Macbeth ever published. »

07 Nov 2005

Méthodes & Traités, series II: France 1800-1860 (Les grandes méthodes romantiques de chant), Vol. IV

As far back as the Middle Ages, students (often only identified as Anonymous) have recorded the methods of performance imparted by their masters. In later centuries, such illustrious teachers wrote and published their own methods. »

27 Oct 2005

ALBRIGHT: Berlioz's Semi-Operas

This book examines two of the more interesting musical pieces of the Romantic movement: Romeo et Juliette (1839) and La damnation de Faust (1846). Both were composed by Hector Berlioz (1803-69), and were very much constructed in a Gesamtkunstwerk mode where literature, music, and the other arts are fused together in a hybrid style that defies genre and categorization. »

23 Oct 2005

PUCCINI: Tutti Libretti d'Opera

This is a collection of the original libretti to Puccini's Le Villi, Edgar, Manon Lescaut, La Bohème, Tosca, Madama Butterfly, La Fanciulla del West, La Rondine, Il Trittico (Gianni Schicchi, Il Tabarro, Suor Angelica), and Turandot in nine booklets within a cardboard slipcase. »