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Elsewhere

Garsington Opera transfers Falstaff from Elizabeth pomp to Edwardian pompousness

Bruno Ravella’s new production of Verdi's Falstaff for Garsington Opera eschews Elizabethan pomp in favour of Edwardian pompousness, and in so doing places incipient, insurgent feminism and the eternal class consciousness of fin de siècle English polite society centre stage.

Mascagni's Isabeau at Opera Holland Park: in conversation with David Butt Philip

Opera directors are used to thinking their way out of theatrical, dramaturgical and musico-dramatic conundrums, but one of the more unusual challenges must be how to stage the spectacle of a young princess’s naked horseback-ride through the streets of a city.

Grange Park Opera travels to America

The Italian censors forced Giuseppe Verdi and his librettist Antonio Somma to relocate their operatic drama of the murder of the Swedish King Gustav III to Boston, demote the monarch to state governor and rename him Riccardo, and for their production of Un ballo in maschera at Grange Park Opera, director Stephen Medcalf and designer Jamie Vartan have left the ‘ruler’ in his censorial exile.

Puccini’s La bohème at The Royal Opera House

When I reviewed Covent Garden’s Tosca back in January, I came very close to suggesting that we might be entering a period of crisis in casting the great Puccini operas. Fast forward six months, and what a world of difference!

Na’ama Zisser's Mamzer Bastard (world premiere)

Let me begin, like an undergraduate unsure quite what to say at the beginning of an essay: there were many reasons to admire the first performance of Na’ama Zisser’s opera, Mamzer Bastard, a co-commission from the Royal Opera and the Guildhall.

Les Arts Florissants : An English Garden, Barbican London

At the Barbican, London, Les Arts Florissants conducted by Paul Agnew, with soloists of Le Jardin de Voix in "An English Garden" a semi-staged programme of English baroque.

Die Walküre in San Francisco

The hero Siegfried in utero, Siegmund dead, Wotan humiliated, Brünnhilde asleep, San Francisco’s Ring ripped relentlessly into the shredded emotional lives of its gods and mortals. Conductor Donald Runnicles laid bare Richard Wagner’s score in its most heroic and in its most personal revelations, in their intimacy and in their exploding release.

Das Rheingold in San Francisco

Alberich’s ring forged, the gods moved into Valhalla, Loge’s Bic flicked, Wagner’s cumbersome nineteenth century mythology began unfolding last night here in Bayreuth-by-the-Bay.

ENO's Acis and Galatea at Lilian Baylis House

The shepherds and nymphs are at play! It’s end-of-the-year office-party time in Elysium. The bean-bags, balloons and banners - ‘Work Hard, Play Harder’ - invite the weary workers of Mountain Media to let their hair down, and enter the ‘Groves of Delights and Crystal Fountains’.

Lohengrin at the Royal Opera House

Since returning to London in January, I have been heartened by much of what I have seen - and indeed heard - from the Royal Opera.

Stéphane Degout and Simon Lepper

Another wonderful Wigmore song recital: this time from Stéphane Degout – recently shining in George Benjamin's new operatic masterpiece,

An excellent La finta semplice from Classical Opera

‘How beautiful it is to love! But even more beautiful is freedom!’ The opening lines of the libretto of Mozart’s La finta semplice are as contradictory as the unfolding tale is ridiculous. Either that master of comedy, Carlo Goldoni, was having an off-day when he penned the text - which was performed during the Carnival of 1764 in the Teatro Giustiniani di S. Moisè in Venice with music by Salvatore Perillo - or Marco Coltellini, the poeta cesareo who was entertaining the Viennese aristocracy in 1768, took unfortunate liberties with poetry and plot.

Pan-European Orpheus : Julian Prégardien

"Orpheus I am!" - An unusual but very well chosen collection of songs, arias and madrigals from the 17th century, featuring Julian Prégardien and Teatro del mondo. Devised by Andreas Küppers, this collection crosses boundaries demonstrating how Italian, German, French and English contemporaries responded to the legend of Orpheus and Eurydice.

Whatever Love Is: The Prince Consort at Wigmore Hall

‘We love singing songs, telling stories …’ profess The Prince Consort on their website, and this carefully curated programme at Wigmore Hall perfectly embodied this passion, as Artistic Director and pianist Alisdair Hogarth was joined by tenor Andrew Staples (the Consort’s Creative Director), Verity Wingate (soprano) and poet Laura Mucha to reflect on ‘whatever love is’.

Bryn Terfel's magnetic Mephisto in Amsterdam

It had been a while since Bryn Terfel sang a complete opera role in Amsterdam. Back in 2002 his larger-than-life Doctor Dulcamara hijacked the stage of what was then De Nederlandse Opera, now Dutch National Opera.

Laci Boldemann’s Opera Black Is White, Said the Emperor

We normally think of operas as being serious or comical. But a number of operas-some familiar, others forgotten-are neither of these. Instead, they are fantastical, dealing with such things as the fairy world and sorcerers, or with the world of dreams.

A volcanic Elektra by the Netherlands Radio Philharmonic

“There are no gods in heaven!” sings Elektra just before her brother Orest kills their mother. In the Greek plays about the cursed House of Atreus the Olympian gods command the banished Orestes to return home and avenge his father Agamemnon’s murder at the hands of his wife Clytemnestra. He dispatches both her and her lover Aegisthus.

A culinary coupling from the Guildhall School of Music and Drama

What a treat the London Music Conservatoires serve up for opera-goers each season. After the Royal Academy’s Bizet double-bill of Le docteur Miracle and La tragédie de Carmen, and in advance of the Royal College’s forthcoming pairing of Huw Watkins’ new opera, In the Locked Room, based on a short story by Thomas Hardy, and The Lighthouse by Peter Maxwell Davies, the Guildhall School of Music and Drama have delivered a culinary coupling of Paul Hindemith’s The Long Christmas Dinner and Sir Lennox Berkeley’s The Dinner Engagement which the Conservatoire last presented for our delectation in November 2006.

Così fan tutte: Opera Holland Park

Absence makes the heart grow fonder; or does it? In Così fan tutte, who knows? Or rather, what could such a question even mean?

The poignancy of triviality: Garsington Opera's Capriccio

“Wort oder Ton?” asks Richard Strauss’s final opera, Capriccio. The Countess answers with a question of her own, at the close of this self-consciously self-reflective Konversationstück für Musik: “Gibt es einen, der nicht trivail ist?” (“Is there any ending that isn’t trivial?”)


OPERA TODAY ARCHIVES »

Commentary

Nancy Carroll and Roger Allam
24 May 2018

The Moderate Soprano : Q&A with Nancy Carroll and Roger Allam

Nancy Carroll and Roger Allam play Audrey Mildmay and John Christie in David Hare’s play The Moderate Soprano which is currently at the Duke of York’s Theatre in London. »

Recently in Commentary

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27 Aug 2014

Dolora Zajick about her Institute for Young Dramatic Voices

"Although there are now more people on this planet than there have ever been before, there are fewer dramatic voices. Something is wrong with that equation. I thought there needs to be some sort of helping hand so that dramatic voices don’t fall through the cracks in the system as they advance through their various stages of development." »

17 Jun 2014

The Metropolitan Opera to cancel its Live in HD transmission of John Adams’s The Death of Klinghoffer scheduled for this fall

  »

13 Jun 2014

Anna Prohaska, one of Europe’s most promising sopranos

Anna Prohaska sings Sister Constance in Poulenc’s Dialogues des Carmélites at the Royal Opera House. In the same month, she’s also in London to sing a recital with Eric Schneider at the Wigmore Hall, and to sing Henze with Sir Simon Rattle at the Barbican Hall. »

03 Jun 2014

Garsington Opera’s 25th anniversary unites its past with its future

Garsington Opera celebrates its 25th anniversary this year.  »

29 May 2014

Annapolis Opera’s 26th Annual Vocal Competitions

Baritone Brandon Coleman’s mother, Linda, knew that 3-year old Brandon would be a great singer when a stranger who had heard him, predicted it. »

13 May 2014

Barbiere Comes to Sin City

Professional opera returns to the Las Vegas Valley June 6th and 8th with performances of one of the best-known comic operas of all time, Gioachino Rossini's Il Barbiere di Siviglia. »

13 Mar 2014

Jean-Paul Scarpitta in Montpellier

I met with the embattled artistic director of the Opéra et Orchestre National de Montepellier not to talk about his battles. I simply wanted to know the man who had cast and staged a truly extraordinary Mozart/DaPonte trilogy. »

12 Mar 2014

Interview: Tenor Saimir Pirgu — From Albania to Italy to LA

Maria Nockin interviews tenor Saimir Pirgu. »

20 Jan 2014

Claudio Abbado, Italian conductor, dies aged 80

Italian conductor Claudio Abbado, former principal conductor of the London Symphony Orchestra, has died aged 80 »

13 Jan 2014

Matthew Polenzani — Des Grieux, Manon, Royal Opera House

Matthew Polenzani reprises the role of the Chevalier des Grieux in Jules Massenet’s Manon at the Royal Opera House. “I love coming back to London”, he says, “It’s a very good house and they take care of you as a singer. And the level of music making is unbelievably high”.  »

26 Dec 2013

Season 2014 at San Diego Opera

On Saturday evening January 25, San Diego Opera opens its 2014 season with Ruggero Leoncavallo’s verismo blockbuster Pagliacci (Clowns).  »

07 Nov 2013

Maestro Joseph Rescigno Discusses The Flying Dutchman

The Flying Dutchman is a transitional piece because Wagner was only beginning to establish his style. He took some aspects from Carl Maria von Weber and others from Italian composers like Vincenzo Bellini. »

12 Sep 2013

Royal Opera House Announces Digital Theatre

The Royal Opera House has its own DVD arm, Opus Arte, and is developing quite a global following with its cinema broadcasts.  »

30 Aug 2013

Patricia Racette on Dolores Claiborne

On a personal level, I feel that Dolores is almost like Emmeline grown up. Their circumstances are not exactly parallel, but they are both women at very different points in their lives whose stories involve dilemmas with life-changing outcomes.  »

30 Aug 2013

Tobias Picker Talks About His New Opera Dolores Claiborne

With the help of Andrew Welch, a London theatrical producer who had adapted several of King’s works for the stage, including this one, I got the rights to both Dolores Claiborne and Misery.  »

19 Aug 2013

Dolora Zajick on New Opera Written for Her

On September 18, 2013, San Francisco Opera will present the world premiere of Tobias Picker’s opera, Dolores Claiborne, which has a libretto by J. D. McClatchy based on Stephen King’s novel of the same name.  »

13 Jul 2013

Ermonela Jaho — Singing and Character

Ermonela Jaho caused a sensation at Covent Garden in London five years ago, when she took over Violetta at short notice from Anna Netrebko.  »

09 Jun 2013

Ignite at Wigmore Hall

What do you get if you cross Benjamin Britten, ‘one-page scores’, an innovative performing ensemble and ‘Wigmore Learning’ — the Wigmore Hall’s imaginative outreach programme which aims to provide access to chamber music and song through innovative creative programmes, online resources and events? »

05 Jun 2013

Marseille, Capital of European Culture

Marseille woke up this past January 11 stunned to find itself number two on the New York Times list of 46 places you should visit in 2013 (Rio was number one, Paris just made the list at number 46). »

04 Jun 2013

Rossini Maometto Secondo at Garsington Opera - David Parry speaks

Garsington Opera at Wormsley is producing the British premiere of Giacomo Rossini´s Maometto Secondo. Garsington Opera is well-known for its role in reviving Rossini rarities in Britain. Since 1994, there have been 14 productions of 12 Rossini operas, and David Parry has conducted eleven since 2002. He´s very enthusiastic about Maometto Secondo.  »

17 May 2013

Michele Mariotti conducts La donna del lago

Rossini’s La donna del Lago at the Royal Opera House boasts a superstar cast. Joyce DiDonato and Juan Diego Flórez are perhaps the best in these roles in the business at this time. Yet the conductor Michele Mariotti is also hot news.  »

01 May 2013

Kate Lindsey at Glyndebourne

It would seem a logical step for the mezzo-soprano Kate Lindsey to take on the role of the Composer in Richard Strauss’s Ariadne auf Naxos. »

29 Apr 2013

Douglas Boyd on Garsington Opera at Wormsley

“Aim for excellence”, says Douglas Boyd, new Artistic Director of Garsington Opera at Wormsley, “and the audience will follow you”.  »

23 Apr 2013

A Chat with Aida Designer Zandra Rhodes

When I spoke with Zandra Rhodes, she was in her large San Diego workspace, which she described as having walls decorated with her own huge black and white drawings.  »

05 Mar 2013

An Interview with Virginia Zeani

Palm Beach audiences are famous for their glamour, but in recent years a special star has sparkled amid the jewels, sequins, feathers and furs (whatever the weather).  »

03 Mar 2013

Bel Canto Queen Jessica Pratt

When the soprano Jessica Pratt first arrived in Italy, she had yet to learn the language or sing in a staged opera.  »

02 Mar 2013

James Conlon Renews Contract with LA Opera

On Wednesday evening, February 20, Los Angeles Opera gave a press conference at the Dorothy Chandler Pavilion featuring Music Director James Conlon.  »

13 Feb 2013

The New Season at Teatro Real

It is another “What Could Have Been” moment. The debut of Brokeback Mountain by Charles Wuorinen is part of Madridʼs Teatro Real coming season. »

11 Feb 2013

Festival d’Aix en Provence 2013

Plans for July’s Aix-en-Provence Festival were announced and opera is, of course, at the center of the program with a particularly noteworthy Richard Strauss production.  »

06 Feb 2013

Amsterdam Welcomes Stanislavski Opera

Amsterdam enjoys a rare visit from Moscow’s Stanislavski Opera at the landmark Koninklijk Carre Theater, for three performances of Tchaikovski’s Eugene Onegin and a Sunday morning opera concert, on February 1st-3rd. »

01 Jan 2013

A New Festival Hall for Erl

A new festival hall has been inaugurated in the small town of Erl in the Tyrolean mountains.  »

28 Nov 2012

Rome Opera Opens New Season

Yesterday, Conductor Riccardo Muti opened the Rome Opera, where he is “honorary conductor for life,” with a gala presentation of Verdi’s Simon Boccanegra.  »

10 Nov 2012

Michael Spyres: Star Ascendant

When tenor Michael Spyres takes the stage at Carnegie Hall on December 5th, he will be in heady company. »

15 Oct 2012

Rewriting the Unwritten Law: Gilliam and Ghent Tackle Damnation

One of the most noteworthy and controversial productions in recent memory arrived in Belgium with hurricane force as Director Terry Gilliam’s inaugural opera, an inspired interpretation of Hector Berlioz’s Le Damnation de Faust, blasted into Ghent, followed by a run in Antwerp. »

09 Oct 2012

Florian Boesch on Schubert’s Die schöne Müllerin

Florian Boesch is singing Schubert’s Die Schöne Müllerin at the Oxford Lieder Festival on Sunday 14th October. This won’t be routine. Radically challenging conventional interpretation, Boesch says “I don’t believe it ends in suicide” »

05 Oct 2012

Exciting Glyndebourne 2013 season

Exciting developments at Glyndebourne ! Many new initiatives which could transform Glyndebourne from a summer festival to a truly international, year-round opera experience.  »

28 Sep 2012

Good News for Opera in Barcelona

The recently released numbers for the past season at Barcelona’s opera Liceu gives some hope for the future.  »

12 Sep 2012

New Attendance Record for Salzburg

A record 278,978 people attended events of the 2012 edition of the famed Salzburg Festival in Austria, the largest number since its founding 92 years ago. »

13 Aug 2012

Another Bayreuth Stunner

Just after things were settling after the scandal of baritone Evgeny Nitikin supposed swastika tattoo at the Bayreuth Festival, another one seems likely to take its place.  »

08 Aug 2012

Opera Tomorrow: Wolf Trap Today

Three quarters of the way through this discussion, a question that inhabits the mind of anyone putting any thought to the subject — but no one dare ask — was rhetoricised, “what is opera?”  »

30 Jul 2012

Laurent Pelly on Glyndebourne's Ravel Double Bill

The Glyndebourne Festival highlight this year could be the Ravel double bill - L’heure espagnole and L'enfant et les sortilèges. Laurent Pelly directs. Anyone who saw his brilliant Humperdinck Hansel und Gretel at Glyndebourne in 2008 will know what to expect - a staging of great imagination and verve, true to the spirit of the composer. »

18 Jul 2012

Changes at Florida Grand Opera

Effective July 30, Cassidy E. Fitzpatrick will be the new artistic administrator of Florida Grand Opera. a position open since the dismissal of Kelly Anderson last year. »

07 Jul 2012

Changes in Bratislava

A change of leadership has been announced today by Bratislava’s Slovak National Theatre. In the opera division, famed tenor Peter Dvorsky, the current artistic director, is to be replaced on August 1st by the Austrian conductor Friedrich Haider.  »

04 Jul 2012

Honors for Bayreuth’s “other” house

Bayreuth’s opera house has been awarded the honor of UNESCO World Heritage status. If you think that means Wagner’s festival house in the same city, with its excellent acoustics and uncomfortable seats, you will be mistaken. »

04 Jul 2012

Continued Progress at the Vienna State Opera

In his second season, intendant Dominique Meyer has chalked up increases both in tickets sold and earnings at the Vienna State Opera.  »

03 Jul 2012

Lots of Loose Ends in Cologne

The fall-out from the very public display of anger on both sides continues in Cologne. Uwe Erich Laufenberg, 51, director of the city’s opera, one of the leading operas in Germany, was fired with immediate effect on June 22.  »

26 Jun 2012

Bavarian State Opera Renews Nicolas Bachler’s Contract

Nicolas Bachler, intendant of the Bavarian State Opera, has had his contract extended through August 2018.  »

09 Jun 2012

Duisburg Petition Drive Proves Strong Support for Local Opera

Amidst crucial, ongoing financial concerns about future funding for opera and ballet throughout Germany’s highly populous North Rhein-Westphalia region, a diverse gathering at the Duisburg Theatre verified sincere grassroots support for Deutsche Oper Am Rhein and the current partnership with nearby Dusseldorf. »

31 May 2012

More Delays for the Berlin State Opera

The re-opening of Berlin State Opera Unter den Linden has been set back for another year.  »