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Elsewhere

Die Meistersinger von Nürnberg, Kaufmann, Munich

Die Meistersinger at the theatre in which it was premiered, on Wagner’s birthday: an inviting prospect by any standards, still more so given the director, conductor, and cast, still more so given the opportunity to see three different productions within little more than a couple of months).

Janáček, The Makropulos Case, Bavarian State Opera

Opera houses’ neglect of Janáček remains one of the most baffling of the many baffling aspects of the ‘repertoire’. At least three of the composer’s operas would be perfect introductions to the art form: Jenůfa, Katya Kabanova, or The Cunning Little Vixen would surely hook most for life. From the House of the Dead might do likewise for someone of a rather different disposition, sceptical of opera’s claims and conventions.

Il barbiere di Siviglia at Glyndebourne

Director Annabel Arden believes that Rossini’s Il barbiere di Siviglia is ‘all about playfulness, theatricality, light and movement’. It’s certainly ‘about’ those things and they are, as Arden suggests, ‘based in the music’.

Oedipe at Covent Garden

George Enescu’s Oedipe was premiered in Paris 1936 but it has taken 80 years for the opera to reach the stage of Covent Garden. This production by Àlex Ollé (a member of the Catalan theatrical group, La Fura Dels Baus) and Valentina Carrasco, which arrives in London via La Monnaie where it was presented in 2011, was eagerly awaited and did not disappoint.

Gounod’s Roméo et Juliette at Lyric Opera, Chicago

Lyric Opera of Chicago staged Charles Gounod’s Roméo et Juliette as the last opera in its current subscription season.

L’incoronazione di Poppea, RAO

‘The plot is perhaps the least moral in all opera; wrong triumphs in the name of love and we are not expected to mind.’

Madame Butterfly , ENO

Anthony Minghella’s production of Madame Butterfly for ENO is wearing well. First seen in 2005, it is now being aired for the sixth time and is still, as I observed in 2013, ‘a breath-taking visual banquet’.

An interview with Tobias Ringborg

I arrive at the Jerwood Space, where rehearsals are underway for Garsington Opera’s forthcoming production of Idomeneo, to find that the afternoon rehearsal has finished a little early.

Valiant but tentative: La straniera at the Concertgebouw

This concert version of La straniera felt like a compulsory musicology field trip, but it had enough vocal flashes to lobby for more frequent performances of this midway Bellini.

London Festival of Baroque Music 2016: Words with Purcell

As poetry is the harmony of words, so music is that of notes; and as poetry is a rise above prose and oratory, so is music the exaltation of poetry.

The Dark Mirror: Zender’s Winterreise

From experiments with musique concrète in the 1940s, to the Minimalists’ explorations into tape-loop effects in the 1960s, via the appearance of hip-hop in the 1970s and its subsequent influence on electronic dance music in the 1980s, to digital production methods today, ‘sampling’ techniques have been employed by musicians working in genres as diverse as jazz fusion, psychedelic rock and classical music.

Great Scott Wows San Diego

On May 7, 2016, San Diego Opera presented the West Coast premiere of Great Scott, an opera by Terrence McNally and Jake Heggie. McNally’s original libretto pokes fun at everything from football to bel canto period opera. It includes snippets of nineteenth century tunes as well as Heggie's own bel canto writing.

Bellini’s Adelson e Salvini, London

A foiled abduction, a castle-threatening inferno, romantic infatuation, guilt-laden near-suicide, gun-shots and knife-blows: Andrea Leone Tottola’s libretto for Vincenzo Bellini’s first opera, Adelson e Salvini, certainly does not lack dramatic incident.

Manitoba Opera: Of Mice and Men

Opera as an art form has never shied away from the grittier shadows of life. Nor has Manitoba Opera, with its recent past productions dealing with torture, incest, murder and desperate political prisoners still so tragically relevant today.

Opera Las Vegas Announces Full Production of Carmen

Tickets on Sale NOW for June 10 & 12 Performances at UNLV’s Performing Arts Center Box Office

The Rose and the Ring

Published in 1855 as an entertainment for his two daughters, William Makepeace Thackeray’s The Rose and the Ring is a burlesque fairy-tale whose plot — to the author’s wilful delight, perhaps — defies summation and elucidation.

The Lighthouse at San Francisco’s Opera Parallèle

What more fitting memorial for composer Peter Maxwell Davies (d. 03/14/2016) than a splendid performance of The Lighthouse, the third of his eight works for the stage.

King’s Consort at Wigmore Hall

I suspect that many of those at the Wigmore Hall for The King’s Consort’s performance of the La Senna festeggiante (The Rejoicing Seine) were lured by the cachet of ‘Antonio Vivaldi’ and further enticed by the notion of a lover’s serenade at which the generic term ‘serenata’ seems to hint.

Bampton Classical Opera 2016

A Double-Bill of Divine Comedies

Kathleen Ferrier Awards 2016

Having enjoyed superb singing by a young cast of soloists in Classical Opera’s UK premiere of Jommelli’s Il Vogoleso the previous evening, I was delighted that the 2016 Kathleen Ferrier Awards Final at the Wigmore Hall confirmed the strength and depth of talent possessed by the young singers studying in and emerging from our academies and conservatoires.


OPERA TODAY ARCHIVES »

Commentary

Tobias Ringborg [Photo by Ryan Garrison]
21 May 2016

An interview with Tobias Ringborg

I arrive at the Jerwood Space, where rehearsals are underway for Garsington Opera’s forthcoming production of Idomeneo, to find that the afternoon rehearsal has finished a little early. »

Recently in Commentary

All Pages |  1  |  2  |  3  |  4  |  5  |  6  |  7  |  8  |  9  |  10  |  11  |  12 
10 Apr 2011

Paata Burchuladze, The Tsar’s Bride, London

“A tale of corruption, passion and poisoning”, as the Royal Opera House, London, describes its first-ever production of Rimsky-Korsakov’s The Tsar’s Bride, with Paata Burchuladze, highly experienced in this repertoire.  »

01 Apr 2011

From the Field to the Stage

“All the world’s a stage” and for Morris Robinson the translation was literal. From the football field to the grand opera he managed to make few stage set changes along the way. »

20 Feb 2011

Virginia Arts recalls Civil War

For geography buffs the Rappahannock is a river that flows from Virginia’s Blue Ridge Mountains to Chesapeake Bay.  »

01 Feb 2011

Real Opera In New Jersey

In an episode of the series West Wing, political strategist Josh Lyman (played by Bradley Whitford) visits his friend and speech writer Sam Seaborn (Rob Lowe) in New York City before heading to New Hampshire for a promising candidate’s campaign speech.  »

31 Jan 2011

Elizabeth Futral — An Interview

Elizabeth Futral has established herself as one of the major coloratura sopranos in the world today. With her stunning vocalism and vast dramatic range, she has embraced a diverse repertoire that includes Vivaldi, Handel, Mozart, Bellini, Donizetti, Rossini, Verdi, Glass, and Previn. »

31 Jan 2011

Elisabeth Meister — An Interview

British soprano, Elisabeth Meister, is a rare combination of pragmatism, serious intent, personal warmth and infectious energy.  »

31 Dec 2010

Andrea Clearfield — An Interview

Composer and pianist Andrea Clearfield is a fundamental presence on the contemporary music scene in Philadelphia, with a long collaboration with the Relâche Ensemble to her credit, as well as a monthly salon in her home (with close to 25 years of concerts) that brings together artists from various disciplines, not only music.  »

09 Dec 2010

Renée Fleming Named By Lyric Opera Of Chicago First Ever Creative Consultant

December 9, 2010 CHICAGO – The Board of Directors of Lyric Opera of Chicago announced today that soprano RENÉE FLEMING has been named Creative Consultant, a first in this company’s history.  »

06 Dec 2010

Rodney Waschka — An Interview

Rodney Waschka is a professor at North Carolina State University in Raleigh, where his multifarious activities are fundamental to the presence of contemporary music in the state.  »

18 Nov 2010

Stellan Sagvik: An Interview

Swedish composer Stellan Sagvik is a protean figure with a large and diverse body of work ranging from works for solo flute (most recently written for his wife, Kinga Práda), to chamber music — five string quartets, with another on the way, and symphonies, operas and choral music.  »

07 Nov 2010

New Adriana Lecouvreur in London — Alessandro Corbelli

A completely new production of Francesco Cilea’s Adriana Lecouvreur is coming to the Royal Opera House, London.  »

03 Nov 2010

Overture to London’s Handel Festival 2011

The small but perfectly formed Grosvenor Chapel in London’s exclusive Mayfair was the venue last Monday night for a programme of Handel vocal and instrumental music of considerable quality — if minimal quantity.  »

03 Nov 2010

Marcela Pavia — An Interview

Composer Marcela Pavia was born and raised in Rosario, Argentina, and comes from a family of Italian immigrants.  »

13 Oct 2010

Joan Sutherland: My Starter Diva

I was sixteen and knew nothing about opera, had just seen my first Traviata at the City Opera (Patricia Brooks, Placido Domingo), was entranced by the melodies — especially the Brindisi and “Sempre libera” — and wanted more.  »

10 Oct 2010

Oxford Lieder Festival 2010

The Oxford Lieder Festival is small, but is extremely important. It's quite an achievement, extremely well organized and comprehensive, a model for intelligently-presented festivals of any kind.  »

24 Sep 2010

Pierre Jalbert: An Interview

Composer Pierre Jalbert (b.1967), of French Canadian ancestry, was born and raised in northern New England, and studied composition at Oberlin Conservatory and at the University of Pennsylvania, where he worked with George Crumb.  »

13 Sep 2010

Kate Lindsey: An Interview

This season Santa Fe Opera offered new productions that ranged from standard repertoire (Madame Butterfly and The Magic Flute) to a world premiere (Lewis Spratlan’s Life is a Dream) with The Tales of Hoffmann and Albert Herring falling somewhere amidst.  »

13 Sep 2010

Bruce Adolphe: An Interview

Bruce Adolphe, born and raised in the New York area, a student of composition at Juilliard in the sixties and seventies, has an impressive body of work commissioned by artists known on every continent, and was chosen by the Music Library Association to write a piece for brass (Triskelion) marking the sixtieth anniversary of the Association, premiered by the American Brass Quintet at the national meeting in Indianapolis in February, 1991.  »

12 Sep 2010

Mohammed Fairouz: An Interview

As one of the most sought after composers of the young generation, Mohammed Fairouz has many commissions and a substantial body of work, and maintains a busy performance schedule. »

09 Sep 2010

Jacques Imbrailo, Malatesta at the Royal Opera House

Jacques Imbrailo sings Dr Malatesta in Donizetti’s Don Pasquale at the Royal Opera House, London »

24 Aug 2010

Robert Baksa — An Interview by Tom Moore

Robert Baksa is a name that is well-known to lovers of contemporary chamber music, with a hundred chamber works to his credit.  »

07 Jul 2010

Daniel Catán: An Interview by Maria Nockin

“You want to frame the voice in such a way that it shines.”— Daniel Catán »

01 Jul 2010

Baritone Austin Kness on his way

Baritone Austin Kness, an Adler Fellow at San Francisco Opera recently spoke with Opera Today critic Michael Milenski.  »

28 Jun 2010

Jay Reise: An Interview by Tom Moore

Jay Reise is one of the senior musical figures in Philadelphia, serving on the composition faculty of the University of Pennsylvania since 1980.  »

19 Jun 2010

Christine Brewer: An Interview by Maria Nockin

On 7 June 2010, I spoke with Christine Brewer who was enjoying a relatively free week at her home near St. Louis, Missouri, after long months of air travel between concerts, recitals and operatic performances.  »

17 Jun 2010

Polishing Gemstones — Jette Parker Young Artists

Opera stars are made as well as born. The Royal Opera House Jette Parker Young Artists Programme shapes the stars of the future.  »

07 Jun 2010

Jurgita Adamonytė: An Interview

‘Focussed and pure of tone’, ‘beautifully steady’, ‘pure clarity and note perfection’ — just some of the accolades bestowed on the Lithuanian mezzo soprano Jurgita Adamonytė for her recent performances of Mozart.  »

04 Jun 2010

Aris Argiris debuts as Escamillo in the Royal Opera House's Carmen

Aris Argiris makes his debut at Covent Garden as Escamillo in Bizet’s Carmen. But this is unusually high-profile because it's a first, being filmed in 3D. »

03 Jun 2010

Olja Jelaska: An Interview by Tom Moore

Olja Jelaska (b. 1967) is an important figure in the younger generation of composers from Croatia.  »

01 Jun 2010

Juan Trigos: An Interview by Tom Moore

Juan Trigos, composer and conductor, was born and raised in Mexico City, where his father, also Juan Trigos, is a noted playwright and novelist.  »

18 May 2010

Robert Maggio — An Interview by Tom Moore

Composer Robert Maggio is professor of composition at West Chester University (in suburban Philadelphia).  »

17 May 2010

Elena Ruehr: An Interview by Tom Moore

According to her web site, Elena Ruehr has been called a “composer to watch” by Opera News, and her music has been described as “stunning...beautifully lighted by [a] canny instinct for knowing when and how to vary key, timbre, and harmony” by The Boston Globe. »

03 May 2010

Central City: the little opera company that can

You don’t have to be Asian to sing Madama Butterfly, but if you’ve got a top soprano from that part of the world, it adds another dimension of reality to Puccini’s tear-drenched verismo.  »

24 Apr 2010

Shadowboxer, the opera

The Clarice Smith Performing Arts Center at the University of Maryland — College Park is presenting Shadowboxer, an opera based on the life of Joe Louis, with music composed by Frank Proto to a libretto by John Chenault. »

22 Apr 2010

Stephen Jaffe: an Interview by Tom Moore

Composer Stephen Jaffe is the Mary and James H. Semans Professor of Music Composition at Duke University. We spoke in his office there in Durham NC on June 25, 2007. »

22 Apr 2010

Micaela Carosi sings Aida in a new production at the Royal Opera House, London

Micaela Carosi, the Verdi specialist, has created Aida many times, so she’s closely attuned to the role. The new production, at the Royal Opera House, London, though, is different. “It’s like singing Aida for the first time”, she says, her eyes sparkling. »

20 Apr 2010

Osmo Tapio Räihälä: An interview by Tom Moore

Osmo Tapio Räihälä is a Finnish composer of contemporary music, and was the founder of Uusinta, a collaborative group of composers and musicians. »

10 Apr 2010

Lance Hulme: An interview by Tom Moore

Composer Lance Hulme studied composition at the University of Minnesota, Yale University, and the Eastman School of Music, and returned to the United States recently, where he lives presently in Greensboro, North Carolina, after two decades in Mitteleuropa, where he founded and directed the contemporary music ensemble Ensemble Surprise.  »

10 Apr 2010

Anna Weesner: An interview by Tom Moore

Anna Weesner is an American composer who grew up in rocky New Hampshire, and now teaches in historic Philadelphia.  »

10 Apr 2010

Timothy Andres: An interview by Tom Moore

Composer and pianist Timothy Andres is in his mid-twenties, with an impressive catalog of works to his credit, many of which can be heard at his website.  »

03 Mar 2010

Sophia Serghi — An Interview

Composer Sophia Serghi is presently professor of music at the College of William and Mary in Williamsburg, Virginia, where she has taught since 1998, with two years away in 2000-2002. »

28 Feb 2010

Kurt Streit takes on Tamerlano, Royal Opera House, London

Kurt Streit is singing Bazajet in all performances of Handel’s Tamerlano at the Royal Opera House, London. Placido Domingo, who was to have sung five of the seven performances, pulled out suddenly due to illness.  »

10 Feb 2010

Gabriela Ortiz — An Interview

Composer Gabriela Ortiz studied composition in Mexico City with Mario Lavista at the National Conservatory of Music, at the Guildhall School with Robert Saxton, and at the University of London with Simon Emmerson.  »

25 Jan 2010

Kerry Andrew — An Interview

Kerry Andrew is a young British composer who seems to have her finger in an astounding number of pies, from modern sacred choral music to alt-folk, and including vocal chamber ensemble music and jazz. We talked via Skype on Jan. 12, 2010.  »

18 Jan 2010

Neal Goren of Gotham Chamber Opera: An Interview

The thing you need in order to start an arts organization, even more than a great deal of money, is a whirlwind – an individual with unstoppable energy who can put it all together and keep it working through thin times and thick.  »

13 Jan 2010

Collection of Italian Opera Libretti Now Accessible at Harry Ransom Center

AUSTIN, Texas — A major collection of Italian opera libretti is now accessible through an online database at the Harry Ransom Center, a humanities research library and museum at The University of Texas at Austin.  »