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Elsewhere

Tosca in San Francisco

The story was bigger than its actors, the Tosca ritual was ignored. It wasn’t a Tosca for the ages though maybe it was (San Francisco’s previous Tosca production hung around for 95 years). P.S. It was an evening of powerful theater, and incidentally it was really good opera.

Fine performances in uneven War Requiem at the Concertgebouw

At the very least, that vehement, pacifist indictment against militarism, Benjamin Britten’s War Requiem, should leave the audience shaking a little. This performance by the Royal Concertgebouw Orchestra only partially succeeded in doing so. The cast credits raised the highest expectations, but Gianandrea Noseda, stepping in for an ailing Mariss Jansons and conducting the RCO for the first time, did not bring out the full potential at his disposal.

The Tallis Scholars at Cadogan Hall

In their typical non-emphatic way, the Tallis Scholars under Peter Phillips presented here a selection of English sacred music from the Eton Choirbook to Tallis. There was little to ruffle anyone’s feathers here, little in the way of overt ‘interpretation’ – certainly in a modern sense – but ample opportunity to appreciate the mastery on offer in this music, its remoteness from many of our present concerns, and some fine singing.

Dido and Aeneas: Academy of Ancient Music

“Remember me, but ah! forget my fate.” Well, the spectral Queen of Carthage atop the poppy-strewn sarcophagus wasn’t quite yet “laid in earth”, but the act of remembering, and remembrance, duly began during the first part of this final instalment of the Academy of Ancient Music’s Purcell trilogy at the Barbican Hall.

Poignantly human – Die Zauberflöte, La Monnaie

Mozart Die Zauberflöte (The Magic Flute) at La Monnaie /De Munt, Brussels, conducted by Antonello Manacorda, directed by Romeo Castellucci. Part allegory, part Singspeile, and very much a morality play, Die Zauberflöte is not conventional opera in the late 19th century style. Naturalist realism is not what it's meant to be. Cryptic is closer to what it might mean.

Covent Garden: Wagner’s Siegfried, magnificent but elusive

How do you begin to assess Covent Garden’s Siegfried? From a purely vocal point of view, this was a magnificent evening; it’s hard not to reach the conclusion that this was as fine a cast as you are likely to hear anywhere today.

Powerful Monodramas: Zender, Manoury and Schoenberg

The concept of the monologue in opera has existed since the birth of opera itself, but when we come to monodramas - with the exception of Rousseau’s Pygmalion (1762) - we are looking at something that originated at the beginning of the twentieth century.

ENO's Salome both intrigues and bewilders

Femme fatale, femme nouvelle, she-devil: the personification of patriarchal castration-anxiety and misogynistic terror of female desire.

In the Company of Heaven: The Cardinall's Musick at Wigmore Hall

Palestrina led from the front, literally and figuratively, in this performance at Wigmore Hall which placed devotion to the saints at its heart, with Saints Peter, Paul, Catherine of Alexandria, Bartholomew and the Virgin Mary all musically honoured by The Cardinall’s Musick and their director Andrew Carwood.

Roberto Devereux in San Francisco

Opera’s triple crown, Donizetti’s tragic queens — Anna Bolena who was beheaded by her husband Henry VIII, their daughter Elizabeth I who beheaded her rival Mary, Queen of Scots and who executed her lover Roberto Devereux.

O18: Queens Tries Royally Hard

Opera Philadelphia is lightening up the fare at its annual festival with a three evening cabaret series in the Theatre of Living Arts, Queens of the Night.

O18 Magical Mystery Tour: Glass Handel

How to begin to quantify the wonderment stirred in my soul by Opera Philadelphia’s sensational achievement that is Glass Handel?

Magic Lantern Tales: darkness, disorientation and delight from Cheryl Frances-Hoad

“It produces Effects not only very delightful, but to such as know the contrivance, very wonderful; so that Spectators, not well versed in Opticks, that could see the various Apparitions and Disappearances, the Motions, Changes and Actions, that may this way be presented, would readily believe them super-natural and miraculous.”

A lunchtime feast of English song: Lucy Crowe and Joseph Middleton at Wigmore Hall

The September sunshine that warmed Wigmore Street during Monday’s lunch-hour created the perfect ambience for this thoughtfully compiled programme of seventeenth- and twentieth-century English song presented by soprano Lucy Crowe and pianist Joseph Middleton at Wigmore Hall.

O18: Mad About Lucia

Opera Philadelphia has mounted as gripping and musically ravishing an account of Lucia di Lammermoor as is imaginable.

O18 Poulenc Evening: Moins C’est Plus

In Opera Philadelphia’s re-imagined La voix humaine, diva Patricia Racette had a tough “act” to follow ...

O18: Unsettling, Riveting Sky on Swings

Opera Philadelphia’s annual festival set the bar very high even by its own gold standard, with a troubling but mesmerizing world premiere, Sky on Wings.

Vaughan Williams: A Sea Symphony — Martyn Brabbins BBCSO

From Hyperion, an excellent new Ralph Vaughan Williams A Sea Symphony with Martyn Brabbins conducting the BBC Symphony Orchestra and BBC Symphony Chorus, Elizabeth Llewellyn and Marcus Farnsworth soloists. This follows on from Brabbins’s highly acclaimed Vaughan Williams Symphony no 2 "London" in the rarely heard 1920 version.

Simon Rattle — Birtwistle, Holst, Turnage, and Britten

Sir Simon Rattle and the London Symphony Orchestra marked the opening of the 2018-2019 season with a blast. Literally, for Sir Harrison Birtwistle's new piece Donum Simoni MMXVIII was an explosion of brass — four trumpets, trombones, horns and tuba, bursting into the Barbican Hall. When Sir Harry makes a statement, he makes it big and bold !

OSJ: A Funny Thing Happened on the Way to the Harem

Opera San Jose kicked off its 35th anniversary season with a delectably effervescent production of their first-ever mounting of Mozart’s youthful opus, The Abduction from the Seraglio.


OPERA TODAY ARCHIVES »

Commentary

ROH new exterior
19 Sep 2018

The Royal Opera House lets everyone in on the act

The Royal Opera House today opens the doors to its transformed new home, following an extensive three-year construction project. »

Recently in Commentary

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08 Aug 2012

Opera Tomorrow: Wolf Trap Today

Three quarters of the way through this discussion, a question that inhabits the mind of anyone putting any thought to the subject — but no one dare ask — was rhetoricised, “what is opera?”  »

30 Jul 2012

Laurent Pelly on Glyndebourne's Ravel Double Bill

The Glyndebourne Festival highlight this year could be the Ravel double bill - L’heure espagnole and L'enfant et les sortilèges. Laurent Pelly directs. Anyone who saw his brilliant Humperdinck Hansel und Gretel at Glyndebourne in 2008 will know what to expect - a staging of great imagination and verve, true to the spirit of the composer. »

18 Jul 2012

Changes at Florida Grand Opera

Effective July 30, Cassidy E. Fitzpatrick will be the new artistic administrator of Florida Grand Opera. a position open since the dismissal of Kelly Anderson last year. »

07 Jul 2012

Changes in Bratislava

A change of leadership has been announced today by Bratislava’s Slovak National Theatre. In the opera division, famed tenor Peter Dvorsky, the current artistic director, is to be replaced on August 1st by the Austrian conductor Friedrich Haider.  »

04 Jul 2012

Honors for Bayreuth’s “other” house

Bayreuth’s opera house has been awarded the honor of UNESCO World Heritage status. If you think that means Wagner’s festival house in the same city, with its excellent acoustics and uncomfortable seats, you will be mistaken. »

04 Jul 2012

Continued Progress at the Vienna State Opera

In his second season, intendant Dominique Meyer has chalked up increases both in tickets sold and earnings at the Vienna State Opera.  »

03 Jul 2012

Lots of Loose Ends in Cologne

The fall-out from the very public display of anger on both sides continues in Cologne. Uwe Erich Laufenberg, 51, director of the city’s opera, one of the leading operas in Germany, was fired with immediate effect on June 22.  »

26 Jun 2012

Bavarian State Opera Renews Nicolas Bachler’s Contract

Nicolas Bachler, intendant of the Bavarian State Opera, has had his contract extended through August 2018.  »

09 Jun 2012

Duisburg Petition Drive Proves Strong Support for Local Opera

Amidst crucial, ongoing financial concerns about future funding for opera and ballet throughout Germany’s highly populous North Rhein-Westphalia region, a diverse gathering at the Duisburg Theatre verified sincere grassroots support for Deutsche Oper Am Rhein and the current partnership with nearby Dusseldorf. »

31 May 2012

More Delays for the Berlin State Opera

The re-opening of Berlin State Opera Unter den Linden has been set back for another year.  »

30 May 2012

Lyric Opera Posts Annual Report

The Lyric Opera of Chicago announced their financial figures in their annual report and “balanced its budget” for the 2011-2012 season, according to general director Anthony Freud.  »

30 May 2012

Thunder Storm at the Theater an der Wien

Conflicts like this usually remain inside opera house walls. The three Viennese daily newspapers carried headlines reporting that Oscar-winning director William Friedkin called the intendant of the Theater an der Wien a “liar.”  »

26 May 2012

Garsington Opera at Wormsley

Director David Freeman tells why this is an event worth experiencing in the Olympic year.  »

09 May 2012

Torsten Kerl to Perform Tannhäuser

Casting changes continue at the Bayreuth Festival, now only three months away.  »

02 May 2012

The Kathleen Ferrier Awards 2012

This year’s Kathleen Ferrier Awards final was both a competition and a celebration, marking as it did the centenary anniversary of the great singer’s birth. »

26 Apr 2012

Christopher Koelsch Tapped by LA Opera

Christopher Koelsch has been tapped Wednesday as the new president and chief executive officer of the Los Angeles Opera. Koelsch, 41, was the opera’s chief financial officer and will take the new post September 15. »

24 Apr 2012

Ignacio Garcia-Belenguer Appointed

Ignacio Garcia-Belenguer, 45, has been named as the new general manager of Madrid’s opera, Teatro Real.  »

24 Apr 2012

Uwe Eric Laufenberg Resigns

The director of the Cologne Opera, Uwe Eric Laufenberg, has confirmed at the press conference this afternoon that he will leave his post at the end of the coming season. His contract runs until 2016. »

23 Apr 2012

Denoke Bows Out of Bayreuth

Soprano Angela Denoke announced on Wednesday that she would not be appearing as Brünnhilde, one of the critically important roles, at the 2013 Bayreuth Festival Ring Cycle.  »

18 Apr 2012

Cologne Opera to Cancel Next Season?

On Tuesday evening, Cologne Opera’s director indicated he was planning to cancel the next season, 2012-2013.  »

17 Apr 2012

Chinese Conductor to Lead Italian Opera

The Chinese conductor and pianist Xu Zhong will be the new artistic director of an Italian opera house, the Teatro Massimo Bellini in Catania.  »

17 Apr 2012

Mishap at the Musikfreunde

Tenor Johan Botha had just started carving his steak when his phone rang. A director of Vienna’s Gesellschaft der Musikfreunde was on the line with an emergency request.  »

12 Apr 2012

International HD Broadcast of Rigoletto by Royal Opera House

The Royal Opera House started doing opera and ballet broadcasts before many other houses, and is now expanding its schedule. On April 17th, Verdi’s Rigoletto is being streamed live in over 600 cinemas in 21 countries.  »

31 Mar 2012

Gerald Barry: The Importance of Being Earnest

Irish composer Gerald Barry’s opera The Importance of Being Earnest premieres at the Barbican, London on April 26th. It is a joint commission between the Barbican and the Los Angeles Philharmonic.  »

24 Mar 2012

Royal Opera House 2012-13 season

“Opera is an emotional fitness centre”, says Kasper Holten, new Director of Opera, announcing the Royal Opera House 2012-13 season which mixes daring with prudence. »

19 Mar 2012

Metropolitan Opera National Council Grand Finals Concert

A major part of the rejuvenation of opera in the 21st century is the cultivation of young singers.  »

09 Mar 2012

The Los Angeles Opera — A Cultural Icon in Downtown LA

Los Angeles is often identified as “tinsel town,” a cultural wasteland. The city has long been considered as artistically irrelevant. Nothing could be further from the truth, especially with the arrival of the Los Angeles Opera in 1984. »

29 Feb 2012

Gran Teatre del Liceu Reverses Course

Barcelona’s opera, the Gran Teatre del Liceu, has reversed course and restored cuts in the current season made earlier this month.  »

27 Feb 2012

The Opera House that Almost Wasn’t — Le Palais Garnier in Paris

One of the main performing arts venues for opera, ballet and modern dance is Le Palais Garnier in Paris.  »

26 Feb 2012

Bryan Hymel, Rusalka’s Prince

New Orleans native Bryan Hymel is singing the role of The Prince in Antonin Dvořák's Rusalka at the Royal Opera House, London. »

21 Feb 2012

Victoires de la Musique Classique 2012

Last night’s French classical music awards show, the Victoires de la Musique Classique 2012, awarded the “Best Composer of the Year” honors to Philippe Manoury, 59, for his opera, “La Nuit de Gutenberg” (“The Night of Gutenberg”).  »

21 Feb 2012

Natalie Dessay to go on sabbatical

French soprano star Natalie Dessay has announced that she is taking a sabbatical from opera during 2015. She is unhappy with her current work at the Paris Opera, a production of Massenet’s opera “Manon,” and had conflicts with the stage director, French filmmaker Coline Serreau.  »

20 Feb 2012

The Veronica Dunne International Singing Competition: Showcase Concert

Inaugurated in 1995, the Veronica Dunne International Singing Competition is a triennial competition, held in the National Concert Hall in Dublin, which takes place over a week in January.  »

17 Feb 2012

Don Pasquale at the Théâtre des Champs Elysées

Critics. Can you get along without us? It is possible to reflect on this when the production of Donizetti’s Don Pasquale is shown on television tonight. »

15 Feb 2012

Carmela Remigio as Donna Anna and Donna Elvira

Carmela Remigio is a Mozart specialist, having created Donna Elvira, Donna Anna, The Countess in Le nozze di Figaro, Susana, Ilia, Ellettra, Vitellia, Pamina and Fiordigli. She speaks to Mark Berry about her latest Donna Anna at the Royal Opera House. »

13 Feb 2012

Added Drama for Wagner

It might have reminded some in the audience of the finale of Wagner’s “Götterdämmerung.” Saturday evening, during the finale of that same composer’s “Das Rheingold” at the Staatstheater in the German city of Darmstadt when a large section of the scene fell and shattered on stage. »

10 Feb 2012

Opera in Florence Has a New Home

Who says Italian opera is in the doldrums? Contrary to all the recent budget bad news from the country that invented the form, the dramatic new 150 million Euro ($200 million) opera house in Florence projects another view.  »

09 Feb 2012

Another Tenor Drops Down?

In today’s edition of the Viennese newspaper, “Die Presse” a reviewer gushes over Roberto Alagna’s recital yesterday evening at the Vienna State Opera.  »

08 Feb 2012

Lawrence Foster Named Music Director of Orchestre Philharmonique de Marseille

February 8, 2012. Los Angeles born conductor Lawrence Foster, the music director of the orchestra and the Opéra National in the French city of Montpellier from September 2009 to the end of this season, has signed on for a similar post with the Orchestre Philharmonique de Marseille starting September 1 of this year. »

07 Feb 2012

Nicola Luisotti Named Music Director of Teatro di San Carlo

February 7, 2012. Italian conductor Nicola Luisotti, the popular music director of the San Francisco Opera, has been appointed to the same position at the historic Teatro di San Carlo in Naples.  »

04 Feb 2012

Chad Shelton Comes to the Rescue

February 4, 2012. A few days before the opening of the production of Verdi’s “La Traviata” at the Houston Grand Opera, tenor David Lomeli, playing Alfredo, took ill.  »

04 Feb 2012

San Francisco Opera — Bad News Tempered by Good

February 4, 2012. With a budget of $71 million dollars, the San Francisco Opera announced a deficit for the FY 2011 year. But the numbers, in the Opera’s press release, contain some good news to offset the negative bottom line.  »

03 Feb 2012

An Aria of Lincoln Center — The Metropolitan Opera

To the dismay of New York opera fans, the original Metropolitan Opera House, located at Broadway and 39th Street, was to be torn down and replaced by a new hall a mere 30 blocks away. »

02 Feb 2012

Barcelona’s Liceo Opera in Financial Crisis

Confronting a financial shortfall, the Gran Theatro del Liceo in Barcelona has announced a reduction in performances this season with two scheduled operas cancelled.  »

02 Feb 2012

Bayreuth Festspielhaus

In an interview, Katharina Wagner, 33, granddaughter of the composer and co-director of the Richard Wagner Bayreuth Festival, spoke of the declining state of the legendary Festival House on the “Green Hill” at Bayreuth.  »

01 Feb 2012

The Smola Prize

A Swiss soprano and an Australian baritone shared the 20,000 Euro Emmerich Smola Prize awarded on Monday.  »

31 Jan 2012

Angela Meade Wins Beverly Sills Artist Award

The seventh annual Beverly Sills Artist Award, carrying with it a $50,000 prize, was awarded to American soprano Angela Meade.  »

31 Jan 2012

Vienna State Opera Keeps It’s Team

Jan. 31, 2012. The recent announcement of the extension of the contract for Dominique Meyer, the General Director of the Vienna State Opera was a firm endorsement of his leadership by the Austrian government. Meyer, 57, the first French person to hold the office, will continue now through August 31, 2020. »