Subscribe to
Opera Today

Receive articles and news via RSS feeds or email subscription.


facebook-icon.png


twitter_logo[1].gif



Plumbago_9780993198359_1.png

9780521746472.png

0810888688.gif

0810882728.gif

Elsewhere

MOZART: Die Entführung aus dem Serail — Part III

Die Entführung aus dem Serail, Singspiel in 3 Acts.

Music composed by Wolfgang Amadeus Mozart (1756–1791). Libretto by Johann Gottlieb Stephanie the Younger, based on an earlier libretto by Christoph Friedrich Bretzner.

PONCHIELLI: La Gioconda

La Gioconda, dramma lirico in four acts.
Music composed by Amilcare Ponchielli (1834–1886). Libretto by Arrigo Boito (under the pseudonym Tobia Gorrio), based upon Victor Hugo's Angelo, Tyrant of Padua (1835).

VERDI: Don Carlo

Don Carlo, an opera in four acts. Music composed by Giuseppe Verdi (1813–1901). Libretto by Joseph Méry and Camille Du Locle after Friedrich von Schiller’s dramatic poem Don Carlos, Infant von Spanien. Revised version in four acts (French text revised by Du Locle, Italian translation by Achille de Lauzières and Angelo Zanardini).

VERDI: Un ballo in maschera

Un ballo in maschera, a melodramma in three acts.

Music composed by Giuseppe Verdi. Libretto by Antonio Somma, based upon the work of Eugène Scribe Gustave III ou Le bal masqué (1833)

New Mascarade Opera Studio announces first participants

Mascarade Opera Studio has announced its first ten Studio Artists following applications from ambitious opera talent from all over the world. From September 2020, the new opera studio launching in Florence will offer its nine-month training programme for eight exceptional young singers and two répétiteurs.

Dvořák Requiem, Jakub Hrůša in memoriam Jiří Bělohlávek

Antonín Dvořák Requiem op.89 (1890) with Jakub Hrůša conducting the Prague Philharmonic Orchestra. The Requiem was one of the last concerts Jiří Bělohlávek conducted before his death and he had been planning to record it as part of his outstanding series for Decca.

Accentus stream full-length operas on Opernhaus Zürich website

Accentus is delighted to announce that a selection of outstanding full-length operas that the production company and label has produced will be streamed on the Opernhaus Zürich website.

Philip Venables' Denis & Katya: teenage suicide and audience complicity

As an opera composer, Philip Venables writes works quite unlike those of many of his contemporaries. They may not even be operas at all, at least in the conventional sense - and Denis & Katya, the most recent of his two operas, moves even further away from this standard. But what Denis & Katya and his earlier work, 4.48 Psychosis, have in common is that they are both small, compact forces which spiral into extraordinarily powerful and explosive events.

Royal Academy of Music appoints Brenda Hurley as Head of Opera

The Royal Academy of Music today announced Brenda Hurley as its new Head of Opera, effective July 2020.

The Royal Opera House launches a programme of free online content for the culturally curious at home

The Royal Opera House today announced a free programme of curated online broadcasts, musical masterclasses and cultural insights that get under the skin of both ballet and opera and offer everyone a unique look behind the scenes at one of the world's most famous cultural institutions.

A new, blank-canvas Figaro at English National Opera

Making his main stage debut at ENO with this new production of The Marriage of Figaro, theatre director Joe Hill-Gibbins professes to have found it difficult to ‘develop a conceptual framework for the production to inhabit’.

Massenet’s Chérubin charms at Royal Academy Opera

“Non so più cosa son, cosa faccio … Now I’m fire, now I’m ice, any woman makes me change colour, any woman makes me quiver.”

Charles Wuorinen: June 9, 1938 – March 11, 2020

Press release from Aleba & Co.:

Edward Nelson Wins 2020 Glyndebourne Opera Cup

A rising star American baritone who didn’t encounter opera until he was 18 has won the 2020 Glyndebourne Opera Cup as the major international singing competition culminated in a live broadcast on Sky Arts from the Glyndebourne stage.

Bluebeard’s Castle, Munich

Last year the world’s opera companies presented only nine staged runs of Béla Bartòk’s Bluebeard’s Castle.

The Queen of Spades at Lyric Opera of Chicago

If obsession is key to understanding the dramatic and musical fabric of Tchaikovsky’s opera The Queen of Spades, the current production at Lyric Opera of Chicago succeeds admirably in portraying such aspects of the human psyche.

WNO revival of Carmen in Cardiff

Unveiled by Welsh National Opera last autumn, this Carmen is now in its first revival. Original director Jo Davies has abandoned picture postcard Spain and sun-drenched vistas for images of grey, urban squalor somewhere in modern-day Latin America.

Lise Davidsen 'rescues' Tobias Kratzer's Fidelio at the Royal Opera House

Making Fidelio - Beethoven’s paean to liberty, constancy and fidelity - an emblem of the republican spirit of the French Revolution is unproblematic, despite the opera's censor-driven ‘Spanish’ setting.

A sunny, insouciant Così from English Touring Opera

Beach balls and parasols. Strolls along the strand. Cocktails on the terrace. Laura Attridge’s new production of Così fan tutte which opened English Touring Opera’s 2020 spring tour at the Hackney Empire, is a sunny, insouciant and often downright silly affair.

A wonderful role debut for Natalya Romaniw in ENO's revival of Minghella's Madama Butterfly

The visual beauty of Anthony Minghella’s 2005 production of Madama Butterfly, now returning to the Coliseum stage for its seventh revival, still takes one’s breath away.


OPERA TODAY ARCHIVES »

FeaturedOperas

Le bain turc by Jean-Auguste-Dominique Ingres (1862) [Source: Wikipedia]
02 Apr 2020

MOZART: Die Entführung aus dem Serail — Part III

Die Entführung aus dem Serail, Singspiel in 3 Acts.

Music composed by Wolfgang Amadeus Mozart (1756–1791). Libretto by Johann Gottlieb Stephanie the Younger, based on an earlier libretto by Christoph Friedrich Bretzner. »

Recently in FeaturedOperas

All Pages |  1  |  2  |  3 
15 Jan 2006

MOZART: La clemenza di Tito

La clemenza di Tito. Opera seria in due atti (K. 621).Music by Wolfgang Amadeus Mozart. Libretto by Caterino Mazzolà based on a text by Pietro Metastasio. »

08 Jan 2006

MOZART: Idomeneo

Idomeneo, rè di Creta. Dramma per musica in tre atti (K. 366).Music composed by Wolfgang Amadeus Mozart. Libretto by Giovanni Battista Varesco after Idomenée by Antoine Danchet. »

28 Dec 2005

GOUNOD: Faust

Faust, Opéra en cinq actesMusic composed by Charles Gounod. Libretto by Jules Barbier and Michel Carré after Faust by Johann Wolfgang von Goethe »

25 Dec 2005

BERLIOZ: La damnation de Faust

La damnation de Faust, Légende dramatique en quatre partiesMusic composed by Hector Berlioz. Libretto by Hector Berlioz, Almire Gandonanière and Gérard de Nerval after Faust by Johann Wolfgang von Goethe »

16 Dec 2005

BOITO: Mefistofele

Mefistofele, Opera in un prologo, quattro atti e un epilogoMusic and libretto by Arrigo Boito (1842-1918), based on Faust: Eine Tragödie by Johann Wolfgang von Goethe »

11 Dec 2005

VERDI: La Forza del Destino

La Forza del Destino, a melodramma in quattro attiMusic composed by Giuseppe Verdi. Libretto by Francesco Maria Piave based on the drama Don Alvaro o La fuerza del sino by Angel Perez de Saavedra »

04 Dec 2005

FLOTOW: Martha — Berlin 1944

Martha, an opera in four acts.Music composed by Friedrich von Flotow. Libretto by Wilhelm Friedrich.First performance: 25 November 1847 at Theater an der Wien, Vienna. »

01 Dec 2005

PERGOLESI: La serva padrona

La serva padrona, intermezzo in two partsMusic composed by Giovanni Battista Pergolesi. Libretto by Gennar'antonio Frederico.First performance: 28 August 1733, Teatro San Bartolomeo, Naples. »

27 Nov 2005

BEETHOVEN: Fidelio — Munich 1978

Fidelio, an opera in two acts »

24 Nov 2005

Maria Callas Performs Lady Macbeth

Here we offer three selections from Macbeth with Maria Callas performing the role of Lady Macbeth. These are from a live performance given on 7 December 1952 at La Scala. Victor de Sabata conducts the Orchestra del Teatro alla Scala, Milano. »

20 Nov 2005

VERDI: Macbeth

VERDI: Macbeth, melodramma in quattro parti.Music composed by Giuseppe Verdi. Libretto by Francesco Maria Piave, based on the play by William Shakespeare. »

12 Nov 2005

STRAUSS: Die Fledermaus

Music composed by Johann Strauss II.Libretto by Richard Genée based on Henri Meilhac and Ludovic Halévy/Karl Haffner.First performance: 5 April 1874 at the Theater an der Wien, Vienna. »

29 Oct 2005

GIORDANO: Fedora

Fedora, a melodrama in three acts.Umberto Giordano, composer. Arturo Colautti, librettist, based on the play with the same name by Victorien SardouFirst performance: 17 November 1898 at Teatro Lirico Internazionale, Milan »

24 Oct 2005

PUCCINI: Tosca

Tosca, a melodrama in three acts Giacomo Puccini, composer. Libretto by Luigi Illica and Giuseppe Giacosa, based on the play La Tosca by Victorien Sardou. First performance: 14 January 1900 at Teatro Costanzi, Rome »

23 Oct 2005

The twists and trysts of Tosca

A few years ago, I had the rare experience of attending a performance of Tosca in a small farm community where opera was a fairly new commodity. After the second act ended, with Scarpia's corpse lying center stage, I happened to overhear a young, wide-eyed woman say to her companion, "I knew she was upset, but I didn't think she'd KILL him!" »

22 Oct 2005

RIMSKY-KORSAKOV: Mozart and Salieri

Mozart and Salieri, an opera in one act consisting of two scenes. Nicolai Rimsky-Korsakov (1844-1908), composer. Libretto derived from Alexander Puskhin's play of the same name. First performance: 7 December 1898 in Moscow. »

19 Oct 2005

MUSSORGSKY: Boris Godunov

Boris Godunov, an opera in four acts with prologue Modest Mussorgsky, composer. Libretto by the composer, based on Alexander Pushkin's drama Boris Godunov and Nikolai Karamazin's History of the Russian Empire First performance: 8 February 1874 at the Mariinsky Theatre, St. Petersburg »

15 Oct 2005

TCHAIKOVSKY: Eugene Onegin

Eugene Onegin, lyrical scenes in three acts and seven tableaux. Pyotr Il’yich Tchaikovsky, composer. Libretto by the composer, based on the verse novel by Aleksandr Sergeevich Pushkin. First performance: 29 March 1879 at the Maliy Theatre, Moscow. »

10 Oct 2005

TCHAIKOVSKY: The Queen of Spades

The Queen of Spades (Pique Dame), an opera in three acts. Pyotr Il’yich Tchaikovsky, composer. Modest Tchaikovsky and composer, librettists. First performance: 19 December 1890 at the Mariinsky Theatre, St. Petersburg. »

05 Oct 2005

PUCCINI: Manon Lescaut

Manon Lescaut, dramma lirico in quattro atti Giacomo Puccini (1858-1924), composer. Luigi Illica and Domenico Oliva, librettists. First performance: 1 February 1893 at Teatro Regio, Turin. »

25 Sep 2005

Ariadne auf Naxos

Only a few months following the premiere of Der Rosenkavalier, Hugo von Hofmannsthal proposed a new opera to Richard Strauss based on Molière’s comedy-ballet, Le Bourgeois gentilhomme (in German, Der Bürger als Edelmann). »

18 Sep 2005

An Introduction to Pacini’s Saffo

By early 1835 Giovanni Pacini had written almost fifty operas during the course of a career launched in 1813. He was tired and he was discouraged. Not only had his earlier works been overshadowed by the force of Rossini’s musical personality, but even after the departure of the Pesarese from Italy in 1823, Pacini’s star did not shine brighter. In his fascinating Memoirs, the composer examined these years and acknowledged his own limitations. Though the first performances of his Irene, o L’assedio di Messina (Naples, Teatro San Carlo, 30 November 1833) were largely rescued by the singers, Pacini knew the creative vein he had been mining was empty. Maturing under the spell of Rossini, he had not yet shown himself to be more than an able follower: “I began to realize that I should withdraw from the field.—Bellini, the divine Bellini, and Donizetti had surpassed me.” »

11 Sep 2005

Das Rheingold — An Overview

Das Rheingold is the first of the four works that constitute Der Ring des Nibelungen. On the title page of Der Ring des Nibelungen, Wagner refers to Das Rheingold as a Vorabend (a preliminary evening). Nevertheless, Das Rheingold sets the foundation on which the remainder of the Ring is built. »

11 Sep 2005

Das Rheingold

Experienced listeners gain nothing but lose very little when a mediocre, even bad performance of Wagner’s stage works is released on DVD.  »