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Elsewhere

La Bohème, Manitoba

Manitoba Opera’s first production in nine years of Giacomo Puccini’s La Bohème still stirs the heart and inspires tears with its tragic tale of bohemian artists living — and loving — in 1840s Paris.

Arizona Opera Presents Don Pasquale in Tucson

On April 12, 2014, Arizona Opera opened its series of performances of Donizetti's Don Pasquale in Tucson. Chuck Hudson’s production of this opera combined Commedia dell’arte with Hollywood movie history.

Will Don Quichotte Be the Last Production at San Diego Opera?

This quotation from Cervantes was displayed before the opening of the opera’s final scene:

“The greatest madness a man can commit in this life is to let himself die, just like that, without anybody killing him or any other hands ending his life except those of melancholy.”

Gound Faust - Calleja and Terfel, Royal Opera House London

Gounod's Faust makes a much welcomed return to the Royal Opera House. With each new cast, the dynamic changes as the balance between singers shifts and brings out new insights. In that sense, every revival is an opportunity to revisit from new perspectives. This time Bryn Terfel sang Méphistophélès, with Joseph Calleja as Faust - stars whose allure certainly helped fill the hall to capacity. And the audience enjoyed a very good show.

Syracuse Opera’s Porgy and Bess
Got Plenty O’ Plenty

The company ends its 2013-14 season on a high note with a staged performance of Gershwin’s theatrical masterpiece

A New Rusalka in Chicago

Lyric Opera of Chicago’s new production of Antonin Dvorak’s Rusalka is visually impressive and fulfills all possible expectations musically with unquestioned excitement.

Karlsruhe’s Mixed Blessing Ballo

The reliable Badisches Staatstheater has assembled plenty of talent for its new Un Ballo in Maschera.

Louise Alder, Wigmore Hall

This varied, demanding programme indisputably marked soprano Louise Alder as a name to watch.

Luke Bedford: Through His Teeth, Linbury, Royal Opera House

Can this be the best British opera in years? Luke Bedford’s Through His Teeth at the Royal Opera House’s Linbury Theatre is exceptional. Drop everything and go.

Powder Her Face, ENO

As one descends the steel steps into the cavernous bunker of Ambika P3, one seems about to enter rather insalubrious realms — just right one might imagine, then, for an opera which delves into the depths of the seedier side of celebrity life.

Iphigénie Fascinates in the Pfalz

Kaiserslautern’s Pfalztheater has produced a tantalizing realization of Gluck’s Iphigénie en Aulide, characterized by intriguing staging, appealing designs, and best of all, superlative musical standards.

ROH presents Cavalli’s L’Ormindo at the Sam Wanamaker Playhouse, London

Never thought I’d say it but......

Harrison Birtwistle, Elliott Carter, Wigmore Hall, London

Celebrating the 80th birthday of one of the UK's greatest composers (if not the greatest), this concert was an intriguing, and not always stimulating, mix. Birtwistle with Carter makes sense, but Birtwistle with Adams does not - or at least only within the remit of the concert series. The concert was actually entitled “Nash Inventions: American and British Masterworks, including an 80th Birthday Tribute to Sir Harrison Birtwistle” and was the final concert in the “Inventions” series.

Requiem for a Lost Opera Company

On Wednesday, March 19, 2014, General Director Ian Campbell of San Diego Opera announced that the company would go out of business at the end of this season. The next day the company performed their long-planned Verdi Requiem with a stellar cast including soprano Krassimira Stoyanova, mezzo-soprano Stephanie Blythe, tenor Piotr Beczala, and bass Ferruccio Furlanetto.

The Met’s Werther a tasty mix of singing, staging, acting and orchestral splendor

Visual elements in Richard Eyre’s striking production offset Massenet’s melodic shortcomings

Chicago’s New Barber of Seville

New productions of repertoire staples such as Gioachino Rossini’s Il Barbiere di Siviglia bear much anticipation for both performers and staging.

Lucia in LA: A Performance to Remember

On March 15, 2014, Los Angeles Opera presented Elkhanah Pulitzer’s production of the opera, which she set in 1885 when women were beginning to be recognized as persons separate from their fathers, brothers and husbands. At that time many European countries were beginning to allow women to own property, obtain higher education, and choose their husbands.

San Diego Opera Presents an All Star Ballo in Maschera

On March 11, 2014, San Diego Opera presented Verdi’s A Masked Ball in a traditional production by Leslie Koenig. Metropolitan Opera star tenor Piotr Beczala was Gustav III, the king of Sweden, and Krassimira Stoyanova gave an insightful portrayal of Amelia, his troubled but innocent love interest.

Anne Schwanewilms, Wigmore Hall

From the moment she walked, resplendent in red, onto the Wigmore Hall platform, Anne Schwanewilms radiated a captivating presence — one that kept the audience enthralled throughout this magnificent programme of Romantic song.

Die Frau ohne Schatten, Royal Opera

Magnificent! Following the first night of this new production of Die Frau ohne Schatten, I quipped that I could forgive an opera house anything for musical performance at this level, whether orchestral, vocal, or, in this case, both.


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All Pages |  1  |  2  |  3 
22 Jan 2006

WAGNER: Parsifal

Parsifal. Bühnenweihfestspiel ("stage dedication play") in three acts.Music and libretto by Richard Wagner. »

15 Jan 2006

MOZART: La clemenza di Tito

La clemenza di Tito. Opera seria in due atti (K. 621).Music by Wolfgang Amadeus Mozart. Libretto by Caterino Mazzolà based on a text by Pietro Metastasio. »

08 Jan 2006

MOZART: Idomeneo

Idomeneo, rè di Creta. Dramma per musica in tre atti (K. 366).Music composed by Wolfgang Amadeus Mozart. Libretto by Giovanni Battista Varesco after Idomenée by Antoine Danchet. »

28 Dec 2005

GOUNOD: Faust

Faust, Opéra en cinq actesMusic composed by Charles Gounod. Libretto by Jules Barbier and Michel Carré after Faust by Johann Wolfgang von Goethe »

25 Dec 2005

BERLIOZ: La damnation de Faust

La damnation de Faust, Légende dramatique en quatre partiesMusic composed by Hector Berlioz. Libretto by Hector Berlioz, Almire Gandonanière and Gérard de Nerval after Faust by Johann Wolfgang von Goethe »

16 Dec 2005

BOITO: Mefistofele

Mefistofele, Opera in un prologo, quattro atti e un epilogoMusic and libretto by Arrigo Boito (1842-1918), based on Faust: Eine Tragödie by Johann Wolfgang von Goethe »

11 Dec 2005

VERDI: La Forza del Destino

La Forza del Destino, a melodramma in quattro attiMusic composed by Giuseppe Verdi. Libretto by Francesco Maria Piave based on the drama Don Alvaro o La fuerza del sino by Angel Perez de Saavedra »

04 Dec 2005

FLOTOW: Martha — Berlin 1944

Martha, an opera in four acts.Music composed by Friedrich von Flotow. Libretto by Wilhelm Friedrich.First performance: 25 November 1847 at Theater an der Wien, Vienna. »

01 Dec 2005

PERGOLESI: La serva padrona

La serva padrona, intermezzo in two partsMusic composed by Giovanni Battista Pergolesi. Libretto by Gennar'antonio Frederico.First performance: 28 August 1733, Teatro San Bartolomeo, Naples. »

27 Nov 2005

BEETHOVEN: Fidelio — Munich 1978

Fidelio, an opera in two acts »

24 Nov 2005

Maria Callas Performs Lady Macbeth

Here we offer three selections from Macbeth with Maria Callas performing the role of Lady Macbeth. These are from a live performance given on 7 December 1952 at La Scala. Victor de Sabata conducts the Orchestra del Teatro alla Scala, Milano. »

20 Nov 2005

VERDI: Macbeth

VERDI: Macbeth, melodramma in quattro parti.Music composed by Giuseppe Verdi. Libretto by Francesco Maria Piave, based on the play by William Shakespeare. »

12 Nov 2005

STRAUSS: Die Fledermaus

Music composed by Johann Strauss II.Libretto by Richard Genée based on Henri Meilhac and Ludovic Halévy/Karl Haffner.First performance: 5 April 1874 at the Theater an der Wien, Vienna. »

29 Oct 2005

GIORDANO: Fedora

Fedora, a melodrama in three acts.Umberto Giordano, composer. Arturo Colautti, librettist, based on the play with the same name by Victorien SardouFirst performance: 17 November 1898 at Teatro Lirico Internazionale, Milan »

24 Oct 2005

PUCCINI: Tosca

Tosca, a melodrama in three acts Giacomo Puccini, composer. Libretto by Luigi Illica and Giuseppe Giacosa, based on the play La Tosca by Victorien Sardou. First performance: 14 January 1900 at Teatro Costanzi, Rome »

23 Oct 2005

The twists and trysts of Tosca

A few years ago, I had the rare experience of attending a performance of Tosca in a small farm community where opera was a fairly new commodity. After the second act ended, with Scarpia's corpse lying center stage, I happened to overhear a young, wide-eyed woman say to her companion, "I knew she was upset, but I didn't think she'd KILL him!" »

22 Oct 2005

RIMSKY-KORSAKOV: Mozart and Salieri

Mozart and Salieri, an opera in one act consisting of two scenes. Nicolai Rimsky-Korsakov (1844-1908), composer. Libretto derived from Alexander Puskhin's play of the same name. First performance: 7 December 1898 in Moscow. »

19 Oct 2005

MUSSORGSKY: Boris Godunov

Boris Godunov, an opera in four acts with prologue Modest Mussorgsky, composer. Libretto by the composer, based on Alexander Pushkin's drama Boris Godunov and Nikolai Karamazin's History of the Russian Empire First performance: 8 February 1874 at the Mariinsky Theatre, St. Petersburg »

15 Oct 2005

TCHAIKOVSKY: Eugene Onegin

Eugene Onegin, lyrical scenes in three acts and seven tableaux. Pyotr Il’yich Tchaikovsky, composer. Libretto by the composer, based on the verse novel by Aleksandr Sergeevich Pushkin. First performance: 29 March 1879 at the Maliy Theatre, Moscow. »

10 Oct 2005

TCHAIKOVSKY: The Queen of Spades

The Queen of Spades (Pique Dame), an opera in three acts. Pyotr Il’yich Tchaikovsky, composer. Modest Tchaikovsky and composer, librettists. First performance: 19 December 1890 at the Mariinsky Theatre, St. Petersburg. »

05 Oct 2005

PUCCINI: Manon Lescaut

Manon Lescaut, dramma lirico in quattro atti Giacomo Puccini (1858-1924), composer. Luigi Illica and Domenico Oliva, librettists. First performance: 1 February 1893 at Teatro Regio, Turin. »

25 Sep 2005

Ariadne auf Naxos

Only a few months following the premiere of Der Rosenkavalier, Hugo von Hofmannsthal proposed a new opera to Richard Strauss based on Molière’s comedy-ballet, Le Bourgeois gentilhomme (in German, Der Bürger als Edelmann). »

18 Sep 2005

An Introduction to Pacini’s Saffo

By early 1835 Giovanni Pacini had written almost fifty operas during the course of a career launched in 1813. He was tired and he was discouraged. Not only had his earlier works been overshadowed by the force of Rossini’s musical personality, but even after the departure of the Pesarese from Italy in 1823, Pacini’s star did not shine brighter. In his fascinating Memoirs, the composer examined these years and acknowledged his own limitations. Though the first performances of his Irene, o L’assedio di Messina (Naples, Teatro San Carlo, 30 November 1833) were largely rescued by the singers, Pacini knew the creative vein he had been mining was empty. Maturing under the spell of Rossini, he had not yet shown himself to be more than an able follower: “I began to realize that I should withdraw from the field.—Bellini, the divine Bellini, and Donizetti had surpassed me.” »

11 Sep 2005

Das Rheingold — An Overview

Das Rheingold is the first of the four works that constitute Der Ring des Nibelungen. On the title page of Der Ring des Nibelungen, Wagner refers to Das Rheingold as a Vorabend (a preliminary evening). Nevertheless, Das Rheingold sets the foundation on which the remainder of the Ring is built. »

11 Sep 2005

Das Rheingold

Experienced listeners gain nothing but lose very little when a mediocre, even bad performance of Wagner’s stage works is released on DVD.  »