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Elsewhere

MOZART 250: the year 1767

Classical Opera’s MOZART 250 project has reached the year 1767. Two years ago, the company embarked upon an epic, 27-year exploration of the music written by Mozart and his contemporaries exactly 250 years previously. The series will incorporate 250th anniversary performances of all Mozart’s important compositions and artistic director Ian Page tells us that as 1767 ‘was the year in which Mozart started to write more substantial works - opera, oratorio, concertos … this will be the first year of MOZART 250 in which Mozart’s own music dominates the programme’.

Monteverdi, Masters and Poets - Imitation and Emulation

‘[T]hey moderated or increased their voices, loud or soft, heavy or light according to the demands of the piece they were singing; now slowing, breaking of sometimes with a gentle sigh, now singing long passages legato or detached, now groups, now leaps, now with long trills, now with short, or again, with sweet running passages sung softly, to which one sometimes heard an echo answer unexpectedly. They accompanied the music and the sentiment with appropriate facial expressions, glances and gestures, with no awkward movements of the mouth or hands or body which might not express the feelings of the song. They made the words clear in such a way that one could hear even the last syllable of every word, which was never interrupted or suppressed by passages or other embellishments.’

Visionary Wagner - The Flying Dutchman, Finnish National Opera

An exceptional Wagner Der fliegende Holländer, so challenging that, at first, it seems shocking. But Kasper Holten's new production, currently at the Finnish National Opera, is also exceptionally intelligent.

Don Quichotte at Chicago Lyric

A welcome addition to Lyric Opera of Chicago’s roster was its recent production of Jules Massenet’s Don Quichotte.

Written on Skin: Royal Opera House

800 years ago, every book was a precious treasure - ‘written on skin’. In George Benjamin’s and Martin Crimp’s 2012 opera, Written on Skin, modern-day archivists search for one such artefact: a legendary 12th-century illustrated vanity project, commissioned by an unnamed Protector to record and celebrate his power.

Madama Butterfly at Staatsoper im Schiller Theater

It was like a “Date Night” at Staatsoper unter den Linden with its return of Eike Gramss’ 2012 production of Puccini’s Madama Butterfly. While I entered the Schiller Theater, the many young couples venturing to the opera together, and emerging afterwards all lovey-dovey and moved by Puccini’s melodramatic romance, encouraged me to think more positively about the future of opera.

It’s the end of the world as we know it: Hannigan & Rattle sing of Death

For the Late Night concert after the Saturday series, fifteen Berliners backed up Barbara Hannigan in yet another adventurous collaboration on a modern rarity with Simon Rattle. I was completely unfamiliar with the French composer, but the performance tonight made me fall in love with Gérard Grisey’s sensually disintegrating soundscape Quatre chants pour franchir le seuil, or “Fours Songs to cross the Threshold”.

A Vocally Extravagant Saturday Night with Berliner Philharmoniker

One of the things I love about the Philharmonie in Berlin, is the normalcy of musical excellence week after week. Very few venues can pull off with such illuminating star wattage. Michael Schade, Anne Schwanewilms, and Barbara Hannigan performed in two concerts with two larger-than-life conductors Thielemann and Rattle. We were taken on three thrilling adventures.

Les Troyens at Lyric Opera of Chicago

Lyric Opera of Chicago’s original and superbly cast production of Hector Berlioz’s Les Troyens has provided the musical public with a treasured opportunity to appreciate one of the great operatic achievements of the nineteenth century.

Merry Christmas, Stephen Leacock

The Little Opera Company opened its 21st season by championing its own, as it presented the world premiere of Winnipeg composer Neil Weisensel’s Merry Christmas, Stephen Leacock.

Bampton Classical Opera 2017

In 2015, Bampton Classical Opera’s production of Salieri’s La grotta di Trofonio - a UK premiere - received well-deserved accolades: ‘a revelation ... the music is magnificent’ (Seen and Heard International), ‘giddily exciting, propelled by wit, charm and bags of joy’ (The Spectator), ‘lively, inventive ... a joy from start to finish’ (The Oxford Times), ‘They have done Salieri proud’ (The Arts Desk) and ‘an enthusiastic performance of riotously spirited music’ (Opera Britannia) were just some of the superlative compliments festooned by the critical press.

The nature of narropera?

How many singers does it take to make an opera? There are single-role operas - Schönberg’s Erwartung (1924) and Eight Songs for a Mad King by Peter Maxwell Davies (1969) spring immediately to mind - and there are operas that just require a pair of performers, such as Rimsky-Korsakov’s Mozart i Salieri (1897) or The Telephone by Menotti (1947).

A Christmas Festival: La Nuova Musica at St John's Smith Square

Now in its 31st year, the 2016 Christmas Festival at St John’s Smith Square has offered sixteen concerts performed by diverse ensembles, among them: the choirs of King’s College, London and Merton College, Oxford; Christchurch Cathedral Choir, Oxford; The Gesualdo Six; The Cardinall’s Musick; The Tallis Scholars; the choirs of Trinity College and Clare College, Cambridge; Tenebrae; Polyphony and the Orchestra of the Age of the Enlightment.

Fleming's Farewell to London: Der Rosenkavalier at the ROH

As 2016 draws to a close, we stand on the cusp of a post-Europe, pre-Trump world. Perhaps we will look back on current times with the nostalgic romanticism of Richard Strauss’s 1911 paean to past glories, comforts and certainties: Der Rosenkavalier.

Loft Opera’s Macbeth: Go for the Singing, Not the Experience

Ah, Loft Opera. It’s part of the experience to wander down many dark streets, confused and lost, in a part of Brooklyn you’ve never been. It is that exclusive—you can’t even find the performance!

A clipped Walküre in Amsterdam

Let’s start by getting a couple of gripes out of the way. First, the final act of Die Walküre does not constitute a full-length concert, even with a distinguished cast and orchestra, and with animated drawings fluttering on a giant screen.

A Leonard Bernstein Delight

When you combine two charismatic New York stage divas with the artistry of Los Angeles Opera, you have a mix that explodes into singing, dancing and an evening of superb entertainment.

An English Winter Journey

Roderick Williams’ and Julius Drake’s English Winter Journey seems such a perfect concept that one wonders why no one had previously thought of compiling a sequence of 24 songs by English composers to mirror, complement and discourse with Schubert’s song-cycle of love and loss.

History Repeating Itself: Prokofiev’s Semyon Kotko, Amsterdam Concertgebouw

A historical afternoon at the NTR Saturday Matinee occurred with an epic concert version of Prokofiev’s Soviet Opera Semyon Kotko.

L’amour de loin at the Metropolitan Opera

Opening night at the Metropolitan is a gleeful occasion even when the composer is long gone, but December 1st was an opening for a living composer who has been making waves around the world and is, gasp, a woman — the second woman composer ever to have an opera presented at the Met.


OPERA TODAY ARCHIVES »

FeaturedOperas

Eugène Delacroix, Hamlet and Horatio in the Graveyard (1827–28) [Courtesy of The Metropolitan Museum of Art]
22 Oct 2015

THOMAS: Hamlet, Moscow 2015

Hamlet: Opéra in five acts. Music composed by Ambroise Thomas. Libretto by Michel Carré and Jules Barbier after The Tragedy of Hamlet, Prince of Denmark by William Shakespeare. »

Recently in FeaturedOperas

All Pages |  1  |  2  |  3 
28 Oct 2007

WAGNER: Die Meistersinger von Nürnberg

Die Meistersinger von Nürnberg: Music drama in three acts. »

21 Oct 2007

STRAUSS: Ariadne auf Naxos

Ariadne auf Naxos, Oper with a prologue and one act. Music composed by Richard Strauss. Libretto by Hugo von Hofmannsthal. »

21 Oct 2007

MOZART: Der Schauspieldirektor

Der Schauspieldirektor [The Impresario], Singspiel in one act, K486. »

07 Oct 2007

SALIERI: Prima la musica e poi le parole

Divertimento teatrale in one act. »

23 Sep 2007

GIORDANO: Andrea Chénier

Andrea Chénier, an opera in four acts. »

16 Sep 2007

DONIZETTI: La Figlia del Reggimento

La figlia del reggimento [La Fille du régiment (‘The Daughter of the Regiment’)], Opéra comique in two acts. »

10 Sep 2007

DONIZETTI: L’elisir d’amore

L’elisir d’amore, Melodramma giocoso in two acts. »

09 Sep 2007

PUCCINI: La Bohème

La Bohème, opera in four acts. Music composed by Giacomo Puccini. Libretto by Giuseppe Giacosa and Luigi lllica, based on episodes from Henri Murger’s Scènes de la vie de Bohème. »

02 Sep 2007

VERDI: Giovanna d’Arco

Giovanna d’Arco, dramma lirico in a prologue and three acts.Music composed by Giuseppe Verdi. Libretto by Temistocle Solera. »

27 Aug 2007

MARSCHNER: Der Templer und die Jüdin

Der Templer und die Jüdin, Grosse romantische Oper in three acts. »

19 Aug 2007

GLUCK: Iphigénie en Tauride

Iphigénie en Tauride, Tragédie Lyrique in four acts. »

12 Aug 2007

SPONTINI: La Vestale

La Vestale, a tragédie lyrique in three acts. »

04 Jul 2007

HANDEL: Giulio Cesare in Egitto

Giulio Cesare in Egitto (HWV 17), Drama in three acts.Music composed by Georg Friedrich Handel (1685–1759). Libretto by Nicola Francesco Haym after an earlier libretto by Giacomo Francesco Bussani. »

04 Jul 2007

RIMSKY-KORSAKOV: Coq d'Or

The Golden Cockerel [Zolotoy petushok (Le coq d’or)], a dramatized fable with a prologue, three acts and an epilogue. »

08 May 2007

MASSENET: Hérodiade

Hérodiade, opera in four acts. »

02 May 2007

STRAUSS: Salome

Salome, Musikdrama in one act. »

21 Apr 2007

VERDI: Nabucco (Nabucodonosor)

Nabucco (Nabucodonosor), Drama lirico in four parts. »

15 Apr 2007

ROSSINI: Mosè

Mosè (Moïse et Pharaon, ou Le passage de la Mer Rouge), Melodramma in four acts »

09 Apr 2007

SAINT-SAËNS: Samson et Dalila

Samson et Dalila, grand opera in three acts and four tableaux. »

03 Apr 2007

VERDI: Falstaff

Falstaff, commedia lirica in three acts. »

25 Mar 2007

VERDI: Rigoletto

Rigoletto, melodramma in three acts. »

18 Mar 2007

BOITO: Mefistofele

Mefistofele, Opera in un prologo, quattro atti e un epilogoMusic and libretto by Arrigo Boito (1842-1918), based on Faust: Eine Tragödie by Johann Wolfgang von Goethe »

14 Mar 2007

PONCHIELLI: La Gioconda

La Gioconda, dramma lirico in four acts.Music composed by Amilcare Ponchielli (1834–1886). Libretto by Arrigo Boito (under the pseudonym Tobia Gorrio), based upon Victor Hugo's Angelo, Tyrant of Padua (1835). »

04 Mar 2007

VERDI: Il Trovatore

Il Trovatore, dramma in four parts. »

27 Feb 2007

BIZET: Carmen

Opéra comique in four acts.Music composed by Georges Bizet (1838-1875). Libretto by Henri Meilhac and Ludovic Halévy after Prosper Mérimée’s novella, Carmen. »

20 Feb 2007

VERDI: Aida

Aida, opera in four acts. »

11 Feb 2007

LEONCAVALLO: I Pagliacci

I Pagliacci, dramma in a prologue and two acts. »

05 Feb 2007

MASCAGNI: Cavalleria Rusticana

Cavalleria Rusticana, melodramma in one act. »

28 Jan 2007

PUCCINI: La Bohème

La Bohème, opera in four acts. Music composed by Giacomo Puccini. Libretto by Giuseppe Giacosa and Luigi lllica, based on episodes from Henri Murger’s Scènes de la vie de Bohème. »

21 Jan 2007

PUCCINI: Manon Lescaut

Manon Lescaut, dramma lirico in quattro atti Giacomo Puccini (1858-1924), composer. Luigi Illica and Domenico Oliva, librettists. First performance: 1 February 1893 at Teatro Regio, Turin. »

15 Jan 2007

PUCCINI: Madama Butterfly

Madama Butterfly, opera in two acts. »

07 Jan 2007

GIORDANO: Andrea Chénier

Andrea Chénier, an opera in four acts. »

04 Dec 2006

KORNGOLD: Die Tote Stadt

Die Tote Stadt, an opera in three acts.Music composed by Erich Wolfgang Korngold (1897-1957). Libretto by Paul Schott (Julius and E. W. Korngold) after the novel Bruges la morte by Georges Rodenbach. »

01 Dec 2006

MARSCHNER: Hans Heiling

Hans Heiling, romantic opera in three acts and prologue.Music composed by Heinrich Marschner (1795-1861). Libretto by Philipp Eduard Devrient, based on Bohemian legends. »

28 Nov 2006

MEYERBEER: Robert Le Diable

Robert Le Diable, grand opera in five acts. Music by Giacomo Meyerbeer (1791-1864). Libretto by Eugène Scribe and Germaine Delavigne. »

19 Nov 2006

MARSCHNER: Der Vampyr

Der Vampyr, romantic opera in two acts in the version by Hans Pfitzner (1924). »

12 Nov 2006

DONIZETTI: Don Sebastiano

Don Sebastiano, Italian translation of Dom Sébastien, roi de Portugal, a grand opera in five acts. »

10 Nov 2006

MEYERBEER: Les Huguenots

Les Huguenots, an opera in five acts.Music composed by Giacomo Meyerbeer (1791–1864). Libretto by Eugéne Scribe and Emile Deschamps. »

27 Oct 2006

VERDI: Don Carlo — Berlin 1948

Don Carlo, an opera in five acts. Music composed by Giuseppe Verdi (1813–1901). Libretto by Joseph Méry and Camille Du Locle after Friedrich von Schiller’s dramatic poem Don Carlos, Infant von Spanien. French text revised by Du Locle, Italian translation by Achille de Lauzières and Angelo Zanardini. »

22 Oct 2006

PUCCINI: Turandot

Turandot, dramma lirico in three acts. »

15 Oct 2006

DONIZETTI: Rita

Rita ou Le mari battu, a comic opera in one act.Music composed by Gaetano Donizetti (1797-1848). Libretto by Gustave Vaëz. »

08 Oct 2006

ROSSINI: Il Signor Bruschino

Il Signor Bruschino, Farsa giocosa per musica in one act »

01 Oct 2006

Pairing and Elaboration

The character configuration in Vivaldi’s Tito Manlio is unusual because of its musical pairing of the prima donna Servilia with the seconda donna Vitellia not just once, but twice in the second act of the opera. »

01 Oct 2006

Pratolino, Venice, Mantua: Musings on Vivaldi’s Tito Manlio

Tito Manlio, Vivaldi’s second opera in Mantua for the 1718/19 season, is fraught with political and familial tensions.1 »

24 Sep 2006

VERDI: I vespri siciliani

I vespri siciliani, grand opera in five acts. Italian edition of Les vépres siciliennes. »

08 Sep 2006

VERDI: Un ballo in maschera

Un ballo in maschera, a melodramma in three acts.Music composed by Giuseppe Verdi. Libretto by Antonio Somma, based upon the work of Eugène Scribe Gustave III ou Le bal masqué (1833) »

28 Aug 2006

VERDI: Don Carlo

Don Carlo, an opera in four acts. Music composed by Giuseppe Verdi (1813–1901). Libretto by Joseph Méry and Camille Du Locle after Friedrich von Schiller’s dramatic poem Don Carlos, Infant von Spanien. Revised version in four acts (French text revised by Du Locle, Italian translation by Achille de Lauzières and Angelo Zanardini). »

13 Aug 2006

WAGNER: Tristan und Isolde

Tristan und Isolde, Handlung (drama) in three acts.Music and libretto by Richard Wagner. »

30 Jul 2006

PONCHIELLI: La Gioconda

La Gioconda, dramma lirico in four acts.Music composed by Amilcare Ponchielli (1834–1886). Libretto by Arrigo Boito (under the pseudonym Tobia Gorrio), based upon Victor Hugo's Angelo, Tyrant of Padua (1835). »

25 Jul 2006

MOZART: Die Entführung aus dem Serail — Part III

Die Entführung aus dem Serail, Singspiel in 3 Acts.Music composed by Wolfgang Amadeus Mozart (1756–1791). Libretto by Johann Gottlieb Stephanie the Younger, based on an earlier libretto by Christoph Friedrich Bretzner. »

22 Jul 2006

MOZART: Die Entführung aus dem Serail — Part II

Die Entführung aus dem Serail, Singspiel in 3 Acts.Music composed by Wolfgang Amadeus Mozart (1756–1791). Libretto by Johann Gottlieb Stephanie the Younger, based on an earlier libretto by Christoph Friedrich Bretzner. »

17 Jul 2006

MOZART: Die Entführung aus dem Serail — Part I

Die Entführung aus dem Serail, Singspiel in 3 Acts.Music composed by Wolfgang Amadeus Mozart (1756–1791). Libretto by Johann Gottlieb Stephanie the Younger, based on an earlier libretto by Christoph Friedrich Bretzner. »

08 Jul 2006

BIZET: Carmen

Opéra comique in four acts.Music composed by Georges Bizet (1838-1875). Libretto by Henri Meilhac and Ludovic Halévy after Prosper Mérimée’s novella, Carmen. »

19 Jun 2006

WAGNER: Der fliegende Holländer

Der fliegende Holländer. Romantic opera in 3 acts.Music composed by Richard Wagner. Libretto by the composer. »

11 Jun 2006

MOZART: Così fan tutte — La Scala 1956

Così fan tutte, ossia La scuola degli amanti (K. 588). Opera buffa in two acts.Music composed by Wolfgang Amadeus Mozart (1756–1791). Libretto by Lorenzo Da Ponte. »

08 Jun 2006

ROSSINI: La Cenerentola

La Cenerentola, ossia La bontà in trionfo. Dramma giocoso in two acts.Music composed by Gioacchino Rossini (1792–1868). Libretto by Jacopo Ferretti after Perrault. »

21 May 2006

DONIZETTI: Poliuto

Poliuto, Tragedia lirica in three acts.Music composed by Gaetano Donizetti (1797-1848). Libretto by Salvatore Cammarano, after the tragedy Polyeucte (1640) by Pierre Corneille. »

18 May 2006

GLUCK: Alceste

Alceste. Tragedia in three acts (Italian version).Alceste. Tragédie opéra in three acts (French version). »

15 May 2006

GLUCK: Orfeo ed Euridice

Orfeo ed Euridice. Azione teatrale in three acts (Italian version).Orphée et Eurydice. Tragédie opéra in three acts (French version). »

09 May 2006

MARTÍN Y SOLER: Una cosa rara

Una cosa rara, ossia Bellezza ed onestà. Dramma giocoso in two acts.Music composed by Vicente Martín y Soler (1754–1806). Libretto by Lorenzo Da Ponte from the comedy La luna de la Sierra by Luis Vélez de Guevara. »

30 Apr 2006

HANDEL: Giulio Cesare in Egitto

Giulio Cesare in Egitto (HWV 17), Drama in three acts.Music composed by Georg Friedrich Handel (1685–1759). Libretto by Nicola Francesco Haym after an earlier libretto by Giacomo Francesco Bussani. »

20 Apr 2006

BELLINI: I puritani

I puritani, opera seria in three actsMusic composed by Vincenzo Bellini (1801-1835). Libretto by Carlo Pepoli from Têtes rondes et Cavaliers (1833) by Jacques Ancelot and Xavier Saintine. »

17 Apr 2006

BELLINI: Norma — Trieste 1953

Norma: Tragedia lirica in due atti »

09 Apr 2006

BELLINI: La sonnambula — La Scala 1955

La sonnambula, Melodramma in due attiMusic composed by Vincenzo Bellini (1801–1835). Libretto by Felice Romani, based on La Sonnambule ou L'arrivée d'un nouveau Seigneur (1827) by Eugène Scribe. »

07 Apr 2006

BELLINI: I Capuleti e i Montecchi

I Capuleti e i Montecchi, Tragedia lirica in due atti e quattro parti.Music composed by Vincenzo Bellini (1801-1835). Libretto by Felice Romani, based on the play Giulietta e Romeo (1818) by Luigi Scevola. »

26 Mar 2006

SMETANA: Die verkaufte Braut

Die verkaufte Braut (The Bartered Bride; Prodaná nevěsta)Comic opera in three acts.Music composed by Bedřich Smetana. Libretto by Karel Sabina »

23 Mar 2006

DONIZETTI: Don Pasquale

Don Pasquale, Dramma buffo in three acts. Music by Gaetano Donizetti. Libretto by Giovanni Ruffini and the composer after Angelo Anelli’s libretto for Stefano Pavesi’s Ser Marcantonio (1810), which was derived from Epicœne or The Silent Woman by Ben Jonson (1609). »

20 Mar 2006

GOUNOD: Roméo et Juliette

Roméo et Juliette, Opéra en cinq actes Music composed by Charles François Gounod. Libretto by Jules Barbier and Michel Carré, based on the play Romeo and Juliet by William Shakespeare. »

12 Mar 2006

CIMAROSA: Il Matrimonio Segreto

Il Matrimonio Segreto, Melodramma giocoso in two acts.Music composed by Domenico Cimarosa (1749-1801). Libretto by Giovanni Bertati after The Clandestine Marriage (1766) by George Colman the Elder and David Garrick. »

02 Mar 2006

WEBER: Oberon

Oberon, Romantic opera in three actsMusic by Carl Maria von Weber. Libretto by James Robinson Planché after Oberon by Christoph Martin Wieland and the 13th-century French romance Huon de Bordeaux »

18 Feb 2006

WEBER: Der Freischütz

Der Freischütz, Romantische Oper in drei Aufzügen.Music composed by Carl Maria von Weber (1786-1826). Libretto by Friedrich Kind. »

15 Feb 2006

ROSSINI: Armida — Venice 1970

Armida, Dramma per musica in tre atti. »

12 Feb 2006

WEBER: Euryanthe

Euryanthe, Romantische Oper in drei AufzügenMusic composed by Carl Maria von Weber (1786-1826). Libretto by Wilhelmina Christiane von Chézy. »