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Elsewhere

The Moderate Soprano : Q&A with Nancy Carroll and Roger Allam

Nancy Carroll and Roger Allam play Audrey Mildmay and John Christie in David Hare’s play The Moderate Soprano which is currently at the Duke of York’s Theatre in London.

Le Concert Royal de la Nuit - Ensemble Correspondances

Le Concert Royal de la Nuit with Ensemble Correspondances led by Sébastien Daucé, the glorious culmination of the finest London Festival of the Baroque in years on the theme "Treasures of the Grand Siècle". Le Concert Royal de la Nuit was Louis XIV's announcement that he would be "Roi du Soleil", a ruler whose magnificence would transform France, and the world, in a new age of splendour.

Voices of Revolution – Prokofiev, Exile and Return

Seven, they are Seven , op.30; Violin Concerto no.1 in D minor, op.19; Cantata for the Twentieth Anniverary of the October Revolution, op.74. David Butt Philip (tenor), Pekka Kuusisto (violin), Aidan Oliver (voice of Lenin, chorus director), Philharmonia Voices, Crouch End Festival Chorus, Students of the Royal Welsh College of Music and Drama (military band), Philharmonia Orchestra/Vladimir Ashkenazy (conductor). Royal Festival Hall, London, Sunday 20 May 2018.

Charpentier Histoires sacrées, staged - London Baroque Festival

Marc-Antoine Charpentier Histoires sacrées with Ensemble Correspondances, conducted by Sébastien Daucé, at St John's Smith Square, part of the London Festival of the Baroque 2018. This striking staging, by Vincent Huguet, brought out its austere glory: every bit a treasure of the Grand Siècle, though this grandeur was dedicated not to Sun God but to God.

No Time in Eternity: Iestyn Davies discusses Purcell and Nyman

Revolution, repetition, rhetoric. On my way to meet countertenor Iestyn Davies, I ponder if these are the elements that might form connecting threads between the music of Henry Purcell and Michael Nyman, whose works will be brought together later this month when Davies joins the viol consort Fretwork for a thought-provoking recital at Milton Court Concert Hall.

Aïda in Seattle: don’t mention the war!

When Francesca Zambello presented Aïda at her own Glimmerglass Opera in 2012, her staging was, as they say, “ripped from today’s headlines.” Fighter planes strafed the Egyptian headquarters as the curtain rose, water-boarding was the favored form of interrogation, Radames was executed by lethal injection.

Glyndebourne Festival Opera 2018 opens with Annilese Miskimmon's Madama Butterfly

As the bells rang with romance from the tower of St George’s Chapel, Windsor, the rolling downs of Sussex - which had just acquired a new Duke - echoed with the strains of a rather more bitter-sweet cross-cultural love affair. Glyndebourne Festival Opera’s 2018 season opened with Annilese Miskimmon’s production of Madama Butterfly, first seen during the 2016 Glyndebourne tour and now making its first visit to the main house.

Remembering Debussy

This concert might have been re-titled Remembrance of Musical Times Past: the time, that is, when French song, nurtured in the Proustian Parisian salons, began to gain a foothold in public concert halls. But, the madeleine didn’t quite work its magic on this occasion.

Garsington's Douglas Boyd on Strauss and Skating Rinks

‘On August 3, 1941, the day that Capriccio was finished, 682 Jews were killed in Chernovtsy, Romania; 1,500 in Jelgava, Latvia; and several hundred in Stanisławów, Ukraine. On October 28, 1942, the day of the opera’s premiere in Munich, the first convoy of Jews from Theresienstadt arrived at Auschwitz-Birkenau, and 90 percent of them went to the gas chamber.’

A chiaroscuro Orfeo from Iestyn Davies and La Nuova Musica

‘I sought to restrict the music to its true purpose of serving to give expression to the poetry and to strengthen the dramatic situations, without interrupting the action or hampering it with unnecessary and superfluous ornamentations. […] I believed further that I should devote my greatest effort to seeking to achieve a noble simplicity; and I have avoided parading difficulties at the expense of clarity.’

Lessons in Love and Violence: powerful musical utterances but perplexing dramatic motivations

‘What a thrill -/ My thumb instead of an onion. The top quite gone/ Except for a sort of hinge/ Of skin,/ A flap like a hat,/ Dead white. Then that red plush.’ Those who imagined that Sylvia Plath (‘Cut’, 1962) had achieved unassailable aesthetic peaks in fusing pain - mental and physical - with beauty, might think again after seeing and hearing this, the third, collaboration between composer George Benjamin and dramatist/librettist Martin Crimp: Lessons in Love and Violence.

Grands motets de Lalande

Majesté, a new recording by Le Poème Harmonique, led by Vincent Dumestre, of music by Michel-Richard de Lalande (1657-1726) new from Alpha Classics. Le Poème Harmonique are regular visitors to London, appreciated for the variety of their programes. On Friday this week, (11/5) they'll be at St John's Smith Square as part of the London Festival of Baroque, with a programme titled "At the World's Courts".

Perpetual Night - Early English Baroque, Ensemble Correspondances

New from Harmonia Mundi, Perpetual Night. a superb recording of ayres and songs from the 17th century, by Ensemble Correspondances with Sébastien Daucé and Lucile Richardot. Ensemble Correspondances are among the foremost exponents of the music of Versailles and the French royalty, so it's good to hear them turn to the music of the Stuart court.

Les Salons de Pauline Viardot: Sabine Devieilhe at Wigmore Hall

Always in demand on French and international stages, the French soprano Sabine Devieihle is, fortunately, becoming an increasingly frequent visitor to these shores. Her first appearance at Wigmore Hall was last month’s performance of works by Handel with Emmanuelle Haïm’s Le Concert d’Astrée. This lunchtime recital, reflecting the meetings of music and minds which took place at Parisian salon of the nineteenth-century mezzo-soprano Pauline Viardot (1821-1910), was her solo debut at the venue.

Jesus Christ Superstar at Lyric Opera of Chicago

Lyric Opera of Chicago is now featuring as its spring musical Jesus Christ Superstar with music and lyrics by Andrew Lloyd Webber and Tim Rice. The production originated with the Regent’s Park Theatre, London with additional scenery by Bay Productions, U.K. and Commercial Silk International.

Persephone glows with life in Seattle

As a figure in the history of 20th century art, few deserve to be closer to center stage than Ida Rubenbstein. Without her talent, determination, and vast wealth, Ravel’s Boléro, Debussy’s Martyrdom of St. Sebastien, Honegger’s Joan of Arc at the Stake, and Stravinsky’s Perséphone would not exist.

La concordia de’ pianeti: Imperial flattery set to Baroque splendor in Amsterdam

One trusts the banquet following the world premiere of La concordia de’ pianeti proffered some spicy flavors, because Pietro Pariati’s text is so cloying it causes violent stomach-churning. In contrast, Antonio Caldara’s music sparkles and dances like a blaze of crystal chandeliers.

Kathleen Ferrier Awards Final 2018

The 63rd Competition for the Kathleen Ferrier Awards 2018 was an unusually ‘home-grown’ affair. Last year’s Final had brought together singers from the UK, the Commonwealth, Europe, the US and beyond, but the six young singers assembled at Wigmore Hall on Friday evening all originated from the UK.

Affecting and Effective Traviata in San Jose

Opera San Jose capped its consistently enjoyable, artistically accomplished 2017-2018 season with a dramatically thoughtful, musically sound rendition of Verdi’s immortal La traviata.

Brahms Liederabend

At his best, Matthias Goerne does serious (ernst) at least as well as anyone else. He may not be everyone’s first choice as Papageno, although what he brings to the role is compelling indeed, quite different from the blithe clowning of some, arguably much closer to its fundamental sadness. (Is that not, after all, what clowns are about?) Yet, individual taste aside, whom would one choose before him to sing Brahms, let alone the Four Serious Songs?


OPERA TODAY ARCHIVES »

FeaturedOperas

Eugène Delacroix, Hamlet and Horatio in the Graveyard (1827–28) [Courtesy of The Metropolitan Museum of Art]
22 Oct 2015

THOMAS: Hamlet, Moscow 2015

Hamlet: Opéra in five acts. Music composed by Ambroise Thomas. Libretto by Michel Carré and Jules Barbier after The Tragedy of Hamlet, Prince of Denmark by William Shakespeare. »

Recently in FeaturedOperas

All Pages |  1  |  2  |  3 
20 Oct 2013

Das Liebesverbot, Vienna 1962

Das Liebesverbot: Grosse komische Oper in two acts. »

09 Sep 2011

Jules Massenet: Le Cid

Le Cid, Opéra in 4 acts »

02 Sep 2011

Vincenzo Bellini: I puritani

I puritani, opera seria in three acts »

30 Aug 2011

Vincenzo Bellini: Zaira

Zaira, Tragedia lirica in two acts. »

22 Jul 2011

G. F. Handel: Athalia

Athalia: Oratorio (sacred drama) in 3 acts »

12 Nov 2010

DONIZETTI: Lucrezia Borgia

Lucrezia Borgia: Melodramma in a prologue and two acts. »

01 Sep 2010

BERTIN: La Esmeralda

La Esmeralda: Opéra in four acts. »

12 Aug 2010

VERDI: Ernani — Florence 1957

Ernani: Dramma lirico in four parts. »

14 Jul 2010

von Waltershausen: Oberst Chabert

Oberst Chabert (Colonel Chabert): Tragic opera in 3 acts. »

23 Jun 2010

VERDI: Otello — La Scala 1954

Otello: Dramma lirico in four acts.Music composed by Giuseppe Verdi. Libretto by Arrigo Boito after The Tragedie of Othello, the Moore of Venice by William Shakespeare. »

24 Apr 2010

HAHN: Le Marchand de Venise

Le Marchand de Venise (“The Merchant of Venice”): Opéra in three acts. »

17 Mar 2010

STORACE: Gli Equivoci

Gli Equivoci (The Comedy of Errors): Opera in two acts. »

07 Feb 2010

MARTIN: Der Sturm

Der Sturm: Opera in three acts  »

30 Jan 2010

PURCELL: The Fairy-Queen

The Fairy-Queen: Semi-opera in five acts. »

18 Jan 2010

VERDI: Macbeth — Vienna 2009

Macbeth: Melodramma in quattro parti. »

03 Jan 2010

WAGNER: Das Liebesverbot

Das Liebesverbot: Grosse komische Oper in two acts. »

13 Dec 2009

VERDI: Falstaff — Wales 2008

Falstaff: Commedia lirica in three acts. »

30 Nov 2009

THOMAS: Hamlet — London 2003

Hamlet: Opéra in five acts.Music composed by Ambroise Thomas. Libretto by Michel Carré and Jules Barbier after The Tragedy of Hamlet, Prince of Denmark by William Shakespeare. »

15 Nov 2009

ROSSINI: Otello — Bad Wildbad 2008

Otello, ossia Il moro di Venezia (‘Othello, or The Moor of Venice’): Dramma in three acts. »

18 Oct 2009

BERLIOZ: Béatrice et Bénédict — Paris 2009

Béatrice et Bénédict: Opéra comique in two acts »

11 Oct 2009

NICOLAI: Die lustigen Weiber von Windsor — Berlin 1943

Die lustigen Weiber von Windsor (The Merry Wives of Windsor), a comical-fantastical opera in three acts with dance. »

29 Sep 2009

VERDI: Otello — Vienna 2006

Otello: Dramma lirico in four acts.Music composed by Giuseppe Verdi. Libretto by Arrigo Boito after The Tragedie of Othello, the Moore of Venice by William Shakespeare. »

06 Sep 2009

MASSENET: Werther — Vienna 2000

Werther: Drame lyrique en 4 actes et 5 tableauxMusic composed by Jules Massenet. Libretto by Edouard Blau, Paul Milliet and Georges Hartmann based on Die Leiden des jungen Werther by Johann Wolfgang von Goethe »

23 Aug 2009

THOMAS: Mignon — New York 2005

Mignon: Opéra comique in three acts. »

26 Jul 2009

GOUNOD: Faust — Vienna 2008

Faust, Opéra en cinq actes. »

12 Jul 2009

GOUNOD: Faust — 1953

Faust, Opéra en cinq actes. »

15 Jun 2009

PUCCINI: Turandot — Buenos Aires 1965

Turandot, dramma lirico in three acts. »

10 Jun 2009

VERDI: I masnadieri — Baden-Baden 1998

I masnadieri [The bandits]: Melodramma in four parts  »

17 May 2009

TCHAIKOVSKY: The Maid of Orléans — Moscow 1971

The Maid of Orléans: [Orleanskaya deva]: Opera in four acts »

11 May 2009

ROSSINI: Guglielmo Tell — Rome 1954

Guglielmo Tell: Melodramma tragico in four acts »

03 May 2009

DONIZETTI: Maria Stuarda — Paris 1972

Maria Stuarda: Tragedia lirica in two or three acts. »

26 Apr 2009

VERDI: Don Carlo — Rome 1954

Don Carlo: Opera in four acts.  »

19 Apr 2009

VERDI: Luisa Miller — Reggio Emilia 1976

Luisa Miller: Melodramma tragico in three acts. »

12 Apr 2009

WAGNER: Götterdämmerung — Rome 1968

Götterdämmerung: Third day of Der Ring des Nibelungen in a prologue and three acts. »

06 Apr 2009

WAGNER: Siegfried — Rome 1968

Siegfried: Second day of Der Ring des Nibelungen in three acts. »

29 Mar 2009

WAGNER: Die Walküre — Rome 1968

Die Walküre: First day of Der Ring des Nibelungen in three acts.  »

22 Mar 2009

WAGNER: Das Rheingold — Rome 1968

Vorabend (preliminary evening) of Der Ring des Nibelungen, in four scenes. »

15 Mar 2009

ROSSINI: Il Barbiere di Siviglia — La Scala 1956

Il Barbiere di Siviglia [Almaviva, ossia L’inutile precauzione (‘Almaviva, or The Useless Precaution’)]: Commedia in two acts. »

08 Mar 2009

CHERUBINI: Medea — La Scala 1961

Medea (Médée): Opéra comique in three acts. »

01 Mar 2009

BELLINI: La sonnambula — La Scala 1957

La sonnambula, Melodramma in due atti »

22 Feb 2009

PUCCINI: Tosca — Mexico City 1952

Tosca: A melodrama in three acts. »

15 Feb 2009

ROSSINI: Armida — Firenze 1952

Armida, Dramma per musica in tre atti. »

08 Feb 2009

VERDI: La Traviata — Lisbon 1958

La Traviata: Melodramma in three acts.  »

01 Feb 2009

VERDI: Un ballo in maschera — La Scala 1957

Un ballo in maschera: Melodramma in three acts »

25 Jan 2009

BELLINI: Il Pirata — New York 1959

Il Pirata: Melodramma in two acts. »

18 Jan 2009

BELLINI: Norma — Roma 1955

Norma: Tragedia lirica in two acts. »

11 Jan 2009

DONIZETTI: Lucia di Lammermoor — Roma 1957

Lucia di Lammermoor: Opera in three acts. »

04 Jan 2009

PUCCINI: Turandot — Wien 1961

Turandot, dramma lirico in three acts. »

28 Dec 2008

PUCCINI: Gianni Schicchi — La Scala 2008

Gianni Schicchi: Opera in one act (no. 3 of Il trittico) »

21 Dec 2008

PUCCINI: Suor Angelica — La Scala 2008

Suor Angelica: Opera in one act (no.2 of Il trittico). »

14 Dec 2008

PUCCINI: Il Tabarro — La Scala 2008

Il Tabarro [The Cloak]: Opera in one act (no.1 of Il Trittico). »

07 Dec 2008

PUCCINI: La Rondine — La Scala 1994

La Rondine: Commedia lirica in three acts. »

01 Dec 2008

PUCCINI: La Fanciulla del West — La Scala 1956

La Fanciulla del West: Opera in three acts. »

23 Nov 2008

PUCCINI: La Fanciulla del West — Firenze 1954

La Fanciulla del West: Opera in three acts. »

16 Nov 2008

PUCCINI: Madama Butterfly — Covent Garden 1957

Madama Butterfly, opera in two acts. »

09 Nov 2008

PUCCINI: Tosca — Bruxelles 1958

Tosca: A melodrama in three acts. »

02 Nov 2008

PUCCINI: La Bohème — Vienna 1988

La Bohème, opera in four acts. Music composed by Giacomo Puccini. Libretto by Giuseppe Giacosa and Luigi lllica, based on episodes from Henri Murger’s Scènes de la vie de Bohème. »

26 Oct 2008

STRAUSS: Intermezzo — Vienna 1963

Intermezzo: Bürgerliche Komödie with symphonic interludes in two acts.  »

20 Oct 2008

STRAUSS: Salome — Covent Garden 2008

Salome, Musikdrama in one act. »

05 Oct 2008

STRAUSS: Capriccio -- Vienna 2008

Capriccio: Konversationsstück für Musik in one act. »

28 Sep 2008

STRAUSS: Arabella -- Dresden 2005

Arabella: Lyrische Komödie in three acts »

21 Sep 2008

STRAUSS: Arabella — Salzburg 1958

Arabella: Lyrische Komödie in three acts »

14 Sep 2008

STRAUSS: Die ägyptische Helena — Salzburg 2003

Die ägyptische Helena: Oper in two acts. »

07 Sep 2008

STRAUSS: Die ägyptische Helena — Munich 1956

Die ägyptische Helena: Oper in two acts. »

01 Sep 2008

STRAUSS: Die Frau ohne Schatten — Covent Garden 1992

Die Frau ohne Schatten: Oper in three acts »

24 Aug 2008

STRAUSS: Die Frau ohne Schatten — Covent Garden 1976

Die Frau ohne Schatten: Oper in three acts »

17 Aug 2008

STRAUSS: Der Rosenkavalier — Hamburg 1992

Der Rosenkavalier (‘The Knight of the Rose’): Komödie für Musik in 3 acts. »

10 Aug 2008

STRAUSS: Der Rosenkavalier — Wien 1987

Der Rosenkavalier (‘The Knight of the Rose’): Komödie für Musik in 3 acts. »

04 Aug 2008

MOZART: Die Entführung aus dem Serail — Salzburg 1997

Die Entführung aus dem Serail: Singspiel in 3 Acts. »

27 Jul 2008

MOZART: Die Entführung aus dem Serail — Salzburg 1975

Die Entführung aus dem Serail: Singspiel in 3 Acts. »

20 Jul 2008

MOZART: Idomeneo — Munich 2008

Idomeneo, rè di Creta: Dramma per musica in tre atti (K. 366). »

13 Jul 2008

MOZART: Idomeneo (Britten ed.)

Idomeneo, rè di Creta: Dramma per musica in tre atti (K. 366). »

06 Jul 2008

MOZART: Così fan tutte — Wien 2008

Così fan tutte, ossia La scuola degli amanti (K. 588). Opera buffa in two acts. »

30 Jun 2008

MOZART: Così fan tutte — Salzburg 2004

Così fan tutte, ossia La scuola degli amanti (K. 588). Opera buffa in two acts. »

22 Jun 2008

MOZART: Die Zauberflöte — Salzburg 2006

Die Zauberflöte: Singspiel in two acts, K. 620 »

15 Jun 2008

MOZART: Die Zauberflöte — Salzburg 2005

Die Zauberflöte: Singspiel in two acts, K. 620 »

08 Jun 2008

MOZART: La Clemenza di Tito — ENO 2007

La Clemenza di Tito: Opera seria in two acts, K621. »

01 Jun 2008

MOZART: La Clemenza di Tito — Covent Garden 1976

La Clemenza di Tito: Opera seria in two acts, K621. »

25 May 2008

MOZART: Le Nozze di Figaro — Vienna 2001

Le Nozze di Figaro (The Marriage of Figaro): Opera buffa in four acts, K492 »

18 May 2008

MOZART: Le Nozze di Figaro — Salzburg 2001

Le Nozze di Figaro (The Marriage of Figaro): Opera buffa in four acts, K492 »

11 May 2008

MOZART: Don Giovanni — Salzburg 2002

Il dissoluto punito ossia il Don Giovanni (K. 527): Drama giocoso in two acts »

04 May 2008

MOZART: Don Giovanni — Salzburg 1953

Il dissoluto punito ossia il Don Giovanni (K. 527): Dramma giocoso in two acts »

27 Apr 2008

MASSENET: Chérubin

Chérubin: Comédie chantée in three acts. »

21 Apr 2008

MASSENET: Marie-Magdeleine

Marie-Magdeleine: Drame sacré in three acts and four scenes »

13 Apr 2008

MASSENET: Le Cid

Le Cid: opéra in four acts and ten tableaux. »

06 Apr 2008

MASSENET: Esclarmonde

Esclarmonde: Opéra romanesque in four acts and eight tableaux. »

30 Mar 2008

MASSENET: Cendrillon

Cendrillion, Conte de Fées in 4 ActsMusic composed by Jules Massenet (1842–1912). Libretto by Henri Cain after Perrault. »

16 Mar 2008

MASSENET: Manon

Manon: Opéra comique in 5 acts and 6 tableaux »

09 Mar 2008

MASSENET: Thaïs

Thaïs: Comédie lyrique in three acts and seven scenes. »

03 Mar 2008

JOMMELLI: Fetonte

Fetonte: Dramma per musica in three acts. »

25 Feb 2008

VINCI: La Partenope

La Partenope: Dramma per musica in three acts. »

19 Feb 2008

CHERUBINI: Medea

Medea (Médée): Opéra comique in three acts. »

10 Feb 2008

MARTÍN Y SOLER: Andromaca

Andromaca: Dramma per musica in three acts. »

03 Feb 2008

ROSSINI: Ermione

Ermione: Azione tragica in two acts. »

27 Jan 2008

TRAETTA: Ippolito ed Aricia

Ippolito ed Aricia: Tragedia in five acts. »

20 Jan 2008

MOZART/STRAUSS: Idomeneo

Idomeneo: Opera seria in three acts. »

13 Jan 2008

GLUCK: Paride ed Elena

Paride ed Elena: Dramma per musica in five acts. »

10 Jan 2008

GLUCK/BERLIOZ: Orphée

Orphée: Opera in four acts. Music composed by Christoph Willibald Gluck (arranged by Hector Berlioz, 1859). Libretto by Ranieri de' Calzabigi  »

26 Dec 2007

LULLY: Alceste, ou Le triomphe d’Alcide

Alceste, ou Le triomphe d’Alcide: Tragédie en musique in a prologue and five acts. »

17 Dec 2007

GLUCK: Alceste

Alceste: Tragédie opéra in three acts. »

12 Dec 2007

PACINI: Medea

Medea: Melodramma tragico in three acts. »

06 Dec 2007

SACCHINI: Oedipe à Colone

Oedipe à Colone: Tragédie lyrique in three acts. »

27 Nov 2007

STRAUSS : Elektra

Elektra: Tragedy in one act. »

18 Nov 2007

PAISIELLO: Fedra

Fedra: Dramma per musica in two acts. »

11 Nov 2007

BERLIOZ: Les Troyens

Les Troyens: Grand opéra in five acts. »