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Elsewhere

Armida in Pesaro

Armida (1817) is the third of Rossini’s nine operas for the Teatro San Carlo in Naples, all serious. The first was Elisabetta, regina di Inghilterra (1815), the second was Otello (1816), the last was Zelmira (1822).

Santa Fe Opera Presents an Imaginative Carmen

Santa Fe opera has presented Carmen in various productions since 1961. This year’s version by Stephen Lawless takes place during the recent past in Northern Mexico near the United States border. The performance on August 6, 2014, featured Ana Maria Martinez as a monumentally sexy Gypsy who was part of a drug smuggling group.

Elgar Sea Pictures : Alice Coote, Mark Elder Prom 31

Sir Mark Elder and the Hallé Orchestra persuasively balanced passion and poetry in this absorbing Promenade concert. Elder’s tempi were fairly relaxed but the result was spaciousness rather than ponderousness, with phrases given breadth and substance, and rich orchestral colours permitted to make startling dramatic impact.

Berio Sinfonia, Shostakovich, BBC Proms

Although far from perfect, the performance of Berio’s Sinfonia in the first half of this concert was certainly its high-point; indeed, I rather wish that I had left at the interval, given the tedium induced by Shostakovich’s interminable Fourth Symphony. Still, such was the programme Semyon Bychkov had been intended to conduct. Alas, illness had forced him to withdraw, to be replaced at short notice by Vasily Petrenko.

Four countertenors : Handel Rinaldo Glyndebourne

Handel's Rinaldo was first performed in 1711 at London's King's Theatre. Handel's first opera for London was designed to delight and entertain, combining good tunes, great singing with a rollicking good story. Robert Carsen's 2011 production of the opera for Glyndebourne reflected this with its tongue-in-cheek Harry Potter meets St Trinian's staging.

Santa Fe Opera Presents The Impresario and Le Rossignol

On August 7, 2014, the Santa Fe Opera presented a double bill of Wolfgang Amadeus Mozart’s The Impresario and Igor Stravinsky’s Le Rossignol (The Nightingale). The Impresario deals with the casting of an opera and Le Rossignol tells the well-known fairy tale about the plain gray bird with an exquisite song.

Barber in the Beehive State

Utah Festival Opera and Musical Theatre has gifted opera enthusiasts with a thrilling Barber, and I don’t mean . . . of Seville.

Stravinsky : Oedipus Rex, BBC Proms

In typical Proms fashion, BBC Prom 28 saw Stravinsky's Oedipus Rex performed in an eclectic programme which started with Beethoven's Egmont Overture and also featured Electric Preludes by the contemporary Australian composer Brett Dean. Sakari Oramo,was making the first of his Proms appearances this year, conducting the BBC Symphony Orchestra, BBC Singers and BBC Symphony Chorus.

Santa Fe Opera Presents a Passionate Fidelio

Santa Fe Opera presented Beethoven’s Fidelio for the first time in 2014. Since the sides of the opera house are open, the audience watched the sun redden the low hanging clouds and set below the Sangre de Cristo mountains while Chief Conductor Harry Bicket led the Santa Fe Opera Orchestra in the rousing overture. At the same time, Alex Penda as the title character readied herself for the ordeal to come as she endeavored to rescue her unjustly imprisoned husband.

Die Entführung aus dem Serail @ Hangar-7

We see the characters first in two boxes at an opera house. The five singers share a box and stare at the stage. But Konstanze’s eye is caught by a man in a box opposite: Bassa Selim (actor Tobias Moretti), who stares steadily at her and broods in voiceover at having lost her, his inspiration.

Rameau Grand Motets, BBC Proms

Best of the season so far! William Christie and Les Arts Florissants performed Rameau Grand Motets at late night Prom 17.

Adriana Lecouvreur, Opera Holland Park

Twelve years after Opera Holland Park's first production of Francesco Cilea’s Adriana Lecouvreur, the opera made a welcome return.

Back to the Beginnings: Monteverdi’s Il ritorno d’Ulisse in patria at Iford Opera.

The Italianate cloister setting at Iford chimes neatly with Monteverdi’s penultimate opera The Return of Ulysses, as the setting cannot but bring to mind those early days of the musical genre.

Schoenberg : Moses und Aron, Welsh National Opera, London

Once again, we find ourselves thanking an unrepresentable being for Welsh National Opera’s commitment to its mission.

Count Ory, Dead Man Walking
and La traviata in Des Moines

If you don’t have the means to get to the Rossini festival in Pesaro, you would do just as well to come to Indianola, Iowa, where Des Moines Metro Opera festival has devised a heady production of Le Comte Ory that is as long on belly laughs as it is on musical fireworks.

Janáček’s Glagolitic Mass, BBC Proms

Composed during just a few weeks of the summer of 1926, Janáček’s Slavonic-text Glagolitic Mass was first performed in Brno in December 1927.

Donizetti and Mozart, Jette Parker Young Artists Royal Opera House, London

With the conclusion of the ROH 2013-14 season on Saturday evening - John Copley’s 40-year old production of La Bohème bringing down the summer curtain - the sun pouring through the gleaming windows of the Floral Hall was a welcome invitation to enjoy a final treat. The Jette Parker Young Artists Summer Showcase offered singers whom we have admired in minor and supporting roles during the past year the opportunity to step into the spotlight.

Glyndebourne's Strauss Der Rosenkavalier, BBC Proms

Many words have already been spent - not all of them on musical matters - on Richard Jones’s Glyndebourne production of Der Rosenkavalier, which last night was transported to the Royal Albert Hall. This was the first time at the Proms that Richard Strauss’s most popular opera had been heard in its entirety and, despite losing two of its principals in transit from Sussex to SW1, this semi-staged performance offered little to fault and much to admire.

Il turco in Italia at the Aix Festival

Twenty years ago stage director Christopher Alden introduced Rossini’s then forgotten comedy to Southern California audiences in a production that is still remembered. In Aix Alden has revisited this complex work that many critics now consider Rossini’s greatest comedy.

First Night of the BBC Proms : Elgar The Kingdom

The BBC Proms 2014 season began with Sir Edward Elgars The Kingdom (1903-6). It was a good start to the season,which commemorates the start of the First World War. From that perspective Sir Andrew Davis's The Kingdom moved me deeply.


OPERA TODAY ARCHIVES »

Recordings

Arthaus Musik 108102
03 Aug 2014

Die Entführung aus dem Serail @ Hangar-7

We see the characters first in two boxes at an opera house. The five singers share a box and stare at the stage. But Konstanze’s eye is caught by a man in a box opposite: Bassa Selim (actor Tobias Moretti), who stares steadily at her and broods in voiceover at having lost her, his inspiration.  »

Recently in Recordings

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12 Mar 2012

Netrebko and Garanča in Donizetti’s Anna Bolena

The cinema world has given us “star vehicle,” a term used to describe a movie that may not have the best script or direction but which suits a popular actor’s persona so well the film can fairly be called a successful entertainment.  »

04 Mar 2012

Previn conducts the LSO in the 1970s

André Previn’s leadership of the London Symphony Orchestra in the early 1970s resulted in some highly regarded recordings, including one of the classic accounts of Rachmaninov’s Second Symphony.  »

01 Mar 2012

Giuseppe Verdi: Aida

A perennial favorite among opera enthusiasts since its 1871 premiere in Cairo, Aida remains a popular work, and its strengths are apparent in the recent Decca DVD from the Metropolitan Opera, New York.  »

27 Feb 2012

Mahler: Symphony No. 9

Based on performances given on 2 and 3 March 2011 (at the Barbican, London), Valery Gergiev’s recording of Mahler’s Ninth Symphony is an engaging and persuasive reading of the score.  »

24 Feb 2012

Fleming in Strauss’s Capriccio

Is there somewhere in Italian opera repertory where, as a comic interlude, the portentous clichés of German opera come in for a skewering amid the luscious sunshine of Italianate lyricism?  »

24 Feb 2012

Michael Spyres — A Fool for Love

Tenor Michael Spyres’ star is on the rise and his highly enjoyable debut recital disc offers ample proof as to why. »

16 Feb 2012

Pountney directs Verdi’s Forza for Vienna

One of the guiding principles of the revisionist (if not intervisionist) school of opera directing commonly called “regie-theater” is that certain outdated dramatic conventions in the librettos of many great operas can actually interfere with a contemporary audience’s ability to perceive the true artistic worth of the work of art.  »

08 Feb 2012

Gustav Mahler: Das Lied von der Erde

Recorded on 14 June 1964 at the Großer Saal of the Musikverein, Vienna, as part of the Wiener Festwochen, this legendary performance of Mahler’s Das Lied von der Erde was released in 2011 on Deutsche Grammophon.  »

08 Feb 2012

Gustav Mahler: Symphony No. 4

If Mahler’s Fourth Symphony is arguably one of his more familiar pieces, live performances of the work can vary depending on the abilities of the performers to meet the various challenges of the piece.  »

02 Feb 2012

Mahler: Das Lied von der Erde

Released in 2011, this disc reproduces a performance of Mahler’s Das Lied von der Erde that was recorded on 10 November 1989 at the Grzegorz Fitelberg Concert Hall, Katowice [Poland].  »

28 Dec 2011

Leoncavallo’s I Medici

Ruggero Leoncavallo’s name is forever tied to that of Pietro Mascagni.  »

28 Dec 2011

“‘I Heard a Voice’: the Music of the Golden Age”

In contrast to much music-making on the continent, English composers born in the last quarter of the sixteenth century seem to have embraced a notable degree of stylistic continuity.  »

28 Dec 2011

Giovanni Pierluigi da Palestrina e la Compagnia dei Musici di Roma, Messa di Santa Cecilia

Homage could take diverse forms in Counter-Reformation Rome, and this excellent recording by ensemble officium, Messa di Santa Cecilia, focuses on a particular instance that was interestingly polyvalent.  »

22 Dec 2011

Wilhelm Friedemann Bach Cantatas

In Wilhelm Weitsch’s well-known painting of Wilhelm Friedemann Bach, the eldest son of Johann Sebastian seems far distant from the cantorial world of his father.  »

19 Dec 2011

Operas of Jean-Philippe Rameau

Jean-Philippe Rameau, an organist and music theoretician, was active for much of his life in musical centers distant from the cultural juggernaut of Paris.  »

19 Dec 2011

San Marco in Hamburg: Motets by Hieronymus Praetorius

In the first part of the seventeenth century, the north German city of Hamburg spawned an unusually rich organ culture, with Jacob Praetorius, the younger, and Heinrich Scheidemann both pupils of the famous Dutch organist, Jan Pieterzoon Sweelinck, as leading figures.  »

18 Dec 2011

“A Year at King’s”

This recent recording of the men and boys from King’s College, Cambridge, is an anthology organized around the texts and themes of the liturgical year, a scheme that offers ample opportunity for diverse works—in that sense the recording feels something like a “sampler”—but a scheme that also reflects the real experience of the daily life of the choir which sings demanding choral services six days of the week in term time.  »

16 Dec 2011

Randal Turner Sings the Songs of Living American Composers

A self-published recording, baritone Randal Turner’s traversal of contemporary songs in English, Living American Composers, makes for a fine vocal calling card.  »

13 Dec 2011

Call Her Flott — Felicity Lott sings in English

Soprano Felicity Lott has concentrated her career in her UK homeland and in Europe, although she certainly has had her share of US appearances.  »

05 Dec 2011

Anne Sofie von Otter and Brad Mehldau: Love Songs

Brad Mehldau seems to be the “go to” jazz pianist for classically trained singers who want to venture into other musical territory than opera and lieder.  »

13 Nov 2011

Jonas Kaufmann as Werther and Cavaradossi

For some years now the opera world has reveled in the appearance of many fine lyric tenors, with Juan Diego Florez leading the charge.  »

09 Nov 2011

David Alden directs Cavalli’s Ercole Amante for Amsterdam, 2009

The operas of a composer born before the settlement of Jamestown face dim prospects of getting staged at the larger American houses.  »

05 Nov 2011

Lieberson’s Neruda Songs and Theofandis’s Symphony No. 1

In 2006 classical music lost one of its great singers — American mezzo-soprano Lorraine Hunt Lieberson, taken at the height of her career.  »

27 Oct 2011

Renée Fleming and Dmitri Hvorostovsky: A Musical Odyssey in St. Petersburg

Exactly what makes this entertaining, handsome video of Dmitri Hvorostovsky and Renée Fleming in concert an “odyssey”?  »

27 Oct 2011

Pavarotti at the Metropolitan Opera

Luciano Pavarotti died in September 2007, just short of his 72nd birthday and only a few years after his last performance at the Metropolitan Opera, in Tosca.  »

27 Oct 2011

Carmen returns to the Opéra Comique

“Historically Informed Performance” sure has a nice ring — not only does the acronym capture the trendiness of the movement (“HIP”), but one has to admire the subtle put-down the term encapsulates. »

12 Oct 2011

Simon Rattle’s Mahler 9

Recorded between 24 and 27 October 2008 at the Philhamonie in Berlin, this release offers the dynamism of a concert performance with the sound quality associated with EMI’s fine recordings.  »

12 Oct 2011

Sallinen’s The Red Line at Finnish National Opera, 2008

Some opera masterworks are admirable more than lovable — a distinction usually best revealed by the number of performances the work gets.  »

05 Oct 2011

Menotti in German

As long as one keeps in mind that historical value is not the same as aesthetic quality, this DVD of early 1960’s live German TV performances of two short Gian Carlo Menotti operas makes for fascinating viewing. »

30 Sep 2011

The music of Donnacha Dennehy

Love and Death is the name of one of Woody Allen’s earlier films, one built around parodies of Tolstoy and other Russian 19th century literary giants.  »

28 Sep 2011

Ioan Holender Farewell Concert

What better way for the long-reigning director of the Vienna State Opera, Ioan Holender, to celebrate the end of his time in the post than with a lengthy gala featuring such stars as Gergely Németi, Roxana Constantinescu, Krassimira Stoyanova, and Keith Ikaia-Purdy?  »

28 Sep 2011

Billy Budd at the Barbican

Among recent recordings of Britten’s opera Billy Budd, the recent release conducted by Daniel Harding has much to offer in terms of performance quality, interpretation, and also the quality of recording.  »

23 Sep 2011

Beecham conducts Delius

Frederick Delius counts among those many composers whose reputations rely on their orchestral efforts, but who dearly wanted to make a lasting contribution to the opera repertory.  »

21 Sep 2011

Willy Decker’s staging of Schoenberg’s Moses und Aron

As a rule the celebrated incomplete operas of the repertory eluded completion due to the untimely death of the composer.  »

15 Sep 2011

Bruckner: Symphony no. 9

Recorded on 31 October 2007 in the Großer Musikvereinssaal, Vienna, this performance of the Cleveland Orchestra offers a compelling interpretation of the three completed movements of Bruckner’s Ninth Symphony.  »

15 Sep 2011

L’Amour des trois oranges on CD and DVD

Opera companies around the world — though relatively few in the United States — cannot resist the temptation to stage Sergei Prokofiev’s first major opera.  »

12 Sep 2011

Munich’s Dialogues des Carmélites

Dialogues des Carmélites is a magnificently anti-operatic opera. »

09 Sep 2011

Les Troyens by La Fura dels Baus

When the opera opens, a chorus of Trojan is rejoicing that the Greeks have abandoned the war and gone home.  »

08 Sep 2011

Glyndebourne’s Billy Budd

Hermann Melville wrote a poem called “Fragments of a Lost Gnostic Poem of the Twelfth Century”: »

06 Sep 2011

Macbeth from Paris and Parma

Superstitions surround theatrical productions of Shakespeare’s Scottish tragedy.  »

30 Aug 2011

Carlos Kleiber — Traces to Nowhere

Film biographies of great musicians notoriously exhibit a preference for talking heads nattering on over any music passages.  »

27 Aug 2011

Nino Machaidze: Romantic Arias

The back cover of soprano Nino Machiadze’s debut solo recital from Sony Classical quotes her as describing the disc’s selection of arias as “my world, my successes to date and my hopes for the future.”  »

27 Aug 2011

Two one-act comic operas from New York Festival of Song

The New York Festival of Song, created and run by Steven Blier and Michael Barrett, dedicates itself to what one might call “American lieder” — art songs by top American composers, classic Broadway, and operatic numbers. »

25 Aug 2011

Rossini’s Armida from the Met HD Live

What is to be done about Armida?  »

20 Aug 2011

Donizetti’s Marino Faliero at the 2008 Bergamo Music Festival

Gaetano Donizetti is arguably the established opera composer with the highest ratio of failures to successes.  »

19 Aug 2011

Previn and Caird’s Brief Encounter

The chief classical music and opera critic for the Los Angeles Times often criticizes any new operas based on familiar films or classic novels, on the basis of artistic timidity and conservatism.  »

14 Aug 2011

Julia Lezhneva sings Rossini

It seems very appropriate that a record company called Naïve should elect to release a solo recital for a soprano in her very early 20s.  »

13 Aug 2011

Einojuhani Rautavaara’s Aleksis Kivi

Great characters are at the center of all operatic masterpieces, yet opera almost never treads into “operatic biography” territory.  »

13 Aug 2011

Théodore Gouvy’s Iphigénie en Tauride

Gounod you know, but how about Gouvy?  »

12 Aug 2011

Saint-Saëns’s Samson et Dalila in Antwerp

Bonus features on opera DVDs usually get generic names, such as “Interview” or “Backstage with…”  »

12 Aug 2011

Gergiev conducts Wagner’s Parsifal

A handsome black steed bows its head, eyes open, peering into the darkness around it. »

24 Jun 2011

Lehnhoff takes on Fanciulla for Netherlands Opera

It can be fascinating, although not necessarily pleasant, to see oneself through the eyes of others. »

16 Jun 2011

Wagner’s Rienzi in Berlin

The Voltaire maxim usually given in English as “The perfect is the enemy of the good” illuminates the artistic conflicts surrounding many a Wagner production.  »

03 Jun 2011

The Metropolitan Opera HD Live on DVD

Since 2006, movie cineplexes across the USA have attracted a somewhat unlikely crowd for Saturday matinees, from fall to spring.  »