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Elsewhere

Don Giovanni in Paris

A brutalist Don Giovanni at the Palais Garnier, Belgian set designer Jan Versweyveld installed three huge, a vista raw cement towers that overwhelmed the Opéra Garnier’s Second Empire opulence. The eight principals faced off in a battle royale instigated by stage director Ivo van Hove. Conductor Philippe Jordan thrust the Mozart score into the depths of expressionistic conflict.

Lyric Opera of Chicago’s 2020 Ring Cycle

Lyric Opera of Chicago has announced both schedules and cast-lists for is Spring 2020 performances of Richard Wagner’s Ring Cycle. Given the series of individual productions already staged by the company since Fall 2016, that pave the way for the complete cycle, Lyric Opera of Chicago’s complete production should affirm the artistic might of the great composer.

Irish mezzo-soprano Paula Murrihy on Salzburg, Sellars and Singing

For Peter Sellars, Mozart’s Idomeneo is a ‘visionary’ work, a utopian opera centred on a classic struggle between a father and a son written by an angry 25-year-old composer who wanted to show the musical establishment what a new generation could do.

A riveting Rake’s Progress from Snape Maltings at the Aldeburgh Festival

Based on Hogarth’s 18th-century morality tale in eight paintings and with a pithy libretto by W.H. Auden and Chester Kallman, Stravinsky’s operatic farewell to Neo-classicism charts Tom Rakewell’s ironic ‘progress’ from blissful ignorance to Bedlam.

The Gardeners: a new opera by Robert Hugill

‘When war shall cease this lonely unknown spot,/ Of many a pilgrimage will be the end,/ And flowers will shine in this now barren plot/ And fame upon it through the years descend:/ But many a heart upon each simple cross/ Will hang the grief, the memory of its loss.’

Richard Jones's Boris Godunov returns to Covent Garden

There are never any real surprises with a Richard Jones production and Covent Garden’s Boris Godunov, first seen in 2016, is typical of Jones’s approach: it’s boxy, it’s ascetic, it’s over-bright, with minimalism turned a touch psychedelic in the visuals.

An enchanting Hansel and Gretel at Regent's Park Theatre

If you go out in the woods today, you’re sure of a big surprise. And, it will be no picnic! For, deep in the broomstick forest that director Timothy Sheader and designer Peter McKintosh have planted on the revolving stage at Regent’s Park Theatre is a veritable Witches’ Training School.

First staged production of Offenbach's Fantasio at Garsington

Offenbach's Fantasio is one of the works where, replacing the mad-cap satire of his earlier operettas with a more romantic melancholy, he paved the way for Les contes d'Hoffmann. Unpopular during his lifetime, Fantasio disappeared and only work by the musicologist Jean-Christophe Keck brought the score together again.

Rusalka in San Francisco

It must be a dream. Though really it is a nightmare. The water sprite Rusalka tortures herself if she is telling the story, or tortures the man who has imagined her if he is telling the story. Either way the bizarrely construed confusion of Czech fairy tales has no easily apparent meaning or message.

Orlando in San Francisco

George Frederic Handel was both victim and survivor of the San Francisco Opera’s Orlando seen last night on the War Memorial stage.

London Bel Canto Festival 2019: an interview with Ken Querns-Langley

“Physiognomy, psychology and technique.” These are the three things that determine the way a singer’s sound is produced, so Ken Querns-Langley explains when we meet in the genteel surroundings of the National Liberal Club, where the training programmes, open masterclasses and performances which will form part the third London Bel Canto Festival will be held from 5th-24th August.

Anthony Negus conducts Das Rheingold at Longborough

There are those in England who decorate their front lawns with ever-smiling garden gnomes, but in rural Gloucestershire the Graham family has gone one better; their converted barn is inhabited, not by diminutive porcelain figures, but fantasy creatures of Norse mythology - dwarves, giants and gods.

Carmen in San Francisco

A razzle-dazzle, bloodless Carmen at the War Memorial, further revival of Francesca Zambello’s 2006 Covent Garden production already franchised to Oslo, Sidney and Washington, D.C.

Weimar Berlin - Bittersweet Metropolis: Esa-Pekka Salonen conducts the Philharmonia Orchestra

Strictly speaking, The Weimar Republic began on 11th August 1919 when the Weimar Constitution was announced and ended with the Enabling Act of 23rd March 1933 when all power to enact laws without the involvement of the Reichstag was disbanded.

A superb Un ballo in maschera at Investec Opera Holland Park

Investec Opera Holland Park’s brilliantly cast new production of Un ballo in maschera reunites several of the creative team from last year’s terrific La traviata, with director Rodula Gaitanou, conductor Matthew Kofi Waldren and lighting designer Simon Corder being joined by the designer, takis.

A Classy Figaro at The Grange Festival

Where better than The Grange’s magnificent grounds to present Mozart’s Le nozze di Figaro. Hampshire’s neo-classical mansion, with its aristocratic connections and home to The Grange Festival, is the perfect setting to explore 18th century class structures as outlined in Lorenzo da Ponte’s libretto.

A satisfying Don Carlo opens Grange Park Opera 2019

Grange Park Opera opened its 2019 season with a revival of Jo Davies fine production of Verdi's Don Carlo, one of the last (and finest) productions in the company's old home in Hampshire.

Ernst von Siemens Music Prize, 2019

The first woman composer to receive the Ernst von Siemens Music Prize could not have been a worthier candidate.

Josquin des Prez and His Legacy: Cinquecento at Wigmore Hall

The renown and repute of Josquin des Prez (c.1450-1521) both during his lifetime and in the years following his death was so extensive and profound that many works by his contemporaries, working in Northern France and the Low Countries, were mis-attributed to him. One such was the six-part Requiem by Jean Richafort (c.1480-c.1550) which formed the heart of this poised concert by the vocal ensemble Cinquecento at Wigmore Hall, in which they gave pride of place to Josquin’s peers and successors and, in the final item, an esteemed forbear.

Symphonie fantastique and Lélio United – F X Roth and Les Siècles, Paris

Symphonie fantastique and Lélio together, as they should be, with François-Xavier Roth and Les Siècles livestreamed from the Philharmonie de Paris (link below). Though Symphonie fantastique is heard everywhere, all the time, it makes a difference when paired with Lélio because this restores Berlioz’s original context.


OPERA TODAY ARCHIVES »

Recordings

Decca 4834883
31 May 2019

Lise Davidsen sings Wagner and Strauss

Superlatives to describe Lise Davidsen’s voice have been piling up since she won Placido Domingo’s 2015 Operalia competition, blowing everyone away. She has been called “a voice in a million” and “the new Kirsten Flagstad.”  »

Recently in Recordings

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30 Oct 2008

STRAUSS: Die Liebe der Danae

Gala may be a budget label, but more opera sets of vintage live performances deserve a booklet essay as concise yet comprehensive, critically honest and yet fair, as Andrew Palmer's for this set, which preserves a 1980 performance of Richard Strauss and Joseph Grigor's Die Liebe der Danae. »

24 Oct 2008

BACH: Mass in B minor

Bach’s monumental Mass in b minor exists in an abundant quantity of period performances to the point where one might ponder the wisdom of adding yet another to the shelf.  »

20 Oct 2008

BACH: St. Matthew Passion (excerpts)

There is much to admire in Masaaki Suzuki’s Bach performances with the Bach Collegium Japan, and this recording of excerpts from the St. Matthew Passion will remind the listener of the diverse ways in which this is so.  »

20 Oct 2008

BEETHOVEN: Fidelio

Among the recent releases on DVD of Rolf Liebermann's productions of operas from the Hamburg Opera conceived for television in the late 1960s, Beethoven's Fidelio is impressive for the use of the medium of film to bring out the personal aspects of this intensive opera.  »

06 Oct 2008

VERDI: Requiem / Quattro pezzi sacri

Presented in its fine line of “Originals,” Decca’s reissue of Solti’s famous 1967 recording of Verdi’s Requiem is actually offered with another fine recording, the same conductor’s 1977/78 performance of the Quattro pezzi sacri. »

06 Oct 2008

MONTEVERDI: Combattimento

In recent years, Emmanuelle Haïm has achieved prominence at the helm of several baroque operas, including Monteverdi’s L’Orfeo and Handel’s Rodelinda and Giulio Cesare. »

22 Sep 2008

Music for the Court of Maximilian II

Although Jacobus Vaet, Antonius Galli and Pieter Maessens are little-known composers today, this impressive recording featuring their music, the debut recording by the ensemble Cinquecento, may serve as a cautionary reminder that modern familiarity is often the fruit of circumstance and not necessarily a reliable measure of artistic achievement. »

19 Sep 2008

Souvenir of a Golden Era: The Sisters Garcia

Last year saw Cecilia Bartoli’s recording dedicated to the memory, and repertoire, of the early 19th century singer Maria Malibran, “Maria.” »

14 Sep 2008

Film Music Classics on Naxos: Herrmann and Perry

There may be no name more famous in the world of film music than that of Bernard Herrmann. William Perry, however, is a name unlikely to set off many bells. »

14 Sep 2008

Mozart, Rossini and Verdi at the Maggio Musicale Fiorentino

Of these three productions staged for the Maggio Musicale Fiorentino, the beautifully dressed Entführung and refined Tancredi present the company as a theater for tasteful, stylish productions, just a tad on the dull side. »

07 Sep 2008

WAGNER: Tristan und Isolde

I’ve rarely seen a performance of Tristan und Isolde where I was quite so conscious of the singers’ teeth. »

17 Aug 2008

SZYMANOWSKI: Songs, Op. 31 and Op. 49.

The lyricism characteristic of the instrumental music of Karol Szymanowski (1882-1937) is at the core of his songs, and the two collections found on this recording represent his vocal music well. »

17 Aug 2008

Karajan on DG, EMI

The 100th anniversary of his birth inevitably produces a flood of releases from the catalog of conductor Herbert von Karajan. »

17 Aug 2008

SMETANA: Dvě vdovy (The Two Widows)

Bedrich Smetana (1824-1884) is, perhaps known best for his opera The Bartered Bride (1863, rev. 1870), a touchstone of comic opera fused with eastern-European nationalism and, as much as that work has much to offer, his other efforts deserve attention. »

17 Aug 2008

HINDEMITH: Mathis der Mahler

Premiered in 1938 in Zurich, Mathis der Maler was then the most recent of Paul Hindemith’s provocative operas. »

17 Aug 2008

Medieval Christmas

The festal days of Christmas, New Year’s, St. Stephen and St. Thomas Becket are rich in musical celebration, and this recording from the Orlando Consort brings together a wide range of organa, motets, chansons, and carols to remind us of that fact. »

29 Jul 2008

Donizetti on Dynamic DVD

Dynamic now offers most of its product in CD and DVD formats, the latter in High Definition, no less. »

29 Jul 2008

Verdi on Classics for Pleasure, Opera Highlights

With these three CDs of highlights from three Verdi operas - Nabucco, Il Trovatore, and Aida — Classics for Pleasure gives a snapshot of the arc of his career. »

20 Jul 2008

Villazón on Deutsche Grammophon

The opera world, always ravenous for talented, charismatic tenors, felt desperate hunger pains last summer, when Rolando Villazón canceled dates with an explanation that a health crisis necessitated a sabbatical from singing. »

20 Jul 2008

Mozart’s La Finta Giardiniera x2

With a composer as widely beloved as Wolfgang Amadeus Mozart, for an opera to be all but forgotten suggests the work has problems beyond redemption. »

20 Jul 2008

Der Rosenkavalier highlights on Classics for Pleasure

For the opera of average length, a decent highlights disc can feature as much as half the score. »

13 Jul 2008

Rossini Opera Festival on Dynamic

At the Rossini Festival held in Pesaro, Italy, Dynamic recorded two Rossini rarities in August 2006. »

13 Jul 2008

Gustav Mahler: Symphony no. 9; Richard Strauss: Tod und Verklärung

The late Guiseppe Sinopoli (1946-2001) became established as an estimable conductor of nineteenth-century music, and his legacy includes a number of fine recordings. »

06 Jul 2008

BELLINI: Norma

The best thing about this set, a Norma recorded live at the Teatro delle Muse di Ancona in late 2004, is the booklet essay by Marco Beghelli, offered in both English and Italian (no credit to any translator). »

06 Jul 2008

Two Aida’s from TDK

At one time, Verdi’s Aida figured as the most performed opera. »

22 Jun 2008

MEYERBEER: Semiramide

This Dynamic recording of Meyerbeer's Semiramide, an opera title more familiar with Rossini's name appended, mixes the pleasure of a modestly appealing surprise with regret at key aspects of the performance. »

22 Jun 2008

Choral Music by Dvořák and Brahms

Among the choral music of Anton [Antonin] Dvorak, the familiar Stabat Mater, Op. 58, is known to modern audiences through various live performances and recordings. »

19 Jun 2008

Mozart and Lortzing from Hamburg Opera on film

A nostalgic charm permeates these filmed productions from the early 1970s of Lortzing's Zar und Zimmerman and Mozart's Die Zauberflöte, collaborations between the Hamburg State Opera and German TV director Joachim Hess. »

19 Jun 2008

Karajan opera highlights on Classics for Pleasure

The opera highlights series from Classics for Pleasure continues its recycling of the EMI catalogue with selections from two of Herbert von Karajan's recordings. »

09 Jun 2008

Songs by Henry & William Lawes

With this recording of songs by Henry & William Lawes, musical brothers who flourished in Caroline England, countertenor Robin Blaze with lutenist Elizabeth Kenny continue their exploration of early English song for Hyperion, and the results are stunning. »

04 Jun 2008

Joye: Les plaintes de Gilles de Bins dit Binchois

The title of this recording “Joy: the Laments of Gilles Binchois” introduces a seeming contradiction, one that plays on a contemporaneous description of the composer as "pére de joyeusetè"—the father of joy—in tension with an affinity for melancholy in his works. »

04 Jun 2008

SCHOENBERG: Moses und Aron

Even though it is one of the important operas of the twentieth century, Arnold Schoenberg’s Moses und Aron is, perhaps, more esteemed than performed. »

25 May 2008

HINDEMITH: Cardillac

Premiered in 1926, Paul Hindemith’s opera Cardillac is a three-act work based on E. T. A. Hoffmann’s short story Das Fräulein von Scuderi. »

25 May 2008

WAGNER: Tristan und Isolde

In the 1983 production designed, staged, and directed by Jean-Pierre Ponnelle, this recording of Richard Wagner’s Tristan und Isolde is a solid and well-thought performance that has much to offer. »

15 May 2008

STRAUSS: Opernszenen | Scenes of Operas.

Recorded between 1938 and 1942, the excerpts from performances of Der Rosenkavalier, Die Frau ohne Schatten, Arabella, and Daphne at the Dresden Staatsoper are all conducted by Karl Böhm. »

06 May 2008

Karajan: The Music, the Legend.

At the centenary of the birth of the conductor Herbert von Karajan various commemorations are occurring, an among them is the concise CD and DVD release by Deutsche Grammophon, with both discs bound into a booklet that includes a short prose tribute to the man illustrated with some well-chosen photographs from various parts of his career. »

06 May 2008

French Opera highlights on Classics for Pleasure

Consumers might opt for a highlights set instead of a full recording of an opera for many reasons. »

06 May 2008

THOMSON: The Plow that Broke the Plains

Naxos's DVD division has already released the performances on this disc of Virgil Thomson's scores for The Plow that Broke the Plains and The River, as soundtracks for a re-release of the original films. That DVD (Naxos 2.110521) contained, as... »

27 Apr 2008

Bruckner: Symphony no. 8 in C minor, WAB 108 (1890 [Second Version])

As difficult as it is to identify a single score as representative of its composer, Symphony no. 8 in C minor by Anton Bruckner is an essential work that may be regarded as the quintessence of his accomplishments in the form. »

21 Apr 2008

BELLINI: Norma

This production offers a different view of Norma. As Stage Director Guy Joosten explains in the introduction on the first of a 2-disc set, he wanted to give the audience “more” of what he believes the modern audience expects. »

08 Apr 2008

KUMMER: Cello Duets

If Friedrich August Kummer is not a household word in your home, no reason for concern — he is one of the prolific Kleinmeistern of the post-Beethoven generation, a generation for which the cost of printing had dropped so much that it was financially possible for a composer to produce hundreds of published opuses. »

06 Apr 2008

Johann Sebastian Bach Cantatas [BWV 64, 151, 57 and 133]

This installment of John Eliot Gardiner’s impressive Bach Cantata Pilgrimage comes from close to the end of his millennial Wanderjahr, presenting cantatas for Christmas week. »

06 Apr 2008

Serafin: Overtures and Preludes

Timeless values of great opera conducting fill this disc of overtures and preludes, all conducted by Tullio Serafin. »

30 Mar 2008

William Byrd. Laudibus in sanctis.

William Byrd’s affinity for the Latin motet found various outlets. »

30 Mar 2008

HANSON: Merry Mount

A frequent complaint about contemporary operas — or most any after Puccini's Turandot — is the lack of that memorable lyricism found in the standard repertory. »

30 Mar 2008

Verdi: La Forza del Destino

From a relatively obscure label — Osteria — comes this 1962 live recording of Verdi's La Forza del Destino, featuring a relatively obscure soprano, Gré Brouwenstijn. »

30 Mar 2008

Classics for Pleasure opera highlights: Puccini

With single CD versions of full-length operas, isn't the term "highlights" presumptuous? »

16 Mar 2008

MOZART: Don Giovanni

This an intriguing two-disc DVD set. The primary disc is the opera itself, while the other disc is a film called “Adieu Mozart” that tells us about the unique relationship Mozart had with the City of Prague. »

16 Mar 2008

Zarzuelas — Arrieta: Marina; Bretón: La verbena de la paloma; Vives: Bohemios and Doña Francisquita

The Spanish comical lyric genre of the zarzuela has long been considered the stepchild of opera. »

16 Mar 2008

Best of British from the BBC Proms 2007

The BBC Proms webcasts all of its performances, and many are available for extended periods through BBC Radio's archives. »

16 Mar 2008

The Opera Gala — Live from Baden-Baden

As evidence of Deutsche Grammophon's proud status as a classical record label of the "old school," there appears this CD document of a typical opera gala affair, from July of 2007 in Baden-Baden. »