Subscribe to
Opera Today

Receive articles and news via RSS feeds or email subscription.


facebook-icon.png


twitter_logo[1].gif



9780393088953.png

9780521746472.png

0810888688.gif

0810882728.gif

Elsewhere

Peter Grimes in Princeton

The Princeton Festival presents one opera annually, amidst other events. Its offerings usually alternate annually between 20th century and earlier operas. This year the Festival presented Benjamin Britten’s Peter Grimes, now a classic work, in a very effective and moving production.

Scintillating Strauss in Saint Louis

If you like your Ariadne on Naxos productions as playful as a box of puppies, then Opera Theatre of Saint Louis is the address for you.

Saint Louis Takes On ‘The Scottish Opera’

Opera Theatre of Saint Louis took forty years before attempting Verdi’s Macbeth but judging by the excellence of the current production, it was well worth the wait.

Anatomy Theater: A Most Unusual New Opera

On June 16, 2016, Los Angeles Opera with Beth Morrison Projects presented the world premiere of Pulitzer Prize-winning composer David Lang's Anatomy Theater at the Roy and Edna Disney/CalArts Theater (REDCAT).

Shalimar in St. Louis: Pagliaccio Non Son

In its compact forty-year history, the ambitious Opera Theatre of Saint Louis has just triumphantly presented its twenty-fifth world premiere with Shalimar the Clown.

Jenůfa, ENO

The sharp angles and oddly tilting perspectives of Charles Edwards’ set for David Alden’s production of Jenůfa at ENO suggest a community resting precariously on the security and certainty of its customs, soon to slide from this precipice into social and moral anarchy.

The “Other” Marriage of Figaro in a West Village Townhouse

Last week an audience of 50 assembled in the kitchen of a luxurious West Village townhouse for a performance of Marriage of Figaro.

West Wind: A new song-cycle by Sally Beamish

In a recent article in BBC Music Magazine tenor James Gilchrist reflected on the reason why early-nineteenth-century England produced no corpus of art song to match the German lieder of Schumann, Schubert and others, despite the great flowering of English Romantic poetry during this period.

Interview with Star of Florencia en el Amazonas, Elizabeth Caballero

Lyric soprano Elizabeth Caballero’s signature role is Violetta in La traviata, which she portrays with a compelling interpretation, focused sound, and elegant coloratura that floats through the opera house as naturally as waves on the ocean.

Florencia en el Amazonas, NYCO

With the New York Premiere of Florencia en el Amazonas, the New York City Opera Steps Out of the Shadows of the Past

Idomeneo, re di Creta, Garsington

Opportunities to see Idomeneo are not so frequent as they might be, certainly not so frequent as they should be.

Don Carlo in San Francisco

Not merely Don Carlo, but the five-act Don Carlo in the 1886 Modena version! The welcomed esotericism of San Francisco Opera’s extraordinary spring season.

Jenůfa in San Francisco

The early summer San Francisco Opera season has the feel of a classy festival. There is an introduction of Spanish director Calixto Bieito to American audiences, a five-act Don Carlo and two awaited, inevitable role debuts, Karita Mattila as Kostelnička and Malin Bystrom as Janacek's Jenůfa.

Musings on the “American Ring

Now that the curtain has long fallen on the third and last performance of the Ring cycle at the Washington National Opera (WNO), it is safe to say that the long-anticipated production has been an unqualified success for the company, director Francesca Zambello, and conductor Philippe Auguin.

Nabucco, Covent Garden

Most of the attention during this revival of Daniele Abbado’s 2013 production of Nabucco has been directed at Plácido Domingo’s reprise of the title role, with the critical reception somewhat mixed.

Tristan, English National Opera

My first Tristan, indeed my first Wagner, in the theatre was ENO’s previous staging of the work, twenty years ago, in 1996. The experience, as it should, as it must, although this is alas far from a given, quite overwhelmed me.

The Cunning Little Vixen, Glyndebourne

Four years ago, almost to the day (13th to 12th), I saw Melly Still’s production of The Cunning Little Vixen during its first Glyndebourne run. I found myself surprised how much more warmly I responded to it this time.

London: A 90th birthday tribute to Horovitz

This recital celebrated both the work of the Park Lane Group, which has been supporting the careers of outstanding young artists for 60 years, and the 90th birthday of Joseph Horovitz, who was born in Vienna in 1926 and emigrated to England aged 12.

Opera Las Vegas: A Blazing Carmen in the Desert

Headed by General Director Luana DeVol, a world-renowned dramatic soprano, Opera Las Vegas is a relatively new company that presents opera with first-rate casts at the University of Las Vegas’s Judy Bayley Theater. In 2014 they presented Rossini’s The Barber of Seville and in 2015, Puccini’s Madama Butterfly. This year they offered a blazing rendition of Georges Bizet’s Carmen.

La bohème, Opera Holland Park

Ever since a friend was reported as having said he would like something in return for modern-dress Shakespeare (how quaint that term seems now, as if anyone would bat an eyelid!), namely an Elizabethan-dress staging of Look Back in Anger, I have been curious about the possibilities of ‘down-dating’, as I suppose we might call it. Rarely, if ever, do we see it, though.


OPERA TODAY ARCHIVES »

Recordings

Aparte AP110
13 Jun 2016

Lalo: Complete Songs

Edouard Lalo (1823-92) is best known today for his instrumental works: the Symphonie espagnole (which is, despite the title, a five-movement violin concerto), the Symphony in G Minor, and perhaps some movements from his ballet Namouna, a scintillating work that the young Debussy adored. »

Recently in Recordings

All Pages |  1  |  2  |  3  |  4  |  5  |  6  |  7  |  8  |  9  |  10  |  11  |  12  |  13  |  14  |  15  |  16  |  17  |  18  |  19  |  20  |  21  |  22  |  23  |  24  |  25  |  26  |  27  |  28  |  29  |  30  |  31  |  32 
27 Aug 2007

Carlos Cogul: Introduction

Carlos Cogul is a London vocal coach and an appreciated baritone giving many a recital ……in the London Tube while commuters hastily pass by to catch their trains. Judging from the photo on this CD he is not a young man any more. »

27 Aug 2007

ROSSINI: Bianca e Falliero

The choice between this recording made at the Pesaro Festival in August 2005 and the Opera Rara recording of 2000 will partly be made for non-musical reasons. »

27 Aug 2007

Jan Neckers on Recently Reissued Historicals

Almost thirty years ago a century old tradition ended with the last performance of I Maestri Cantatori. »

04 Jul 2007

DONIZETTI: Don Pasquale

An ingenious and handsome staging, in the proper period and full of delicious color, fashion and furnishings, a production that honors the compatibility of tradition with good fun, and four singers who look their parts, play the farce, and are as easy on the ears as on the eyes — what more could you want from a Don Pasquale? »

04 Jul 2007

SZYMANOWSKI: Songs of a Fairy-tale Princess; Harnasie; Love Songs of Hafiz

The Polish composer Karol Szymanowski (1882-1937) is one of more engaging composers of the early twentieth century. »

04 Jul 2007

DONIZETTI: Dom Sébastien, roi de Portugal

When hearing the final work of a composer whose life was cut short, one can not help but wonder, “What if?” »

27 Jun 2007

BRUCKNER: Symphony no. 8 (rev. version, Nowak ed.)

Established in 1985 by the United Nations, the World Philharmonic Orchestra gave its inaugural concert on 12 December 1985 under the auspices of UNICEF and the Konserthus, Sweden. »

27 Jun 2007

ROSSINI: La Scala di Seta

La Scala di Seta, composed in Venice in 1812 (Rossini was 20; Tancredi and fame were a year off; Barbiere and immortality were four years down the road), shares the fortune of La Gazza Ladra: that is, until recently, the public knew the overture quite well but nothing else from the opera which, indeed, lacks the spectacular arias and hilarious ensembles that might have kept it on the boards. »

25 Jun 2007

WEBER: Der Freischütz

Produced by Rolf Lieberman and directed for television by Joachim Hess, this 1968 studio recording of Carl Maria von Weber’s Der Freischütz has much to recommend as a traditional production of the opera. »

24 Jun 2007

ROSSINI: Il Viaggio a Reims

Il Viaggio a Reims was a pièce d’occasion, part of the official tributes to Charles X of France on his coronation in 1825, but unlike most such creations – which tend to dreary platitudes of the Oscar speech variety – Viaggio has a cheeky personality and delicious music from Rossini at the top of his game, music he planned to recycle in subsequent operas – which he did. »

24 Jun 2007

STRAVINSKY: Histoire du soldat (Suite); Renard

As indicated in the copy on the CD, itself this is indeed a “unique collection of mostly short works” by Igor Stravinsky. »

24 Jun 2007

Sacred Music from Notre-Dame Cathedral

In charting the history of music in the West, the twelfth and thirteenth centuries in Paris loom large as a golden age of innovative polyphony, a golden age that is much the fruits of two composers, Leoninus and Perotinus. »

22 Jun 2007

Concilium musicum Wien on authentic instruments

This live concert recording assembles a trio of late eighteenth-century Viennese composers; the program is strong in evocation of time and place, but admittedly less so in substance. »

17 Jun 2007

LASSUS: Psalmi Davidis pœnitentiales

Among Lasso’s vast output there are few works more imposing than his collected settings of the seven penitential psalms. »

17 Jun 2007

WAXMAN: Joshua

Franz Waxman was working with librettist James Forsyth on an opera, Dr. Jekyll, when the composer’s wife died. »

17 Jun 2007

MAHLER: Urlicht

Mahler: Urlicht is a recording of selected songs for voice and piano from various collections of the composer’s Lieder, including his early settings from Des Knaben Wunderhorn, the later Wunderhorn Lieder that Mahler set in the 1890s in versions with both orchestral and keyboard accompaniment, and also his Rűckert-Lieder, performed by the young mezzo soprano Christianne Stotijn accompanied by Julius Drake. »

11 Jun 2007

VIVALDI: Arie per basso

In 2001 the recording company Naïve and the Istituto per beni musicali in Piemonte began a large-scale undertaking of recording the vast holdings of Vivaldi’s musical library. »

05 Jun 2007

BUSONI : Songs

Doktor Faust eclipses most of Ferrucio’s Busoni’s other work in terms of popularity. Surprisingly, though, he wrote little song. Only 40 pieces remain, many written in his youth. »

04 Jun 2007

The Jussi Björling Series: rare opera recordings from Stockholm

“We’ll discuss the greatest tenor in history, Jussi Björling, and his astounding voice.” »

04 Jun 2007

RUBINSTEIN: Il Demone

I was never much impressed by the Russian performances of this most famous of Rubinstein’s many operas. »

31 May 2007

THOMSON: The Plow that Broke the Plains; The River

Naxos’s DVD venture has produced a fascinating document, the original documentary shorts The Plow that Broke the Plains and The River, filmed by Pare Lorentz, with the Virgil Thomson scores re-recorded by the post-Classical Ensemble, led by Angel Gil-Ordóñez. »

31 May 2007

MAHLER: Symphony no. 2

Given the fine recent recordings of Mahler’s Second Symphony on both CD and DVD, the release of Pierre Boulez’s performances from 26 and 27 March 2005 at the Philharmonie, Berlin, is a further contribution to the interpretations of this important work. »

30 May 2007

MASSENET: Esclarmonde

Just as sausage can be best enjoyed without any extensive knowledge of its preparation and contents, one should slide slowly into the luxuriant bath that is Massenet’s Esclarmonde and leave the libretto far to the side. »

30 May 2007

ORFF: Carmina Burana

Released in early 2007, Marin Alsop’s performance of Carl Orff’s Carmina Burana is an exciting, new recording of this familiar and durable scenic cantata, based on medieval lyrics in Latin and German. »

30 May 2007

Verboten und verbannt: Mendelssohn, Meyerbeer, Zemlinsky, Zeisl, Schönberg, Berg, Mahler.

Verboten und verbannt — forbidden and banned — a phrase used with Jewish composers whose music was proscribed by the Nazis brings to mind more than musical censorship, but also the atrocities that culminated in the Holocaust. »

30 May 2007

Angel Dances

Curmudgeons and aesthetes may have to fight their gag reflex to enjoy some luscious music-making on the latest disc, Angel Dances, from that hot studio band, The Twelve Berlin Philharmonic Cellists. »

29 May 2007

BRITTEN : Gloriana

Towards the end of his life Britten became interested in the idea of developing the opera experience beyond the technical confines of the stage. He would have, I think, loved this film because it’s so intelligently sensitive to his fundamental ideas. It is, no less, a work of art built around a work of art. »

20 May 2007

VERDI: Aida

This recording is a souvenir in more than one sense. »

20 May 2007

Anonymous 4: Gloryland

The quality packaging of Anonymous 4’s latest recording indicates the group’s importance to their label, Harmonia Mundi. »

09 May 2007

LEONCAVALLO: Pagliacci

In the countless performances of Leoncavallo’s masterpiece Pagliacci since its 1892 premiere, there must have been times when the light tenor singing Beppe watched the other tenor, of heavier voice, in the lead role of Canio and wondered if someday he (the Beppe) would take on the dramatic role of the homicidal clown. »

09 May 2007

Audrey Stottler Sings Wagner

Audrey Stottler’s Wagner recital provides ample evidence of a voice with the range and heft for the challenging roles of Brünnhilde and Isolde, as well as Sieglinde, a role often sung by a vocalist with less firepower. »

09 May 2007

Alison Balsom: Caprice

Dare one assume that with this disc, Alison Balsom becomes the first artist to bring her lung power to both Norma’s “Casta Diva” and Die Zauberflöte’s “Der hölle rache” in the same recital? »

03 May 2007

Franco Corelli: His Early Cetra Records

I often wonder who decides what records will be used to produce historical vocal issues. »

03 May 2007

Cesare Siepi: The Salzburg Recital of 1956; Arias from Norma, Faust, Don Carlo

For those who didn’t long ago purchased or exchanged this Salzburg recital via the pirate connections, this is a fine opportunity to get maybe the best testimonial of this artist. »

03 May 2007

American Choral Music

The commitment of Naxos to American music is substantial and admirable. »

02 May 2007

OFFENBACH: Orpheus in der Unterwelt (Orphée aux enfers)

Filmed for television in 1971, this performance of the German translation of Orphée aux enfers (1858) as Orpheus in der Unterwelt breaks the conventional wisdom that some espouse about the weaknesses of opera or opera when conceived for the small screen. »

02 May 2007

BACH: Cantatas, Vol. 26 (Whit Sunday and Whit Monday)

Among the virtues of hearing Bach cantatas performed in liturgical order—one of the hallmarks of John Eliot Gardiner’s stunning Cantata Pilgrimage of 2000—is the chance to savor Bach’s range of approach to unified text themes. »

01 May 2007

ROSSINI: Bianca e Falliero

Dynamic brought its cameras to the Rossini Opera Festival in Pesaro, Italy, in August 2005 to record Bianca e Falliero, one of Rossini's so-called “serious” operas, and one that had only been rescued from many decades of neglect by the festival itself, in 1986. »

25 Apr 2007

MAHLER: Symphony no. 2

Over a century after its premiere, Mahler's Second Symphony continues to be a compelling work and is as relevant now as it was when the work was conceived. »

25 Apr 2007

Beverly Sills & Placido Domingo

More than ever, compilations of previously released material fill the shelves of those stores still selling classical music. »

19 Apr 2007

PENDERECKI: Symphony no. 7

Krzyzstof Penderecki (b. 1933) has contributed a body of works to the modern repertoire, and his Symphony no. 7, which he composed 1996 (premiere 1997 in Jerusalem), is an impressive composition. »

16 Apr 2007

MAHLER: Des Knaben Wunderhorn

The orchestral songs of Gustav Mahler remain an important contribution to the genre, and stand well alongside similar works by Berlioz, Wolf, and Strauss. »

15 Apr 2007

RIMSKY-KORSAKOV: Sadko

This sumptuous 2006 release was recorded live in the Mariinsky Theater in St. Petersburg in late 1993 for European TV broadcast the following year. »

11 Apr 2007

L’invitation au voyage: Mélodies from La belle époque

“Linvitation au voyage” is an appropriate title for this collection of French song, which makes available a number of fine performances of both familiar and rare works. »

11 Apr 2007

WAGNER: Lohengrin

With a label such as Gala, a purveyor of live recordings of various provenance, some adjustment to compromised sound quality can be expected. »

07 Apr 2007

BERNSTEIN: Fancy Free; Dybbuk

This excellent disc brings together two ballet scores from the far ends of Leonard Bernstein’s compositional career. »

06 Apr 2007

Kurt Weill on Broadway: Songs and Orchestrations by Kurt Weill

Kurt Weill’s perennial appeal can be attributed to various factors, not the least of which is the genuine craft of his stage works. »

06 Apr 2007

Perfume: The Story of a Murderer

Film music has become a sort of refuge for some music lovers turned off by the work of those serious music composers who have turned increasingly away from attempting an encounter with a broader public, retreating into an insular word of academic composition. »

04 Apr 2007

The Metropolitan Opera on DVD: Elektra, Luisa Miller and Tosca

With some deliberation the Metropolitan Opera releases DVD versions of live television broadcasts from its heyday as a PBS mainstay. »