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Elsewhere

The Rose and the Ring

Published in 1855 as an entertainment for his two daughters, William Makepeace Thackeray’s The Rose and the Ring is a burlesque fairy-tale whose plot — to the author’s wilful delight, perhaps — defies summation and elucidation.

The Lighthouse at San Francisco’s Opera Parallèle

What more fitting memorial for composer Peter Maxwell Davies (d. 03/14/2016) than a splendid performance of The Lighthouse, the third of his eight works for the stage.

King’s Consort at Wigmore Hall

I suspect that many of those at the Wigmore Hall for The King’s Consort’s performance of the La Senna festeggiante (The Rejoicing Seine) were lured by the cachet of ‘Antonio Vivaldi’ and further enticed by the notion of a lover’s serenade at which the generic term ‘serenata’ seems to hint.

Bampton Classical Opera 2016

A Double-Bill of Divine Comedies

Kathleen Ferrier Awards 2016

Having enjoyed superb singing by a young cast of soloists in Classical Opera’s UK premiere of Jommelli’s Il Vogoleso the previous evening, I was delighted that the 2016 Kathleen Ferrier Awards Final at the Wigmore Hall confirmed the strength and depth of talent possessed by the young singers studying in and emerging from our academies and conservatoires.

A Conversation with Sir Nicholas Jackson

With its merry-go-round exchange of deluded and bewitched lovers, an orphan-turned-princess, a usurped prince, a jewel and a flower with magical properties, a march to the scaffold and a meddling ‘mistress-of-ceremonies’ who encourages the young lovers to disguise and deceive, William Makepeace Thackeray’s The Rose and the Ring has all the ingredients of an opera buffa.

Pacific Opera Project Recreates Mozart and Salieri Contest

On February 7, 1786, Emperor Joseph II of Austria had brand new one-act operas by Wolfgang Amadeus Mozart and Antonio Salieri performed in the Schönbrunn Palace’s Orangery.

Powerful chemistry in La Cenerentola in Cologne

Those poor opera lovers in Cologne have a never ending problem with the city’s opera house. Together with the rest of city, the construction of the new opera house is mired in political incompetence.

Tannhäuser: Royal Opera House, London

London remains starved of Wagner. This season, its major companies offer but two works, Tannhäuser from the Royal Opera and Tristan from ENO.

The Golden Cockerel in Düsseldorf

Dmitry Bertman’s hilarious staging of Rimsky-Korsakov’s political sex-comedy The Golden Cockerel in Düsseldorf.

San Diego Opera Presents a Tragic Madama Butterfly

On April 16, 2016, San Diego Opera presented Giacomo Puccini’s sixth opera, Madama Butterfly, in an intriguing production by Garnett Bruce. Roberto Oswald’s scenery included the usual Japanese styled house with many sliding doors and walls. On either side, however, were blooming cherry trees with rough trunks and gnarled branches that looked as though they had been growing on the property for a hundred years.

Simon Rattle conducts Tristan und Isolde

New Co-Production Tristan und Isolde with Metropolitan: Simon Rattle and Westbroek electrify Treliński’s Opera-Noir.

San Jose’s Smooth Streetcar Ride

In an operatic world crowded with sure-fire bread and butter repertoire, Opera San Jose has boldly chosen to lavish a new production on a dark horse, Andre Previn’s A Streetcar Named Desire.

Roméo et Juliette: Dutch National Opera and Ballet seal merger with leaden Berlioz

Choral symphony, oratorio, symphonic poem — Berlioz’s Roméo et Juliette does not fit into any mould. It has the potential to work as an opera-ballet, but incoherent storytelling and uninspired conducting undermined this production.

Donizetti : Lucia di Lammermoor, Royal Opera House

When Kasper Holten took the precaution of pre-warning ticket-holders that the Royal Opera House’s new production of Lucia di Lammermoor featured scene portraying ‘sexual acts’ and ‘violence’, one assumed that he was aiming to avert a re-run of the jeering and hectoring that accompanied last season’s Guillaume Tell. He even went so far as to offer concerned patrons a refund.

Five Reviews of Regina at Maryland Opera Studio

These are five very different reviews by students at the University of Maryland on its Opera Studio production of Regina — an interesting, informative and entertaining read . . .

Three Cheers for the English Touring Opera

‘Remember me, the one who is Pia;/ Siena made me, Maremma undid me.’ The speaker is Pia de’ Tolomei. She appears in a brief episode of Dante’s Divine Comedy (Purgatorio V, 130-136) which was the source for Gaetano Donizetti’s Pia de’ Tolomei - by way of Bartolomeo Sestini’s verse-novella of 1825.

Andriessen's De Materie at the Park Avenue Armory

"The large measure of formalism which forms the basis of De Materie does not in itself offer any guarantee that the work will be beautiful," says Dutch composer Louis Andriessen of his four-movement opera.

Falstaff Makes a Big Splash in Phoenix

On April 1, 2016, Arizona Opera presented Falstaff by Giuseppe Verdi (1813-1901) and Arrigo Boito (1842-1918) in Phoenix. Although Boito based most of his libretto on Shakespeare’s The Merry Wives of Windsor, he used material from Henry IV as well. Verdi wrote the music when he was close to the age of eighty. He was concerned about his ability at that advanced age, but he was immensely pleased with Boito’s text and decided to compose his second comedy, despite the fact that his first, Un giorno di regno, had not been successful.

Svadba in San Francisco

The brand new SF Opera Lab opened last month with artist William Kentridge’s staged Schubert Winterreise. Its second production just now, Svadba-Wedding — an a cappella opera for six female voices — unabashedly exposes the space in a different, non-theatrical configuration.


OPERA TODAY ARCHIVES »

Recordings

02 Apr 2016

New from Opera Rara : Gounod La Colombe and Donizetti Le Duc d'Albe

Two new recordings from highly acclaimed specialists Opera Rara - Gounod La Colombe and Donizetti Le Duc d'Albe.  »

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22 Dec 2008

PAISIELLO: I Giuochi d'Agrigento

Dynamic offers devotees of classical era opera a rare and quite rewarding opportunity to hear I Giuochi d'Agrigento, a little-known opera by Giovanni Paisiello, best known as the man who composed a popular Barbiere di Siviglia before Rossini came along and eclipsed his predecessor.  »

22 Dec 2008

Best of Neujahrskonzert

An annual event televised around the world, the Vienna Philharmonic's Neujahrskonzert has become a classical music institution, and as such is impervious to criticism. But not beyond it. »

22 Dec 2008

Karita Mattila — Fever

Ondine provides a treasure of a booklet for Fever, Karita Mattila's traversal of some standards from the so-called "Great American Songbook," plus two Brazilian numbers. »

18 Dec 2008

I mori di Valenza — Ponchielli’s Unfinished Opera

It almost seems as if every composer was entitled to have at least one unfinished work.  »

05 Dec 2008

London Philharmonic Orchestra — 75th Anniversary, Vol. 3: 1983-2007.

Released to commemorate the seventy-fifth anniversary of the London Philharmonic Orchestra, the three multi-disc sets of recordings makes available recordings that document the triumphs of the ensemble since its founding in 1932 by Sir Thomas Beecham.  »

01 Dec 2008

Verdi's Aida at La Scala

Can this truly be the production of Verdi's Aida that earned world-wide headlines in December 2007? »

01 Dec 2008

GIORDANO: Marcella

Alberto Cantù's booklet essay for the Dynamic release of Umberto Giordano's rare one-act opera Marcella quotes a review from the day after the 1907 premiere, which indicates that the premiere's audience's expectations of "greater originality of melodic invention" went unmet. »

21 Nov 2008

Il Barbiere di Siviglia at Opera House Zürich

This 2001 Zürich performance of Rossini's masterpiece Il Barbiere di Siviglia boasts one of the final performances of the great bass Nicolai Ghiaurov, who passed away in 2004. »

20 Nov 2008

MAYR: L’amor coniugale

Naxos, in conjunction with SWR, has been releasing recordings from the Rossini in Wildbad Festival, which focuses not just on the titular composer but also on his contemporaries. »

16 Nov 2008

Great Operatic Arias with Sir Thomas Allen 2

The "2" in this disc's title indicates that this is the second Chandos recital for Sir Thomas Allen.  »

13 Nov 2008

Jean Baptiste Lully's Persée

At a time when it is the fashion for stage direction, sets, and costumes to have little, if anything to do with the ouvre presented on stage, this production of Jean-Baptiste Lully's Persée (1682) is candy for the eyes and ears, with adherence to what is known of the French Baroque operatic standards.1 »

09 Nov 2008

Muti's La Traviata

EMI owns this recording, so if pride dictates they repackage it in the "Great Recordings of the Century" series, a dissenter shouldn't moralize. »

09 Nov 2008

Ernani and I Capuletti e I Montecchi on Dynamic DVD

Both these performances come from mid-2005. Teatro Regio di Parma presented the Ernani in May of that year; August saw I Capuletti e I Montecchi on stage at the Festival della Valle d'Itria di Martina Franca.  »

09 Nov 2008

Andrew Lloyd Webber — A Classical Tribute

Countless must be the number of true opera fans who have heard well-meaning acquaintances say, "Oh I just love opera! Especially Phantom of the Opera." »

02 Nov 2008

Wagner Duets: Nilsson and Hotter, Polaski and Botha

A few years ago EMI released a recording of Wagner duets with Placido Domingo and Deborah Voigt. »

30 Oct 2008

Portraits of Domingo and Pavarotti

While the tributes and retrospectives continue to appear for the late Luciano Pavarotti, his sometime-colleague (if not rival) Plácido Domingo maintains a top-rank career, even including a contract with Deutsche Grammophon for new studio work.  »

30 Oct 2008

STRAUSS: Die Liebe der Danae

Gala may be a budget label, but more opera sets of vintage live performances deserve a booklet essay as concise yet comprehensive, critically honest and yet fair, as Andrew Palmer's for this set, which preserves a 1980 performance of Richard Strauss and Joseph Grigor's Die Liebe der Danae. »

24 Oct 2008

BACH: Mass in B minor

Bach’s monumental Mass in b minor exists in an abundant quantity of period performances to the point where one might ponder the wisdom of adding yet another to the shelf.  »

20 Oct 2008

BACH: St. Matthew Passion (excerpts)

There is much to admire in Masaaki Suzuki’s Bach performances with the Bach Collegium Japan, and this recording of excerpts from the St. Matthew Passion will remind the listener of the diverse ways in which this is so.  »

20 Oct 2008

BEETHOVEN: Fidelio

Among the recent releases on DVD of Rolf Liebermann's productions of operas from the Hamburg Opera conceived for television in the late 1960s, Beethoven's Fidelio is impressive for the use of the medium of film to bring out the personal aspects of this intensive opera.  »

06 Oct 2008

VERDI: Requiem / Quattro pezzi sacri

Presented in its fine line of “Originals,” Decca’s reissue of Solti’s famous 1967 recording of Verdi’s Requiem is actually offered with another fine recording, the same conductor’s 1977/78 performance of the Quattro pezzi sacri. »

06 Oct 2008

MONTEVERDI: Combattimento

In recent years, Emmanuelle Haïm has achieved prominence at the helm of several baroque operas, including Monteverdi’s L’Orfeo and Handel’s Rodelinda and Giulio Cesare. »

22 Sep 2008

Music for the Court of Maximilian II

Although Jacobus Vaet, Antonius Galli and Pieter Maessens are little-known composers today, this impressive recording featuring their music, the debut recording by the ensemble Cinquecento, may serve as a cautionary reminder that modern familiarity is often the fruit of circumstance and not necessarily a reliable measure of artistic achievement. »

19 Sep 2008

Souvenir of a Golden Era: The Sisters Garcia

Last year saw Cecilia Bartoli’s recording dedicated to the memory, and repertoire, of the early 19th century singer Maria Malibran, “Maria.” »

14 Sep 2008

Film Music Classics on Naxos: Herrmann and Perry

There may be no name more famous in the world of film music than that of Bernard Herrmann. William Perry, however, is a name unlikely to set off many bells. »

14 Sep 2008

Mozart, Rossini and Verdi at the Maggio Musicale Fiorentino

Of these three productions staged for the Maggio Musicale Fiorentino, the beautifully dressed Entführung and refined Tancredi present the company as a theater for tasteful, stylish productions, just a tad on the dull side. »

07 Sep 2008

WAGNER: Tristan und Isolde

I’ve rarely seen a performance of Tristan und Isolde where I was quite so conscious of the singers’ teeth. »

17 Aug 2008

SZYMANOWSKI: Songs, Op. 31 and Op. 49.

The lyricism characteristic of the instrumental music of Karol Szymanowski (1882-1937) is at the core of his songs, and the two collections found on this recording represent his vocal music well. »

17 Aug 2008

Karajan on DG, EMI

The 100th anniversary of his birth inevitably produces a flood of releases from the catalog of conductor Herbert von Karajan. »

17 Aug 2008

SMETANA: Dvě vdovy (The Two Widows)

Bedrich Smetana (1824-1884) is, perhaps known best for his opera The Bartered Bride (1863, rev. 1870), a touchstone of comic opera fused with eastern-European nationalism and, as much as that work has much to offer, his other efforts deserve attention. »

17 Aug 2008

HINDEMITH: Mathis der Mahler

Premiered in 1938 in Zurich, Mathis der Maler was then the most recent of Paul Hindemith’s provocative operas. »

17 Aug 2008

Medieval Christmas

The festal days of Christmas, New Year’s, St. Stephen and St. Thomas Becket are rich in musical celebration, and this recording from the Orlando Consort brings together a wide range of organa, motets, chansons, and carols to remind us of that fact. »

29 Jul 2008

Donizetti on Dynamic DVD

Dynamic now offers most of its product in CD and DVD formats, the latter in High Definition, no less. »

29 Jul 2008

Verdi on Classics for Pleasure, Opera Highlights

With these three CDs of highlights from three Verdi operas - Nabucco, Il Trovatore, and Aida — Classics for Pleasure gives a snapshot of the arc of his career. »

20 Jul 2008

Villazón on Deutsche Grammophon

The opera world, always ravenous for talented, charismatic tenors, felt desperate hunger pains last summer, when Rolando Villazón canceled dates with an explanation that a health crisis necessitated a sabbatical from singing. »

20 Jul 2008

Mozart’s La Finta Giardiniera x2

With a composer as widely beloved as Wolfgang Amadeus Mozart, for an opera to be all but forgotten suggests the work has problems beyond redemption. »

20 Jul 2008

Der Rosenkavalier highlights on Classics for Pleasure

For the opera of average length, a decent highlights disc can feature as much as half the score. »

13 Jul 2008

Rossini Opera Festival on Dynamic

At the Rossini Festival held in Pesaro, Italy, Dynamic recorded two Rossini rarities in August 2006. »

13 Jul 2008

Gustav Mahler: Symphony no. 9; Richard Strauss: Tod und Verklärung

The late Guiseppe Sinopoli (1946-2001) became established as an estimable conductor of nineteenth-century music, and his legacy includes a number of fine recordings. »

06 Jul 2008

BELLINI: Norma

The best thing about this set, a Norma recorded live at the Teatro delle Muse di Ancona in late 2004, is the booklet essay by Marco Beghelli, offered in both English and Italian (no credit to any translator). »

06 Jul 2008

Two Aida’s from TDK

At one time, Verdi’s Aida figured as the most performed opera. »

22 Jun 2008

MEYERBEER: Semiramide

This Dynamic recording of Meyerbeer's Semiramide, an opera title more familiar with Rossini's name appended, mixes the pleasure of a modestly appealing surprise with regret at key aspects of the performance. »

22 Jun 2008

Choral Music by Dvořák and Brahms

Among the choral music of Anton [Antonin] Dvorak, the familiar Stabat Mater, Op. 58, is known to modern audiences through various live performances and recordings. »

19 Jun 2008

Mozart and Lortzing from Hamburg Opera on film

A nostalgic charm permeates these filmed productions from the early 1970s of Lortzing's Zar und Zimmerman and Mozart's Die Zauberflöte, collaborations between the Hamburg State Opera and German TV director Joachim Hess. »

19 Jun 2008

Karajan opera highlights on Classics for Pleasure

The opera highlights series from Classics for Pleasure continues its recycling of the EMI catalogue with selections from two of Herbert von Karajan's recordings. »

09 Jun 2008

Songs by Henry & William Lawes

With this recording of songs by Henry & William Lawes, musical brothers who flourished in Caroline England, countertenor Robin Blaze with lutenist Elizabeth Kenny continue their exploration of early English song for Hyperion, and the results are stunning. »

04 Jun 2008

Joye: Les plaintes de Gilles de Bins dit Binchois

The title of this recording “Joy: the Laments of Gilles Binchois” introduces a seeming contradiction, one that plays on a contemporaneous description of the composer as "pére de joyeusetè"—the father of joy—in tension with an affinity for melancholy in his works. »

04 Jun 2008

SCHOENBERG: Moses und Aron

Even though it is one of the important operas of the twentieth century, Arnold Schoenberg’s Moses und Aron is, perhaps, more esteemed than performed. »

25 May 2008

HINDEMITH: Cardillac

Premiered in 1926, Paul Hindemith’s opera Cardillac is a three-act work based on E. T. A. Hoffmann’s short story Das Fräulein von Scuderi. »

25 May 2008

WAGNER: Tristan und Isolde

In the 1983 production designed, staged, and directed by Jean-Pierre Ponnelle, this recording of Richard Wagner’s Tristan und Isolde is a solid and well-thought performance that has much to offer. »

15 May 2008

STRAUSS: Opernszenen | Scenes of Operas.

Recorded between 1938 and 1942, the excerpts from performances of Der Rosenkavalier, Die Frau ohne Schatten, Arabella, and Daphne at the Dresden Staatsoper are all conducted by Karl Böhm. »