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Elsewhere

On The Death of Klinghoffer

This is a revised version of my review of the Sept 5th 1991American premiere of The Death of Klinghoffer, at the Brooklyn Academy of Music. The opera was first performed at Brussels’ La Monnaie the previous spring.

Anna Netrebko, now a dramatic soprano, shines in the Met’s dark and murky ‘Macbeth’

The former lyric soprano holds up well — and survives the intrusive close-up camerawork of the ‘Live in HD’ transmission

Arizona Opera Presents First Mariachi Opera

Houston Grand Opera commissioned Cruzar la Cara de la Luna from composer José “Pepe” Martínez, music director of Mariachi Vargas de Tecalitlán, who wrote the text together with Broadway and opera director Leonard Foglia. The work had its world premier in 2010. Since then, it has traveled to several cities including Paris, Chicago, and San Diego.

Plácido Domingo: I due Foscari, London

“Why should I go to hear Plácido Domingo” someone said when Verdi’s I due Foscari was announced by the Royal Opera House. There are very good reasons for doing so.

Philip Glass’s The Trial

Music Theatre Wales presented the world premiere of Philip Glass’s The Trial (Kafka) last night at the Linbury, Royal Opera House. Music Theatre Wales started doing Glass in 1989. Their production of Glass’s In the Penal Colony in 2010 was such a success that Glass conceived The Trial specially for the company.

Joyce DiDonato: Alcina, Barbican, London

To say that the English Concert’s performance of Handel’s Alcina at the Barbican on 10 October 2014 was hotly anticipated would be an understatement. Sold out for weeks, the performance capitalised on the draw of its two principals Joyce DiDonato and Alice Coote and generated the sort of buzz which the work did at its premiere.

Un ballo in maschera in San Francisco

The subject is regicide, a hot topic during the Italian risorgimento when the Italian peninsula was in the grip of the Hapsburgs, the Bourbons, the House of Savoy and the Pontiff of the Catholic Church.

A New Don Giovanni and Anniversary at Lyric Opera of Chicago

Lyric Opera of Chicago opened its sixtieth anniversary season with a new production of Mozart’s Don Giovanni directed by Artistic Director of the Goodman Theater, Robert Falls.

Grande messe des morts, LSO

It was a little over two years ago that I heard Sir Colin Davis conduct the Berlioz Requiem in St Paul’s Cathedral; it was the last time I heard — or indeed saw — him conduct his beloved and loving London Symphony Orchestra.

Guillaume Tell, Welsh National Opera

Part of their Liberty or Death season along with Rossini’s Mose in Egitto and Bizet’s Carmen, Welsh National Opera performed David Pountney’s new production of Rossini’s Guillaume Tell (seen 4 October 2014).

Mose in Egitto, Welsh National Opera

Welsh National Opera’s production of Rossini’s Mose in Egitto was the second of two Rossini operas (the other is Guillaume Tell) performed in tandem for their autumn tour.

L’incoronazione di Poppea, Barbican Hall

In Monteverdi’s first Venetian opera, Il Ritorno d’Ulisse (1641), Penelope’s patient devotion as she waits for the return of her beloved Ulysses culminates in the triumph of love and faithfulness; in contrast, in L’incoronazione di Poppea it is the eponymous Queen’s lust, passion and ambition that prevail.

Rameau’s Les Paladins, Wigmore Hall

After the triumphs of love, the surprises: Les Paladins, under their director Jérôme Correas, and soprano Sandrine Piau are following their tour of material from their 2011 CD, ‘Le Triomphe de L’amour’, with a new amatory arrangement.

Puccini : The Girl of the Golden West, ENO London

At the ENO, Puccini's La fanciulla del West becomes The Girl of the Golden West. Hearing this opera in English instead of Italian has its advantages, While we can still hear the exotic, Italianate Madama Butterfly fantasies in the orchestra, in English, we're closer to the original pot-boiler melodrama. Madama Biutterfly is premier cru: The Girl of the Golden West veers closer, at times, to hokum. The new ENO production gets round the implausibility of the plot by engaging with its natural innocence.

Anna Caterina Antonacci, Wigmore Hall, London

Presenting a well-structured and characterful programme, Italian soprano Anna Caterina Antonacci demonstrated her prowess in both soprano and mezzo repertoire in this Wigmore Hall recital, performing European works from the early years of the twentieth century. Assuredly accompanied by her regular pianist Donald Sulzen, Antonacci was self-composed and calm of manner, but also evinced a warmly engaging stage presence throughout.

Il barbiere di Siviglia, Royal Opera

Bold, bright and brash, Moshe Leiser and Patrice Caurier’s Il barbiere di Siviglia tells its story clearly in complementary primary colours.

Gluck and Bertoni at Bampton

Bampton Classical Opera’s 2014 double bill neatly balanced drollery and gravity. Rectifying the apparent prevailing indifference to the 300th centenary of Christoph Willibald Gluck birth, Bampton offered a sharp, witty production of the composer’s Il Parnaso confuso, pairing this ‘festa teatrale’ with Ferdinando Bertoni’s more sombre Orfeo.

Purcell: A Retrospective

Harry Christophers and The Sixteen Choir and Orchestra launched the Wigmore Hall’s two-year series, ‘Purcell: A Retrospective’, in splendid style. Flexibility, buoyancy and transparency were the watchwords.

Mahler: Symphony no.3 — Prom 73

It would be unfair, but one could summarise this concert with the words, ‘Senator, you’re no Leonard Bernstein.’

Los Angeles Opera Opens with La traviata

On September 13, Los Angeles Opera opened its 2014-2015 season with a revival of Marta Domingo’s updated, Art Deco staging of Giuseppe Verdi’s La traviata. It starred Nino Machaidze as Violetta, Arturo Chácon-Cruz as Alfredo, and Plácido Domingo as Giorgio Germont. The conductor was Music Director James Conlon.


OPERA TODAY ARCHIVES »

Recordings

Orfeo ed Euridice (Arthaus Musik 108103)
25 Aug 2014

Gluck: Orfeo ed Euridice

This elegant, smartly-paced film turns Gluck’s Orfeo into a Dostoevskian study of a guilt-wracked misanthrope, portrayed by American countertenor Bejun Mehta.  »

Recently in Recordings

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25 Aug 2006

VERDI: Don Carlos and Don Carlo

Had Plato been a 19th century opera fan, would the philosopher have been so sure that there exists an ideal version of each and every opera, in the way that all chairs come from one immutable concept of "chair"? »

13 Aug 2006

VERDI: Don Carlo

Myto is always generous with its timings, usually producing very full CD’s and thus of necessity offering a bonus if a performance doesn’t fill the whole of the record. »

13 Aug 2006

SCHUBERT: Der Graf von Gleichen

Most of us who listen to opera often chose a work to relax us on a quiet evening; perhaps lighting some candles, and opening that bottle of good vino you’ve been saving for a special occasion. »

10 Aug 2006

OFFENBACH: Les Contes d'Hoffmann

When the Ring theater burned in Vienna, on December 8, 1881,1 Richard Wagner commented that it left him “cold” to know that a number of patrons should die while at a performance of Jacques Offenbach’s music. »

03 Aug 2006

A Night of Rhythm and Dance

The Waldbühne in Berlin is a large copy of ancient Greek theatres. Originally it was the ‘Reichssportfeld’, built for the Olympic Games of 1936. »

02 Aug 2006

Mirella Freni and Cesare Siepi Live in Concert

In summer doldrums? Spend a delightful hour with two great artists in a rare joint appearance, as Fabula Classics has resurrected for DVD a 1985 Cesare Siepi and Mirelle Freni televised recital. »

02 Aug 2006

Haitink conducts Elgar and Britten

Commemorating some of its outstanding concerts of the 1980s and Bernard Haitink, its principal conductor (from 1967-1979), the London Philharmonic Orchestra has released on its own label a single CD that includes several pieces that brought notice to the ensemble. »

02 Aug 2006

Ann Murray and Malcolm Martineau: Schumann, Mahler, Britten

Recorded in early May 2005 at Crear, an artists’ community in Argyll, Scotland, this CD contains selections of Lieder and songs that fit well the supple voice of the mezzo-soprano Ann Murray, who is accompanied facilely by the Scottish pianist Malcolm Martineau. »

01 Aug 2006

Morricone Conducts Morricone

Connoisseurs of pretentious booklet essay verbiage will delight in the prose style of  Matthias Kellerin his musings for this EuroArts DVD of Ennio Morricone conducting his film scores with the Munich radio orchestra. »

27 Jul 2006

BUXTEHUDE: Membra Jesu nostri

Dietrich Buxtehude’s Membra Jesu nostri is a large-scale Passion work dedicated to the Swedish chapelmaster, Gustav Dübin, in whose notable collection, now at Uppsala, it holds a prominent place. »

27 Jul 2006

WAGNER: Das Rheingold

Was it so many years ago that lovers of Wagner's titanic multi-part opus, Der Ring Des Nibelung, focused their passion principally on audio versions? »

24 Jul 2006

WAGNER: Siegfried, The 100th Covent Garden performance

“These probably unique documents may well owe their existence to the presence of Joan Sutherland in the cast and represent the earliest recordings of the great diva. »

24 Jul 2006

MOZART: Don Giovanni (Highlights)

Naxos reinforces its status as the classical recording world's bargain leader by releasing a single CD highlights disc from its complete Don Giovanni, recorded in 2000 and originally released in 2001. »

24 Jul 2006

SHOSTAKOVICH: The Execution of Stepan Razin

This new Naxos recording offers a rare opportunity to hear three little-known works by one of the 20th century's greatest composers - The Execution of Stepan Razin op. 119, October op. 131, and Five Fragments for orchestra op. 42, by Dmitri Shostakovich (1906-75). »

24 Jul 2006

CHAPI: Margarita la tornera

Is this the application of Peter’s Principle on Ruperto Chapi’s music as Chris Webber, editor of www.zarzuela.net preaches, or is this proof of Chapi being “undoubtedly the most important Spanish composer of stage music of all time” as the sleeve notes tell us? »

24 Jul 2006

The Italian Dramatic Lament

Its foundational interest in affective response made the early Baroque era a time rich in the nurture of highly impassioned music and text. Little surprise then that laments, with their characteristic emotional intensity, were particularly at home on the early seventeenth-century stage and in the chambers of the nobility. »

24 Jul 2006

DEBUSSY: Pélleas et Mélisande

Whatever its flaws - and it has them - this Zurich Opera production of Debussy's Pelléas and Mélisande boasts qualities that carry it very far from the standard view of those opera goers who considers the work dry, dull, and depressingly long. »

24 Jul 2006

MAHLER: Symphony no. 8

Recorded approximately 35 years ago in September 1971, Bernard Haitink’s performance of Gustav Mahler’s Eighth Symphony remains a classic account of the composer’s demanding score. »

24 Jul 2006

BURKHARD: Lieder

Refreshingly modern and familiar at the same time, the Lieder of Willy Burkhard (1900-55) are better known in his native Switzerland than anywhere else. »

23 Jul 2006

MENOTTI : Concerto for Violin and Orchestra / Cantilena e Scherzo / Canti Della Lontanza / Five Songs

Most Opera Today readers are probably familiar with Gian Carlo Menotti largely through his operas (The Medium, The Consul, Amahl and the Night Visitors, The Telephone, and others), and, if they teach or coach voice, may be more familiar than they’d like to be with pieces like “This is my box” and “Monica’s Waltz”, which have long been mainstays of the “American aria” branch of repertoire for young singers. »

19 Jul 2006

Leyla Gencer in Concert

There are lieder-recitals and there are lieder-recitals. In my experience Lucia Popp, Dietrich Fischer-Dieskau and Margaret Price stuck to their Lieder-guns till the last item, sometimes offering Strauss’ Zueignung as an encore. »

19 Jul 2006

BEETHOVEN: Missa Solemnis

This excellent performance of Beethoven's mammoth sacred work, Missa Solemnis, served as part of the celebration of the reopening (after reconstruction) of the Dresden Frauenkirche, which suffered devastating damage in the same bombing raid that destroyed much of the city and so many of its inhabitants near the end of WWII. »

19 Jul 2006

GUERRERO: Missa Surge Propera

The composers Morales, Guerrero, and Victoria form a holy trinity of sorts, dominating Spanish church music in what we have come to see as a “Golden Age,” a time in which sixteenth-century liturgical polyphony assumed a classical perfection. »

19 Jul 2006

CHAUSSON: Le Roi Arthus

I belong to the happy few (some would say ‘unhappy’ few) who ever witnessed a stage production of this rarely performed opera. »

19 Jul 2006

MOZART: Die Entführung aus dem Serail

Glyndebourne’s recent DVD release of it’s 1980 production of Die Entführung aus dem Serail is quite an exceptional performance of this particular work. »

10 Jul 2006

HAYDN: Arias & Cantatas

In a room filled with music scholars, conversations surrounding the name Franz Joseph Haydn would be synonymous with symphonic music, keyboard works, operas, string quartets, and vocal music. »

08 Jul 2006

Dmitri Shostakovich: A Portrait

2006 is a centenary year of Dmitri Shostakovich (1906-1975) - a great Russian composer of the 20th century, and a complicated and tortured soul whose posthumous legacy has been a subject of heated ideological debates in recent years. »

05 Jul 2006

GESUALDO DA VENOSA: Quarto Libro di Madrigali
MONTEVERDI: Madrigals Book 4

Two sets of madrigals, each the fourth book published by its composer, give complementary views of the state of madrigal composition in Italy in the years either side of 1600. »

05 Jul 2006

Ana María Sánchez: Zarzuela

During the fifties and sixties, it was almost impossible (or horrendously expensive) to collect the hundreds of recordings of zarzuela outside Spain and some Latin American countries. »

05 Jul 2006

PUCCINI: Il Tabarro
LEONCAVALLO: I Pagliacci

The recent Deutsche Grammaphone release of an insightful Metropolitan Opera double bill from 1994 provides a fascinating comparison of contrasting verismo worlds. »

05 Jul 2006

Three Sopranos: Elena Obraztsova, Ileana Cotrubas, Renata Scotto

Even with a magnifying glass you won’t be able to find a date of this concert on either the DVD itself or in the sleeve notes. »

27 Jun 2006

Belcanto: The Tenors of the 78 Era, vols. 1 and 2

Second only to soprano divas, history’s great tenors have received the most retrospective scrutiny. »

26 Jun 2006

Puccini: Sogno d’or

Anyone who knows Giacomo Puccini only for his operas is in for a treat. Puccini: Sogno d’or presents Puccini the songwriter, and what is fascinating about this little-known repertory is that it prefigures many of the delightful melodies that later appeared in his works for the stage. »

23 Jun 2006

GLUCK: Orfeo ed Euridice

All the excitement and activity in the classical recording company world now seems to be in the budget area. »

23 Jun 2006

Gypsy Melodies

“Gypsies! Filthy, dirty, thieving gypsies!” cried Amy Sedaris as Jerri Blank from one delightful Strangers With Candy episode years back. For those who have experienced a forced ‘chance’ meeting with one of these colorful characters in say, Granada, Spain, they may have espoused a similar belief in recent years. »

23 Jun 2006

Renato Bruson — Live in Concert

One sign that a media market has really come into its own, economically speaking, is the appearance of items previously released in other formats, items that one struggles to imagine a wide market for. DVDs must be doing fairly well, then, in the classical market. »

15 Jun 2006

BACH: Cantatas, vol. 14

This installment in the remarkable Bach Cantata Pilgrimage series presents four Christmas cantatas: “Gelobet seist du, Jesus Christ,” BWV 91; “Unser Mund sei voll Lachens,” BWV 110; “Dazu ist erschienen,” BWV 40; and “Christum wir sollen loben schon,” BWV 121, all recorded live in St. Bartholomew’s Church, New York City. »

14 Jun 2006

Piero Cappuccilli: Recital

Can you believe it? With all the profound knowledge of my 24 years, I first visited the Verona Arena in 1968. On was Trovatore with Bergonzi, Gencer and, as Luna, Piero Cappuccilli. »

14 Jun 2006

PUCCINI: Gianni Schicchi

Glyndebourne’s 2004 live recording of Gianni Schicchi, produced by Opus Arte, is quite possibly the most electric and riveting performance of this Puccini one-act opera. »

12 Jun 2006

WOLF: Prometheus — Orchesterlieder

Like other nineteenth-century composers, Hugo Wolf (1860-1903) orchestrated some of his Lieder, and his contributions to the genre of Orchesterlieder are impressive. »

01 Jun 2006

MAHLER: Lieder

Among the interpreters of Mahler’s music in the late twentieth century, Dietrich Fischer-Dieskau and Daniel Barenboim stand out for their various contributions. »

01 Jun 2006

BERNHARD: Geistliche Harmonien

The composer Christoph Bernhard (born Kolberg, Pomerania, 1628, died, Dresden 1692) embodies the problematic nature of German musical culture in the seventeenth century. »

01 Jun 2006

MONTEVERDI: Il ritorno d'Ulisse in patria

This Opus Arte set not only captures a mostly satisfying performance of Monteverdi's opera based on the last books of Homer's Odyssey, but features something even rarer: a booklet essay by the musical director (Glen Wilson) of remarkable lucidity. »

01 Jun 2006

LE JEUNE: Autant en emporte le vent — French Chansons

In spite of the religious warfare that consumed France during the second half of the sixteenth century (which claimed the life of one eminent Catholic composer, Antoine de Bertrand, who was murdered by Protestants)*, musical life continued unabated. »

31 May 2006

PFITZNER: Das Christelflein

Dubbed a “spieloper,” Hans Pfitzner’s Das Christelflein (“The Christmas Elf”) casts a magical, yet appropriately cool, spell, even in the warm days of late May, the time of this review. »

31 May 2006

Delectatio angeli — Music of love, longing & lament

Catherine Bott is an English soprano in her fifties with decades of career and an extensive discography, but even in the world of early music, where she has spent most of her time, one could not say she is a marquee name. »