Recently in Recordings
25 Jan 2010
We all wish Henry Purcell had written a few more operas like Dido and
Aeneas — simple to cast, simple to stage, offering endless
possibilities for either reserved or outrageous treatment, attractive to every
sort of audience. »
22 Jan 2010
While Ottorino Respighi (1879-1936) is best known to modern audiences for his colorful programmatic works associated with Italian locations, his vocal music is also engaging. »
14 Jan 2010
Are you sitting comfortably? »
11 Dec 2009
This disc faces a marketplace already crowded with similar compilations from major companies who can raid their archives to offer competitive interpretations at bargain prices. »
11 Dec 2009
Emma Matthews is an English born soprano currently resident in Australia where she has sung with the state based opera companies as well as the national company Opera Australia where she is currently a soloist. »
17 Nov 2009
In the mid-1980s (just before the Riccardo Muti era began), Lorin Maazel often ruled the conductor's roost at La Scala. »
11 Nov 2009
The worlds of lieder and opera seem to share the same galaxy, while being countless light years apart. »
11 Nov 2009
The December opening of the La Scala season requires a notable production, and in 2001 a gorgeous new production of Verdi's Otello fit the bill. »
26 Oct 2009
Pascal Dusapin (b. 1955) is an engaging composer, and his recent works includes a chamber opera entitled Faustus, the Last Night, a unique setting of the legend and a fine contribution to modern opera. »
11 Oct 2009
A note on the inside back cover of the booklets for these two releases announces that they are part of a new Supraphon series dedicated to “archive recordings of complete operas not yet available on CD.” »
11 Oct 2009
A number of performances from the Sferisterio Opera Festival have been released in recent months. »
11 Oct 2009
Videos from the Bayreuth Festspiele typically feature the highest quality audio and video of any live performance documents. »
11 Oct 2009
The back cover description of this Medici Arts DVD can fairly be called misleading, though not dishonest. »
11 Oct 2009
Although this DVD comes on the Naxos label, an earlier CD version of the same performance went under the Dynamic label, specialists in rare repertory. »
11 Oct 2009
Dear non-German speaking Opera Today reader — what's your first guess as to the meaning of the biggest word in the title of this obscure Johann Strauss operetta? »
11 Oct 2009
Will the 22nd century still see the opera-loving world as fascinated by the ongoing saga of the Wagner family as the 20th did and the 21st does? »
04 Oct 2009
The only thing truly operatic in this work is the use of the word “opera” in the title. »
04 Oct 2009
Besotted admirers of certain lesser-known operas of debatable merit sometimes include conductors, singers and opera house managers with the power to get their cherished rarity on stage. »
20 Sep 2009
While the cover of this Decca two-DVD set mirrors that of Cecilia Bartoli's 2007 CD, Maria, the contents are not identical. »
20 Sep 2009
Reading the articles in the booklet for this set, it becomes clear that librettist Colin Graham was the driving force behind this opera's creation. »
15 Sep 2009
The legacy of the late conductor Giuseppe Sinopoli includes a number of fine recordings of Mahler’s music, and among them is his Deutsche Grammophon recording of the composer’s Fourth Symphony with the Philharmonia Orchestra and the soprano Edita Gruberova. »
15 Sep 2009
If, dear reader, a desire has ever swept over you (a desire such as a pregnant woman's craving for vanilla ice cream with pickles) to hear music reminiscent of both Messiah and the Fingal's Cave overture, CPO is just the musical ice cream parlor/deli for you. »
10 Sep 2009
The true opera fan devotes almost as much time, if not more, to the "what might have been" careers as to those of the superstars. »
10 Sep 2009
Archival radio recordings of complete operas seldom have ideal sound, but the audio is usually sharper than that of a live performance while still carrying a comparable dramatic immediacy. »
09 Sep 2009
Among the important recent cycles of Mahler’s symphonies is the one underway by Valery Gergiev with the London Symphony Orchestra. »
09 Sep 2009
Beethoven’s Fidelio is actually several works combined — a rescue opera in the grand style of the French revolution, a sentimental comedy focusing on mistaken identity, and a tragédie bourgeoise involving a husband, a wife, and their efforts to re-unite despite the actions of a relentless and implacable foe. »
09 Sep 2009
After thoroughly enjoying Daneille de Niese’s recording Handel Arias, I jumped at the chance to review her new recording, The Mozart Album. Her Handel interpretation was full of coloratura, clarity and virtuosity, along with an organic fusion of music serving drama. So I was eager to hear her perform Mozart. »
09 Sep 2009
This 4-CD set gathers together solo recital material and extracts from complete opera sets that Franco Corelli recorded between 1959 and 1968, the prime of his career. »
30 Aug 2009
Following from the fine collaboration between Stephan Genz and Roger Vignoles on an ambitious collection of various sets of Mahler’s Lieder (Hyperion CD 67392), which includes some of the composer’s early settings of poetry from the anthology Des Knaben Wunderhorn, the present recording contains thirteen later settings from that source. »
30 Aug 2009
This 1958 RAI broadcast of Bellini's early masterpiece requires the accustomed aural compromise for maximum enjoyment. »
30 Aug 2009
The opera venue at Macerata shares some features with its famous counterpart in Verona: both are outdoors, with huge stages that can accommodate spectacular productions. »
30 Aug 2009
As the detail-filled booklet essay to this CPO set reminds its readers, Franz Lehär's operettas enjoyed widespread, though rarely lasting, success, with the music theater world of the time eager for each successive work. »
30 Aug 2009
Franz Schreker’s Die Gezeichneten isn't the easiest opera to produce, with its grand effects, but this production comes close to being a perfect union between stage and music. »
23 Aug 2009
The bravura performance by Ferruccio Furlanetto in the title role is spoiled by the kitschy and incoherent staging of this production. Mefistofele is unique among operas based on the Faust legend in that it rather closely adheres to Goethe’s version. »
23 Aug 2009
Gustav Mahler was not alone in setting verses from Hans Bethge’s collection of Chinese-inspired poetry entitled Die chinesische Flöte, as he did in his symphonic song cycle Das Lied von der Erde. »
23 Aug 2009
Although the cutesy title sounds like something conjured up by a community
college marketing intern working for a mid-sized city orchestra’s ticket
office—where every concert featuring Wagner and Brahms gets the sobriquet
“Teutonic Titans”—don’t be put off by the moniker. This film is a brilliant adaptation of Monteverdi’s Fourth Book of Madrigals that is totally faithful to the composer’s music. »
23 Aug 2009
Good directors don't always create good productions. »
23 Aug 2009
The two one-act operas - operettes? - on this disc play something like mediocre episodes of The Twilight Zone set to music, though without the quirky memorability of that show's opening theme. »
17 Aug 2009
On a good night an opera performance can come across with visceral excitement without a classy production, top-name singers, or the benefit of being of one of the more familiar titles. »
17 Aug 2009
Those opera lovers prone to rage at the perceived dominance of the director in their beloved art form today may collapse in apoplexy at this first release from the company called SignumVision. »
17 Aug 2009
The word "living" would be a fitting addition to the subtitle of this collection of "Songs by American Composers." »
17 Aug 2009
"An all-American Norma," Roger Pines calls this release in his entertaining booklet essay. »
09 Aug 2009
This excellent production of Monteverdi’s final (premiered in 1643) and most problematic opera features first-rate singing and a very effective (and restrained) staging. »
07 Aug 2009
In the Euroarts series Discovering Masterpieces of Classical Music: Documentary & Performance, the volume devoted to Béla Bartók’s Concerto for Orchestra stands out as a particularly accessible and well-executed release. »
07 Aug 2009
For adherents of the prima voce school of opera appreciation, this Laurent Pelly production of Donizetti's comic masterpiece may not hold that much appeal. »
03 Aug 2009
Although Antonio Vivaldi’s instrumental compositions were highly popular in his lifetime, and have been held in high regard throughout the centuries, most of his operas have been — until recently — relegated to obscurity. »
03 Aug 2009
EMI's publicity for this studio recording focuses on soprano Angela Gheorghiu and her portrayal of Cio-Cio-San. »
02 Aug 2009
Of Donizetti's 55 operas, four to five hold on to secure places in the repertory, a much greater number are all but unknown, and in the middle come the titles that see occasional revivals, as flawed but fascinating rarities. »
02 Aug 2009
This looks like a winner, with an esteemed conductor (Zubin Mehta), top-rank cast (Violeta Urmana, Marcello Giordani, Carlo Guelfi), and a production directed by Nicholas Joël that originated at the Opernhaus Zürich, a house that takes some chances and scores some successes. »
29 Jul 2009
The legacy of Ferruccio Busoni (1866-1924) includes some notable compositions, and among them is his unique setting of the Faust story. »
22 Jul 2009
The strategies of non-traditional opera directors are becoming as predictable and formulaic as the stuffy, static traditional productions that they work so hard not to emulate. »
![Opus Arte OABD 7114D [Blu-Ray]](http://www.operatoday.com/OpusArteOABD7114D.gif)