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Macbeth, LA Opera

On Thursday evening October 13, Los Angeles Opera transmitted Giuseppe Verdi’s Macbeth live from the Dorothy Chandler Pavilion, in the center of the city, to a pier in Santa Monica and to South Gate Park in Southeastern Los Angeles County. My companion and I saw the opera in High Definition on a twenty-five foot high screen at the park.

COC’d Up Ariodante

Director Richard Jones never met an opera he couldn’t ‘change,’ and Canadian Opera Company’s sumptuously sung Ariodante was a case in point.

Jamie Barton at the Wigmore Hall

“Hi! … I’m at the Wigmore Hall!” American mezzo-soprano Jamie Barton’s exuberant excitement at finding herself performing in the world’s premier lieder venue was delightful and infectious. With accompanist James Baillieu, Barton presented what she termed a “love-fest” of some of the duo’s favourite art songs. The programme - Turina, Brahms, Dvořák, Ives, Sibelius - was also surely designed to show-case Barton’s sumptuous and balmy tone, stamina, range and sheer charisma; that is, the qualities which won her the First and Song Prizes at the 2013 BBC Cardiff Singer of the World Competition.

And London Burned: in conversation with Raphaela Papadakis

Raphaela Papadakis seems to like ‘playing with fire’. After her acclaimed performance as the put-upon maid, Anna, in Independent Opera’s production of Šimon Voseček’s Beidermann and the Arsonists at Sadler’s Wells last year, she is currently rehearsing for the premiere this week of And London Burned, a new opera by Matt Rogers which has been commissioned by Temple Music Foundation to commemorate the 350th anniversary of The Great Fire of London.

Toronto: Bullish on Bellini

Canadian Opera Company has assembled a commendable Norma that is long on ritual imagery and war machinery.

The Nose: Royal Opera House, Covent Garden

“If I lacked ears, it would be bad, but still more bearable; but lacking a nose, a man is devil knows what: not a bird, not a citizen—just take and chuck him out the window!”

Věc Makropulos in San Francisco

A fixation on death at San Francisco Opera. A 337 year-old woman gave it all up just now after only six years since she last gave it all up on the War Memorial stage.

The Pearl Fishers at English National Opera

Penny Woolcock's 2010 production of Bizet's The Pearl Fishers returned to English National Opera (ENO) for its second revival on 19 October 2018. Designed by Dick Bird (sets) and Kevin Pollard (costumes) the production remains as spectacular as ever, and ENO fielded a promising young cast with Claudia Boyle as Leila, Robert McPherson as Nadir and Jacques Imbrailo as Zurga, plus James Creswell as Nourabad, conducted by Roland Böer.

Center for Contemporary Opera presents Jane Eyre (World Premiere)

Louis Karchin’s Jane Eyre, a full-length opera in three acts with a libretto by Diane Osen based on Charlotte Bronte’s novel, will receive its world premiere at The Kaye Playhouse (Hunter College) on Thursday, October 20, 7:30pm with a second performance on Saturday, October 22, 8pm. Jane Eyre is Karchin’s second opera, composed in 2014, following his critically acclaimed one-act comic opera Romulus.

A Venetian Double: English Touring Opera

Francesco Cavalli’s La Calisto was the composer’s fifteenth opera, and the ninth to a libretto by Giovanni Faustini (1615-1651). First performed at the Teatro Sant’Apollinaire in Venice on 28th November 1651, the opera by might have been sub-titled ‘Gods Behaving Badly’, so debauched are the deities’ dalliances and deviations, so egotistical their deceptions.

Boston Early Music Festival announces the appointment of Melinda Sullivan to the new position of the Lucy Graham Dance Director

Cambridge, MA–The Boston Early Music Festival (BEMF) is pleased to announce the appointment of Melinda Sullivan to the new position of the Lucy Graham Dance Director.

Academy of Ancient Music: The Fairy Queen at the Barbican Hall

At the end of Shakespeare’s A Midsummer Night’s Dream, Theseus delivers a speech which returns to the play’s central themes: illusion, art and the creative imagination. The sceptical king dismisses ‘The poet’s vision - his ‘eye, in a fine frenzy rolling’ - which ‘gives to airy nothing/ A local habitation and a name’; such art, and theatre, is a psychological deception brought about by an excessive, uncontrolled imagination.

Vaughan Williams and Friends: St John's Smith Square

Following the success of previous ‘mini-festivals’ at St John’s Smith Square devoted to Schubert and Schumann, last weekend pianist Anna Tilbrook curated a three-day exploration of the work of Ralph Vaughan Williams and his contemporaries. The music performed in these six concerts was chosen to reflect the changing contexts in which it was composed and to reveal the vast changes in society, politics and culture which occurred during Vaughan Williams’ long life-time (1872-1958) and which shaped his life and creative output.

Bloodless Manon Lescaut at DNO

Trying to work around Manon Lescaut’s episodic structure, this new production presents the plot as the dying protagonist’s feverish hallucinations. The result is a frosty retelling of what is arguably Puccini’s most hot-blooded opera. Musically, the performance also left much to be desired.

English Touring Opera: Xerxes

It is Herodotus who tells us that when Xerxes was marching through Asia to invade Greece, he passed through the town of Kallatebos and saw by the roadside a magnificent plane-tree which, struck by its great beauty, he adorned with golden ornaments, and ordered that a man should remain beside the tree as its eternal guardian.

English National Opera: Tosca

Poor Puccini. He is far too often treated as a ‘box-office hit’ by our ‘major’ opera houses, at least in Anglophone countries. For so consummate a musical dramatist, that is something beyond a pity. Here in London, one is far better advised to go to Holland Park for interesting, intelligent productions, although ENO’s offerings have often had something to be said for them.

Don Pasquale in San Francisco

With only four singers and a short-story-like plot Don Pasquale is an ideal chamber opera. That chamber just now was the 3200 seat War Memorial Opera House where this not always charming opera buffa is an infrequent visitor (post WWII twice in the 1980’s after twice in the 40’s).

“Written in fire”: Momenta Quartet blazes through an Indonesian chamber opera

“Yang sementara tak akan menahan bintang hilang di bimasakti; Yang bergetar akan terhapus.” (“The transient cannot hold on to stars lost in the Milky Way; that which quivers will be erased.”) As soprano Tony Arnold sang these words of Tony Prabowo’s chamber opera Pastoral, with astonishingly crisp Indonesian diction, the first night of the second annual Momenta Festival approached its end.

English National Opera: Don Giovanni

Some operas seemed designed and destined to raise questions and debates - sometimes unanswerable and irresolvable, and often contentious. Termed a dramma giocoso, Mozart’s Don Giovanni has, historically, trodden a movable line between seria and buffa.

World Premiere Eötvös, Wigmore Hall, London

Péter Eötvös’ The Sirens Cycle received its world premiere at the Wigmore Hall, London, on Saturday night with Piia Komsi and the Calder Quartet. An exceptionally interesting new work, which even on first hearing intrigues: imagine studying the score! For The Sirens Cycle is elegantly structured, so intricate and so complex that it will no doubt reveal even greater riches the more familiar it becomes. It works so well because it combines the breadth of vision of an opera, yet is as concise as a chamber miniature. It's exquisite, and could take its place as one of Eötvös's finest works.



English Touring Opera, <em>La Calisto</em> at the Hackney Empire
18 Oct 2016

A Venetian Double: English Touring Opera

Francesco Cavalli’s La Calisto was the composer’s fifteenth opera, and the ninth to a libretto by Giovanni Faustini (1615-1651). First performed at the Teatro Sant’Apollinaire in Venice on 28th November 1651, the opera by might have been sub-titled ‘Gods Behaving Badly’, so debauched are the deities’ dalliances and deviations, so egotistical their deceptions.  »

Recently in Recordings

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14 Nov 2006

BELLINI: I Capuleti e i Montecchi

It only takes a few moments for the overture to Vincenzo Bellini's I Capuleti e i Montecchi to establish that this opera takes a very different approach to the classic story than does Shakespeare's play. »

12 Nov 2006

PUCCINI: Manon Lescaut

This beautiful production premièred in 1980 and was the first live-telecast from the Met internationally relayed. »

12 Nov 2006

MERCURIO: Many Voices

Conductor Steven Mercurio appears to have made a highly favorable impression on singers in his career so far (some of the following info comes from his website, »

12 Nov 2006


I’m surprised that such an eminent musicologist as Julian Budden, in his interesting essay accompanying the recording, still lays the blame for the relative failure of Edgar at the librettist’s feet. »

12 Nov 2006

ROSSINI: La Cenerentola

Putting the “grim” into a classic fairy tale (whether the Brothers Grimm's or not), this Glyndebourne La Cenerentola from the 2005 festival season establishes a drab, dark mood in its first scenes. »

10 Nov 2006

VIVALDI: Sacred Music 2

A recording of the complete sacred music of Antonio Vivaldi is a welcome prospect, not least because it offers an opportunity to go beyond the fame and familiarity of Vivaldi’s concertos and the ubiquitous “Gloria.” »

09 Nov 2006

Franco Corelli: The 1971 Tokyo Concert

A friend who bought this issue grumbled that Dynamic had swindled him out off his money as the whitewashed, less than sharp picture quality is not much better than the pirate issue he once received from a correspondent. »

09 Nov 2006

MOZART: Die Zauberflöte

The back of this DG set relates that the company made the recording "in Modena in conjunction with a series of performances in Italy and Germany." »

29 Oct 2006

Placido Domingo — Be My Love

Decca/London was somewhat earlier with their series ‘Classic Recitals’ and now Deutsche Gramophon is following without that title. »

29 Oct 2006

SPONTINI: La Vestale

Though this La Vestale is sung in its original French, it strikes me as rather odd that the contents in the sleeve notes nevertheless still employs the Italian names Licinio and Giulia. »

29 Oct 2006


As rare as it may be to hear Gounod’s Faust in Bulgarian, the language differences soon pass in a good performance, especially one that includes a live performance of the bass Nicolai Ghiaurov from the prime of his performing career. »

28 Oct 2006


My father was a small bit player in an amateur operetta company from 1947 till 1963 when the company folded. »

26 Oct 2006

Opera Arias - Wojciech Drabowicz

Those familiar with Antoni Wit’s fine recording of Mahler’s Eighth Symphony will have encountered some Polish singers in the solo parts, and among them is the baritone Wojtek Drabowicz. »

26 Oct 2006

Hans Hotter & Birgit Nilsson sing Wagner & Schubert

Two of the most famous Wagner interpreters of the twentieth century, Hans Hotter and Birgit Nilsson, are always worth hearing in their studio recordings, and the live recordings capture the spontaneity of an actual performance with such accomplished singers. »

26 Oct 2006

WEBER: Der Freischütz; Oberon

The demise of Tower Records adds another hurdle to the collector's challenge in acquiring rare performances on obscure labels. »

22 Oct 2006

HANDEL: An Ode for St. Cecilia’s Day

“Cecilia, cast a glance upon the land of Britain, and you will see that in sonorous strains it renews on this day the pleasing memory of your name so dear. . . .” »

21 Oct 2006

Salvatore Licitra — Forbidden Love

As the careers of the “three tenors” drew to a close, it became more and more obvious that replacements would have to be found, if not for all of them, then certainly for one or two. »

19 Oct 2006

DONIZETTI: Alahor in Granata

A yellow banner in the lower right hand corner of the slip case cover (identical to that of the jewel box and booklet) proclaims this CD as the "first world recording" of Gaetano Donizetti's Alahor in Granata. »

17 Oct 2006


Virtuosic, expressive, subtle evocative – these words can be used to describe various aspects of the Lieder of Richard Strauss. »

16 Oct 2006

HANDEL: Hercules

From the 2004 Aix en Provence Festival comes this Luc Bondy staging of Handel's oratorio Hercules, an achingly serious and sober portrayal of Olympian rage and jealousy. »

16 Oct 2006

Homage — The Age of the Diva

In the 1890s, the term “diva” was first used in print to refer to an opera singer or stage star. »

08 Oct 2006

KILAR: Piano Concerto

Among the exciting new releases in Naxos’s series of 21st Century Classics is a compilation of four works by Wojciech Kilar (b. 1932), which include two symphonic compositions and two vocal pieces. »

08 Oct 2006

The Art of Elaine Bonazzi

This is a recital disc notable for the compelling presence and intimacy of the vocal performance. »

05 Oct 2006

MAHLER: Symphonie no. 2

Among the outstanding interpreters of Mahler’s music, Pierre Boulez stands out for his recent recordings of the composer’s symphonies. Having worked with various international orchestras, Boulez has been preserving on CD some finely shaped performances, and if he intends to create a cycle akin to those of other conductors, he is wisely recording the works one by one and not necessarily in the order in which they were composed. »

02 Oct 2006

The Psalms of David

The daily Anglican liturgies of Morning and Evening Prayer feature the recitation of the complete Psalter (apportioned in a monthly cycle), and in cathedrals and collegiate chapels, the chanting of the psalms has been cultivated to a degree of great refinement and beauty. »

29 Sep 2006

VERDI: Un ballo in maschera

Of late opera stagings often seem to be slotted into one of two categories: the "traditional," with sets as the original libretto detailed and singers in period costumes; and "non-traditional," "regie theater," or "Eurotrash," what you will. »

29 Sep 2006


Having spent the better part of its life at full-price, the Solti/Nilsson Salome now appears as a mid-priced re-issue. »

29 Sep 2006

CHERUBINI: Le Sposo di tre marito di nessuna

This 250th anniversary year of Mozart's birth must be heaven not only Amadeus lovers but also for those with a general inclination toward classical era music. »

29 Sep 2006

ZEISL: Lieder

While most of the familiar Lieder repertoire stems from the nineteenth century, the powerful attraction the artform spurred composition in this genre through the mid-twentieth century. »

28 Sep 2006

That's Amore

Vanity publishing is not for the print world only, as a release from a company called Jeremiah Productions, called "That's Amore," proves. »

27 Sep 2006

Flaviano Labo – Vol III

According to Giancarlo Landini, author of the very interesting and detailed sleeve notes, Labo “has been sorely neglected, if not totally forgotten”. »

26 Sep 2006

LEHAR: Schön is die Welt

CPO has recently given us a lot of wonderful Lehar recordings like Eva, Der Rastelbinder or Der Sterngucker (admired by Hofmannsthal who exclaimed after a performance: ‘I wish, Lehar had composed Rosenkavalier’). »

25 Sep 2006

POULENC: Gloria and Stabat Mater

In the 1930s, Poulenc’s turn to writing sacred choral music such as the Litanies à la vierge noire and the Mass in G was closely linked to his new embrace of Roman Catholicism following the death of a close friend, the composer Pierre-Octave Ferroud. »

25 Sep 2006

BACH: St. John Passion

The Bach Passions combine drama, sublimity of expression, and deeply devotional reflection in such a powerful way that we invariably tend to set them apart from other liturgical works. »

25 Sep 2006

Pilar Lorengar: Prima Donna in Vienna

Maybe a looking glass will help you to decipher the reprint in this CD’s inside cover of a small article on the soprano by Terry McEwen, who was Manager of the Classical Divison of London Records at the time of recording. »

25 Sep 2006

Birgit Nilsson — "Or sai chi l'onore"

Deutsche Grammophon was one of the many labels for which Nilsson recorded and the company decided to commemorate her passing by offering us most of her not so very large catalogue. »

25 Sep 2006

BACH: Mass in B Minor

We are reasonably sensitive, I suspect, to the number of ways in which venue can shape the nature and success of musical performance. »

24 Sep 2006


The best Norma on DVD treats the viewer to a blurry picture of washed-out colors and remote, compressed sound. »

24 Sep 2006

VERDI: La Forza del Destino

The better can be the enemy of the good and this recording proves it. »

24 Sep 2006

Katarina Jovanovic — Songs by Brahms, Strauss, Schubert

In her debut recording the young Roumanian soprano Katarina Jovanic demonstrates her talent in performing an intriguing selection of Lieder by Schubert, Brahms, and Strauss. »

24 Sep 2006


Myto does many an opera-lover a service by offering this enjoyable recording of Rossini's French grand opera, here called Moïse. »

24 Sep 2006

HALÉVY: La Juive

For a period of close to half a century, French grand opera, as exemplified by the works of Giacomo Meyerbeer and his school, was the preferred form of music for the theatre (i.e. opera) in most of the civilized world. »

22 Sep 2006

MONTEVERDI: Il Sesto Libro de Madrigali

It is somewhat ironic that until recent years Italy has generally been slow to take a leading role in the historical performance movement: ironic in that historically Italy both dominates and defines the early baroque style and ironic in that that style enshrines the primacy of text— the Italian text. »

20 Sep 2006

CIMAROSA: Cleopatra

The first thing I noticed in the liner notes was the bold print claiming Cimarosa was born in 1797 and died in 1848, which correspond exactly with Donizetti’s lifespan. »

12 Sep 2006

ASHLEY: Perfect Lives; Celestial Excursions; Foreign Experiences

Robert Ashley has the uncanny ability to sprinkle diamonds amidst great swaths of apparently trivial and quotidian detritus–diamonds that trigger the nervous system in an intensely stimulating fashion. »

12 Sep 2006

BEETHOVEN: Overtures
BRUCKNER: Symphony no. 4

The later Günter Wand was a remarkable interpreter of Bruckner’s music, as is demonstrated in this live recording from the Schleswig-Holstein Music Festival. »

09 Sep 2006

Joshua Bell’s Good Taste

Sony Records occasionally still sends the odd CD to reviewers hoping they will give it notice. »

08 Sep 2006

VERDI: La Traviata

Callas fans better skip this review, as they won’t like the tone, the words, or whatever slights real or imagined they may perceive. »

08 Sep 2006

MAHLER: Symphony no. 7

At the expense of stating a truism, the music of Gustav Mahler, like that of other composers, is best experienced live in the concert hall. »

08 Sep 2006

PUCCINI: La Fanciulla del West

This Fanciulla is such a wonderful issue because, for once, none of the three protagonists ever recorded their role commercially, so that one is spared the many doublings often met in live recordings. »

07 Sep 2006

MAHLER: Symphony no. 8

During the last few years Antoni Wit has recorded Mahler’s symphonies one by one, such that he is building a fine cycle for the Naxos label. »

31 Aug 2006

BRAHMS: Missa Canonica

The program for this recent recording from the choir of Westminster Cathedral presents sacred choral works by Brahms and Rheinberger, anchored at one end by Brahms’s youthful Missa Canonica and at the other by Rheinberger’s Mass for Double Choir in E-flat, Op. 109. with a handful of motets by Brahms in between. »