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Elsewhere

Manon Lescaut Munich : Opolais, Kaufmann

Puccini Manon Lescaut at the Bayerische Staatsoper, Munich. Some will scream in rage but in its austerity it reaches to the heart of the opera. What is Manon Lescaut really about? The Abbé Prévost's 1731 narrative was a moral discourse. Unlike many modern novels, it wasn't a potboiler but a philosphical tract in which the protagonists face moral dilemmas

Stefano Mastrangelo — An Italian in Japan

I’m interviewing Stefano Mastrangelo in the immediate aftermath of his conducting La Traviata for the Chofu City Opera in Tokyo on 22 November 2014; he conveys an air at once of tiredness and exhilaration.

Proms Saturday Matinée 1

It might seem churlish to complain about the BBC Proms coverage of Pierre Boulez’s 90th anniversary. After all, there are a few performances dotted around — although some seem rather oddly programmed, as if embarrassed at the presence of new or newish music. (That could certainly not be claimed in the present case.)

The Maid of Pskov (Pskovityanka) , St. Petersburg

I recently spent four days in St. Petersburg, timed to coincide with the annual Stars of the White Nights Festival. Yet the most memorable singing I heard was neither at the Mariinsky Theater nor any other performance hall. It was in the small, nearly empty church built for the last Tsar, Nicholas II, at Tsarskoye Selo.

Prom 11 — Grange Park Opera: Fiddler on the Roof

As I walked up Exhibition Road on my way to the Royal Albert Hall, I passed a busking tuba player whose fairground ditties were enlivened by bursts of flame which shot skyward from the bell of his instrument, to the amusement and bemusement of a rapidly gathering pavement audience.

Saul, Glyndebourne

A brilliant theatrical event, bringing Handel’s theatre of the mind to life on stage

Roberta Invernizzi, Wigmore Hall

‘Here, thanks be to God, my opera is praised to the skies and there is nothing in it which does not please greatly.’ So wrote Antonio Vivaldi to Marchese Guido Bentivoglio d’Aragona in Ferrara in 1737.

Apotheosis Opera to Stage Tannhäuser

Apotheosis Opera is proud to announce their inaugural production will be a fully-staged English translation of Richard Wagner’s early masterpiece TANNHÄUSER on Friday, July 31, 2015, at 7pm and Sunday, August 2, 2015, at 3pm at the theatre of El Museo del Barrio (1230 5th Avenue) .

Montemezzi: L’amore dei tre Re

Asphyxiations, atrophy by poison, assassination: in Italo Montemezzi’s L’amore dei tre Re (The Love of the Three Kings, 1913) foul deed follows foul deed until the corpses are piled high. 

Prom 4: Andris Nelsons

The precision of attack in the opening to Beethoven’s Creatures of Prometheus Overture signalled thoroughgoing excellence in the contribution of the CBSO to this concert.

BBC Proms: The Cardinall’s Musick

When he was skilfully negotiating the not inconsiderable complexities, upheavals and strife of musical and religious life at the English royal court during the Reformation, Thomas Tallis (c.1505-85) could hardly have imagined that more than 450 years later people would be queuing round the block for the opportunity spend their lunch-hour listening to the music that he composed in service of his God and his monarch.

Operalia 2015

‘Competitions are for horses, not artists.’ The words of Béla Bartók seemed apposite on Sunday night at the Royal Opera House, as 11 soloists walked swiftly onto the Covent Garden stage, performed their chosen aria, briefly acknowledged the applause and then returned summarily to the wings.

Oberon, Persephone and Iolanta at the Aix Festival

Two of the important late twentieth century stage directors, Robert Carsen and Peter Sellars, returned to the Aix Festival this summer. Carsen’s A Midsummer Night’s Dream is a masterpiece, Sellars’ strange Tchaikovsky/Stravinsky double bill is simply bizarre.

Betrothal and Betrayal : JPYA at the ROH

The annual celebration of young talent at the Royal Opera House is a magnificent showcase, and it was good to see such a healthy audience turnout.

Jenůfa Packs a Wallop at DMMO

There are few operas that can rival the visceral impact of a well-staged Jenůfa and Des Moines Metro Opera has emphatically delivered the goods.

Des Moines Fanciulla a Minnie-Triumph

The Girl of the Golden West (La Fanciulla del West) often gets eclipsed when compared to the rest of the mature Puccini canon.

First Night of the BBC Proms 2015

First Night of the BBC Proms 2015 with Sakari Oramo in exuberant form, pulling off William Walton’s Belshazzar’s Feast with the theatrical flair it deserves.

Monsters and Marriage at the Aix Festival

Plus an evening by the superb Modigliani Quartet that complimented the brief (55 minutes) a cappella opera for six female voices Svadba (2013) by Serbian composer Ana Sokolovic (b. 1968). She lives in Canada.

Des Moines: A Whole Other Secret Garden

With its revelatory production of Rappaccini’s Daughter performed outdoors in the city’s refurbished Botanical Gardens, Des Moines Metro Opera has unlocked the gate to a mysterious, challenging landscape of musical delights.

Seductive Abduction in Iowa

Des Moines Metro Opera has quite a crowd-pleasing production of The Abduction from the Seraglio on its hands.


OPERA TODAY ARCHIVES »

Recordings

Donizetti: <em>Les Martyrs</em> (Opera Rara ORC52 [3CDs])
30 May 2015

Donizetti: Les Martyrs

As the editor of Opera magazine, John Allison, notes in his editorial in the June issue, Donizetti fans are currently spoilt for choice, enjoying a ‘Donizetti revival’ with productions of several of the composer’s lesser known works cropping up in houses around the world.  »

Recently in Recordings

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19 Oct 2006

DONIZETTI: Alahor in Granata

A yellow banner in the lower right hand corner of the slip case cover (identical to that of the jewel box and booklet) proclaims this CD as the "first world recording" of Gaetano Donizetti's Alahor in Granata. »

17 Oct 2006

STRAUSS: Lieder

Virtuosic, expressive, subtle evocative – these words can be used to describe various aspects of the Lieder of Richard Strauss. »

16 Oct 2006

HANDEL: Hercules

From the 2004 Aix en Provence Festival comes this Luc Bondy staging of Handel's oratorio Hercules, an achingly serious and sober portrayal of Olympian rage and jealousy. »

16 Oct 2006

Homage — The Age of the Diva

In the 1890s, the term “diva” was first used in print to refer to an opera singer or stage star. »

08 Oct 2006

KILAR: Piano Concerto

Among the exciting new releases in Naxos’s series of 21st Century Classics is a compilation of four works by Wojciech Kilar (b. 1932), which include two symphonic compositions and two vocal pieces. »

08 Oct 2006

The Art of Elaine Bonazzi

This is a recital disc notable for the compelling presence and intimacy of the vocal performance. »

05 Oct 2006

MAHLER: Symphonie no. 2

Among the outstanding interpreters of Mahler’s music, Pierre Boulez stands out for his recent recordings of the composer’s symphonies. Having worked with various international orchestras, Boulez has been preserving on CD some finely shaped performances, and if he intends to create a cycle akin to those of other conductors, he is wisely recording the works one by one and not necessarily in the order in which they were composed. »

02 Oct 2006

The Psalms of David

The daily Anglican liturgies of Morning and Evening Prayer feature the recitation of the complete Psalter (apportioned in a monthly cycle), and in cathedrals and collegiate chapels, the chanting of the psalms has been cultivated to a degree of great refinement and beauty. »

29 Sep 2006

VERDI: Un ballo in maschera

Of late opera stagings often seem to be slotted into one of two categories: the "traditional," with sets as the original libretto detailed and singers in period costumes; and "non-traditional," "regie theater," or "Eurotrash," what you will. »

29 Sep 2006

STRAUSS: Salome

Having spent the better part of its life at full-price, the Solti/Nilsson Salome now appears as a mid-priced re-issue. »

29 Sep 2006

CHERUBINI: Le Sposo di tre marito di nessuna

This 250th anniversary year of Mozart's birth must be heaven not only Amadeus lovers but also for those with a general inclination toward classical era music. »

29 Sep 2006

ZEISL: Lieder

While most of the familiar Lieder repertoire stems from the nineteenth century, the powerful attraction the artform spurred composition in this genre through the mid-twentieth century. »

28 Sep 2006

That's Amore

Vanity publishing is not for the print world only, as a release from a company called Jeremiah Productions, called "That's Amore," proves. »

27 Sep 2006

Flaviano Labo – Vol III

According to Giancarlo Landini, author of the very interesting and detailed sleeve notes, Labo “has been sorely neglected, if not totally forgotten”. »

26 Sep 2006

LEHAR: Schön is die Welt

CPO has recently given us a lot of wonderful Lehar recordings like Eva, Der Rastelbinder or Der Sterngucker (admired by Hofmannsthal who exclaimed after a performance: ‘I wish, Lehar had composed Rosenkavalier’). »

25 Sep 2006

POULENC: Gloria and Stabat Mater

In the 1930s, Poulenc’s turn to writing sacred choral music such as the Litanies à la vierge noire and the Mass in G was closely linked to his new embrace of Roman Catholicism following the death of a close friend, the composer Pierre-Octave Ferroud. »

25 Sep 2006

BACH: St. John Passion

The Bach Passions combine drama, sublimity of expression, and deeply devotional reflection in such a powerful way that we invariably tend to set them apart from other liturgical works. »

25 Sep 2006

Pilar Lorengar: Prima Donna in Vienna

Maybe a looking glass will help you to decipher the reprint in this CD’s inside cover of a small article on the soprano by Terry McEwen, who was Manager of the Classical Divison of London Records at the time of recording. »

25 Sep 2006

Birgit Nilsson — "Or sai chi l'onore"

Deutsche Grammophon was one of the many labels for which Nilsson recorded and the company decided to commemorate her passing by offering us most of her not so very large catalogue. »

25 Sep 2006

BACH: Mass in B Minor

We are reasonably sensitive, I suspect, to the number of ways in which venue can shape the nature and success of musical performance. »

24 Sep 2006

BELLINI: Norma

The best Norma on DVD treats the viewer to a blurry picture of washed-out colors and remote, compressed sound. »

24 Sep 2006

VERDI: La Forza del Destino

The better can be the enemy of the good and this recording proves it. »

24 Sep 2006

Katarina Jovanovic — Songs by Brahms, Strauss, Schubert

In her debut recording the young Roumanian soprano Katarina Jovanic demonstrates her talent in performing an intriguing selection of Lieder by Schubert, Brahms, and Strauss. »

24 Sep 2006

ROSSINI: Moïse

Myto does many an opera-lover a service by offering this enjoyable recording of Rossini's French grand opera, here called Moïse. »

24 Sep 2006

HALÉVY: La Juive

For a period of close to half a century, French grand opera, as exemplified by the works of Giacomo Meyerbeer and his school, was the preferred form of music for the theatre (i.e. opera) in most of the civilized world. »

22 Sep 2006

MONTEVERDI: Il Sesto Libro de Madrigali

It is somewhat ironic that until recent years Italy has generally been slow to take a leading role in the historical performance movement: ironic in that historically Italy both dominates and defines the early baroque style and ironic in that that style enshrines the primacy of text— the Italian text. »

20 Sep 2006

CIMAROSA: Cleopatra

The first thing I noticed in the liner notes was the bold print claiming Cimarosa was born in 1797 and died in 1848, which correspond exactly with Donizetti’s lifespan. »

12 Sep 2006

ASHLEY: Perfect Lives; Celestial Excursions; Foreign Experiences

Robert Ashley has the uncanny ability to sprinkle diamonds amidst great swaths of apparently trivial and quotidian detritus–diamonds that trigger the nervous system in an intensely stimulating fashion. »

12 Sep 2006

BEETHOVEN: Overtures
BRUCKNER: Symphony no. 4

The later Günter Wand was a remarkable interpreter of Bruckner’s music, as is demonstrated in this live recording from the Schleswig-Holstein Music Festival. »

09 Sep 2006

Joshua Bell’s Good Taste

Sony Records occasionally still sends the odd CD to reviewers hoping they will give it notice. »

08 Sep 2006

VERDI: La Traviata

Callas fans better skip this review, as they won’t like the tone, the words, or whatever slights real or imagined they may perceive. »

08 Sep 2006

MAHLER: Symphony no. 7

At the expense of stating a truism, the music of Gustav Mahler, like that of other composers, is best experienced live in the concert hall. »

08 Sep 2006

PUCCINI: La Fanciulla del West

This Fanciulla is such a wonderful issue because, for once, none of the three protagonists ever recorded their role commercially, so that one is spared the many doublings often met in live recordings. »

07 Sep 2006

MAHLER: Symphony no. 8

During the last few years Antoni Wit has recorded Mahler’s symphonies one by one, such that he is building a fine cycle for the Naxos label. »

31 Aug 2006

BRAHMS: Missa Canonica
RHEINBERGER: Mass

The program for this recent recording from the choir of Westminster Cathedral presents sacred choral works by Brahms and Rheinberger, anchored at one end by Brahms’s youthful Missa Canonica and at the other by Rheinberger’s Mass for Double Choir in E-flat, Op. 109. with a handful of motets by Brahms in between. »

29 Aug 2006

VERDI: La Forza del Destino

This cast looks quite promising on paper. However, I cannot honestly say these big names keep their promise, except for the comprimario-singers. »

29 Aug 2006

WAGNER: Rienzi

I can readily understand why Bayreuth refuses to perform Richard Wagner’s third opera. »

29 Aug 2006

VERDI: Missa da Requiem

Verdi responded to the death of Rossini in 1868 by planning a collaborative Requiem Mass, drawing on the contributions of thirteen “distinguished” composers. »

28 Aug 2006

POULENC: Figure Humaine and Dialogues des Carmelites

Francis Poulenc is well known for the religious works that comprise much of his oeuvre after he was traumatized by the accidental and premature death of his friend Pierre-Octave Ferroud in 1936. »

28 Aug 2006

DUNSTABLE: Sweet Harmony — Masses and Motets

The music of John Dunstable embodies many of the characteristics that so dramatically set the music of the emerging Renaissance apart from its Medieval forebears. »

28 Aug 2006

HANDEL: Giulio Cesare in Egitto

Sometimes an invidious comparison cannot be avoided, and such is the case with two recent DVD versions of Georg Frederic Handel's masterpiece, Giulio Cesare. »

25 Aug 2006

MENDELSSOHN: Sacred Choral Music

The English “Oxbridge” choral tradition tends to be a cohesive one, most often with choirs of men and boys receiving similar training, singing a largely shared repertory in similar venues and in similar contexts. »

25 Aug 2006

Ikon

Harry Christophers and The Sixteen have a particular affinity for pre-modern polyphony, as their long discography, teeming with the music of the Eton Choirbook, assorted Renaissance masters, Handel, Bach, and others, amply shows. »

25 Aug 2006

WAGNER: Die Meistersinger von Nürnberg

Some argue that Bayreuth ushered in the modern era of regietheatre in opera productions with its now-legendary centennial Der Ring des Nibelungen, directed by Patrice Chereau. »

25 Aug 2006

Children’s Songs of the World

In Turkey recently, we visited a second-grade classroom, where our guide invited the children to sing songs for us. »

25 Aug 2006

Mozart — Airs Sacrés

It seems only natural that the quality of radiance should quickly come to mind in contemplating the twelfth-century Basilica of Saint Denis, where luminous stained glass creates colored walls of mystical light. »

25 Aug 2006

Bolshoi Russian opera highlights

Pentatone Classics joins some smaller recording companies staking out niche markets as the biggest labels continue their enforced retreat from the classical marketplace. »

25 Aug 2006

Verdi Gala 2004 Teatro Regio di Parma

In recent European reviews, Teatro Regio di Parma’s DVD of their 2004 Verdi Gala was generally labeled as worthless. »

25 Aug 2006

VERDI: La Traviata x 2

Tower Records online DVD page shows eleven available incarnations of Verdi's classic La Traviata, four of which have appeared in the last year, including one filmed at the reopening of La Fenice in Venice, and a Zurich production reviewed recently for Opera Today by yours truly. »

25 Aug 2006

BACH: Cantatas, Vol. 19

This installment of the estimable Bach Cantata Pilgrimage recordings brings together cantatas from the middle of the Epiphany season, along with a “refugee” from Trinity XXIV), and the well-known motet, “Jesu, meine Freude.” »

25 Aug 2006

RIMSKY-KORSAKOV: Snegurochka

This is a most sympathetic performance, though perhaps being a Fleming helps. In my small country on the frontier of Northern and Southern European influences, many musical styles made their entrance and became popular. »

25 Aug 2006

Erwartung — Lieder by Schoenberg, Wagner, Strauss et al.

Internationally acclaimed soprano, Solveig Kringelborn, now has recorded a delightful selection of late nineteenth-century German Lieder on the NMA label. »

25 Aug 2006

REIMANN: Lieder

In making words sing, to use a phrase from a recent study of the poetics of vocal composition, Aribert Reimann (b. 1936) does not emulate another composer as much as he makes fashions his own lines and punctuates them with accompaniments that serve as a means of accentuating the text. »