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Elsewhere

Hans Werner Henze : Kammermusik 1958

"....In lieblicher Bläue". Landmark new recordings of Hans Werner Henze Neue Volkslieder und Hirtengesänge and Kammermusik 1958 from the Scharoun Ensemble Berlin, with Andrew Staples, Markus Weidmann, Jürgen Ruck and Daniel Harding.

Written on Skin: the Melos Sinfonia take George Benjamin's opera to St Petersburg

As I approach St Cyprian’s Church in Marylebone, musical sounds which are at once strange and sensuous surf the air. Inside I find seventy or so instrumentalists and singers nestled somewhat crowdedly between the pillars of the nave, rehearsing George Benjamin’s much praised 2012 opera, Written on Skin.

Classical Opera/The Mozartists celebrate 20 years of music-making

Classical Opera celebrated 20 years of music-making and story-telling with a characteristically ambitious and eclectic sequence of musical works at the Barbican Hall. Themes of creation and renewal were to the fore, and after a first half comprising a variety of vocal works and short poems, ‘Classical Opera’ were succeeded by their complementary alter ego, ‘The Mozartists’, in the second part of the concert for a rousing performance of Beethoven’s Choral Symphony - a work described by Page as ‘in many ways the most iconic work in the repertoire’.

Bampton Classical Opera Young Singers’ Competition 2017

Bampton Classical Opera’s third Young Singers’ Competition takes place this autumn, culminating in a public final at Holywell Music Room, Oxford on November 19. This biennial competition was first launched in 2013 to celebrate the company’s 20th birthday, and is aimed at identifying the finest emerging young opera singers currently working in the UK.

Peter Kellner announced as winner of 2018 Wigmore Hall/Independent Opera Voice Fellowship

Independent Opera (IO) was very present at the Wigmore Hall last week. On Thursday 5 October, IO announced 26 year old Slovakian bass Peter Kellner as the winner of the 2018 Wigmore Hall/IO Voice Fellowship, a two-year award of £10,000 plus professional mentoring from IO and the Wigmore Hall. A graduate of the Konzervatórium Košice Timonova and the Mozarteum University Salzburg, Peter is currently a member of Oper Graz in Austria where later this season he will sing the title role of Mozart’s Le nozze di Figaro and Colline in Puccini’s La bohème.

Back to Baroque and to the battle lines with English Touring Opera

Romeo and Juliet, Rinaldo and Armida, Ramadès and Aida: love thwarted by warring countries and families is a perennial trope of literature, myth and history. Indeed, ‘Love and war are all one,’ declared Miguel de Cervantes in Don Quixote, a sentiment which seems to be particularly exemplified by the world of baroque opera with its penchant for plundering Classical Greek and Roman myths for their extreme passions and conflicts. English Touring Opera’s 2017 autumn tour takes us back to the Baroque and back to the battle-lines.

Gluck’s Orphée et Eurydice at Lyric Opera of Chicago

Christoph Willibald von Gluck’s Orphée et Eurydice opened the 2017–18 season at Lyric Opera of Chicago.

Michelle DeYoung, Mahler Symphony no 3 London

The Third Coming ! Esa-Pekka Salonen conducted Mahler Symphony no 3 with the Philharmonia at the Royal Festival Hall with Michelle DeYoung, the Philharmonia Voices and the Tiffin Boys’ Choir. It was live streamed worldwide, an indication of just how important this concert was, for it marks the Philharmonia's 34-year relationship with Salonen.

King Arthur at the Barbican: a semi-opera for the 'Brexit Age'

Purcell’s and Dryden’s King Arthur: or the British Worthy presents ‘problems’ for directors. It began life as a propaganda piece, Albion and Albanius, in 1683, during the reign of Charles II, but did not appear on stage as King Arthur until 1691 when William of Orange had ascended to the British Throne to rule as William III alongside his wife Mary and the political climate had changed significantly.

Elder conducts Lohengrin

There have been dozens of capable, and more than capable, recordings of Lohengrin. Among the most-often praised are the Sawallisch/Bayreuth (1962), Kempe (1963), Solti (1985), and Abbado (1991). Recording a major Wagner opera involves heavy costs that a record company may be unable to recoup.

Anne Schwanewilms sings Schreker, Schubert, Liszt and Korngold

On a day when events in Las Vegas cast a shadow over much of the news this was not the most comfortable recital to sit through for many reasons. The chosen repertoire did, at times, feel unduly heavy - and very Germanic - but it was also unevenly sung.

The Life to Come: a new opera by Louis Mander and Stephen Fry

It began ‘with a purely obscene fancy of a Missionary in difficulties’. So E.M. Forster wrote to Siegfried Sassoon in August 1923, of his short story ‘The Life to Come’ - the title story of a collection that was not published until 1972, two years after Forster’s death.

‘Never was such advertisement for a film!’: Thomas Kemp and the OAE present a film of Strauss's Der Rosenkavalier at the Oxford Lieder Festival

Richard Strauss’s Der Rosenkavalier was premiered at the Dresden Semperoper on 26th January 1911. Almost fifteen years to the day, on 10th January 1926, the theatre hosted another Rosenkavalier ‘premiere’, with the screening of a silent film version of the opera, directed by Robert Wiene - best known for his expressionistic masterpiece The Cabinet of Dr Caligari. The two-act scenario had been devised by Hugo von Hoffmansthal and the screening was accompanied by a symphony orchestra which Strauss himself conducted.

Premiere Recording: Mayr’s Telemaco nell’isola di Calipso (1797)

No sooner had I drafted my review of Simon Mayr’s Medea in Corinto,

Aida opens the season at ENO

Director Phelim McDermott’s new Aida at ENO seems to have been conceived more in terms of what it will look like rather than what the opera is or might be ‘about’. And, it certainly does look good. Designer Tom Pye - with whom McDermott worked for ENO’s Akhnaten last year (alongside his other Improbable company colleague, costume designer Kevin Pollard) - has again conjured striking tableaux and eye-catching motifs, and a colour scheme which balances sumptuous richness with shadow and mystery.

La Traviata in San Francisco

A beautifully sung Traviata in British stage director John Copley’s 1987 production, begging the question is this grand old (30 years) production the SFO mise en scène for all times.

The Judas Passion: Sally Beamish and David Harsent offer new perspectives

Was Judas a man ‘both vile and justifiably despised: an agent of the Devil, or a man who God-given task was to set in train an event that would be the salvation of Humankind’? This is the question at the heart of Sally Beamish’s The Judas Passion, commissioned jointly by the Orchestra of the Age of Enlightenment and the Philharmonia Baroque of San Francisco.

Choral at Cadogan: The Tallis Scholars open a new season

As The Tallis Scholars processed onto the Cadogan Hall platform, for the opening concert of this season’s Choral at Cadogan series, there were some unfamiliar faces among its ten members - or faces familiar but more usually seen in other contexts.

Stars of Lyric Opera 2017, Millennium Park, Chicago

As a prelude to the 2017-18 season Lyric Opera of Chicago presented its annual concert, Stars of Lyric Opera at Millennium Park, during the last weekend. A number of those who performed in this event will be featured in roles during the coming season.

A Verlaine Songbook

Back in the LP days, if a singer wanted to show some sophistication, s/he sometimes put out an album of songs by famous composers set to the poems of one poet: for example, Phyllis Curtin’s much-admired 1964 disc of Debussy and Fauré songs to poems by Verlaine, with pianist Ryan Edwards (available now as a CD from VAI).


OPERA TODAY ARCHIVES »

Recordings

Tudor 7198 [CD]
18 Oct 2017

Hans Werner Henze : Kammermusik 1958

"....In lieblicher Bläue". Landmark new recordings of Hans Werner Henze Neue Volkslieder und Hirtengesänge and Kammermusik 1958 from the Scharoun Ensemble Berlin, with Andrew Staples, Markus Weidmann, Jürgen Ruck and Daniel Harding. »

Recently in Recordings

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21 Jan 2007

Die Göttliche Liturgie

Serge Jaroff and his Don Cossacks Choir were for many decades legendary performers of Russian choral music, ranging from the liturgical works of Orthodoxy to beloved regional folk melodies. »

21 Jan 2007

HANDEL: Giulio Cesare

This Sellars production had its origins at the 1985 Pepsico Summerfare Festival in Purchase NY. »

19 Jan 2007

WAGNER: Lohengrin

These recordings prove decisively a well-known thesis: more or less realistic productions always age better than so called innovative modern productions which often only aggrandize the clichés of the time of their conception if one views them a few decades after their première. »

17 Jan 2007

SILVER: The Thief of Love

If the audience for new American art music seems small and is (supposedly) shrinking, then the audience for new American operas is even more exclusive. »

17 Jan 2007

Opera Night

Some interesting repertory choices and the participation of some of today's most attractive singers make this particular "gala" evening of "walk on-sing-walk off" entertainment more consistently enjoyable than these affairs often are. »

16 Jan 2007

WAGNER: Tannhäuser

The ever-busy Brian Large directed the 1989 filming (for TV) of a Wolfgang Wagner Tannhäuser production which had debuted at Bayreuth in 1985. »

16 Jan 2007

SHOSTAKOVICH: The Complete Symphonies

Recording a Shostakovich cycle has become de rigueur in recent years — a conductor’s mandatory right of passage, like recording a Beethoven or a Mahler cycle. »

15 Jan 2007

Era La Notte

“Era la notte” presents four highly emotional, seventeenth-century Italian works, sung with commanding theatricality by Anna Caterina Antonacci. »

12 Jan 2007

ARBOS: El Centro de la Tierra

Most heroes in costume drama movies speak lines directly from our own time. I’ve yet to see a cinematic Roman general, being a serious hero, look at an animal’s liver and says: “ this smells bad; no battle today”. »

12 Jan 2007

Le Donne di Puccini

The recording date is given as November the 12th 1994. Since recording sessions usually last more than one day, and as a radio orchestra is playing, we may safely assume this CD to be derived from a public broadcasted concert by the ‘4 sopranos’ capitalizing on the concept made popular by Domingo, Carreras, and Pavarotti. »

10 Jan 2007

MOZART: Così fan tutte

The booklet essay by Gottfried Kraus (translated from the German by Stewart Spencer) for this TDK release of the 1983 Salzburg Così fan tutte presents an intriguing history of the opera, with the Austrian festival taking in a central role in the work’s return to the standard repertory. »

10 Jan 2007

MARTINŮ: Peach Blossom; The Orphan and Other Songs

The artsong in the twentieth century benefits from the efforts of national composers, like Bohuslav Martinů (1890–1959), who stimulated the genre by incorporating regional folk elements into their music. »

07 Jan 2007

PUCCINI: Tosca

Decca loves to repackage this set. Your reviewer first acquired it as a low-price "Double Decca" release, with no libretto. Just a couple years ago saw another incarnation, with a great cover pic of Price and Karajan locked in an embrace - Karajan as Scarpia? Or Cavaradossi - take one's pick. »

07 Jan 2007

WAGNER: Siegfried

The cover art for the Opus Arts DVD of Wagner's Siegfried, from the Nederlandse Opera in 1999, features Mime, as impersonated by Graham Clark, in amazing make-up and costume: a bald, bulging head almost split down the middle by a furrow of anxiety, and clad in a ghastly green insect-like carapace, including wire-like hair and a bobbing tail-sack. »

07 Jan 2007

NIELSEN: Complete Symphonies

Notable among recent releases, the set of the Complete Symphonies by Carl Nielsen (1865-1931) on DVD makes available some fine performances of the composer’s important contributions to the genre. »

29 Dec 2006

VERDI: Aida

A luminous blue backdrop, sliding columns, a solitary iconic prop (an over-sized falcon head in the opening scene, for example), singers frozen in stiff, awkward poses — yes, it's a Robert Wilson spectacular! »

28 Dec 2006

MOZART: The Glyndebourne Collection

What kind of opera lovers will appreciate this big DVD box the most? »

28 Dec 2006

MUSSORGSKY: Boris Godunov

One of the best opera DVDs released in 2006 was the Salzburg La Traviata, with Rolando Villazon and Anna Netrebko able to make full use of their vocal charisma and acting skills in Willy Decker's sharp, sexy production. »

23 Dec 2006

ROSSINI: Il barbeire di Siviglia

Rossini’s comic masterpiece premiered in 1816, which means a big anniversary lies just a few years ahead. »

22 Dec 2006

VIVALDI: Dixit Dominus, RV 807
GALUPPI: Laetatus Sum; Nisi Domine; Lauda Jerusalem

This disc presents the first recording of a work newly ascribed to the Red Priest (by musicologist Janice Stockigt), the Dixit Dominus held at the State Library of Saxony in Dresden, where it was ascribed to Vivaldi’s younger Venetian colleague, Baldassare Galuppi (who is experiencing a renaissance of late, with various new discs of operas and sacred works). »

21 Dec 2006

MONTEVERDI: Vespers

The collection of sacred compositions published by Claudio Monteverdi in Venice in 1610 with a Latin title of jaw-breaking length (in which vesperae is only the tenth word) has attained the sort of elevated status granted to but a few works, which stand so high that the rest of the landscape is almost invisible from their peaks, or to put it in plainer language, a music-lover may have heard or heard of the Vespers without knowing any of the composer’s other works, nor those of his contemporaries (rather like the Four Seasons, or The Sorcerer’s Apprentice). There are over two dozen recordings of the work on the market at this writing. »

16 Dec 2006

HANDEL: Messiah

Undoubtedly the appearance of Handel’s Messiah in late December means different things to different people. »

13 Dec 2006

George London: Spirituals

Previously unreleased, this collection of Spirituals never received the approval of the Canadian-born bass-baritone George London (1920-85) for release when it was prepared in 1963. »

13 Dec 2006

LOEWE: Lieder and Balladen

Of the nineteenth-century composers of music for solo voice, Carl Loewe (1796-1869) is one of the most voluminous, with his songs, with his works in this genre filling seventeen volumes in the uniform edition. »

08 Dec 2006

The Deepest Desire

“In choosing the program for a debut recital disc, perhaps an artist should be overwhelmed by the enormity of the task: how in the world do I begin to sort through the wealth of masterpieces at my fingertips, daring to stamp a select few with my voice?” »

06 Dec 2006

MASSENET: Werther

Who is the most annoying character in opera? Preziosilla from Verdi’s Forza del Destino drives some to distraction, while others wish the conspirators in Ballo would assassinate Oscar in act one. »

06 Dec 2006

ENNA: Lille pige med svovlstikkerne
ZEMLINSKY: Die Seejungfrau

Walt Disney has colored our perception of fairy tales, turning them, whatever their source, into egalitarian morality plays: »

06 Dec 2006

Frederica von Stade sings Mozart and Rossini arias

Frederica von Stade was just about 30 years old in 1975, when she recorded these Mozart and Rossini arias with the Rotterdam Philharmonic Orchestra under Edo de Waart. »

01 Dec 2006

Sweet was the Song

I doubt that this recital disc, recorded in 2004, could have been intended as a memorial to Arne Dorumsgaard, who died in March of 2006, but the composer’s centrality to the program, and the poetic themes of death, sleep, and mortality that recur in the Elizabethan texts, enable such an interpretation. »

29 Nov 2006

CHARPENTIER: Le Malade Imaginaire

On the 10th February 1673, only a few months after their first collaboration, Jean-Baptiste Poquelin, better known as Molière (1622-1673), and Marc-Antoine Charpentier (1643-1704) presented at the Palais Royal’s theater Le Malade Imaginaire, a comédie ballet (a comedy with incidental music in the form of interludes built around a secondary plot). »

29 Nov 2006

All the Ends of the Earth: Contemporary & Medieval Vocal Music

There is an often compelling relationship between early and contemporary music. The relationship grows out of many different things. »

29 Nov 2006

CHARPENTIER: Andromède; Ballet de Polyeucte

Conceived by Marc-Antoine Charpentier (1643-1704) to serve as musical interludes for a revival at the Jesuit college of Harcourt in 1680 of Pierre Corneille’s play, Polyeucte Martyr (originally written in 1642), the ballet Le combat de l'amour divin was composed for string orchestra with trumpets, kettledrums and continuo. »

20 Nov 2006

Songs of Amy Beach

I can remember a time when Amy Beach was primarily known as a favorite among performers (largely female) whose mission was to present the work of neglected women composers. »

20 Nov 2006

LASSUS: Lamentationes Jeremiæ Prophetæ; Requiem

Lassus’s long tenure in Munich in the employ of Duke Albrecht V resulted in an unusually prolific and diverse output. »

20 Nov 2006

MAHLER: Symphony no. 3

Originally recorded in Carnegie Hall on 15 April 1956, Dimitri Mitropoulos’s performance of Mahler’s Third Symphony dates from a time when this particular score was rarely heard in concert. »

19 Nov 2006

BEETHOVEN: Fidelio

While undated, this performance of Beethoven’s Fidelio is a solid performance of the opera that has all the earmarks of a radio broadcast. »

16 Nov 2006

MOZART: Idomeneo

After an apparently successful premiere in 1781, Mozart’s Idomeneo fell out of favor, not being revived in the composer’s lifetime and staying dormant in the 19th century and first half of the 20th. »

15 Nov 2006

GIORDANO: Andrea Chénier

A socially conscious artist, caught in the violent gyrations of a country in revolution and war, awaits execution. »

14 Nov 2006

BELLINI: I Capuleti e i Montecchi

It only takes a few moments for the overture to Vincenzo Bellini's I Capuleti e i Montecchi to establish that this opera takes a very different approach to the classic story than does Shakespeare's play. »

12 Nov 2006

PUCCINI: Manon Lescaut

This beautiful production premièred in 1980 and was the first live-telecast from the Met internationally relayed. »

12 Nov 2006

MERCURIO: Many Voices

Conductor Steven Mercurio appears to have made a highly favorable impression on singers in his career so far (some of the following info comes from his website, http://stevenmercurio.com/). »

12 Nov 2006

PUCCINI: Edgar

I’m surprised that such an eminent musicologist as Julian Budden, in his interesting essay accompanying the recording, still lays the blame for the relative failure of Edgar at the librettist’s feet. »

12 Nov 2006

ROSSINI: La Cenerentola

Putting the “grim” into a classic fairy tale (whether the Brothers Grimm's or not), this Glyndebourne La Cenerentola from the 2005 festival season establishes a drab, dark mood in its first scenes. »

10 Nov 2006

VIVALDI: Sacred Music 2

A recording of the complete sacred music of Antonio Vivaldi is a welcome prospect, not least because it offers an opportunity to go beyond the fame and familiarity of Vivaldi’s concertos and the ubiquitous “Gloria.” »

09 Nov 2006

Franco Corelli: The 1971 Tokyo Concert

A friend who bought this issue grumbled that Dynamic had swindled him out off his money as the whitewashed, less than sharp picture quality is not much better than the pirate issue he once received from a correspondent. »

09 Nov 2006

MOZART: Die Zauberflöte

The back of this DG set relates that the company made the recording "in Modena in conjunction with a series of performances in Italy and Germany." »

29 Oct 2006

Placido Domingo — Be My Love

Decca/London was somewhat earlier with their series ‘Classic Recitals’ and now Deutsche Gramophon is following without that title. »

29 Oct 2006

SPONTINI: La Vestale

Though this La Vestale is sung in its original French, it strikes me as rather odd that the contents in the sleeve notes nevertheless still employs the Italian names Licinio and Giulia. »