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Elsewhere

Shortlist Announced for 2017 Wigmore Hall/Kohn Foundation International Song Competition

Wigmore Hall has announced the 25 young singer and pianist duos from around the world who have been shortlisted for this prestigious competition, which takes place at Wigmore Hall in September with the generous support of the Kohn Foundation. Details were announced on 27 April during a recital by Milan Siljanov, who won top prize in the 2015 Competition.

Over 180 perform in action-packed new work: Silver Birch

Garsington Opera's thrilling new commission for the 2017 Season, Silver Birch, will feature over 180 participants from the local community aged 8-80, including students from primary and secondary schools, members of the local military community, student Foley artists under the guidance of Pinewood Studios and members of Wycombe Women’s Aid.

San Jose’s Bohemian Rhapsody

Opera San Jose has capped a wholly winning season with an emotionally engaging, thrillingly sung, enticingly fresh rendition of Puccini’s immortal masterpiece La bohème.

Fine Traviata Completes SDO Season

On Saturday evening April 22, 2017, San Diego Opera presented Giuseppe Verdi’s La traviata at the Civic Theater. Director Marta Domingo updated the production from the constrictions of the nineteenth century to the freedom of the nineteen twenties. Violetta’s fellow courtesans and their dates wore fascinating outfits and, at one point, danced the Charleston to what looked like a jazz combo playing Verdi’s score.

The Exterminating Angel: compulsive repetitions and re-enactments

Thomas Adès’s third opera, The Exterminating Angel, is a dizzying, sometimes frightening, palimpsest of texts (literary and cinematic) and music, in which ceaseless repetitions of the past - inexact, ever varying, but inescapably compulsive - stultify the present and deny progress into the future. Paradoxically, there is endless movement within a constricting stasis. The essential elements collide in a surreal Sartrean dystopia: beasts of the earth (live sheep and a simulacra of a bear) roam, a disembodied hand floats through the air, water spouts from the floor and a burning cello provides the flames upon which to roast the sacrificial lambs. No wonder that when the elderly Doctor tries to restore order through scientific rationalism he is told, “We don't want reason! We want to get out of here!”

Dutch National Opera revives deliciously dark satire A Dog’s Heart

Is A Dog’s Heart even an opera? It is sung by opera singers to live music. Alexander Raskatov’s score, however, is secondary to the incredible stage visuals. Whatever it is, actor/director Simon McBurney’s first stab at opera is fantastic theatre. Its revival at Dutch National Opera, where it premiered in 2010, is hugely welcome.

A Chat With Italian Conductor Riccardo Frizza

Riccardo Frizza is a young Italian conductor whose performances in Europe and the United States are getting rave reviews. He tells us of his love for the operas of Verdi, Bellini, and particularly Donizetti.

Opera Rara: new recording of Bellini's Adelson e Salvini

In May 2016, Opera Rara gave Bellini aficionados a treat when they gave a concert performance of Vincenzo Bellini’s first opera, Adelson e Salvini, at the Barbican Hall. The preceding week had been spent in the BBC’s Maida Vale Studios, and this recording, released last month, is a very welcome addition to Opera Rara’s bel canto catalogue.

Jonas Kaufmann : Mahler Das Lied von der Erde

Jonas Kaufmann Mahler Das Lied von der Erde is utterly unique but also works surprisingly well as a musical experience. This won't appeal to superficial listeners, but will reward those who take Mahler seriously enough to value the challenge of new perspectives.

Garsington Opera For All

Following Garsington Opera for All’s successful second year of free public screenings on beaches, river banks and parks in isolated coastal and rural communities, Handel’s sparkling masterpiece Semele will be screened in four areas across the UK in 2017. Free events are programmed for Skegness (1 July), Ramsgate (22 July), Bridgwater (29 July) and Grimsby (11 October).

María José Moreno lights up the Israeli Opera with Lucia di Lammermoor

I kept hearing from knowledgeable opera fanatics that the Israeli Opera (IO) in Tel Aviv was a surprising sure bet. So I made my way to the Homeland to hear how supposedly great the quality of opera was. And man, I was in for treat.

Cinderella Enchants Phoenix

At Phoenix’s Symphony Hall on Friday evening April 7, Arizona Opera offered its final presentation of the 2016-2017 season, Gioachino Rossini’s Cinderella (La Cenerentola). The stars of the show were Daniela Mack as Cinderella, called Angelina in the opera, and Alek Shrader as Don Ramiro. Actually, Mack and Shrader are married couple who met singing these same roles at San Francisco Opera.

LA Opera’s Young Artist Program Celebrates Tenth Anniversary

On Saturday evening April 1, 2017, Placido Domingo and Los Angeles Opera celebrated their tenth year of training young opera artists in the Domingo-Colburn-Stein Program. From the singing I heard, they definitely have something of which to be proud.

Extravagant Line-up 2017-18 at Festspielhaus in Baden-Baden, Germany

The town’s name itself “Baden-Baden” (named after Count Baden) sounds already enticing. Built against the old railway station, its Festspielhaus programs the biggest stars in opera for Germany’s largest auditorium. A Mecca for music lovers, this festival house doesn’t have its own ensemble, but through its generous sponsoring brings the great productions to the dreamy idylle.

Gerhaher and Bartoli take over Baden-Baden’s Festspielhaus

The Festspielhaus in Baden-Baden pretty much programs only big stars. A prime example was the Fall Festival this season. Grigory Sokolov opened with a piano recital, which I did not attend. I came for Cecilia Bartoli in Bellini’s Norma and Christian Gerhaher with Schubert’s Die Winterreise, and Anne-Sophie Mutter breathtakingly delivering Mendelssohn’s Violin Concerto together with the London Philharmonic Orchestra. Robin Ticciati, the ballerino conductor, is not my favorite, but together they certainly impressed in Mendelssohn.

Mahler Symphony no 8 : Jurowski, LPO, Royal Festival Hall, London

Mahler as dramatist! Mahler Symphony no 8 with Vladimir Jurowski and the London Philharmonic Orchestra at the Royal Festival Hall. Now we know why Mahler didn't write opera. His music is inherently theatrical, and his dramas lie not in narrative but in internal metaphysics. The Royal Festival Hall itself played a role, literally, since the singers moved round the performance space, making the music feel particularly fluid and dynamic. This was no ordinary concert.

Rameau's Les fêtes d'Hébé, ou Les talens lyriques: a charming French-UK collaboration at the RCM

Imagine a fête galante by Jean-Antoine Watteau brought to life, its colour and movement infusing a bucolic scene with charm and theatricality. Jean-Philippe Rameau’s opéra-ballet Les fêtes d'Hébé, ou Les talens lyriques, is one such amorous pastoral allegory, its three entrées populated by shepherds and sylvans, real characters such as Sapho and mythological gods such as Mercury.

The Royal Opera House announces its 2017/18 season

Details of the Royal Opera House's 2017/18 Season have been announced. Oliver Mears, who will begin his tenure as Director of Opera, comments: “I am delighted to introduce my first Season as Director of Opera for The Royal Opera House. As I begin this role, and as the world continues to reel from social and political tumult, it is reassuring to contemplate the talent and traditions that underpin this great building’s history. For centuries, a theatre on this site has welcomed all classes - even in times of revolution and war - to enjoy the most extraordinary combination of music and drama ever devised. Since the time of Handel, Covent Garden has been home to the most outstanding performers, composers and artists of every era. And for centuries, the joyous and often tragic art form of opera has offered a means by which we can be transported to another world, in all its wonderful excess and beauty.”

St Matthew Passion: Armonico Consort and Ian Bostridge

Whatever one’s own religious or spiritual beliefs, Bach’s St Matthew Passion is one of the most, perhaps the most, affecting depictions of the torturous final episodes of Jesus Christ’s mortal life on earth: simultaneously harrowing and beautiful, juxtaposing tender stillness with tragic urgency.

Pop Art with Abdellah Lasri in Berliner Staatsoper’s marvelous La bohème

Lindy Hume’s sensational La bohème at the Berliner Staatsoper brings out the moxie in Puccini. Abdellah Lasri emerged as a stunning discovery. He floored me with his tenor voice through which he embodied a perfect Rodolfo.


OPERA TODAY ARCHIVES »

Recordings

<em>Adelson e Salvini</em>, Opera Rara
22 Apr 2017

Opera Rara: new recording of Bellini's Adelson e Salvini

In May 2016, Opera Rara gave Bellini aficionados a treat when they gave a concert performance of Vincenzo Bellini’s first opera, Adelson e Salvini, at the Barbican Hall. The preceding week had been spent in the BBC’s Maida Vale Studios, and this recording, released last month, is a very welcome addition to Opera Rara’s bel canto catalogue. »

Recently in Recordings

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30 Oct 2005

Ewa Podleś — Rossini Gala

If Rossini could set a laundry list to music, then Ewa Podleś is one of the few candidates available to sing it. In this CD, recorded live at the Polish Radio Hall in Wroclaw (Wratislavia), during the thirty third International Festival Wratislavia Cantans Music and Fine Arts, the Polish contralto gives ample proof of her status as one of the great singers of her generation. »

27 Oct 2005

ROSSINI: La Cenerentola

Naxos is perhaps the only significant major label regularly releasing complete opera sets. A few have won widespread praise, and certainly the prices, at super-budget level, make them attractive to both first-time buyers and those whose collections scarcely justify an additional set. »

26 Oct 2005

Great Operatic Arias, Vol. 17 — Christine Brewer

Beethoven Shines Thru the Mix In the best of all possible worlds this recording of arias and show tunes would have been done in the original languages, the language of composition, with the vocal sounds intended by Gluck, Mozart, Weber, Wagner and others who defined great singing. »

26 Oct 2005

BACH: Cantatas, vol. 18

Here we have another part of John Eliot Gardiner’s remarkable Bach Cantata Pilgrimage, undertaken to perform—and record live—all of Bach’s surviving church cantatas at many different churches in a single year. »

26 Oct 2005

SZYMANOWSKI: Piano Music

Piotr Anderszewski is a talented young pianist, who makes Szymanowski’s music come alive in his recent recording of three of the composer’s major pieces. »

24 Oct 2005

The Karajan Collection—Wagner Orchestral Music

“Das Wunder Karajan” – “the miracle of Karajan” – is a phrase associated with the conductor since he was thirty years old, and that phrase holds true in his recorded legacy. In addition to recent DVD releases, EMI has issued a series of CDs in its “The Karajan Collection,” which preserves many fine studio recordings. »

24 Oct 2005

The Karajan Collection—Philharmonia Promenade Concert

The rich legacy of Herbert von Karajan includes a number of recordings with various orchestras around the world, and among them is the Philharmonia Orchestra, which is documented in the CD entitled Philharmonia Promenade Concert. As Richard Osborne recounts in the notes that accompany this release, Herbert von Karajan made a number of recordings with the Philharmonia Orchestra between 1948 and 1960. »

24 Oct 2005

DVOŘÁK: Tone Poems

In a richly Bohemian folk-style, the Czech poet Karel Jaromír Erben produced a collection of enchanted poetry that inspired Antonín Dvořák to compose his expressive array of hauntingly dark tone poems. Ultimately, the main character of each poem suffers a tragic consequence for their transgressions, ranging from the thoughtless utterances of a frustrated mother, to disobeying a parent, to murder. »

21 Oct 2005

BRUCKNER: Symphony No. 8

In recent years orchestras like the London Symphony have begun to release their own CDs, in lieu of pursing contracts recording firms. While the implications of this are best left to another discussion, it is significant to see that Royal Concertgebouw Orchestra now has its own label, and among its recordings is a fine live performance of Anton Bruckner’s Symphony no. 8 in C minor, led by its conductor laureate, Bernard Haitink. This recording is actually made from performances given on 18 and 20 February 2005, and preserves an outstanding recent interpretation of this enduring work by Bruckner. »

21 Oct 2005

Walisische Lieder sind eine Entdeckung wert

Das walisische Label SAIN (das walisische Wort für "Sound"), gegründet 1969 von Dafydd Iwan, Huw Jones und Brian Morgan Edwards, hat einen starken sozialen und politischen Anspruch und ist darauf spezialisiert, CD's mit jungen Sängern und Liedern aus Wales und in walisischer Sprache herauszubringen. »

21 Oct 2005

Welsh songs worth discovering

SAIN (the Welsh word for 'sound', and pronounced like the English word 'sign') is Wales' leading recording company, founded in 1969 in Cardiff by Dafydd Iwan, Huw Jones and Brian Morgan Edwards. The label has a strong social and political message, and for the first few years, SAIN specialised in songs by young singers, many of them concerning the national and linguistic resurgence of Wales, which had begun in the 60's. »

18 Oct 2005

BERKELEY: Ruth

You may never have heard of Lennox Berkeley. But his music was admired by many of the most notable composers of the mid-20th century—Britten and Poulenc were close personal friends, and he has a dedicated band of admirers today (there is a Lennox Berkeley Society). Yet, for one reason or another, Berkeley has never become a household name. »

18 Oct 2005

XL—Œuvres pour grand chœur

The “XL” of the title of this recording is, as the program book notes, a double reference. First, read as Roman numerals, it points to the extraordinary number of voice parts in Thomas Tallis’ famous “Spem in alium” and its modern analogue here, Antony Pitts’ “XL,” a forty-voice setting of text from Psalm 40. »

14 Oct 2005

MARSCHNER: Hans Heiling

This Dynamic set spills over with rewards for opera lovers, especially those looking for something a little (or a lot) off the beaten path. »

13 Oct 2005

HAYDN: Missa Cellensis
MOZART: Credo Messe
PARADISI GLORIA: Psalms
PARADISI GLORIA: Stabat Mater

One can divide these recordings into two groups of two compact discs each. Much of the music of the two Mass settings offered here was composed in the mid 1770s. We have a young Mozart—twenty years old and in the employ of Archbishop Colloredo of Salzburg when he composed this Credo Mass—and the veteran Franz Joseph Haydn, twice Mozart’s age and firmly settled at the Esterhazy court, when he completed the Credo, Sanctus, and Agnus Dei movements of the Missa Cellensis, a work he had begun in 1766 with the Kyrie and Gloria movements. »

11 Oct 2005

OFFENBACH: Les Fées du Rhin (Die Rheinnixen)

The genre of grand opera is not traditionally associated with Jacques Offenbach’s posthumous reputation. Yet as demonstrated by the performances documented in the present recording and essays in the accompanying notes, a revision of our assessment of Offenbach’s strengths is long overdue. »

10 Oct 2005

HANDEL: Teseo

“Teseo” is one of those “might have been” Handel operas that for one reason or another has never quite made the big time in a high profile, major house performance during our current period of baroque revival. However, this is not something that worries the enterprising likes of the Lautten Compagney Berlin and its Music Director Wolfgang Katschner nor the countertenor-turned-stage director Axel Kohler: for them this rather rare oddity of Handel’s genius is simply too good a chance to miss. »

08 Oct 2005

MAHLER: Lieder eines fahrenden Gesellen; Fünf Rückert-Lieder

In recent years the few recordings of Mahler’s Lieder with piano accompaniment demonstrate the delicacy of the music in this format and its connections traditional Romantic Lieder. To such fine examples as those by Stephan Genz (on Hyperion) and Thomas E. Bauer (on Ars Musici), Konrad Jarnot is a fine addition. »

06 Oct 2005

ORFF: Carmina Burana

Once hailed by the Nazis as a symbol of Aryan supremacy, Carmina Burana has come to be recognized as a powerful expression of the gluttony and depravity present in a medieval, pagan society. An effective performance of Orff’s musical adventure must allow audiences to envision the “imagines magicae,” or magical images conveyed through the convergence of music and choreography. »

04 Oct 2005

RAVEL: Shéhérezade
DUPARC: Mélodies

Konrad Jarnot is a young baritone who brings a wonderful vitality to the music he has recorded. He also has another Oehms release, a selection of Lieder by Gustav Mahler, which is engaging for the strong sense of line he brings to that repertoire, which is precisely what he brings to this collection of French vocal music. »

04 Oct 2005

PROKOFIEV: Romeo and Juliet
RESPHIGHI: Pini di Roma

The biographies of the two composers whose works are represented on this disc, Sergei Prokofiev and Ottorino Respighi, share many common threads. In addition to moving in similar circles early in their lives (for example, both studied with Rimsky-Korsakov and both were later connected with Diaghilev), they similarly composed in totalitarian regimes at the end of their careers. »

03 Oct 2005

CONRADI: Die schöne und getreue Ariadne

Since its inception in 1980, the biennial Boston Early Music Festival has grown to international stature of the first rank, and while its programming is diverse in scale and repertory, its focus in recent years has been on full-scale productions of baroque opera, including Monteverdi’s L’Orfeo, Rossi’s Orfeo, Cavalli’s Ercole Amante, Lully’s Thésée, and this past summer, Mattheson’s Boris Goudenouw. »

30 Sep 2005

MENDELSSOHN BARTHOLDY: Der Onkel aus Boston

For the most part, the posthumous reputation of Felix Mendelssohn (1809-43) resides on the composer’s instrumental works and of all his vocal music, his two oratorios, Elias and Paulus are familiar to the general public. »

29 Sep 2005

Brigitte Fassbaender: Lieder — Mahler, Berg, Ogermann

Since 1995 the mezzo-soprano Brigitte Fassbaender no longer performs as a singer, but has devoted her recent career to directing. »

29 Sep 2005

FALLA: El amor brujo; El sombrero de tres picos; La vida breve

With this CD, Naxos continues its well deserved reputation for producing recordings at affordable prices, and more often than not, but not limited to, music that is rarely performed, or with a limited audience. »

28 Sep 2005

The Very Best of Thomas Hampson

The Very Best of Thomas Hampson is an excellent selection on CD of Hampson’s recordings from various points in his career. The American baritone is one of the international stars of classical music for both his roles on the opera stage and his work as a recitalist. »

28 Sep 2005

SCHNEITZHOEFFER: La Sylphide

This is one of the most enchanting and lovely ballet performances that I have ever seen, and believe me I have seen quite a few! First performed in Paris on May 12, 1832, La Sylphide marks the advent of Romanticism in ballet. »

28 Sep 2005

BACH: Cantatas, Vol. 8

On Christmas 1999, the Monteverdi Choir and English Baroque Soloists with conductor Sir John Eliot Gardiner set out on one of the most unusual musical tours ever undertaken. »

28 Sep 2005

BACH: Cantatas, Vol. 6

J. S. Bach’s large output of church cantatas and their prominence in his duties as Kantor at the Thomaskirche in Leipzig have made them central to our modern understanding of Bach. »

27 Sep 2005

MAHLER: Symphony No. 5

Gustav Mahler’s Fifth Symphony is a tour de force that can tax a conductor and orchestra in live performances. While it often takes several sessions in the studio for performers to match the required intensity of playing with exuberance that is also part of the work, some live performances convey that fine balance immediately. »

26 Sep 2005

On Wings of Jewish Songs — Music from the New Jewish School

Yiddish is a language based on medieval German that developed separately from modern German. It spread throughout Eastern Europe, where it acquired words from Hebrew, as well as Russian, Polish, and other Slavic languages. »

26 Sep 2005

SCHUMANN: Liederkreis, op. 24; Dichterliebe, op. 48

In addition to some notable, recent recordings of selected Lieder by Robert Schumann (1810-56), two comprehensive editions of the composer’s works in this genre are underway, one by Hyperion, which is almost complete and another that is just starting on the Naxos label. Performed by Thomas E. Bauer, baritone and his wife, the pianist Uta Hielscher, the first volume is as promising as it is ambitious. »

26 Sep 2005

Arvo Pärt: A Tribute

Paul Hillier has written the book on Arvo Pärt, quite literally. He has spent significant time with the Estonian composer interviewing him, working with him, and studying his music. He has not only authored the only text researching Pärt's music and background, but Hillier also seems to one of the first to perform and record his music, thereby exposing it to the general public. »