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Elsewhere

Christine Goerke - Strauss Elektra BBC Proms London

The second day of the Richard Strauss weekend at the BBC Proms saw Richard Strauss's Elektra performed at the Royal Albert Hall on 31 August 2014 by the BBC Symphony Orchestra, conducted by Semyon Bychkov, with Christine Goerke in the title role. Felicity Palmer was Clytemnestra, Gun-Brit Barkmin was Chrysothemis, Robert Kunzli was Aegisthus and Johan Reuter was Orestes. The concert staging was by Justin Way.

Christine Goerke - Strauss Elektra BBC Proms London

The second day of the Richard Strauss weekend at the BBC Proms saw Richard Strauss's Elektra performed at the Royal Albert Hall on 31 August 2014 by the BBC Symphony Orchestra, conducted by Semyon Bychkov, with Christine Goerke in the title role. Felicity Palmer was Clytemnestra, Gun-Brit Barkmin was Chrysothemis, Robert Kunzli was Aegisthus and Johan Reuter was Orestes. The concert staging was by Justin Way.

Powerful Mahler Symphony no 2 Harding, BBC Proms London

Triumphant! An exceptionally stimulating Mahler Symphony No 2 from Daniel Harding and the Swedish Radio Symphony Orchestra, BBC Prom 57 at the Royal Albert Hall. Harding's Mahler Tenth performances (especially with the Berliner Philharmoniker) are pretty much the benchmark by which all other performances are assessed. Harding's Mahler Second is informed by such an intuitive insight into the whole traverse of the composer's work that, should he get around to doing all ten together, he'll fulfil the long-held dream of "One Grand Symphony", all ten symphonies understood as a coherent progression of developing ideas.

Nina Stemme's stunning Strauss Salome, BBC Proms London

The BBC Proms continued its Richard Strauss celebrations with a performance of his first major operatic success Salome. Nina Stemme led forces from the Deutsche Oper, Berlin,at the Royal Albert Hall on Saturday 30 August 2014,the first of a remarkable pair of Proms which sees Salome and Elektra performed on successive evenings

Santa Fe Opera Presents Updated, at One Point Up-ended, Don Pasquale

On August 9, 2014, Santa Fe Opera presented a new updated production of Don Pasquale that set the action in the 1950s. Chantal Thomas’s Act I scenery showed the Don’s furnishing as somewhat worn and decidedly dowdy. Later, she literally turned the Don’s home upside down!

Dolora Zajick about her Institute for Young Dramatic Voices

"Although there are now more people on this planet than there have ever been before, there are fewer dramatic voices. Something is wrong with that equation. I thought there needs to be some sort of helping hand so that dramatic voices don’t fall through the cracks in the system as they advance through their various stages of development."

Dolora Zajick Premieres Composition

At a concert in the Cathedral of Saint Joseph in San Jose, California, on August 22, 2014, a few selections preceded the piece the audience had been waiting for: the world premiere of Dolora Zajick’s brand new composition, an opera scene entitled Roads to Zion.

Gluck: Orfeo ed Euridice

This elegant, smartly-paced film turns Gluck’s Orfeo into a Dostoevskian study of a guilt-wracked misanthrope, portrayed by American countertenor Bejun Mehta.

Aureliano in Palmira in Pesaro

Ossia Il barbiere di Siviglia. Why waste a good tune.

Santa Fe Opera Presents Huang Ruo's Sun Yat-sen

By emphasizing the love between Sun Yat-sen and Soong Ching-ling, Ruo showed us the human side of this universally revered modern Chinese leader. Writer Lindsley Miyoshi has quoted the composer as saying that the opera is “about four kinds of love.” It speaks of affection between friends, between parents and children, between lovers, and between patriots and their country.

Britten War Requiem - Andris Nelsons, CBSO, BBC Prom 47

In light of the 2012 half-centenary of the premiere in the newly re-built Coventry Cathedral of Benjamin Britten’s War Requiem, the 2013 centennial celebrations of the composer’s own birth, and this year’s commemorations of the commencement of WW1, it is perhaps not surprising that the War Requiem - a work which was long in gestation and which might be seen as a summation of the composer’s musical, political and personal concerns - has been fairly frequently programmed of late. And, given the large, multifarious forces required, the potent juxtaposition of searing English poetry and liturgical Latin, and the profound resonances of the circumstances of the work’s commission and premiere, it would be hard to find a performance, as William Mann declared following the premiere, which was not a ‘momentous occasion’.

Il barbiere di Siviglia in Pesaro

Both by default and by merit Il barbiere di Siviglia is the hit of the thirty-fifth Rossini Opera Festival. But did anyone really want, and did the world really need yet another production of this old warhorse?

Armida in Pesaro

Armida (1817) is the third of Rossini’s nine operas for the Teatro San Carlo in Naples, all serious. The first was Elisabetta, regina di Inghilterra (1815), the second was Otello (1816), the last was Zelmira (1822).

Santa Fe Opera Presents an Imaginative Carmen

Santa Fe opera has presented Carmen in various productions since 1961. This year’s version by Stephen Lawless takes place during the recent past in Northern Mexico near the United States border. The performance on August 6, 2014, featured Ana Maria Martinez as a monumentally sexy Gypsy who was part of a drug smuggling group.

Elgar Sea Pictures : Alice Coote, Mark Elder Prom 31

Sir Mark Elder and the Hallé Orchestra persuasively balanced passion and poetry in this absorbing Promenade concert. Elder’s tempi were fairly relaxed but the result was spaciousness rather than ponderousness, with phrases given breadth and substance, and rich orchestral colours permitted to make startling dramatic impact.

Berio Sinfonia, Shostakovich, BBC Proms

Although far from perfect, the performance of Berio’s Sinfonia in the first half of this concert was certainly its high-point; indeed, I rather wish that I had left at the interval, given the tedium induced by Shostakovich’s interminable Fourth Symphony. Still, such was the programme Semyon Bychkov had been intended to conduct. Alas, illness had forced him to withdraw, to be replaced at short notice by Vasily Petrenko.

Four countertenors : Handel Rinaldo Glyndebourne

Handel's Rinaldo was first performed in 1711 at London's King's Theatre. Handel's first opera for London was designed to delight and entertain, combining good tunes, great singing with a rollicking good story. Robert Carsen's 2011 production of the opera for Glyndebourne reflected this with its tongue-in-cheek Harry Potter meets St Trinian's staging.

Santa Fe Opera Presents The Impresario and Le Rossignol

On August 7, 2014, the Santa Fe Opera presented a double bill of Wolfgang Amadeus Mozart’s The Impresario and Igor Stravinsky’s Le Rossignol (The Nightingale). The Impresario deals with the casting of an opera and Le Rossignol tells the well-known fairy tale about the plain gray bird with an exquisite song.

Barber in the Beehive State

Utah Festival Opera and Musical Theatre has gifted opera enthusiasts with a thrilling Barber, and I don’t mean . . . of Seville.

Stravinsky : Oedipus Rex, BBC Proms

In typical Proms fashion, BBC Prom 28 saw Stravinsky's Oedipus Rex performed in an eclectic programme which started with Beethoven's Egmont Overture and also featured Electric Preludes by the contemporary Australian composer Brett Dean. Sakari Oramo,was making the first of his Proms appearances this year, conducting the BBC Symphony Orchestra, BBC Singers and BBC Symphony Chorus.


OPERA TODAY ARCHIVES »

Recordings

Orfeo ed Euridice (Arthaus Musik 108103)
25 Aug 2014

Gluck: Orfeo ed Euridice

This elegant, smartly-paced film turns Gluck’s Orfeo into a Dostoevskian study of a guilt-wracked misanthrope, portrayed by American countertenor Bejun Mehta.  »

Recently in Recordings

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16 Oct 2007

GIORDANO: Fedora

Mirella Freni’s 1993 triumph in the lead of Umberto Giordani’s Fedora at La Scala has made it to DVD. In his booklet essay, Werner Pfister (translated by Stewart Spencer) admits the opera “does not enjoy the best of reputations.” »

16 Oct 2007

“Dein ist mein ganzes Herz”

Okay, okay, I freely admit this up front: I am not inordinately fond of operetta. Just thought you should know. All the more remarkable then that I found myself listening to this new recording several times over. »

15 Oct 2007

STRAUSS : Elektra

Whatever you do, don't give this DVD as a gift to people you don't want to alienate. »

09 Oct 2007

I Hear American Singing

Recorded in August 2001 at the Salzburg Festival, less than a month before the tragic events of 11 September, the presentation of songs and readings of music by American composers and texts by American authors seems aimed at a different world. Without venturing into political or social dimensions of the event, the concept of America in August 2001 suggested at times a sense of being impermeable, if not invincible. »

09 Oct 2007

Thomas Stoltzer. Psalm Motets.

Thomas Stoltzer represents German composition in the wake of the Reformation yet still immersed in the contrapuntal richness of the Josquin tradition. »

09 Oct 2007

MAHLER: Symphony no. 6 / Piano Quartet

With its fine engineering, the rich score of Mahler’s Sixth Symphony and the superb playing of the Philadelpha Orchestra conducted by Christoph Eschenbach emerge well in this recently released recording. »

09 Oct 2007

The Yves Becko Collection

This must be one of the most interesting collectors’ collections to have appeared in many a year. Personally I’ve always liked any singer from Fernando De Lucia to Rolando Villazon but I never was tempted to collect shellac and therefore didn’t have to contact Yves Becko. »

08 Oct 2007

CAVALLI: La Calisto

René Jacobs’s beautiful 1996 production of Francesco Cavalli’s Calisto has garnered many enthusiastic fans over the years. »

28 Sep 2007

Allegri “Miserere”; Palestrina “Missa Papae Marcelli”

This is a recording that glories in iconicity. »

23 Sep 2007

Hear the Voice and Prayer

There are a number of signs of the popularity of the King’s Singers—their longevity as an ensemble, the huge success of their public concerts, and their sizable discography all come immediately to mind. »

23 Sep 2007

The Feast of St. Edward, King and Confessor at Westminster Abbey.

Westminster Abbey is surely many things to many people. »

23 Sep 2007

Playing Elizabeth’s Tune

The 2004 DVD "Playing Elizabeth’s Tune," originating in a BBC television production, features concert performances of Byrd’s sacred music sung by the Tallis Scholars along with documentary material treating the composer and his time. »

23 Sep 2007

Brewer at her best in live “Fidelio”

It is not surprising that it was Beethoven’s Fidelio that was chosen to reconsecrate rebuilt opera houses in Vienna and Berlin in the years after World War Two. »

23 Sep 2007

PENDERECKI: Die Teufel von Loudon

Of the operas composed in the latter half of the twentieth century, Krzysztof Penderecki’s Die Teufel von Loudon is a significant contribution to the repertoire. »

19 Sep 2007

Music for Compline

The liturgy of Compline marks the end of the monastic day, as the community seeks peaceful repose for the night ahead. »

19 Sep 2007

Psalms for the Spirit

Psalmody, be it in the form of chanted recitations or anthem settings, lies close to the heart of liturgical singing, and this collection, “Psalms for the Spirit” brings together an engaging variety of both long familiar and recent psalms that celebrates the traditions and explores new directions. »

19 Sep 2007

WAGNER : Lohengrin

What’s outstanding about this Lohengrin is the orchestral playing. »

18 Sep 2007

PUCCINI: La Bohème

Before the age of computers, CDs. DVDs and Apple i-Phones, there was television. »

16 Sep 2007

WAGNER: Die Walküre

One of the glories of a well-executed performance of Richard Wagner's Ring cycle is the sonic dimension of the work, with the dramatic contrasts between the larger musical canvasses and the more intimate ensembles that occur between several voices and within the orchestra itself. »

16 Sep 2007

Hector Berlioz: Te Deum, op. 22

Often overshadowed by its composer's Requiem, the Te Deum, Op. 22 (1849) by Hector Berlioz deserves attention for its own merits, and this recent release by Hänssler in its series of live recordings of the Staatskapelle Dresden is a solid reading of this work. »

16 Sep 2007

SCHEIDT: Ludi Musici

The courtly instrumental music of the Halle composer, Samuel Scheidt, is preserved in the printed collection "Ludi musici" (1620), giving congenial suggestion of both the richness of the court practice and the virtuosic abilities of the ensemble players there, including the cornettist, Zacharias Härtel. »

16 Sep 2007

Le Chant des Templiers

The quarter century of work by the French medieval ensemble, Ensemble Organum, and their director, Marcel Pérès has positioned them as leading interpreters of early liturgical repertories; among interpreters, their renditions assert a high degree of distinctiveness and character. »

12 Sep 2007

La Bohème x3

On stages all over the world, most any night of the year, poor Parisian Mimi hacks her way into oblivion, while her sometime lover cries out her name in hysterical despair. »

11 Sep 2007

VIVALDI: Dixit Dominus

In 2005 the Australian musicologist Janice Stockigt made the case that several works attributed to Baldassare Galuppi in the Saxon State and University Library (Dresden) were really the works of Antonio Vivaldi. »

10 Sep 2007

MONTEVERDI: Madrigals (Book 5)

This installment in the ongoing series of Monteverdi madrigal recordings from Marco Longhini and Naxos presents distinctive performances of works that lie close to the heart of the early baroque style. »

10 Sep 2007

BACH: St. Matthew Passion (Excerpts)

There is much to admire in Masaaki Suzuki’s Bach performances with the Bach Collegium Japan, and this recording of excerpts from the St. Matthew Passion will remind the listener of the diverse ways in which this is so. »

07 Sep 2007

SMETANA: The Bartered Bride

As an audio-recording, Supraphon's set of Bedrich Smetana's The Bartered Bride conducted by Zdeněk Košler deserves the highest recommendation. »

07 Sep 2007

JANÁČEK: Katja Kabanowa

A series of historic recordings comes from Profil/Edition: Günter Hänssler, and from those a subset of Staatskapelle Dresden performances brings opera fans a remarkable document. »

07 Sep 2007

Teresa Berganza Live in Concert

Here's another in a series of televised recitals from Lugano, Switzerland to have appeared on DVD. »

07 Sep 2007

Kiri Sings Karl: Songs of Mystery & Enchantment

Alban Berg's Wozzeck takes almost two hours to induce a sense of soul-crushing nausea and despondency. Kiri Sings Karl achieved that for your reviewer in a couple minutes, and then went on with terrifying, torturous efficiency for almost another hour. »

07 Sep 2007

VERDI: Otello

Director Willy Decker's outstanding Traviata from Salzburg, with Anna Netrebko and Rolando Villazon, is one of the great contemporary opera DVDs. »

06 Sep 2007

STRAUSS: Elektra

Among the available videos of Richard Strauss’s Elektra, the recently released DVD of the live broadcast from 16 February 1980 stands out for capturing the exciting of an all-star international cast that included the famous Birgit Nilsson in the title role. »

28 Aug 2007

DONIZETTI: Anna Bolena

A career-making smash for Donizetti at its 1830 premiere, Anna Bolena eventually faded from the standard repertory. »

28 Aug 2007

BRUCKNER: Symphony no. 5

Recorded live at the Stiftsbasilika, St. Florian (Austrian) on 12 and 13 September 2006, this DVD offers a special performance of the famous Cleveland Orchestra outside its home at Severance Hall. »

28 Aug 2007

BERG: Wozzeck

Among the available DVDs of Alban Berg's opera Wozzeck, the recent release of the production Rolf Liebermann made into a film i the late 1960s stands out for various reasons. »

28 Aug 2007

Faustina Bordoni: Faces of a prima donna

Opera singers today have become almost as famous and publicly worshipped as movie-stars; yet this has always been the case in operatic history. »

27 Aug 2007

Carlos Cogul: Introduction

Carlos Cogul is a London vocal coach and an appreciated baritone giving many a recital ……in the London Tube while commuters hastily pass by to catch their trains. Judging from the photo on this CD he is not a young man any more. »

27 Aug 2007

ROSSINI: Bianca e Falliero

The choice between this recording made at the Pesaro Festival in August 2005 and the Opera Rara recording of 2000 will partly be made for non-musical reasons. »

27 Aug 2007

Jan Neckers on Recently Reissued Historicals

Almost thirty years ago a century old tradition ended with the last performance of I Maestri Cantatori. »

04 Jul 2007

DONIZETTI: Don Pasquale

An ingenious and handsome staging, in the proper period and full of delicious color, fashion and furnishings, a production that honors the compatibility of tradition with good fun, and four singers who look their parts, play the farce, and are as easy on the ears as on the eyes — what more could you want from a Don Pasquale? »

04 Jul 2007

SZYMANOWSKI: Songs of a Fairy-tale Princess; Harnasie; Love Songs of Hafiz

The Polish composer Karol Szymanowski (1882-1937) is one of more engaging composers of the early twentieth century. »

04 Jul 2007

DONIZETTI: Dom Sébastien, roi de Portugal

When hearing the final work of a composer whose life was cut short, one can not help but wonder, “What if?” »

27 Jun 2007

BRUCKNER: Symphony no. 8 (rev. version, Nowak ed.)

Established in 1985 by the United Nations, the World Philharmonic Orchestra gave its inaugural concert on 12 December 1985 under the auspices of UNICEF and the Konserthus, Sweden. »

27 Jun 2007

ROSSINI: La Scala di Seta

La Scala di Seta, composed in Venice in 1812 (Rossini was 20; Tancredi and fame were a year off; Barbiere and immortality were four years down the road), shares the fortune of La Gazza Ladra: that is, until recently, the public knew the overture quite well but nothing else from the opera which, indeed, lacks the spectacular arias and hilarious ensembles that might have kept it on the boards. »

25 Jun 2007

WEBER: Der Freischütz

Produced by Rolf Lieberman and directed for television by Joachim Hess, this 1968 studio recording of Carl Maria von Weber’s Der Freischütz has much to recommend as a traditional production of the opera. »

24 Jun 2007

ROSSINI: Il Viaggio a Reims

Il Viaggio a Reims was a pièce d’occasion, part of the official tributes to Charles X of France on his coronation in 1825, but unlike most such creations – which tend to dreary platitudes of the Oscar speech variety – Viaggio has a cheeky personality and delicious music from Rossini at the top of his game, music he planned to recycle in subsequent operas – which he did. »

24 Jun 2007

STRAVINSKY: Histoire du soldat (Suite); Renard

As indicated in the copy on the CD, itself this is indeed a “unique collection of mostly short works” by Igor Stravinsky. »

24 Jun 2007

Sacred Music from Notre-Dame Cathedral

In charting the history of music in the West, the twelfth and thirteenth centuries in Paris loom large as a golden age of innovative polyphony, a golden age that is much the fruits of two composers, Leoninus and Perotinus. »

22 Jun 2007

Concilium musicum Wien on authentic instruments

This live concert recording assembles a trio of late eighteenth-century Viennese composers; the program is strong in evocation of time and place, but admittedly less so in substance. »

17 Jun 2007

LASSUS: Psalmi Davidis pœnitentiales

Among Lasso’s vast output there are few works more imposing than his collected settings of the seven penitential psalms. »