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Elsewhere

Cave: a new opera by Tansy Davies and Nick Drake

Opera seems to travel far from the opera house these days. Alongside numerous productions in community spaces and pub theatres, in the last few years I’ve enjoyed productions staged on the shingle shore of Aldeburgh beach, at the bottom of the shaft of Isambard Kingdom Brunel’s Thames Tunnel at Rotherhithe, and in a renovated warehouse in Shoreditch on the roof of which perch four ‘creative studios’ in the form of recycled Jubilee line train carriages and shipping containers.

Götterdämmerung in San Francisco

The truly tragic moments of this long history rich in humanity behind us we embark on the sordid tale of the Lord of the Gibichungs’s marriage to Brünnhilde and the cowardly murder of Siegfried, to arrive at some sort of conclusion where Brünnhilde sacrifices herself to somehow empower women. Or something.

Siegfried in San Francisco

We discover the child of incestuous love, we ponder a god’s confusion, we anticipate an awakening. Most of all we marvel at genius of the composer and admire the canny story telling of the Zambello production.

Boris Godunov in San Francisco

Yes, just when you thought Wotan was the only big guy in town San Francisco Symphony (just across a small street from San Francisco Opera), offered three staged performances of the Mussorgsky masterpiece Boris Godunov in direct competition with San Francisco Opera’s three Ring des Nibelungen cycles.

Garsington Opera transfers Falstaff from Elizabeth pomp to Edwardian pompousness

Bruno Ravella’s new production of Verdi's Falstaff for Garsington Opera eschews Elizabethan pomp in favour of Edwardian pompousness, and in so doing places incipient, insurgent feminism and the eternal class consciousness of fin de siècle English polite society centre stage.

Mascagni's Isabeau at Opera Holland Park: in conversation with David Butt Philip

Opera directors are used to thinking their way out of theatrical, dramaturgical and musico-dramatic conundrums, but one of the more unusual challenges must be how to stage the spectacle of a young princess’s naked horseback-ride through the streets of a city.

Grange Park Opera travels to America

The Italian censors forced Giuseppe Verdi and his librettist Antonio Somma to relocate their operatic drama of the murder of the Swedish King Gustav III to Boston, demote the monarch to state governor and rename him Riccardo, and for their production of Un ballo in maschera at Grange Park Opera, director Stephen Medcalf and designer Jamie Vartan have left the ‘ruler’ in his censorial exile.

Puccini’s La bohème at The Royal Opera House

When I reviewed Covent Garden’s Tosca back in January, I came very close to suggesting that we might be entering a period of crisis in casting the great Puccini operas. Fast forward six months, and what a world of difference!

Na’ama Zisser's Mamzer Bastard (world premiere)

Let me begin, like an undergraduate unsure quite what to say at the beginning of an essay: there were many reasons to admire the first performance of Na’ama Zisser’s opera, Mamzer Bastard, a co-commission from the Royal Opera and the Guildhall.

Les Arts Florissants : An English Garden, Barbican London

At the Barbican, London, Les Arts Florissants conducted by Paul Agnew, with soloists of Le Jardin de Voix in "An English Garden" a semi-staged programme of English baroque.

Die Walküre in San Francisco

The hero Siegfried in utero, Siegmund dead, Wotan humiliated, Brünnhilde asleep, San Francisco’s Ring ripped relentlessly into the shredded emotional lives of its gods and mortals. Conductor Donald Runnicles laid bare Richard Wagner’s score in its most heroic and in its most personal revelations, in their intimacy and in their exploding release.

Das Rheingold in San Francisco

Alberich’s ring forged, the gods moved into Valhalla, Loge’s Bic flicked, Wagner’s cumbersome nineteenth century mythology began unfolding last night here in Bayreuth-by-the-Bay.

ENO's Acis and Galatea at Lilian Baylis House

The shepherds and nymphs are at play! It’s end-of-the-year office-party time in Elysium. The bean-bags, balloons and banners - ‘Work Hard, Play Harder’ - invite the weary workers of Mountain Media to let their hair down, and enter the ‘Groves of Delights and Crystal Fountains’.

Lohengrin at the Royal Opera House

Since returning to London in January, I have been heartened by much of what I have seen - and indeed heard - from the Royal Opera.

Stéphane Degout and Simon Lepper

Another wonderful Wigmore song recital: this time from Stéphane Degout – recently shining in George Benjamin's new operatic masterpiece,

An excellent La finta semplice from Classical Opera

‘How beautiful it is to love! But even more beautiful is freedom!’ The opening lines of the libretto of Mozart’s La finta semplice are as contradictory as the unfolding tale is ridiculous. Either that master of comedy, Carlo Goldoni, was having an off-day when he penned the text - which was performed during the Carnival of 1764 in the Teatro Giustiniani di S. Moisè in Venice with music by Salvatore Perillo - or Marco Coltellini, the poeta cesareo who was entertaining the Viennese aristocracy in 1768, took unfortunate liberties with poetry and plot.

Pan-European Orpheus : Julian Prégardien

"Orpheus I am!" - An unusual but very well chosen collection of songs, arias and madrigals from the 17th century, featuring Julian Prégardien and Teatro del mondo. Devised by Andreas Küppers, this collection crosses boundaries demonstrating how Italian, German, French and English contemporaries responded to the legend of Orpheus and Eurydice.

Whatever Love Is: The Prince Consort at Wigmore Hall

‘We love singing songs, telling stories …’ profess The Prince Consort on their website, and this carefully curated programme at Wigmore Hall perfectly embodied this passion, as Artistic Director and pianist Alisdair Hogarth was joined by tenor Andrew Staples (the Consort’s Creative Director), Verity Wingate (soprano) and poet Laura Mucha to reflect on ‘whatever love is’.

Bryn Terfel's magnetic Mephisto in Amsterdam

It had been a while since Bryn Terfel sang a complete opera role in Amsterdam. Back in 2002 his larger-than-life Doctor Dulcamara hijacked the stage of what was then De Nederlandse Opera, now Dutch National Opera.

Laci Boldemann’s Opera Black Is White, Said the Emperor

We normally think of operas as being serious or comical. But a number of operas-some familiar, others forgotten-are neither of these. Instead, they are fantastical, dealing with such things as the fairy world and sorcerers, or with the world of dreams.


OPERA TODAY ARCHIVES »

Recordings

09 Jun 2018

Pan-European Orpheus : Julian Prégardien

"Orpheus I am!" - An unusual but very well chosen collection of songs, arias and madrigals from the 17th century, featuring Julian Prégardien and Teatro del mondo. Devised by Andreas Küppers, this collection crosses boundaries demonstrating how Italian, German, French and English contemporaries responded to the legend of Orpheus and Eurydice. »

Recently in Recordings

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30 Oct 2008

STRAUSS: Die Liebe der Danae

Gala may be a budget label, but more opera sets of vintage live performances deserve a booklet essay as concise yet comprehensive, critically honest and yet fair, as Andrew Palmer's for this set, which preserves a 1980 performance of Richard Strauss and Joseph Grigor's Die Liebe der Danae. »

24 Oct 2008

BACH: Mass in B minor

Bach’s monumental Mass in b minor exists in an abundant quantity of period performances to the point where one might ponder the wisdom of adding yet another to the shelf.  »

20 Oct 2008

BACH: St. Matthew Passion (excerpts)

There is much to admire in Masaaki Suzuki’s Bach performances with the Bach Collegium Japan, and this recording of excerpts from the St. Matthew Passion will remind the listener of the diverse ways in which this is so.  »

20 Oct 2008

BEETHOVEN: Fidelio

Among the recent releases on DVD of Rolf Liebermann's productions of operas from the Hamburg Opera conceived for television in the late 1960s, Beethoven's Fidelio is impressive for the use of the medium of film to bring out the personal aspects of this intensive opera.  »

06 Oct 2008

VERDI: Requiem / Quattro pezzi sacri

Presented in its fine line of “Originals,” Decca’s reissue of Solti’s famous 1967 recording of Verdi’s Requiem is actually offered with another fine recording, the same conductor’s 1977/78 performance of the Quattro pezzi sacri. »

06 Oct 2008

MONTEVERDI: Combattimento

In recent years, Emmanuelle Haïm has achieved prominence at the helm of several baroque operas, including Monteverdi’s L’Orfeo and Handel’s Rodelinda and Giulio Cesare. »

22 Sep 2008

Music for the Court of Maximilian II

Although Jacobus Vaet, Antonius Galli and Pieter Maessens are little-known composers today, this impressive recording featuring their music, the debut recording by the ensemble Cinquecento, may serve as a cautionary reminder that modern familiarity is often the fruit of circumstance and not necessarily a reliable measure of artistic achievement. »

19 Sep 2008

Souvenir of a Golden Era: The Sisters Garcia

Last year saw Cecilia Bartoli’s recording dedicated to the memory, and repertoire, of the early 19th century singer Maria Malibran, “Maria.” »

14 Sep 2008

Film Music Classics on Naxos: Herrmann and Perry

There may be no name more famous in the world of film music than that of Bernard Herrmann. William Perry, however, is a name unlikely to set off many bells. »

14 Sep 2008

Mozart, Rossini and Verdi at the Maggio Musicale Fiorentino

Of these three productions staged for the Maggio Musicale Fiorentino, the beautifully dressed Entführung and refined Tancredi present the company as a theater for tasteful, stylish productions, just a tad on the dull side. »

07 Sep 2008

WAGNER: Tristan und Isolde

I’ve rarely seen a performance of Tristan und Isolde where I was quite so conscious of the singers’ teeth. »

17 Aug 2008

SZYMANOWSKI: Songs, Op. 31 and Op. 49.

The lyricism characteristic of the instrumental music of Karol Szymanowski (1882-1937) is at the core of his songs, and the two collections found on this recording represent his vocal music well. »

17 Aug 2008

Karajan on DG, EMI

The 100th anniversary of his birth inevitably produces a flood of releases from the catalog of conductor Herbert von Karajan. »

17 Aug 2008

SMETANA: Dvě vdovy (The Two Widows)

Bedrich Smetana (1824-1884) is, perhaps known best for his opera The Bartered Bride (1863, rev. 1870), a touchstone of comic opera fused with eastern-European nationalism and, as much as that work has much to offer, his other efforts deserve attention. »

17 Aug 2008

HINDEMITH: Mathis der Mahler

Premiered in 1938 in Zurich, Mathis der Maler was then the most recent of Paul Hindemith’s provocative operas. »

17 Aug 2008

Medieval Christmas

The festal days of Christmas, New Year’s, St. Stephen and St. Thomas Becket are rich in musical celebration, and this recording from the Orlando Consort brings together a wide range of organa, motets, chansons, and carols to remind us of that fact. »

29 Jul 2008

Donizetti on Dynamic DVD

Dynamic now offers most of its product in CD and DVD formats, the latter in High Definition, no less. »

29 Jul 2008

Verdi on Classics for Pleasure, Opera Highlights

With these three CDs of highlights from three Verdi operas - Nabucco, Il Trovatore, and Aida — Classics for Pleasure gives a snapshot of the arc of his career. »

20 Jul 2008

Villazón on Deutsche Grammophon

The opera world, always ravenous for talented, charismatic tenors, felt desperate hunger pains last summer, when Rolando Villazón canceled dates with an explanation that a health crisis necessitated a sabbatical from singing. »

20 Jul 2008

Mozart’s La Finta Giardiniera x2

With a composer as widely beloved as Wolfgang Amadeus Mozart, for an opera to be all but forgotten suggests the work has problems beyond redemption. »

20 Jul 2008

Der Rosenkavalier highlights on Classics for Pleasure

For the opera of average length, a decent highlights disc can feature as much as half the score. »

13 Jul 2008

Rossini Opera Festival on Dynamic

At the Rossini Festival held in Pesaro, Italy, Dynamic recorded two Rossini rarities in August 2006. »

13 Jul 2008

Gustav Mahler: Symphony no. 9; Richard Strauss: Tod und Verklärung

The late Guiseppe Sinopoli (1946-2001) became established as an estimable conductor of nineteenth-century music, and his legacy includes a number of fine recordings. »

06 Jul 2008

BELLINI: Norma

The best thing about this set, a Norma recorded live at the Teatro delle Muse di Ancona in late 2004, is the booklet essay by Marco Beghelli, offered in both English and Italian (no credit to any translator). »

06 Jul 2008

Two Aida’s from TDK

At one time, Verdi’s Aida figured as the most performed opera. »

22 Jun 2008

MEYERBEER: Semiramide

This Dynamic recording of Meyerbeer's Semiramide, an opera title more familiar with Rossini's name appended, mixes the pleasure of a modestly appealing surprise with regret at key aspects of the performance. »

22 Jun 2008

Choral Music by Dvořák and Brahms

Among the choral music of Anton [Antonin] Dvorak, the familiar Stabat Mater, Op. 58, is known to modern audiences through various live performances and recordings. »

19 Jun 2008

Mozart and Lortzing from Hamburg Opera on film

A nostalgic charm permeates these filmed productions from the early 1970s of Lortzing's Zar und Zimmerman and Mozart's Die Zauberflöte, collaborations between the Hamburg State Opera and German TV director Joachim Hess. »

19 Jun 2008

Karajan opera highlights on Classics for Pleasure

The opera highlights series from Classics for Pleasure continues its recycling of the EMI catalogue with selections from two of Herbert von Karajan's recordings. »

09 Jun 2008

Songs by Henry & William Lawes

With this recording of songs by Henry & William Lawes, musical brothers who flourished in Caroline England, countertenor Robin Blaze with lutenist Elizabeth Kenny continue their exploration of early English song for Hyperion, and the results are stunning. »

04 Jun 2008

Joye: Les plaintes de Gilles de Bins dit Binchois

The title of this recording “Joy: the Laments of Gilles Binchois” introduces a seeming contradiction, one that plays on a contemporaneous description of the composer as "pére de joyeusetè"—the father of joy—in tension with an affinity for melancholy in his works. »

04 Jun 2008

SCHOENBERG: Moses und Aron

Even though it is one of the important operas of the twentieth century, Arnold Schoenberg’s Moses und Aron is, perhaps, more esteemed than performed. »

25 May 2008

HINDEMITH: Cardillac

Premiered in 1926, Paul Hindemith’s opera Cardillac is a three-act work based on E. T. A. Hoffmann’s short story Das Fräulein von Scuderi. »

25 May 2008

WAGNER: Tristan und Isolde

In the 1983 production designed, staged, and directed by Jean-Pierre Ponnelle, this recording of Richard Wagner’s Tristan und Isolde is a solid and well-thought performance that has much to offer. »

15 May 2008

STRAUSS: Opernszenen | Scenes of Operas.

Recorded between 1938 and 1942, the excerpts from performances of Der Rosenkavalier, Die Frau ohne Schatten, Arabella, and Daphne at the Dresden Staatsoper are all conducted by Karl Böhm. »

06 May 2008

Karajan: The Music, the Legend.

At the centenary of the birth of the conductor Herbert von Karajan various commemorations are occurring, an among them is the concise CD and DVD release by Deutsche Grammophon, with both discs bound into a booklet that includes a short prose tribute to the man illustrated with some well-chosen photographs from various parts of his career. »

06 May 2008

French Opera highlights on Classics for Pleasure

Consumers might opt for a highlights set instead of a full recording of an opera for many reasons. »

06 May 2008

THOMSON: The Plow that Broke the Plains

Naxos's DVD division has already released the performances on this disc of Virgil Thomson's scores for The Plow that Broke the Plains and The River, as soundtracks for a re-release of the original films. That DVD (Naxos 2.110521) contained, as... »

27 Apr 2008

Bruckner: Symphony no. 8 in C minor, WAB 108 (1890 [Second Version])

As difficult as it is to identify a single score as representative of its composer, Symphony no. 8 in C minor by Anton Bruckner is an essential work that may be regarded as the quintessence of his accomplishments in the form. »

21 Apr 2008

BELLINI: Norma

This production offers a different view of Norma. As Stage Director Guy Joosten explains in the introduction on the first of a 2-disc set, he wanted to give the audience “more” of what he believes the modern audience expects. »

08 Apr 2008

KUMMER: Cello Duets

If Friedrich August Kummer is not a household word in your home, no reason for concern — he is one of the prolific Kleinmeistern of the post-Beethoven generation, a generation for which the cost of printing had dropped so much that it was financially possible for a composer to produce hundreds of published opuses. »

06 Apr 2008

Johann Sebastian Bach Cantatas [BWV 64, 151, 57 and 133]

This installment of John Eliot Gardiner’s impressive Bach Cantata Pilgrimage comes from close to the end of his millennial Wanderjahr, presenting cantatas for Christmas week. »

06 Apr 2008

Serafin: Overtures and Preludes

Timeless values of great opera conducting fill this disc of overtures and preludes, all conducted by Tullio Serafin. »

30 Mar 2008

William Byrd. Laudibus in sanctis.

William Byrd’s affinity for the Latin motet found various outlets. »

30 Mar 2008

HANSON: Merry Mount

A frequent complaint about contemporary operas — or most any after Puccini's Turandot — is the lack of that memorable lyricism found in the standard repertory. »

30 Mar 2008

Verdi: La Forza del Destino

From a relatively obscure label — Osteria — comes this 1962 live recording of Verdi's La Forza del Destino, featuring a relatively obscure soprano, Gré Brouwenstijn. »

30 Mar 2008

Classics for Pleasure opera highlights: Puccini

With single CD versions of full-length operas, isn't the term "highlights" presumptuous? »

16 Mar 2008

MOZART: Don Giovanni

This an intriguing two-disc DVD set. The primary disc is the opera itself, while the other disc is a film called “Adieu Mozart” that tells us about the unique relationship Mozart had with the City of Prague. »

16 Mar 2008

Zarzuelas — Arrieta: Marina; Bretón: La verbena de la paloma; Vives: Bohemios and Doña Francisquita

The Spanish comical lyric genre of the zarzuela has long been considered the stepchild of opera. »

16 Mar 2008

Best of British from the BBC Proms 2007

The BBC Proms webcasts all of its performances, and many are available for extended periods through BBC Radio's archives. »

16 Mar 2008

The Opera Gala — Live from Baden-Baden

As evidence of Deutsche Grammophon's proud status as a classical record label of the "old school," there appears this CD document of a typical opera gala affair, from July of 2007 in Baden-Baden. »