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Elsewhere

Daniel Michieletto's Cav and Pag returns to Covent Garden

It felt rather decadent to be sitting in an opera house at 12pm. Even more so given the passion-fuelled excesses of Pietro Mascagni’s Cavalleria Rusticana and Ruggero Leoncavallo’s Pagliacci, which might seem rather too sensual and savage for mid-day consumption.

Manitoba Opera: Madama Butterfly

Manitoba Opera opened its 45th season with Puccini’s Madama Butterfly proving that the aching heart as expressed through art knows no racial or cultural divide, with the Italian composer’s self-avowed favourite opera still able to spread its poetic wings across time and space since its Milan premiere in 1904.

Ian Bostridge and Julius Drake celebrate 25 years of music-making

In 1992, concert promoter Heinz Liebrecht introduced pianist Julius Drake to tenor Ian Bostridge and an acclaimed, inspiring musical partnership was born. On Wenlock Edge formed part of their first programme, at Holkham Hall in Norfolk; and, so, in this recital at Middle Temple Hall, celebrating their 25 years of music-making, the duo included Vaughan Williams’ Housman settings for tenor, piano and string quartet alongside works with a seventeenth-century origin or flavour.

Girls of the Golden West in San Francisco

Not many (maybe any) of the new operas presented by San Francisco Opera over the past 10 years would lure me to the War Memorial Opera House a second time around. But for Girls of the Golden West just now I would be there again tomorrow night and the next, and I am eagerly awaiting all future productions.

DiDonato is superb in Semiramide at Covent Garden

It’s taken a while for Rossini’s Semiramide to reach the Covent Garden stage. The last of the operas which Rossini composed for Italian theatres between 1810-1823, Semiramide has had only one outing at the Royal Opera House since 1887, and that was a concert version in 1986.

Hans Werner Henze Choral Music

Hans Werner Henze works for mixed voice and chamber orchestra with SWR Vokalensemble and Ensemble Modern, conducted by Marcus Creed. Welcome new recordings of important pieces like Lieder von einer Insel (1964), Orpheus Behind the Wire (1984) plus Fünf Madrigale (1947).

Philippe Jaroussky and Ensemble Artaserse at the Wigmore Hall

‘His master’s masterpiece, the work of heaven’: ‘a common fountain’ from which flow ‘pure silver drops’. At the risk of effulgent hyperbole, I’d suggest that Antonio’s image of the blessed governance and purifying power of the French court - in the opening scene of Webster’s The Duchess of Malfi - is also a perfect metaphor for the voice of French countertenor Philippe Jaroussky, as it slips through Handel’s roulades like a silken ribbon.

La Rondine Takes Flight in San Jose

Kudos to San Jose Opera for offering up a wholly winning, consistently captivating new production of Puccini’s seldom performed La Rondine.

Bettina Smith, Norwegian Mezzo, in Songs by Fauré and Debussy

Here are five complete song sets by two of the greatest masters of French song. The performers are highly competent. I should have known, given the rave reviews that their 2015 recording of modern Norwegian songs received.

Clonter Opera Gala

Clonter’s Opera Gala in the breath-taking beautiful ball-room at the Lansdowne Club in Mayfair was a glamorously glittering smattering of opera – which made me want to run out to every opera in town.  

Étienne-Nicolas Méhul: Uthal

The opera world barely knows how to handle works that have significant amounts of spoken dialogue. Conductors and stage directors will often trim the dialogue to a bare minimum (Magic Flute), have it rendered as sung recitative (Carmen), or have it spoken in the vernacular though the sung numbers may often be performed in the original language (Die Fledermaus).

A New Anna Moffo?: The Debut Disc of Aida Garifullina

Here is the latest CD from a major label promoting a major new soprano. Aida Garifullina is utterly remarkable: a lyric soprano who also can handle coloratura with ease. Her tone has a constant shimmer, with a touch of quick, narrow vibrato even on short notes.

A New Die Walküre at Lyric Opera of Chicago

From the start of Lyric Opera of Chicago’s splendid, new production of Richard Wagner’s Die Walküre conflict and resolution are portrayed throughout with moving intensity. The central character Brünnhilde is sung by Christine Goerke and her father Wotan by Eric Owens.

As One a Haunting Success in San Diego

San Diego Opera has mined solid gold with its mesmerizing and affecting production of As One, a part of their innovative ‘Detour Series.’

OLF: Songs by Tchaikovsky, Anton Rubinstein, Rachmaninov and Georgy Sviridov

Compared to the oft-explored world of German lieder and French chansons, the songs of Russia are unfairly neglected in recordings and in the concert hall. The raw emotion and expansive lyricism present in much of this repertoire was clearly in evidence at the Holywell Music Room for the penultimate day of the celebrated Oxford Lieder Festival.

Stockhausen’s STIMMUNG and COSMIC PULSES at the Barbican.

This concert was an event on several levels - marking a decade since the death of Stockhausen, the fortieth anniversary (almost to the day) since Singcircle first performed STIMMUNG (at the Round House), and their final public performance of the piece. It was also a rare opportunity to hear (and see) Stockhausen’s last completed purely electronic work, COSMIC PULSES - an overwhelming visual and aural experience that anyone who was at this concert will long remember.

Bampton Classical Opera Young Singers’ Competition 2017 - Winner Announced

Bampton Classical Opera is pleased to announce that the winner of the 2017 Young Singers’ Competition is mezzo-soprano Emma Stannard and the runner-up is tenor Wagner Moreira. The winner of the accompanists’ prize, a new category this year, is Keval Shah.

Il sogno di Scipione: a new recording from Classical Opera

With this recording of Mozart’s 1771 opera, Il sogno di Scipione (Sicpio’s Dream), Classical Opera continue their progress through the adolescent composer’s precocious achievements and take another step towards the fulfilment of their complete Mozart opera series for Signum Classics.

Nico Muhly's Marnie at ENO

Winston Graham’s 1961 novel Marnie was bold for its time. Its themes of sexual repression, psychological suspense and criminality set within the dark social fabric of contemporary Britain are but outlier themes of the anti-heroine’s own narrative of deceit, guilt, multiple identities and blackmail.

TOSCA: A Dramatic Sing-Fest

On November 12, 2017, Arizona Opera presented Giacomo Puccini’s verismo opera, Tosca, in a dramatic production directed by Tara Faircloth. Her production utilized realistic scenery from Seattle Opera and detailed costumes from the New York City Opera. Gregory Allen Hirsch’s lighting made the set look like the church of St. Andrea as some of us may have remembered it from time gone by.


OPERA TODAY ARCHIVES »

Recordings

29 Nov 2017

Hans Werner Henze Choral Music

Hans Werner Henze works for mixed voice and chamber orchestra with SWR Vokalensemble and Ensemble Modern, conducted by Marcus Creed. Welcome new recordings of important pieces like Lieder von einer Insel (1964), Orpheus Behind the Wire (1984) plus Fünf Madrigale (1947).  »

Recently in Recordings

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28 Aug 2007

BRUCKNER: Symphony no. 5

Recorded live at the Stiftsbasilika, St. Florian (Austrian) on 12 and 13 September 2006, this DVD offers a special performance of the famous Cleveland Orchestra outside its home at Severance Hall. »

28 Aug 2007

BERG: Wozzeck

Among the available DVDs of Alban Berg's opera Wozzeck, the recent release of the production Rolf Liebermann made into a film i the late 1960s stands out for various reasons. »

28 Aug 2007

Faustina Bordoni: Faces of a prima donna

Opera singers today have become almost as famous and publicly worshipped as movie-stars; yet this has always been the case in operatic history. »

27 Aug 2007

Carlos Cogul: Introduction

Carlos Cogul is a London vocal coach and an appreciated baritone giving many a recital ……in the London Tube while commuters hastily pass by to catch their trains. Judging from the photo on this CD he is not a young man any more. »

27 Aug 2007

ROSSINI: Bianca e Falliero

The choice between this recording made at the Pesaro Festival in August 2005 and the Opera Rara recording of 2000 will partly be made for non-musical reasons. »

27 Aug 2007

Jan Neckers on Recently Reissued Historicals

Almost thirty years ago a century old tradition ended with the last performance of I Maestri Cantatori. »

04 Jul 2007

DONIZETTI: Don Pasquale

An ingenious and handsome staging, in the proper period and full of delicious color, fashion and furnishings, a production that honors the compatibility of tradition with good fun, and four singers who look their parts, play the farce, and are as easy on the ears as on the eyes — what more could you want from a Don Pasquale? »

04 Jul 2007

SZYMANOWSKI: Songs of a Fairy-tale Princess; Harnasie; Love Songs of Hafiz

The Polish composer Karol Szymanowski (1882-1937) is one of more engaging composers of the early twentieth century. »

04 Jul 2007

DONIZETTI: Dom Sébastien, roi de Portugal

When hearing the final work of a composer whose life was cut short, one can not help but wonder, “What if?” »

27 Jun 2007

BRUCKNER: Symphony no. 8 (rev. version, Nowak ed.)

Established in 1985 by the United Nations, the World Philharmonic Orchestra gave its inaugural concert on 12 December 1985 under the auspices of UNICEF and the Konserthus, Sweden. »

27 Jun 2007

ROSSINI: La Scala di Seta

La Scala di Seta, composed in Venice in 1812 (Rossini was 20; Tancredi and fame were a year off; Barbiere and immortality were four years down the road), shares the fortune of La Gazza Ladra: that is, until recently, the public knew the overture quite well but nothing else from the opera which, indeed, lacks the spectacular arias and hilarious ensembles that might have kept it on the boards. »

25 Jun 2007

WEBER: Der Freischütz

Produced by Rolf Lieberman and directed for television by Joachim Hess, this 1968 studio recording of Carl Maria von Weber’s Der Freischütz has much to recommend as a traditional production of the opera. »

24 Jun 2007

ROSSINI: Il Viaggio a Reims

Il Viaggio a Reims was a pièce d’occasion, part of the official tributes to Charles X of France on his coronation in 1825, but unlike most such creations – which tend to dreary platitudes of the Oscar speech variety – Viaggio has a cheeky personality and delicious music from Rossini at the top of his game, music he planned to recycle in subsequent operas – which he did. »

24 Jun 2007

STRAVINSKY: Histoire du soldat (Suite); Renard

As indicated in the copy on the CD, itself this is indeed a “unique collection of mostly short works” by Igor Stravinsky. »

24 Jun 2007

Sacred Music from Notre-Dame Cathedral

In charting the history of music in the West, the twelfth and thirteenth centuries in Paris loom large as a golden age of innovative polyphony, a golden age that is much the fruits of two composers, Leoninus and Perotinus. »

22 Jun 2007

Concilium musicum Wien on authentic instruments

This live concert recording assembles a trio of late eighteenth-century Viennese composers; the program is strong in evocation of time and place, but admittedly less so in substance. »

17 Jun 2007

LASSUS: Psalmi Davidis pœnitentiales

Among Lasso’s vast output there are few works more imposing than his collected settings of the seven penitential psalms. »

17 Jun 2007

WAXMAN: Joshua

Franz Waxman was working with librettist James Forsyth on an opera, Dr. Jekyll, when the composer’s wife died. »

17 Jun 2007

MAHLER: Urlicht

Mahler: Urlicht is a recording of selected songs for voice and piano from various collections of the composer’s Lieder, including his early settings from Des Knaben Wunderhorn, the later Wunderhorn Lieder that Mahler set in the 1890s in versions with both orchestral and keyboard accompaniment, and also his Rűckert-Lieder, performed by the young mezzo soprano Christianne Stotijn accompanied by Julius Drake. »

11 Jun 2007

VIVALDI: Arie per basso

In 2001 the recording company Naïve and the Istituto per beni musicali in Piemonte began a large-scale undertaking of recording the vast holdings of Vivaldi’s musical library. »

05 Jun 2007

BUSONI : Songs

Doktor Faust eclipses most of Ferrucio’s Busoni’s other work in terms of popularity. Surprisingly, though, he wrote little song. Only 40 pieces remain, many written in his youth. »

04 Jun 2007

The Jussi Björling Series: rare opera recordings from Stockholm

“We’ll discuss the greatest tenor in history, Jussi Björling, and his astounding voice.” »

04 Jun 2007

RUBINSTEIN: Il Demone

I was never much impressed by the Russian performances of this most famous of Rubinstein’s many operas. »

31 May 2007

THOMSON: The Plow that Broke the Plains; The River

Naxos’s DVD venture has produced a fascinating document, the original documentary shorts The Plow that Broke the Plains and The River, filmed by Pare Lorentz, with the Virgil Thomson scores re-recorded by the post-Classical Ensemble, led by Angel Gil-Ordóñez. »

31 May 2007

MAHLER: Symphony no. 2

Given the fine recent recordings of Mahler’s Second Symphony on both CD and DVD, the release of Pierre Boulez’s performances from 26 and 27 March 2005 at the Philharmonie, Berlin, is a further contribution to the interpretations of this important work. »

30 May 2007

MASSENET: Esclarmonde

Just as sausage can be best enjoyed without any extensive knowledge of its preparation and contents, one should slide slowly into the luxuriant bath that is Massenet’s Esclarmonde and leave the libretto far to the side. »

30 May 2007

ORFF: Carmina Burana

Released in early 2007, Marin Alsop’s performance of Carl Orff’s Carmina Burana is an exciting, new recording of this familiar and durable scenic cantata, based on medieval lyrics in Latin and German. »

30 May 2007

Verboten und verbannt: Mendelssohn, Meyerbeer, Zemlinsky, Zeisl, Schönberg, Berg, Mahler.

Verboten und verbannt — forbidden and banned — a phrase used with Jewish composers whose music was proscribed by the Nazis brings to mind more than musical censorship, but also the atrocities that culminated in the Holocaust. »

30 May 2007

Angel Dances

Curmudgeons and aesthetes may have to fight their gag reflex to enjoy some luscious music-making on the latest disc, Angel Dances, from that hot studio band, The Twelve Berlin Philharmonic Cellists. »

29 May 2007

BRITTEN : Gloriana

Towards the end of his life Britten became interested in the idea of developing the opera experience beyond the technical confines of the stage. He would have, I think, loved this film because it’s so intelligently sensitive to his fundamental ideas. It is, no less, a work of art built around a work of art. »

20 May 2007

VERDI: Aida

This recording is a souvenir in more than one sense. »

20 May 2007

Anonymous 4: Gloryland

The quality packaging of Anonymous 4’s latest recording indicates the group’s importance to their label, Harmonia Mundi. »

09 May 2007

LEONCAVALLO: Pagliacci

In the countless performances of Leoncavallo’s masterpiece Pagliacci since its 1892 premiere, there must have been times when the light tenor singing Beppe watched the other tenor, of heavier voice, in the lead role of Canio and wondered if someday he (the Beppe) would take on the dramatic role of the homicidal clown. »

09 May 2007

Audrey Stottler Sings Wagner

Audrey Stottler’s Wagner recital provides ample evidence of a voice with the range and heft for the challenging roles of Brünnhilde and Isolde, as well as Sieglinde, a role often sung by a vocalist with less firepower. »

09 May 2007

Alison Balsom: Caprice

Dare one assume that with this disc, Alison Balsom becomes the first artist to bring her lung power to both Norma’s “Casta Diva” and Die Zauberflöte’s “Der hölle rache” in the same recital? »

03 May 2007

Franco Corelli: His Early Cetra Records

I often wonder who decides what records will be used to produce historical vocal issues. »

03 May 2007

Cesare Siepi: The Salzburg Recital of 1956; Arias from Norma, Faust, Don Carlo

For those who didn’t long ago purchased or exchanged this Salzburg recital via the pirate connections, this is a fine opportunity to get maybe the best testimonial of this artist. »

03 May 2007

American Choral Music

The commitment of Naxos to American music is substantial and admirable. »

02 May 2007

OFFENBACH: Orpheus in der Unterwelt (Orphée aux enfers)

Filmed for television in 1971, this performance of the German translation of Orphée aux enfers (1858) as Orpheus in der Unterwelt breaks the conventional wisdom that some espouse about the weaknesses of opera or opera when conceived for the small screen. »

02 May 2007

BACH: Cantatas, Vol. 26 (Whit Sunday and Whit Monday)

Among the virtues of hearing Bach cantatas performed in liturgical order—one of the hallmarks of John Eliot Gardiner’s stunning Cantata Pilgrimage of 2000—is the chance to savor Bach’s range of approach to unified text themes. »

01 May 2007

ROSSINI: Bianca e Falliero

Dynamic brought its cameras to the Rossini Opera Festival in Pesaro, Italy, in August 2005 to record Bianca e Falliero, one of Rossini's so-called “serious” operas, and one that had only been rescued from many decades of neglect by the festival itself, in 1986. »

25 Apr 2007

MAHLER: Symphony no. 2

Over a century after its premiere, Mahler's Second Symphony continues to be a compelling work and is as relevant now as it was when the work was conceived. »

25 Apr 2007

Beverly Sills & Placido Domingo

More than ever, compilations of previously released material fill the shelves of those stores still selling classical music. »

19 Apr 2007

PENDERECKI: Symphony no. 7

Krzyzstof Penderecki (b. 1933) has contributed a body of works to the modern repertoire, and his Symphony no. 7, which he composed 1996 (premiere 1997 in Jerusalem), is an impressive composition. »

16 Apr 2007

MAHLER: Des Knaben Wunderhorn

The orchestral songs of Gustav Mahler remain an important contribution to the genre, and stand well alongside similar works by Berlioz, Wolf, and Strauss. »

15 Apr 2007

RIMSKY-KORSAKOV: Sadko

This sumptuous 2006 release was recorded live in the Mariinsky Theater in St. Petersburg in late 1993 for European TV broadcast the following year. »

11 Apr 2007

L’invitation au voyage: Mélodies from La belle époque

“Linvitation au voyage” is an appropriate title for this collection of French song, which makes available a number of fine performances of both familiar and rare works. »

11 Apr 2007

WAGNER: Lohengrin

With a label such as Gala, a purveyor of live recordings of various provenance, some adjustment to compromised sound quality can be expected. »

07 Apr 2007

BERNSTEIN: Fancy Free; Dybbuk

This excellent disc brings together two ballet scores from the far ends of Leonard Bernstein’s compositional career. »

06 Apr 2007

Kurt Weill on Broadway: Songs and Orchestrations by Kurt Weill

Kurt Weill’s perennial appeal can be attributed to various factors, not the least of which is the genuine craft of his stage works. »