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Elsewhere

Late Schumann in context - Matthias Goerne and Menahem Pressler, London

Matthias Goerne and Menahem Pressler at the Wigmore Hall, London, an intriguing recital on many levels. Goerne programmes are always imaginative, bringing out new perspectives, enhancing our appreciation of the depth and intelligence that makes Lieder such a rewarding experience. Menahem Pressler is extremely experienced as a soloist and chamber musician, but hasn't really ventured into song to the extent that other pianists, like Brendel, Eschenbach or Richter, for starters. He's not the first name that springs to mind as Lieder accompanist. Therein lay the pleasure !

Guillaume Tell, Covent Garden

It is twenty-three years since Rossini’s opera of cultural oppression, inspiring heroism and tender pathos was last seen on the Covent Garden stage, but this eagerly awaited new production of Guillaume Tell by Italian director Damiano Micheletto will be remembered more for the audience outrage and vociferous mid-performance booing that it provoked — the most persistent and strident that I have heard in this house — than for its dramatic, visual or musical impact.

Sara Gartland Takes on Jenůfa

Sara Gartland is an emerging singer who brings an enormous talent and a delightful personality to the opera stage. Having sung lighter soprano roles such as Juliette in Gounod’s Romeo et Juliette and Violetta in Verdi’s La traviata, Gartland is now taking on the title role in Leoš Janáček’s dramatic opera Jenůfa.

Aida, Opera Holland Park

With its outrageous staging demands, you sometimes wonder why opera companies want to produce Verdi’s Aida. But the piece is about far more than pharaohs, pyramids and camels.

Press Release: Welsh National Opera explores Madness for autumn season

Madness descends upon Welsh National Opera for its autumn 2015 season, with three new productions that will explore human turmoil through some of the finest musical expressions of madness and the human condition.

A Chat with Pulitzer Prize Winning Composer Jennifer Higdon

American composer Jennifer Higdon has won many awards for her imaginative music. Her percussion concerto received the 2009 Grammy Award for Best Contemporary Classical Composition.

Death in Venice, Garsington Opera

Given the enduring resonance and impact of the magnificent visual aesthetic of Visconti’s 1971 film of Thomas Mann’s novella, opera directors might be forgiven for concluding that Britten’s Death in Venice does not warrant experimentation with period and design, and for playing safe with Edwardian elegance, sweeping Venetian vistas and stylised seascapes.

La Rondine Swoops Into St. Louis

If La Rondine (The Swallow) is a less-admired work than rest of the mature Puccini canon, you wouldn’t have known it by the lavish production now lovingly staged by Opera Theatre of Saint Louis.

Emmeline a Stunner in Saint Louis

Few companies have championed new or neglected works quite as fervently and consistently as the industrious Opera Theatre of Saint Louis.

Luminous Handel in Saint Louis

For Opera Theatre of Saint Louis, “everything old is new again.”

Two Women in San Francisco

Why would an American opera company devote its resources to the premiere of an opera by an Italian composer? Furthermore a parochially Italian story?

Les Troyens in San Francisco

Berlioz’ Les Troyens is in two massive parts — La prise de Troy and Troyens à Carthage.

Dog Days at REDCAT

On Saturday evening June 13, 2015, Los Angeles Opera presented Dog Days, a new opera with music by David T. Little and a text by Royce Vavrek. In the opera adopted from a story of the same name by Judy Budnitz, thirteen-year-old Lisa tells of her family’s mental and physical disintegration resulting from the ravages of a horrendous war.

Opera Las Vegas Presents Exquisite Madama Butterfly

Audiences at the Teatro alla Scala in Milan first saw Madama Butterfly on February 17, 1904. It was not the success it is these days, and Puccini revised it before its scheduled performances in Brescia.

Yardbird, Philadelphia

Opera Philadelphia is a very well-managed opera company with a great vision. Every year it presents a number of well-known “warhorse” operas, usually in the venerable Academy of Music, and a few more adventurous productions, usually in a chamber opera format suited to the smaller Pearlman Theater.

Giovanni Paisiello: Il Barbiere di Siviglia

Written in 1783, Giovanni Paisiello’s Il Barbiere di Siviglia reigned for three decades as one of Europe’s most popular operas, before being overshadowed forever by Rossini’s classic work.

Princeton Festival: Le Nozze di Figaro

The Princeton Festival has established a reputation for high-quality summer opera. In recent years works by Handel, Britten, Rachmaninoff, Stravinsky, Wagner and Gershwin have been performed at Matthews Theater on Princeton University campus: a 1100-seat auditorium with good sight-lines though a somewhat dry and uneven acoustic.

Die Entführung aus dem Serail,
Glyndebourne

Die Entführung aus dem Serail was Mozart’s first great public success in Vienna, and it became the composer’s most oft performed opera during his lifetime.

German Lieder Is Given a Dramatic Twist by The Ensemble for the Romantic Century

The Ensemble for the Romantic Century offered a thoughtful and well-curated evening in their production of The Sorrows of Young Werther, which is part theatrical performance and part art song concert.

Hans Werner Henze: Ein Landarzt and Phaedra

This was an adventurous double bill of two ‘quasi-operas’ by Hans Werner Henze, performed by young singers who are studying on the postgraduate Opera Course at the Guildhall School of Music and Drama.


OPERA TODAY ARCHIVES »

Recordings

Donizetti: <em>Les Martyrs</em> (Opera Rara ORC52 [3CDs])
30 May 2015

Donizetti: Les Martyrs

As the editor of Opera magazine, John Allison, notes in his editorial in the June issue, Donizetti fans are currently spoilt for choice, enjoying a ‘Donizetti revival’ with productions of several of the composer’s lesser known works cropping up in houses around the world.  »

Recently in Recordings

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08 Mar 2007

PUCCINI: La Bohème

With the distance of time, is it allowable to feel affection for Herbert von Karajan, beyond any respect — grudging or otherwise — for his long, starry career? »

08 Mar 2007

WAGNER: Die Meistersinger von Nürnberg

Recorded between 18 and 29 June 1984 at the Bayreuth Festspielhaus, this production of Richard Wagner's Die Meistersinger von Nűrnberg makes a classic presentation of the opera available in a two-DVD set issued in 2006 by Deutsche Grammophon. »

08 Mar 2007

Verdi Gala from Berlin

This concert was given on New Year’s eve in the year 2000, and the frail Claudio Abbado who comes out to conduct makes for an alarming sight. »

28 Feb 2007

KÁLMÁN : Die Csárdásfürstin

The booklet essay writer effuses passionately about this filmed Kalman operetta, Die Csárdásfürstin. Jürgen Otten gushes over the "immortal melodies," Anna Moffo's "precious jewel" of a voice, and Rene Kollo's "innate nobility." »

27 Feb 2007

Rachmaninov and Glinka: Lieder • Songs • Chants

Originally released by Deutsche Grammophon in 1976, this recording of selected songs by Sergei Rachmaninov (1873-1943) and Mikhail Glinka (1804-57) make available some fine examples of Russian art song to Western audiences. »

27 Feb 2007

ADAM: Le Postillon de Longjumeau

Why should anyone buy a German language broadcast of a delicious French opéra-comique? »

27 Feb 2007

Bach Cantatas, Volume 21

John Eliot Gardiner’s Bach Cantata Pilgrimage continues to echo with the release of concert recordings of this historic millennial tour. »

27 Feb 2007

WAGNER: Tannhäuser

As familiar Richard Wagner’s Tannhäuser is, the opera benefits from solid performances that bring together fine singing, exquisite orchestral playing, and effective staging, and the Metropolitan Opera’s 1982 production conducted by James Levine gave audiences an exemplary performance that remains a touchstone for this work. »

26 Feb 2007

Cori Spezzati: Venetian Polychoral Music

If there ever was a moment where architecture and music became passionately tied to one another, it would be when the polychoral music of the 16th century was tied to St. Mark’s cathedral in Venice. »

21 Feb 2007

Victoria de los Angeles performs Ravel, Debussy & Duparc

Carmen was one of Victoria de los Angeles’ favorite roles and she brought to it much that we hear on this recording of French songs: a winsome voice without heavy vibrato, a close attention to musical detail, and an evident understanding of the French words that she conveys, if not with an impeccable accent, at least with a convincingly understandable pronunciation. »

20 Feb 2007

MOZART: Die Hochzeit des Figaro

Yes, the German title must be employed for this filmed Nozze en Deutsch from 1967. »

20 Feb 2007

WAGNER: Parsifal

Recorded on 28 March 1970 in Rome, this recording of Parsifal makes available a live performance conducted by Wolfgang Sawallisch, one of the foremost interpreters of Wagner’s works in his day. »

18 Feb 2007

HAYDN: Les Sept Dernières Paroles du Christ

Franz Joseph Haydn’s Seven Last Words is well known, both as a familiar part of modern Lenten devotions and also as something of a stylistic oddity, I suspect. »

18 Feb 2007

WAGNER: Parsifal

From the 2005 season of the “reborn” La Fenice comes this Dynamic DVD of Wagner’s Parsifal. »

16 Feb 2007

BRAHMS: Ein deutsches Requiem

In dedicating much of his creative life to the Thomaskirche, the German musician Günther Ramin left his mark on the musical life of Leipzig, and his legacy includes a fine recording of Johannes Brahms’ Ein deutsches Requiem, op. 45. »

16 Feb 2007

BRUCKNER: Symphony no. 4

Perhaps the best-known of Anton Bruckner’s symphonies, the Fourth also benefits from a number of fine recordings. »

14 Feb 2007

SAMMARTINI: Della Passione di Gesú Cristo; L'addolorata Divina Madre.

Giovanni Battista Sammartini (c.1700-1775) belongs to that shadowy generation of Italian composers who no longer composed in the high Baroque style, but had adopted the clarity, simplicity and regularity that would serve as the building blocks for the Viennese masters of the late eighteenth century, and thus were tagged with the rather pejorative label “pre-classic” (a plague on all those music historians who can only see musical style in terms of progress leading to their particular figure of veneration!). »

09 Feb 2007

The Devil’s Dream

The duo of gambist Vittorio Ghielmi and lutenist Luca Pianca even has its own domain name (www.pianca-ghielmi.com), as well as several previous releases, of which the first has perhaps my favorite CD title ever (Bagpipes from Hell). »

09 Feb 2007

ARNE: Six cantatas for a voice and instruments; Advice to Cloe

The English, though fundamental to the early music revival of the last half-century, have been rather remiss in exploring their native music dating from after the death of Purcell, and particularly that produced after the death of Handel. »

08 Feb 2007

VERDI: Rigoletto

Sorry my friends, but this rich-looking DVD has a feature that disqualifies it for me. »

07 Feb 2007

Jaume Aragall en Vivo

During any recital by an aging divo there comes a moment of truth when he sings an operatic aria (usually E lucevan le stelle , as the highest note is an A). That is the defining moment when he no longer can hide behind idiosyncratic interpretation, expressive breathing and a lot of clever transpositions. »

07 Feb 2007

PURCELL: Dido and Aeneas

This disc is a reissue of a 1993 recording made at Skywalker Sound in Marin County, California, but new to me. »

06 Feb 2007

PROKOFIEV: Peter and the Wolf

I suppose you will find this quite an addition to the Melchior legacy if you are a collector of every sound Melchior ever uttered. »

06 Feb 2007

CHARPENTIER: Judicium Salomonis, H. 422; Motet pour une longue offrande, H. 434

Neither of these late works (the Judicium Salomonis is from 1702) is new to disc – the former has two recent recordings, from ten and from twenty years ago, and the latter one, by Herreweghe, released in 1985. »

06 Feb 2007

Walewska i przjaciele: Najpiękniejsze pieśnie, arie i. piosenki

The title Walewska i przjaciele, “Walewska and friends,” reflects the intention of the mezzo soprano Małgorzata Walewska, one of the foremost contemporary Polish singers to present herself and some of her colleagues in recording of various kinds of music. »

05 Feb 2007

BERLIOZ: La damnation de Faust

Why do some conductors make it and others don’t? »

28 Jan 2007

EDER: Musik für die Felsenreitschule

While many associate it with traditional music, the Salzburg Festival is also a venue for new productions and, to a degree, new compositions. »

28 Jan 2007

ROSSINI: Semiramide

The reason for being of this set is Gruberova’s wish to record as much as possible of her repertory (on her own label as most of the majors were either not interested in recording belcanto operas or had their own stars like Decca’s Joan Sutherland). »

28 Jan 2007

VERDI: Aida

Who is the potential consumer for this DVD release of a 1953 Italian film version of Verdi's Aida, featuring Sophia Loren's stunning physical presence and Renata Tebaldi's stunning vocalism in the title role? »

24 Jan 2007

RAMEAU: In Convertendo Dominus

Let it be said at the outset that, at least to my eyes, the packaging and marketing of this DVD is somewhat misleading. »

24 Jan 2007

MAHLER: Songs of a Wayfarer; Symphony no. 1 in D

A welcome addition to the London Philharmonic Orchestra’s own line of releases, this CD is a compilation of two works by Gustav Mahler that the late Klaus Tennstedt performed with the ensemble and which have not been issued previously. »

24 Jan 2007

JANACEK: Káťa Kabanová

I saw my first Káťa 37 years ago during the Flanders Festival. At the time it was still an almost complete novelty on the scene and the Czech company performed it according to the composer’s intentions. »

23 Jan 2007

BROSSARD: Grands Motets

Sébastien de Brossard (1655-1730) was, until recently, known to the musical world (if he was known at all) as a lexicographer (he prepared the first French musical dictionary, published in 1703) and collector, whose collection went entire, together with a catalogue he prepared, to the National Library in Paris, something which must have been almost unheard of in early eighteenth-century Europe, though commonplace today (imagine if Bach had managed to do the same with his scores!). »

21 Jan 2007

CUYÁS: La Fattucchiera

The sleeve notes of this interesting issue state that “ any comparison between La Fattucchiera and Italian bel canto models by Bellini or Donizetti would be too easy though it became commonplace to describe him (= Cuyàs) as the continuator of the school of Bellini. »

21 Jan 2007

MARTIN Y SOLER: La Madrilena

Although the name of Vicente Martin y Soler is no longer obscure, most opera lovers still know him best due to Mozart quoting his opera ‘Una cosa rara’ during the Don’s last meal in Don Giovanni. »

21 Jan 2007

DEBUSSY: Pelléas et Melissande

I was impressed by Karajan’s intense conducting, which seems so right in the wake of the unavoidable tragedy that is going to happen. »

21 Jan 2007

STRAUSS: Die Fledermaus

Record companies are dominated by accountants and short term cost structure seems to be more important than artistic results or even sale figures. This is a prime example. »

21 Jan 2007

DITTERSDORF: Il barone di rocca antica

For those OperaToday readers prone to fantasies about being a member of royalty with one's own cozy opera house tucked away on the hereditary estate, this Hungaroton DVD will enable that desire. Filmed in August 2005 at the royal palace at Gödölló, Il barone di rocca antica, an operetta giocosa from Karl Ditters von Dittersdorf, requires only four singers. »

21 Jan 2007

Montserrat Caballé: Französische Opernarien

There is a (no doubt apocryphal) story that if one listens carefully to Caballé’s recordings there is a slight sshhh-sound in the background; the sound of the knife she uses to cut open her scores while recording. »

21 Jan 2007

Giuseppe di Stefano: Opera Recital

This issue from DG’s own classic recital series is a copy of the 1963 LP. »

21 Jan 2007

Die Göttliche Liturgie

Serge Jaroff and his Don Cossacks Choir were for many decades legendary performers of Russian choral music, ranging from the liturgical works of Orthodoxy to beloved regional folk melodies. »

21 Jan 2007

HANDEL: Giulio Cesare

This Sellars production had its origins at the 1985 Pepsico Summerfare Festival in Purchase NY. »

19 Jan 2007

WAGNER: Lohengrin

These recordings prove decisively a well-known thesis: more or less realistic productions always age better than so called innovative modern productions which often only aggrandize the clichés of the time of their conception if one views them a few decades after their première. »

17 Jan 2007

SILVER: The Thief of Love

If the audience for new American art music seems small and is (supposedly) shrinking, then the audience for new American operas is even more exclusive. »

17 Jan 2007

Opera Night

Some interesting repertory choices and the participation of some of today's most attractive singers make this particular "gala" evening of "walk on-sing-walk off" entertainment more consistently enjoyable than these affairs often are. »

16 Jan 2007

WAGNER: Tannhäuser

The ever-busy Brian Large directed the 1989 filming (for TV) of a Wolfgang Wagner Tannhäuser production which had debuted at Bayreuth in 1985. »

16 Jan 2007

SHOSTAKOVICH: The Complete Symphonies

Recording a Shostakovich cycle has become de rigueur in recent years — a conductor’s mandatory right of passage, like recording a Beethoven or a Mahler cycle. »

15 Jan 2007

Era La Notte

“Era la notte” presents four highly emotional, seventeenth-century Italian works, sung with commanding theatricality by Anna Caterina Antonacci. »