Subscribe to
Opera Today

Receive articles and news via RSS feeds or email subscription.


facebook-icon.png


twitter_logo[1].gif



9780393088953.png

9780521746472.png

0810888688.gif

0810882728.gif

Elsewhere

Elizabeth Llewellyn: Investec Opera Holland Park stages Puccini's La Rondine

It’s six or so years ago since soprano Elizabeth Llewellyn appeared as an exciting and highly acclaimed new voice on the UK operatic stage, with critics praising her ‘ravishing account’ (The Stage) of Mozart’s Countess in Investec Opera Holland Park’s 2011 Le nozze di Figaro in which ‘Porgi, amor’ was a ‘highlight of the evening’.

Sukanya: Ravi Shankar's posthumous opera

What links Franz Xaver Süssmayr, Brian Newbould and Anthony Payne? A hypothetical question for University Challenge contestants elicits the response that they all ‘completed’ composer’s last words: Mozart’s Requiem, Schubert’s Symphony No.8 in B minor (the Unfinished) and Edward Elgar’s Third Symphony, respectively.

Cavalli's Hipermestra at Glyndebourne

‘Make war not love’, might be a fitting subtitle for Francesco Cavalli’s opera Hipermestra in which the eponymous princess chooses matrimonial loyalty over filial duty and so triggers a war which brings about the destruction of Argos and the deaths of its inhabitants.

Dougie Boyd, Artistic Director of Garsington Opera: in conversation

One year ago, tens of millions of Britons voted for isolation rather than for cooperation, but Douglas (Dougie) Boyd, Artistic Director of Garsington Opera, is an energetic one-man counterforce with a dynamic conviction that art and culture are strengthened by participation and collaboration; values which, alongside excellence and a spirit of adventure, have seen Garsington Opera acquire increasing renown and esteem on the international stage during his tenure, since 2012.

I Fagiolini's Orfeo: London Festival of Baroque Music

This year’s London Festival of Baroque Music is titled Baroque at the Edge and celebrates Monteverdi’s 450th birthday and the 250th anniversary of Telemann’s death. Monteverdi and Telemann do in some ways represent the ‘edges’ of the Baroque, their music signalling a transition from Renaissance to Baroque and from Baroque to Classical respectively, though as this performance of Monteverdi’s Orfeo by I Fagiolini and The English Cornett & Sackbutt Ensemble confirmed such boundaries are blurred and frequently broken.

The English Concert: a marvellous Ariodante at the Barbican Hall

I’ve been thinking about jealousy a lot of late, as I put the finishing touches to a programme article for Bampton Classical Opera’s summer production of Salieri’s La scuola de' gelosi. In placing the green-eyed monster centre-stage, Handel’s Ariodante surely rivals Shakespeare’s Othello in dramatic clarity and concision, as this terrifically animated and musically intense performance by The English Concert at the Barbican Hall confirmed.

Kathleen Ferrier - "new" recordings

Kathleen Ferrier Remembered, from SOMM Recordings, makes available on CD archive broadcasts of British and German song. All come from BBC broadcasts made between 1947 and 1952. Of the 26 tracks in this collection, 19 are "new", not having been commercially released. The remaining seven have been remastered by sound restoration engineer Ted Kendall. Something here even for those who already own the complete recordings.

Riel Deal in Toronto

With its new production of Harry Somers’ Louis Riel, Canadian Opera Company has covered itself in resplendent glory.

Concert Introduces Fine Dramatic Tenor

On May 4, 2017, Los Angeles Opera presented a concert starring Russian soprano Anna Netrebko and her husband, Azerbaijani tenor Yusif Eyvazev. Led by Italian conductor Jader Bignamini, members of the orchestra showed their abilities, too, with a variety of instrumental selections played between the singers’ arias and duets.

COC: Tosca’s Cautious Leap

Considering the high caliber of the amassed talent, Canadian Opera Company’s Tosca is a curiously muted affair.

Matthias Goerne - late Schumann songs, revealed

Matthias Goerne Schumann Lieder, with Markus Hinterhäuser, a new recording from Harmonia Mundi. Singers, especially baritones, often come into their prime as they approach 50, and Goerne, who has been a star since his 20's is now formidably impressive. The colours in his voice have matured, with even greater richness and depth than before.

Schubert's 'swan-song': Ian Bostridge at the Wigmore Hall

No song in this wonderful performance by Ian Bostridge and Lars Vogt at the Wigmore Hall epitomised more powerfully, and astonishingly, what a remarkable lieder singer Bostridge is, than Schubert’s Rellstab setting, ‘In der Ferne’ (In the distance).

Baritone Josep-Ramon Olivé wins the 2017 Guildhall School Gold Medal

The Guildhall School of Music and Drama has announced baritone Josep-Ramon Olivé as the winner of this year’s Gold Medal, the School’s most prestigious prize for outstanding soloists. The prize is awarded to singers and instrumentalists in alternate years and this year was the turn of the singers.

Stunning power and presence from Lise Davidsen

For Norwegian soprano Lise Davidsen this has been an exciting season, one which has seen her make several role and house debuts in Europe and beyond, including Agathe (Der Freischutz) at Opernhaus Zürich, Santuzza (Cavalleria Rusticana) Norwegian National Opera and, just last month, Isabella (Liebesverbot) at Teatro Colón. This Rosenblatt Recital brought her to the Wigmore Hall for her UK recital debut and if the stunning power, shining colour and absolute ease that she demonstrated in a well-chosen programme of song and opera are anything to judge by, Glyndebourne audiences are in for a tremendous treat this summer, when Davidsen appears in the title role of Richard Strauss’s Ariadne auf Naxos.

LALO and COQUARD: La Jacquerie

La Jacquerie—here recorded for the first time—proves to be a wonderful opera, bringing delight upon delight.

Three Rossini Operas Serias

Rossini’s serious operas once dominated opera houses across the Western world. In their librettos, the great French author Stendahl—then a diplomat in Italy and the composer’s first biographer—saw a post-Napoleonic “martial vigor” that could spark a liberal revolution. In their vocal and instrumental innovations, he discerned a similar revolution in music.

Urania Remasters Marriage of Figaro

Good news for lovers of Mozart’s Marriage of Figaro: the famous Living Stereo recording, a co-production of RCA Victor and English Decca, is now available again, well remastered, on Urania.

Tosca: Stark Drama at the Chandler Pavilion

On Thursday evening April 27, 2017, Los Angeles Opera presented a revival of Giacomo Puccini’s Tosca at the Dorothy Chandler Pavilion. In 2013, director John Caird had given Angelinos a production that made Tosca a full-blooded, intense drama as well as a most popular aria-studded opera. His Floria was a dove among hawks.

Glyndebourne Festival 2018 programme announced

The UK’s first professional production of Samuel Barber’s Pulitzer prize-winning opera Vanessa takes place at Glyndebourne Festival 2018. One of the great American operas, Vanessa was hailed as a triumph at its premiere in 1958 but quickly fell out of the repertoire and has only been staged intermittently since.

Major new international singing competition launched by Glyndebourne

The Glyndebourne Opera Cup - the international competition for opera singers is designed to discover and spotlight the best young singers from around the world, offering a top prize of £15,000 and a platform for launching an international opera career.


OPERA TODAY ARCHIVES »

Recordings

17 May 2017

Kathleen Ferrier - "new" recordings

Kathleen Ferrier Remembered, from SOMM Recordings, makes available on CD archive broadcasts of British and German song. All come from BBC broadcasts made between 1947 and 1952. Of the 26 tracks in this collection, 19 are "new", not having been commercially released. The remaining seven have been remastered by sound restoration engineer Ted Kendall. Something here even for those who already own the complete recordings.  »

Recently in Recordings

All Pages |  1  |  2  |  3  |  4  |  5  |  6  |  7  |  8  |  9  |  10  |  11  |  12  |  13  |  14  |  15  |  16  |  17  |  18  |  19  |  20  |  21  |  22  |  23  |  24  |  25  |  26  |  27  |  28  |  29  |  30  |  31  |  32 
14 Jan 2006

Berlin Opera Night

At 73 minutes, this DVD of the typical gala affair – various soloists trot on, sing an aria, then trot off – can’t be called generous, but it does have variety. »

14 Jan 2006

MASSENET: Werther

When you and I were young Maggie, there was only the fine Werther with Thill and Vallin and the Cetra recording with Tagliavini and his first wife, Pia Tassinari. »

14 Jan 2006

SCHEIDT: Ludi musici I, II, III & IV

I suspect that when we survey the musical landscape of the early seventeenth century, it is opera, monody, and madrigal that come most quickly and lastingly into view, and given the contemporaneous attention given to the relationship between music and word, it is unsurprising that this would be the case. »

14 Jan 2006

CACCINI: Nuove musiche

When Giulio Caccini entitled his landmark 1601/02 publication Le nuove musiche, he confidently laid claim both to the novelty of the emerging baroque style and his formidable role in bringing it to blossom. »

11 Jan 2006

VERDI: Macbeth

This Macbeth, originally conceived by Phyllida Lloyd for a co-production of the Paris Opéra and Covent Garden, is an excellent example of what nowadays is to be seen on most opera stages in Europe (and probably the States as well). »

11 Jan 2006

BELLINI: I Puritani

Through Rossini's influence Bellini and his rival Donizetti were each invited to compose an opera for the Théâtre des Italiens in Paris. Bellini who, paranoid and delusional, thought he was the object of a sinister plan headed by Rossini to benefit Donizetti, went out of his way to ingratiate himself with the "Great Master" long before Donizetti's arrival in the French capital. After a year of idle life in Paris, where he survived off the kindness of his hosts and friends, the Sicilian composer set to work on what would regretfully become his last opera: I Puritani di Scozia. »

08 Jan 2006

CILEA: L’Arlesiana

For a work that is known as a one-aria-opera, four official (this one included) recordings is not a bad record. And of course most opera-lovers have not only “E la solita storia” in their many tenor recitals but know the baritone aria “Come due tizzi” and the mezzo’s “Esser madre è un inferno” as well. »

08 Jan 2006

Operatunity Winners — Denise Leigh and Jane Gilchrist

When asked if I had any interest in reviewing the discs of “the Operatunity finalists,” I admit I was so ignorant of what Operatunity was that I had to make a quick web search to find out. »

06 Jan 2006

Dvořák und seine Zeit

Dvořák und seine Zeit – Dvořák and his Time – immediately conveys a singular perspective on some of the vocal music of Antonín Dvořák (1841-1904) in the context of his generation. Recorded on 17 August 2004, the music on this two-CD set is from the second of two programs that were given at the 2004 Salzburg Festspiel under the rubric of “Dvořák und seine Zeit.” »

06 Jan 2006

Natalie Dessay: Mozart Concert Arias

I wonder how Natalie Dessay would comment on this CD made more than 10 years ago when she was barely thirty? The lady is a dream for every interviewer. »

06 Jan 2006

BELLINI: La Sonnambula

What to do, what to do, with Bellini and Romani’s bel canto masterpiece, La Sonnambula? The exquisite music demands to be performed, so the opera continues to have an existence on the fringes of the standard repertory. »

04 Jan 2006

Régine Crespin: Wagner and Berlioz Opera Arias

For those who want to possess every single TV appearance of Régine Crespin, this issue will not suffice. Only four items of the EMI DVD devoted to the soprano are to be found on the short DVD that is included with this CD. »

04 Jan 2006

CATALANI: La Falce

Although nothing is mentioned on the cover of the CD, I think this is the first official recording of the opera even if there are some pirates doing the rounds of the collectors (my copy is a Buenos Aires pirate). So this is not an unimportant issue of Catalani’s first opera. »

03 Jan 2006

Jonathan Lemalu: Love Blows as the Wind Blows

If one should believe British critics, especially English ones, Jonathan Lemalu is a major new bass; one of the greatest talents around whose qualities are widely proven by the fact this is already his third solo CD in a short time. »

02 Jan 2006

BRUCH: Das Lied von der Glocke

A century or so past, those simpler times without the internet, Desperate Housewives, and back-to-back sports and other activities that desperate parents feel they have to chauffeur their children to so they’ll be able to get into the higher levels of student loan debt, Americans joined choral societies and regularly presented well-known oratorios and cantatas: Elijah, The Seasons, maybe Christ on the Mount of Olives if they were really adventurous. »

02 Jan 2006

WEBER: Der Freischütz

This 1959 recording is one where the whole is bigger and better than the separate parts. It is the German equivalent to the Cetra recordings of the fifties. Those were maybe not the greatest recording of an opera but one felt that everybody was steeped in the Italian tradition. The same is happening here. »

02 Jan 2006

VERDI: La Traviata

One takes a look at the sleeve and one realizes the wheel has finally turned a full circle. It started to move with the Decca La Traviata (Gheorgiu as Violetta, conducted by Solti) in 1994. Downloading and pc-copies were still in the future but nevertheless sales of complete opera recordings were spectacularly falling off since the eighties. »

29 Dec 2005

Mario Del Monaco at the Bolshoi

Myto has the good sense to call a spade a spade. This is an issue exclusively meant for the Del Monaco-crowd and not for people wanting a Carmen or a Pagliacci. The set has one enormous quality: a brilliant natural sound that hides nothing and doesn’t change the balance of the voices. »

29 Dec 2005

SCHREKER: Christophorus oder “Die Vision einer Oper”

How easy it might be to overlook this lesser-known Schreker opera, composed in 1928 and dedicated to Schreker’s good friend Arnold Schoenberg, here in its recorded debut. It has a quite curious libretto, complex and multilayered, and Schreker moves between what are at times quite disparate styles. »

27 Dec 2005

SCHUBERT: Winterreise

Franz Schubert’s song cycle Winterreise has been performed by many fine singers, who keep the work alive in the repertoire and in the imagination of audiences. In recent years the work has been subject to a variety of interpretations, and with this recording, the well-known tenor René Kollo offers his perspective on the work, accompanied by the young pianist Oliver Pohl. »

27 Dec 2005

A Trio of New Year's Concerts

The first thing I saw when I opened the La Scala DVD was a notice on the back that track 5 plays “Va! Pensiero da: I vespri siciliani (1855).” One wonders if there is nobody at the La Scala Bookshop who has at least a bit of knowledge of one of the most popular pieces in the operatic repertoire that served Italy for more than hundred years as an unofficial anthem — the Venice DVD has it right, of course. »

22 Dec 2005

LUTOSLAWSKI: Twenty Polish Christmas Carols

Witold Lutosławski (1913-94) composed vocal works throughout his career, and recording collects several pieces that involve female voices. His set of Twenty Polish Christmas Carols for soprano, women’s choir and orchestra is a late composition compiled between 1985 and 1989 and given its premiere in 1990. »

21 Dec 2005

Christmas with Renée and Bryn

Though singers have always recorded some of these arias and songs, it was young Leontyne Price who first started a trend by devoting a whole LP to the genre more than 45 years ago. »

21 Dec 2005

RACHMANINOV: The Miserly Knight

In its 2004 season Glyndebourne put on a double bill celebrating avarice — Puccini’s Gianni Schicchi and the much-lesser known The Miserly Knight. »

21 Dec 2005

Giulini Conducts Mozart and Mahler

With the passing of Carl Maria Giulini (1913-2005) in June 2005, the music world lost one of its finest conductors. Among his legacy are some critical recordings, which represent the literature that Giulini chose to preserve. »

21 Dec 2005

Two Super Audio CD re-releases of Elly Ameling performances for Philips

I admit I jumped at the chance to review these SACD re-releases of performances that were on the very first classical vocal LP’s that I owned and overplayed on under-maintained equipment, to the point where I frankly shudder to even try to compare my vinyl versions with the digital. »

18 Dec 2005

WAGNER, S.: Der Heidenkönig

What an unjust fate for an aspiring opera composer to be born the son of Richard Wagner! Imagine a child of Albert Einstein who dreams of greatness in science, or the son of William Shakespeare sitting down to sketch out his first sonnet. Doubtless you would have a nagging suspicion that you would likely never better your father’s titanic accomplishments. »

18 Dec 2005

The legendary Magda Olivero

What is the difference between a lady who becomes a prima-donna and a prima-donna who becomes a lady? The last one has to be begged as she thinks she has to behave according to her rank. The first one is sure of herself and doesn’t need, well let’s call it to behave somewhat capriciously. »

18 Dec 2005

RAUTAVAARA: Rasputin

In fall 2003, Los Angeles Opera opened its season with Deborah Dratell’s Nicholas and Alexandra, with libretto by Nicholas von Hoffman. At that time, company director Placido Domingo, who took on the juicy role of Rasputin, announced that the production would be filmed and prepared for eventual DVD release. »

14 Dec 2005

Sherrill Milnes - An All Star Gala

The former TV-producer in me tells me the following conversation took place between producer and director (in German as this is a GDR (East-Germany) product). »

12 Dec 2005

GAY: The Beggar’s Opera

Benjamin Britten’s identity as a decidedly “national” composer is formed in part by his well-known engagement of pre-existent English music, old English texts, and subjects rich in the English legacy, as a glance at works like the Purcellian The Young Person’s Guide to the Orchestra, the Chester mystery play, Noyes Fludde, or the Elizabethan opera, Gloriana, all confirm. »

11 Dec 2005

Gwyneth Jones - In Concert

Sorry my friends, but since I retired as a TV-reporter I forgot a lot of technical know-how, which to be fair never interested me very much. »

11 Dec 2005

Edita Gruberová — The Queen of Belcanto Volume I

There are countless artists whose legend survives on their supposed fame, others leave a substantial legacy of their achievements. »

11 Dec 2005

On Christmas Day

Tastes in music for Christmas are quite personal. One individual’s beloved tradition may be another’s annoying jangling that just won’t go away. »

11 Dec 2005

STRAVINSKY: The Rite of Spring; The Nightingale

So much has been written about the notorious scandal of May 29, 1913, the scandal of the reception of the premiere of Igor Stravinsky’s ballet Le Sacre du Printemps, that it is easy to forget that the music itself was less the cause of the riotous activities than the subject, the décor, and the dancing. »

11 Dec 2005

The Art of Gérard Souzay

If anyone had played the soundtrack of those first numbers of the 1955 telecast, I would have looked up in surprise at first and would have wondered if an electronic wizard had cleaned up the acoustic recordings of that giant of French singing: Jean-Emile Vanni-Marcoux. »