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Elsewhere

Moshinsky's Simon Boccanegra returns to Covent Garden

Despite the flaming torches of the plebeian plotters which, in the Prologue, etched chiaroscuro omens within the Palladian porticos of Michael Yeargan’s imposing and impressive set, this was a rather slow-burn revival of Elijah Moshinsky’s 1991 production of Simon Boccanegra.

Royal Academy's Semele offers 'endless pleasures'

Self-adoring ‘celebrities’ beware. That smart-phone which feeds your narcissism might just prove your nemesis.

The Eternal Flame: Debussy, Lindberg, Stravinsky and Janáček - London Philharmonic, Vladimir Jurowski

Although this concert was ostensibly, and in some respects a little tenuously, linked to the centenary of the Armistice, it did create some challenging assumptions about the nature of war. It was certainly the case in Magnus Lindberg’s new work, Triumf att finnas till… (‘Triumph to Exist…’) that he felt able to dislocate from the horror of the trenches and slaughter by using a text by the wartime poet Edith Södergran which gravitates towards a more sympathetic, even revisionist, expectation of this period.

François-Xavier Roth conducts the London Symphony Orchestra and Chorus in Works by Ligeti, Bartók and Haydn

For the second of my armistice anniversary concerts, I moved across town from the Royal Festival Hall to the Barbican.

The Silver Tassie at the Barbican Hall

‘Serious sport has nothing to do with fair play. It is bound up with hatred, jealousy, boastfulness, disregard of all rules and sadistic pleasure in witnessing violence: in other words it is war minus the shooting.’ The words of George Orwell, expressed in a Tribune article, ‘The Sporting Spirit’, published in 1945.

The Last Letter: the Britten Sinfonia at Milton Court

The Barbican Centre’s For the Fallen commemorations continued with this varied and thought-provoking programme, The Last Letter, which interweaved vocal and instrumental music with poems and prose, and focused on relationships - between husband and wife, fellow soldiers, young men and their homelands - disrupted by war.

Fiona Shaw's Cendrillon casts a spell: Glyndebourne Tour 2018

Fiona Shaw’s new production of Massenet’s Cendrillon (1899) for this year’s Glyndebourne Tour makes one feel that the annual Christmas treat at the ballet or the panto has come one month early.

The Rake’s Progress: Vladimir Jurowski and the London Philharmonic

Stravinsky’s The Rake’s Progress is not, in many ways, a progressive opera; it doesn’t seek to radicalise, or even transform, opera and yet it is indisputably one of the great twentieth-century operas.

Bampton Classical Opera to perform Gian Carlo Menotti's Amahl and the Night Visitors

Gian Carlo Menotti’s much-loved Christmas opera, Amahl and the Night Visitors was commissioned in America by the National Broadcasting Company and was broadcast in 1951 - the first-ever opera composed specifically for television. Menotti said that it “is an opera for children because it tries to recapture my own childhood”.

A raucous Così fan tutte at the Guildhall School of Music and Drama

Precisely where and when Così fan tutte takes place should be a matter of sublime indifference - or at least of individual taste. It is ‘about’ many things, but eighteenth-century Naples - should that actually be the less exotic yet still ‘othered’ neāpolis of Wiener Neustadt? - is not among them.

For the Fallen: James Macmillan's All the Hills and Vales Along at Barbican Hall

‘He has clothed his attitude in fine words: but he has taken the sentimental attitude.’ So, wrote fellow war poet Charles Hamilton Sorley of the last sonnets of Rupert Brooke.

Kings College, Cambridge launches as curator on Apple Music

November 5, 2018, Los Angeles, CA: Today, King’s College Cambridge announces the launch of the College as a curator on Apple Music.

Royal Opera House’s Music Director Sir Antonio Pappano extends tenure to 2023

Sir Antonio Pappano, Music Director of the Royal Opera House, has confirmed that he will remain in position until at least the end of the 2022/23 Season.

English Touring Opera: Troubled fidelities and faiths

‘Can engaging with contemporary social issues save the opera?’ asked M. Sophia Newman last week, on the website, News City, noting that many commentators believe that ‘public interest in stuffy, intimidating, expensive opera is inevitably dwindling’, and that ‘several recent opera productions suggest that interest in a new kind of urban, less formally-staged, socially-engaged opera is emerging and drawing in new audiences to the centuries-old art form’.

Himmelsmusik: L'Arpeggiata bring north and south together at Wigmore Hall

Johann Theile, Crato Bütner, Franz Tunder, Christian Ritter, Giovanni Felice Sances … such names do not loom large in the annals of musical historiography. But, these and other little-known seventeenth-century composers took their place alongside Bach and Biber, Schütz and Monteverdi during L’Arpeggiata’s most recent exploration of musical cross-influences and connections.

Boston Early Music Festival Chamber Opera to Present Caccini’s Alcina

The GRAMMY-Winning Boston Early Music Festival Chamber Opera Series presents Francesca Caccini’s Alcina on Thanksgiving weekend – November 24 & 25 in Boston and November 26 & 27 in New York City

Complementary Josquin masses from The Tallis Scholars

This recording on the Gimell label, the seventh of nine in a series by the Tallis Scholars which will document Josquin des Prés’ settings of the Mass (several of these and other settings are of disputed authorship), might be titled ‘Sacred and Profane’, or ‘Heaven and Earth’.

Piotr Beczała – Polish and Italian art song, Wigmore Hall London

Can Piotr Beczała sing the pants off Jonas Kaufmann ? Beczała is a major celebrity who could fill a big house, like Kaufmann does, and at Kaufmann prices. Instead, Beczała and Helmut Deutsch reached out to that truly dedicated core audience that has made the reputation of the Wigmore Hall : an audience which takes music seriously enough to stretch themselves with an eclectic evening of Polish and Italian song.

Soloists excel in Chelsea Opera Group's Norma at Cadogan Hall

“Let us not be ashamed to be carried away by the simple nobility and beauty of a lucid melody of Bellini. Let us not be ashamed to shed a tear of emotion as we hear it!”

Handel's Serse: Il Pomo d'Oro at the Barbican Hall

Sadly, and worryingly, there are plenty of modern-day political leaders - both dictators and the democratically elected - whose petulance, stubbornness and egoism threaten the safety of their own subjects as well as the stability and security of other nations.


OPERA TODAY ARCHIVES »

Recordings

Gimmell CDGIM 050
28 Oct 2018

Complementary Josquin masses from The Tallis Scholars

This recording on the Gimell label, the seventh of nine in a series by the Tallis Scholars which will document Josquin des Prés’ settings of the Mass (several of these and other settings are of disputed authorship), might be titled ‘Sacred and Profane’, or ‘Heaven and Earth’. »

Recently in Recordings

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24 Oct 2010

The Metropolitan Opera Gala 1991

The 50th anniversary of the Metropolitan Opera at the Lincoln Center is just a few years away, so, with something less than dispatch, a DVD of the 25th anniversary Gala appears.  »

24 Oct 2010

Kirsten Flagstad sings Wagner & Strauss

Kirsten Flagstad’s voice remains connected to the music of Richard Wagner through the recordings that continue to bring her performances to new audiences.  »

17 Oct 2010

Haendel: Water Music; Music for The Royal Fireworks

The “popular” Handel is firmly entrenched in the collective culture with a handful of pieces: the Christmas portion of Messiah, the “Largo” from Serse (in fact, “Larghetto,” but collective culture is hard to convince), and instrumental suites of the Water Music and Music for the Royal Fireworks come immediately to mind.  »

10 Oct 2010

Anonymous 4: The Cherry Tree

In the popular view, the modern celebration of Christmas seems to have begun with Charles Dickens’s revivifying A Christmas Carol (1843). »

10 Oct 2010

Rossini’s Otello at Rossini in Wildbad Festival, 2008

As good a performance of Rossini’s opera as this disc provides, for some equal entertainment value may potentially arise from the booklet essay by one Bernd-Rüdiger Kern (as translated into English by David Stevens).  »

10 Oct 2010

Schumann: The Complete Symphonies, Mahler Edition

Mahler’s well-known revisions of music he conducted include the four symphonies by Robert Schumann, and while these Retuschen have been performed from time to time, a recording of all four of them is now available from Decca.  »

06 Oct 2010

Gustav Mahler: Symphony no. 5

Based on performances given on 18 and 21 October 2008 and 16 and 17 January 2009, this recording of the Royal Concertgebouw Orchestra offers its latest release of Mahler’s Fifth Symphony, a work associated with the group since the composer’s lifetime.  »

19 Sep 2010

Gustav Mahler: Das Lied von der Erde

Vocally impressive, Michael Tilson Thomas’s new recording of Gustav Mahler’s symphonic song cycle Das Lied von der Erde merits attention for various reasons.  »

14 Sep 2010

The Rake’s Progress at Théâtre Royal de la Monnaie

At some point it became a matter of honor for elite composers to have at least one go at a full length opera.  »

12 Sep 2010

Julius Röntgen: Aus Goethes Faust.

The release of Röntgen’s Faust setting on CPO makes available a recording of yet another composer’s perspective on Goethe’s famous dramatic poem.  »

07 Sep 2010

Diana Damrau in Recital at Salzburg Festival

Recorded live on 13 August 2005, this recent release on the Orfeo label in its Festspiel Dokumente imprint makes available a recital given by soprano Diana Damrau and pianist Stephan Matthias Lademann during the 2005 Salzburg Festival and given at the Mozarteum.  »

30 Aug 2010

Puccini’s Edgar at the Teatro Regio Torino

A world premiere of a new opera holds the promise of an exciting new addition to the fairly calcified collection of masterpieces that comprise the standard repertory.  »

29 Aug 2010

Brahms: Lieder

Like her impressive recording of Lieder by Dvořák (Harmonia Mundi CD 901824), Bernarda Fink’s recording of a selection of Lieder by Brahms not only offers a fine representation of the music, but also demonstrate the singer’s command of this repertoire.  »

29 Aug 2010

David McVicar’s Salome

This high-concept Salome takes place in Nazi Germany.The set has two levels: on top, Herod revels with the banqueters; below, we see a dingy basement, full of kitchen workers, relaxed soldiers, and the prostitutes who help them relax.  »

24 Aug 2010

Jean Sibelius: Kullervo, Op. 7.

Sibelius’s 1892 symphonic poem for soloists, chorus, and orchestra is in the tradition of the cantata-like symphonies of the nineteenth century, as found in Mendelssohn’s Lobgesang or Mahler’s Second Symphony.  »

24 Aug 2010

Lulu at Covent Garden

One of the leading lights of Berg’s Vienna was the architect Adolf Loos, the great crusader against ornament.  »

24 Aug 2010

Un ballo in maschera at the Teatro Real

The greatest dramatic tenor and soprano roles have proven irresistible to Marcelo Alvarez, who started primarily as a lyric tenor, and Violeta Urmana, whose first career success came as a mezzo.  »

18 Aug 2010

Tristan und Isolde, Bayreuth 2009

As the prelude plays, we see circles of fluorescent light moving slowly in uncertain black space. Are we seeing flights of flying saucers, as in Close Encounters of the Third Kind?  »

18 Aug 2010

Schumann’s Genoveva

Robert Schumann’s only opera Genoveva (1850) is best known as a failure in its time and has since fallen into the list of succès d’estime, but with this new release, based on a production intended for television, conductor Nikolaus Harnoncourt champions the work in his second recording of the score.  »

15 Aug 2010

Marco Polo at Het Muziektheater, Amsterdam

Does this Tan Dun opera prove or disprove that for East and West, the twain shall never meet?  »

22 Jul 2010

The Adventures of Pinocchio

The operas of British composer Jonathan Dove enjoy a fairly high level of both critical and popular support in the U.K., where his best known work, Flight, premiered at the prestigious Glyndebourne Festival.  »

15 Jul 2010

Dialogues des Carmélites from Hamburg

Poulenc’s only full-length opera is widely admired and not infrequently performed, but its claustral nature makes it tricky to stage. »

14 Jul 2010

The Fairy Queen at Glyndebourne on Blu-Ray

This Glyndebourne production is, as far as I know, the first recording of any semi-opera that manages to impart a strong sense of what this peculiar, and peculiarly British, genre is like.  »

13 Jul 2010

Parsifal on Blu-Ray

In 1881 Wagner and his wife were discussing the myth of Eros and Anteros, and Wagner remarked, “Anteros is Parsifal.” Wagner considered Parsifal a figure opposed to sexual love, Eros’s opposite.  »

27 Jun 2010

Massenet's Thaïs at Teatro Regio Torino

What sort of production would be optimal for an opera that with more style than content? »

18 Jun 2010

Valencia Ring: Götterdämmerung

Recorded in May and June 2008, this new Unitel Classica Blu-Ray disc of Götterdämmerung is the final opera in the staging of Richard Wagner’s Ring der Nibelungen staged at the Palau de les Arts “Reina Sofia”, Valencia, by La Fura dels Baus, Valencia, conducted by Zubin Mehta, and directed by Carlus Padrissa.  »

18 Jun 2010

Verdi's Falstaff at The Metropolitan Opera, 1992

A Franco Zeffirelli production for The Metropolitan Opera typically prompts the use of adjectives such as “grandiose,” or “gorgeous” on the positive end or “gaudy” and “gratuitous” on the negative.  »

09 Jun 2010

Valencia Ring: Siegfried.

Siegfried is a challenging opera to stage effectively, and the presentation by La Fura dels Baus in Zubin Mehta’s new Ring cycle merits attention on various counts.  »

27 May 2010

Valencia Ring: Die Walküre

The second of Zubin Mehta’s new Ring cycle on DVD, the staging of Die Walküre by La Fura dels Baus, is as engaging as the production of Das Rheingold in its innovative presentation and effective performance of one of Wagner’s most popular operas.  »

20 May 2010

Great Operatic Arias with Gerald Finley

Listeners who have appreciated Gerald Finley’s stylish and moving singing of baritone roles in operas by Mozart and other composers will be pleased with the recent CD release of Great Operatic Arias in English. »

18 May 2010

Bellini's Norma at Gran Teatre del Liceu

Some fortunate operas have any number of fine live versions available on DVD.  »

17 May 2010

Valencia Ring: Das Rheingold

Recorded live at the Palau de les Arts “Reina Sofia”, Valencia, this new video of Richard Wagner’s Das Rheingold is based on the staging of La Fura dels Baus, with Carlus Padrissa, stage director, and featuring an international cast conducted by Zubin Mehta.  »

20 Apr 2010

Lady Macbeth of Mtsensk on Blu-Ray

Previously released on DVD, the Netherlands Opera recording of Shostakovich’s Lady Macbeth of Mtsensk  »

20 Apr 2010

Aaron Copland's score for The City

This disc neatly captures a central dichotomy of the career of composer Aaron Copland.  »

19 Apr 2010

Tosca at Torre del Lago, 2007

Opera festival DVDs often seem to be produced as tempting advertisements meant to induce viewers to consider a trip to that festival for the next season.  »

11 Apr 2010

Covert resistance to Hitler — Hartmann’s Simplicius Simplicissimus

An anti-facist, anti-war opera written in Germany while the Nazis were in power? K A Hartmann’s Des Simplicius Simplicissimus Jugend was a brave act of conscience, even though the opera wasn't publicly performed until 1948. »

03 Apr 2010

Verdi’s Falstaff (Glyndebourne 2009) on Blu-Ray

Much of the fascination of the new DVD of Verdi’s Falstaff (Glyndebourne 2009) lies in the Richard Jones’s updating: the action takes place in 1946.  »

01 Apr 2010

Otello (Salzburg Festival 2008) on Blu-Ray

There are two reasons why you need to see the new Otello DVD (Salzburg Festival 2008).  »

29 Mar 2010

Madama Butterfly, NYCO

Once again, as in L’Etoile, Mark Lamos’s staging and Robert Wierzel’s lighting nearly steal the show in the City Opera’s revival of Madama Butterfly.  »

27 Mar 2010

Harrison Birtwistle: The Minotaur

Premiered on 15 April 2008, The Minotaur is Harrison Birtwistle’s latest opera, and it stands well with the composer’s other stage work.  »

25 Mar 2010

Eva Marton in Puccini and Strauss

At one point in her career, Eva Marton appeared poised to be the true inheritor of Birgit Nilsson’s legacy roles: Wagner and Strauss’s most dramatic heroines, as well as key Italian roles (Puccini in particular).  »

17 Mar 2010

Debussy’s Pelléas et Mélisande

Five years after the première of Pelléas et Mélisande, Wilhelm Worringer published the twentieth century’s first great treatise on abstraction in art: »

17 Mar 2010

Karl Böhm: In Rehearsal and Performance

For many, the fine recordings of Richard Strauss’s tone poem Don Juan by the late Karl Böhm seem to have emerged full-spring from the baton of Karl Böhm and the playing of the various orchestras he led.  »

08 Mar 2010

Puccini: La Rondine

Throughout his relatively long and decidedly successful career, Giacomo Puccini returned to those operas of his that had not, immediately or eventually, secured an important place in the standard repertory.  »

10 Feb 2010

Rossini: La Cenerentola

Michael Hampe seems to have been the director of choice in the 1980s for tastefully traditional Rossini productions.  »

28 Jan 2010

Simon Boccanegra, New York

The Times used to have a music critic who seemed to feel that singing, especially in costume, didn’t count as serious music, though he reviewed opera anyway.  »

25 Jan 2010

Dido and Aeneas by Les Arts Florissants

We all wish Henry Purcell had written a few more operas like Dido and Aeneas — simple to cast, simple to stage, offering endless possibilities for either reserved or outrageous treatment, attractive to every sort of audience.  »

22 Jan 2010

Respighi — Works for solo voice and orchestra

While Ottorino Respighi (1879-1936) is best known to modern audiences for his colorful programmatic works associated with Italian locations, his vocal music is also engaging.  »

14 Jan 2010

Britten: Peter Grimes

Are you sitting comfortably?  »

11 Dec 2009

Puccini Romance

This disc faces a marketplace already crowded with similar compilations from major companies who can raid their archives to offer competitive interpretations at bargain prices.  »

11 Dec 2009

Emma Matthews in Monte Carlo

Emma Matthews is an English born soprano currently resident in Australia where she has sung with the state based opera companies as well as the national company Opera Australia where she is currently a soloist.  »