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Elsewhere

Xerxes, ENO

Nicholas Hytner’s production of Handel’s Xerxes (Serse) at English National Opera (ENO) is nearly 30 years old, and is the oldest production in ENO’s stable.

San Diego Opera Opens 2014-2015 Season

On Friday evening September 5, 2014, tenor Stephen Costello and soprano Ailyn Pérez gave a recital to open the San Diego Opera season. After all the threats to close the company down, it was a great joy to great San Diego Opera in its new vibrant, if slightly slimmed down form.

Otello at ENO

English National Opera’s 2014-15 season kicked off with an ear-piercing orchestral thunderbolt. Brilliant lightning spears sliced through the thick black night, fitfully illuminating the Mediterranean garret-town square where an expectant crowd gather to welcome home their conquering hero.

Anna Nicole, back with a bang!

It is now three and a half years since Anna Nicole was unleashed on the world at the Royal Opera House, Covent Garden.

Norma in San Francisco

It was a Druid orgy that overtook the War Memorial. Magnificent singing, revelatory conducting, off-the-wall staging (a compliment, sort of).

Joyce DiDonato starts Wigmore Hall new season

There was a quasi-party atmosphere at the Wigmore Hall on Monday evening, when Joyce DiDonato and Antonio Pappano reprised the recital that had kicked off the Hall’s 2014-15 season with reported panache and vim two nights previously. It was standing room only, and although this was a repeat performance there certainly was no lack of freshness and spontaneity: both the American mezzo-soprano and her accompanist know how to communicate and entertain.

Aida at Aspendos Opera and Ballet Festival

In strict architectural terms, the stupendous 2nd century Roman theatre of Aspendos near Antalya in southern Turkey is not an arena or amphitheatre at all, so there are not nearly as many ghosts of gored gladiators or dismembered Christians to disturb the contemporary feng shui as in other ancient loci of Imperial amusement.

St Matthew Passion, Prom 66

Simon Rattle and the Berlin Philharmonic Orchestra brought their staging of Bach's St Matthew Passion to the BBC Proms at the Royal Albert Hall on Saturday, 6 September 2014.

Glimmerglass: Butterfly Leads the Pack

Every so often an opera fan is treated to a minor miracle, a revelatory performance of a familiar favorite that immediately sweeps all other versions before it.

Operalia, the World Opera Competition, Showcases 2014 Winners

On August 30, Los Angeles Opera presented the finals concert of Plácido Domingo’s Operalia, the world opera competition. Founded in 1993, the contest endeavors to discover and help launch the careers of the most promising young opera singers of today. Thousands of applicants send in recordings from which forty singers are chosen to perform live in the city where the contest is being held. Last year it was Verona, Italy, this year Los Angeles, next year London.

Elektra at Prom 59

The second day of the Richard Strauss weekend at the BBC Proms saw Richard Strauss's Elektra performed at the Royal Albert Hall on 31 August 2014 by the BBC Symphony Orchestra, conducted by Semyon Bychkov, with Christine Goerke in the title role.

Powerful Mahler Symphony no 2 Harding, BBC Proms London

Triumphant! An exceptionally stimulating Mahler Symphony No 2 from Daniel Harding and the Swedish Radio Symphony Orchestra, BBC Prom 57 at the Royal Albert Hall. Harding's Mahler Tenth performances (especially with the Berliner Philharmoniker) are pretty much the benchmark by which all other performances are assessed. Harding's Mahler Second is informed by such an intuitive insight into the whole traverse of the composer's work that, should he get around to doing all ten together, he'll fulfil the long-held dream of "One Grand Symphony", all ten symphonies understood as a coherent progression of developing ideas.

Nina Stemme's stunning Strauss Salome, BBC Proms London

The BBC Proms continued its Richard Strauss celebrations with a performance of his first major operatic success Salome. Nina Stemme led forces from the Deutsche Oper, Berlin,at the Royal Albert Hall on Saturday 30 August 2014,the first of a remarkable pair of Proms which sees Salome and Elektra performed on successive evenings

Santa Fe Opera Presents Updated, at One Point Up-ended, Don Pasquale

On August 9, 2014, Santa Fe Opera presented a new updated production of Don Pasquale that set the action in the 1950s. Chantal Thomas’s Act I scenery showed the Don’s furnishing as somewhat worn and decidedly dowdy. Later, she literally turned the Don’s home upside down!

Dolora Zajick about her Institute for Young Dramatic Voices

"Although there are now more people on this planet than there have ever been before, there are fewer dramatic voices. Something is wrong with that equation. I thought there needs to be some sort of helping hand so that dramatic voices don’t fall through the cracks in the system as they advance through their various stages of development."

Dolora Zajick Premieres Composition

At a concert in the Cathedral of Saint Joseph in San Jose, California, on August 22, 2014, a few selections preceded the piece the audience had been waiting for: the world premiere of Dolora Zajick’s brand new composition, an opera scene entitled Roads to Zion.

Gluck: Orfeo ed Euridice

This elegant, smartly-paced film turns Gluck’s Orfeo into a Dostoevskian study of a guilt-wracked misanthrope, portrayed by American countertenor Bejun Mehta.

Aureliano in Palmira in Pesaro

Ossia Il barbiere di Siviglia. Why waste a good tune.

Santa Fe Opera Presents Huang Ruo's Sun Yat-sen

By emphasizing the love between Sun Yat-sen and Soong Ching-ling, Ruo showed us the human side of this universally revered modern Chinese leader. Writer Lindsley Miyoshi has quoted the composer as saying that the opera is “about four kinds of love.” It speaks of affection between friends, between parents and children, between lovers, and between patriots and their country.

Britten War Requiem - Andris Nelsons, CBSO, BBC Prom 47

In light of the 2012 half-centenary of the premiere in the newly re-built Coventry Cathedral of Benjamin Britten’s War Requiem, the 2013 centennial celebrations of the composer’s own birth, and this year’s commemorations of the commencement of WW1, it is perhaps not surprising that the War Requiem - a work which was long in gestation and which might be seen as a summation of the composer’s musical, political and personal concerns - has been fairly frequently programmed of late. And, given the large, multifarious forces required, the potent juxtaposition of searing English poetry and liturgical Latin, and the profound resonances of the circumstances of the work’s commission and premiere, it would be hard to find a performance, as William Mann declared following the premiere, which was not a ‘momentous occasion’.


OPERA TODAY ARCHIVES »

Recordings

Orfeo ed Euridice (Arthaus Musik 108103)
25 Aug 2014

Gluck: Orfeo ed Euridice

This elegant, smartly-paced film turns Gluck’s Orfeo into a Dostoevskian study of a guilt-wracked misanthrope, portrayed by American countertenor Bejun Mehta.  »

Recently in Recordings

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04 Apr 2006

ROSSINI: Il signor Bruschino

“A jewel box of a theater”: that great cliché of the opera world comes to mind when viewing a production from the Schwetzinger Festspiele held at the Rokokotheater Schwetzingen. »

03 Apr 2006

Nine German Arias—An Urban Baroque Film

It’s always interesting when one’s own opinion about a work varies violently from others’ views, even if they are to date minimal in number. In this case, it is not the music per se that is under discussion but the way it is represented, or in my opinion, mis-represented by this film. »

01 Apr 2006

Gala Concert—50th Anniversary of the Reopening of the Vienna State Opera

Tuxes and gowns, a marathon of trotting on and offstage by renowned singers, a ritzy audience abusing their palms with ritual clapping—yes, EuroArts has another opera gala event available on DVD in this two-disc Vienna State Opera Gala concert. »

31 Mar 2006

RACHMANINOV: Piano concerti nos. 1 and 2

This is a wonderful, recent recording of these popular piano concertos by Rachmaninov. The Piano concerto no. 1 is a studio recording, while the Piano concerto no. 2 is a live version. »

31 Mar 2006

STRAUSS: Daphne

New recordings of complete operas lumber into view these days as the dinosaurs trod painfully into a dying sun in an animated depiction of their extinction. »

30 Mar 2006

OFFENBACH: La Grande-Duchesse de Gerolstein

Los Angeles Opera opened the 2005-6 season with a staging of Offenbach’s La Grande-Duchesse de Gerolstein, directed by Hollywood’s Garry Marshall. »

30 Mar 2006

Jumalaa kiittää sieluni—Hymns in Finnish

In 2001, Finland observed the 300th anniversary of the Finnish Hymnal. As a part of the celebration, YLE (the Finnish public broadcasting company) launched a project to record a substantial portion of the hymnal in performance by soloists or ensembles. »

29 Mar 2006

Franz Schubert: The Trout • The Greatest Love and The Greatest Sorrow

In this compelling documentary, Christopher Nupen has captured rare and wondrous collaborations by some of the greatest twentieth century performers as they pay tribute to an early nineteenth century musical treasure, Franz Schubert. »

29 Mar 2006

The Jessye Norman Collection from Philips

Jessye Norman’s long-time label, Philips, celebrates the artist’s sizeable recorded heritage with an expansive series of double CDs of re-releases, under the sobriquet The Jessye Norman Collection. »

24 Mar 2006

PUCCINI: Turandot

Here is a Turandot to watch with the sound off—not because the singers misfire so badly, although no one really impresses. »

23 Mar 2006

FAURÉ: The Complete Songs 3 — Chanson d’amour.

The theme of the third volume of Hyperion’s set of the Complete Songs of Gabriel Fauré (1845-1924) is Chanson d’amour, which takes its name from a piece in the composer’s opus 27 set – a compilation devoted to the love song. »

22 Mar 2006

WHITACRE: Cloudburst and other choral works

There is little doubt about the popularity of Eric Whitacre’s music among North American choral ensembles. With the release of this Hyperion disc, the international choral scene may soon become enamored as well. »

21 Mar 2006

ROSSINI: Maometto Secondo

Before you watch this DVD, the best thing you can do is read the sleeve notes. They are brief but to the point; and they succinctly tell you the differences between this Venice version and the traditional one. »

21 Mar 2006

VERDI: La forza del destino

After issuing recordings of Les Vêpres Siciliennes, Simon Boccanegra, and Macbeth, Opera Rara continues it series of Verdi Originals—first versions of operas the composer later revised—with La forza del destino. »

21 Mar 2006

MOZART: Don Giovanni and Cosi fan tutte

This is an absolutely wonderful, live performance recording of two of Mozart’s best operas, Don Giovanni and Cosi fan tutte. »

20 Mar 2006

SCHUBERT: Symphony no. 9

This is an absolutely fabulous recording of Schubert’s final symphony, which is often compared as his closest composition to the style of Beethoven. »

20 Mar 2006

MONTEVERDI: L'Orfeo

In the 1990’s Pierre Audi staged productions of Monteverdi’s three surviving operas (L’Orfeo, Il ritorno d’Ulisse in patria, and L’incoronazione di Poppea) with De Nederlandse Opera in Amsterdam. »

20 Mar 2006

Maria Callas — Three Remastered Releases from EMI

Of all opera singers of the last century, no one better dominated the genre’s star power than Maria Callas. During her thirty-four years onstage, she came to embody the essence of the term “diva,” both in her stormy personal life and her equally tempestuous stage career. »

17 Mar 2006

My Name is Barbara

Barbara Bonney’s discography is extensive and wide-ranging, including opera and oratorio, as well as lieder recitals from Mozart and Mendelssohn through the major Romantics to Zemlinsky. »

16 Mar 2006

Songs for Ariel

Of the countertenors coming to the fore in the generation following Alfred Deller, few, if any, have achieved the prominence or performance longevity of James Bowman. »

16 Mar 2006

TCHAIKOVSKY: The Nutcracker

The Nutcracker is one of the most popular ballets. Tchaikovsky’s score alone is synonymous with Christmas—one can even say that it is what keeps this ballet alive. »

16 Mar 2006

MAHLER: Symphony no. 4
BERG: Sieben Frühe Lieder

A critical aspect of Mahler’s music is the way the composer often juxtaposed the familiar and the new, and this dichotomy is reflected strongly in his Fourth Symphony. »

13 Mar 2006

MEYERBEER: Dinorah

Some opera sets are meant to be an introduction to the work presented. They contain a booklet which tells you about the life of the composer, the history of the work, some analysis, a synopsis of the story, and maybe (if you're lucky) the libretto translated into your language. »

10 Mar 2006

Gabriela Montero — Piano Recital

This recording features piano works by the pillars of nineteenth-century Romantic piano composition (Chopin and Liszt), the Spanish-speaking musical nationalists (Granados, Ginastera, and de Falla), and the Russian composer-pianists (Scriabin and Rachmaninov) who reinterpreted the Romantic spirit in new and innovative ways for the piano. »

10 Mar 2006

MOZART: Requiem

Mozart’s Requiem has become widely-known and popular since the 1984 movie Amadeus. Left incomplete at his death, his student and assistant Franz Xaver Sussmayr (1766-1803) completed the work from Mozart’s notes. »

10 Mar 2006

VERDI: La Traviata

Could La Traviata be the opera with the most versions available on DVD? The appetite for the doomed heroine never wavers. »

09 Mar 2006

Wagnerian Songs

If Richard Wagner’s music may be seen to pervade the late nineteenth century, an area that is rarely discussed is his influence on song. »

08 Mar 2006

Karajan Performs Strauss Waltzes and Polkas

Everyone is familiar with the waltzes and polkas of the “Waltz King,” Johan Strauss II, along with his father Johann I and his brother Josef. »

08 Mar 2006

VERDI: Ernani

Verdi’s smash hit of 1844 is a relative rarity these days. As Stefano Olcese notes in his booklet essay for a new Dynamic recording, the opera calls for daunting vocal display from tenor, soprano, baritone, and bass. »

05 Mar 2006

HILLIARD ENSEMBLE: Thy Kiss of a Divine Nature — The Contemporary Perotin

The richness of the Ars Antiqua flourishing in Paris in the twelfth and thirteenth centuries marks the time as one of high cultural achievement, drawing nurture from the contemporaneous rise of the Cathedral of Notre Dame and the University of Paris. »

05 Mar 2006

MOZART: The Magic Flute

It would be presumptuous of me to go through the entire plot of The Magic Flute, given its historical and popular significance with all classical music devotees. »

28 Feb 2006

BACH: Works for Trumpet

This recording is a grouping of various compositions by J.S. Bach, which are not solely dedicated to the trumpet, but provide some of the most demanding repertoire for the instrument prior to the nineteenth century. »

22 Feb 2006

VIVALDI: Concerti con molti strumenti, vol. 2

Vivaldi was very impressed with the sound and performances of the Dresden court orchestra when they visited Venice in 1716. »

22 Feb 2006

SCHÜTZ: Symphoniae Sacrae III

The tragic ravages of the Thirty Years’ War explicitly shaped the musical output of Heinrich Schütz. »

21 Feb 2006

ARIOSTI: “The Flowering and Fading of Love”

Musicologists should be eager to welcome the “first modern recordings” of any work; surely having the opportunity to hear a long-lost musical treasure, rather than having it stare off the page in black-and-white, is something to be celebrated. »

21 Feb 2006

VIVALDI: Concerti e Cantate da Camera III

As the Vivaldi edition continues, Opus 111 is releasing a series of individual volumes dedicated to cantatas interspersed with other chamber works. »

17 Feb 2006

VIVALDI: Arie d’Opera

This recording is another gem from the Complete Vivaldi Edition, a collaboration of Naïve (opus 111) and various Piedmontese institutions [see this author’s review of Vivaldi’s Orlando in that series]. »

15 Feb 2006

BARRY: The Intelligence Park

Irish composer Gerald Barry insists that “Really, my music is very straightforward. »

13 Feb 2006

WAGNER: Parsifal

Nikolaus Lehnhoff’s Parsifal, first staged by English National Opera in 1999, is given on this Opus Arte DVD in a 2004 performance led by Kent Nagano at the Baden-Baden summer festival. »

11 Feb 2006

GÓRECKI: Symphony no. 3

Henryk Górecki’s Symphony no. 3 (1976), his “Symphony of Sorrowful Songs,” as it is called, is one of the most popular recordings of late twentieth-century music. »

11 Feb 2006

CIMAROSA: Il Matrimonio Segreto

Premiered in 1792 (just months after the death of Mozart), Il Matrimonio Segreto won over Vienna from the start, and Domenico Cimarosa’s opera would remain his most popular work. »

09 Feb 2006

BYRD: The Great Service

The religious turmoil of sixteenth-century England was characterized not only by factionalism and polarity, but also famously by the charting of a via media, a middle path, through opposing views. »

05 Feb 2006

MAHLER: Symphonies 1-10 • Das Lied von der Erde

The late Gary Bertini (1927-2005) was noted for his fine interpretations of Mahler’s work, and his cycle with EMI was esteemed highly. An accomplished musician, Bertini founded the Israeli Chamber Orchestra in 1965, and later become chief conductor of the Jerusalem Symphony. »

04 Feb 2006

TCHAIKOVSKY: Swan Lake

This 2005 release was filmed at a performance in La Scala’s temporary home, Milan’s Teatro degli Arcimboldi, in April 2004. It is based on the Burmeister version of the ballet of some 50 years ago, first introduced in the West by the Paris Opera. »

03 Feb 2006

WAGNER: Der Ring des Nibelungen

It has been nearly thirty years since the centenary production of the Ring at Bayreuth, and the controversy and even scandal that it generated have long since faded into memory. »

02 Feb 2006

BRUCKNER: Symphonie no. 6

The symphonies of Anton Bruckner deserve excellent performances to convey the intensity that the composer intended for them, and sometimes an individual performance can offer the opportunity to understand them more clearly. »

01 Feb 2006

HANDEL: Radamisto

Handel went to London as a free-lance musician – i.e., “on his own bottom” – in autumn 1710. His Rinaldo of February 1711, with its dazzling arias and scenic spectacles, was resoundingly successful. »

29 Jan 2006

DEBUSSY: La Mer

Inspired by the elitist poets of late nineteenth century Paris, Debussy was eager to join their ranks by developing musical ideas that evoked the same emotional response as the poetry he admired. Originally, Prélude à l’après-midi d’un faune was a collaborative project between Debussy and Stéphane Mallarmé, a poet highly regarded by the composer. »

29 Jan 2006

PETITGIRARD: The Elephant Man

Perhaps instead of waiting for the next great new opera, focus should be on finding the next great opera composer. »