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Elsewhere

London Bel Canto Festival 2019: an interview with Ken Querns-Langley

“Physiognomy, psychology and technique.” These are the three things that determine the way a singer’s sound is produced, so Ken Querns-Langley explains when we meet in the genteel surroundings of the National Liberal Club, where the training programmes, open masterclasses and performances which will form part the third London Bel Canto Festival will be held from 5th-24th August.

Anthony Negus conducts Das Rheingold at Longborough

There are those in England who decorate their front lawns with ever-smiling garden gnomes, but in rural Gloucestershire the Graham family has gone one better; their converted barn is inhabited, not by diminutive porcelain figures, but fantasy creatures of Norse mythology - dwarves, giants and gods.

Carmen in San Francisco

A razzle-dazzle, bloodless Carmen at the War Memorial, further revival of Francesca Zambello’s 2006 Covent Garden production already franchised to Oslo, Sidney and Washington, D.C.

Weimar Berlin - Bittersweet Metropolis: Esa-Pekka Salonen conducts the Philharmonia Orchestra

Strictly speaking, The Weimar Republic began on 11th August 1919 when the Weimar Constitution was announced and ended with the Enabling Act of 23rd March 1933 when all power to enact laws without the involvement of the Reichstag was disbanded.

A superb Un ballo in maschera at Investec Opera Holland Park

Investec Opera Holland Park’s brilliantly cast new production of Un ballo in maschera reunites several of the creative team from last year’s terrific La traviata, with director Rodula Gaitanou, conductor Matthew Kofi Waldren and lighting designer Simon Corder being joined by the designer, takis.

A Classy Figaro at The Grange Festival

Where better than The Grange’s magnificent grounds to present Mozart’s Le nozze di Figaro. Hampshire’s neo-classical mansion, with its aristocratic connections and home to The Grange Festival, is the perfect setting to explore 18th century class structures as outlined in Lorenzo da Ponte’s libretto.

A satisfying Don Carlo opens Grange Park Opera 2019

Grange Park Opera opened its 2019 season with a revival of Jo Davies fine production of Verdi's Don Carlo, one of the last (and finest) productions in the company's old home in Hampshire.

Ernst von Siemens Music Prize, 2019

The first woman composer to receive the Ernst von Siemens Music Prize could not have been a worthier candidate.

Josquin des Prez and His Legacy: Cinquecento at Wigmore Hall

The renown and repute of Josquin des Prez (c.1450-1521) both during his lifetime and in the years following his death was so extensive and profound that many works by his contemporaries, working in Northern France and the Low Countries, were mis-attributed to him. One such was the six-part Requiem by Jean Richafort (c.1480-c.1550) which formed the heart of this poised concert by the vocal ensemble Cinquecento at Wigmore Hall, in which they gave pride of place to Josquin’s peers and successors and, in the final item, an esteemed forbear.

Symphonie fantastique and Lélio United – F X Roth and Les Siècles, Paris

Symphonie fantastique and Lélio together, as they should be, with François-Xavier Roth and Les Siècles livestreamed from the Philharmonie de Paris (link below). Though Symphonie fantastique is heard everywhere, all the time, it makes a difference when paired with Lélio because this restores Berlioz’s original context.

Ivo van Hove's The Diary of One Who Disappeared at the Linbury Theatre

In 1917 Leoš Janáček travelled to Luhačovice, a spa town in the Zlín Region of Moravia, and it was here that he met for the first time Kamila Stösslová, the young married woman, almost 40 years his junior, who was to be his muse for the remaining years of his life.

The Royal Opera Tours to Japan in September 2019

The Royal Opera is delighted to be returning to Japan in September 2019 as part of an exciting year of UK-Japan exchanges, titled UK in Japan 2019-20, following the Company’s hugely successful tour in autumn 2015.

Manon Lescaut opens Investec Opera Holland Park's 2019 season

At this end of this performance of Puccini’s Manon Lescaut at Investec Opera Holland Park, the first question I wanted to ask director Karolina Sofulak was, why the 1960s?

Karlheinz Stockhausen: Cosmic traveling through his Klavierstücke, Kontakte and Stimmung

Stockhausen. Cosmic Prophet. Two sequential concerts. Music written for piano, percussion, sound diffusion and the voice. We are in the mysterious labyrinth of one of the defining composers of the last century. That at least ninety-minutes of one of these concerts proved to be an event of such magnitude is as much down to the astonishing music Stockhausen composed as it is to the peerless brilliance of the pianist who took us on the journey through the Klavierstücke. Put another way, in more than thirty years of hearing some of the greatest artists for this instrument - Pollini, Sokolov, Zimerman, Richter - this was a feat that has almost no parallels.

Longborough Festival Opera announces collaboration with The Academy of Ancient Music in 2020

Longborough Festival Opera will collaborate with the Academy of Ancient Music (AAM) for its production of Monteverdi The Return of Ulysses in 2020. Robert Howarth will conduct Monteverdi’s beautiful, compassionate drama, with Tom Randle in the title role.

Don Giovanni at Garsington Opera

A violent splash of black paint triggers the D minor chord which initiates the Overture. The subsequent A major dominant is a startling slash of red. There follows much artistic swishing and swirling by Don Giovanni-cum-Jackson Pollock. The down-at-heel artist’s assistant, Leporello, assists his Master, gleefully spraying carmine oil paint from a paint-gun. A ‘lady in red’ joins in, graffiti-ing ‘WOMAN’ across the canvas. The Master and the Woman slip through a crimson-black aperture; the frame wobbles.

A brilliant The Bartered Bride to open Garsington's 2019 30th anniversary season

Is it love or money that brings one happiness? The village mayor and marriage broker, Kecal, has passionate faith in the banknotes, while the young beloveds, Mařenka and Jeník, put their own money on true love.

A reverent Gluck double bill by Classical Opera

In staging this Gluck double bill for Classical Opera, at the Queen Elizabeth Hall, director John Wilkie took a reverent approach to classical allegory.

Lise Davidsen sings Wagner and Strauss

Superlatives to describe Lise Davidsen’s voice have been piling up since she won Placido Domingo’s 2015 Operalia competition, blowing everyone away. She has been called “a voice in a million” and “the new Kirsten Flagstad.”

Nicky Spence and Julius Drake record The Diary of One Who Disappeared

From Hyperion comes a particularly fine account of Leoš Janáček’s song cycle The Diary of One Who Disappeared. Handsome-voiced Nicky Spence is the young peasant who loses his head over an alluring gypsy and is never seen again.


OPERA TODAY ARCHIVES »

Recordings

Decca 4834883
31 May 2019

Lise Davidsen sings Wagner and Strauss

Superlatives to describe Lise Davidsen’s voice have been piling up since she won Placido Domingo’s 2015 Operalia competition, blowing everyone away. She has been called “a voice in a million” and “the new Kirsten Flagstad.”  »

Recently in Recordings

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17 Oct 2006

STRAUSS: Lieder

Virtuosic, expressive, subtle evocative – these words can be used to describe various aspects of the Lieder of Richard Strauss. »

16 Oct 2006

HANDEL: Hercules

From the 2004 Aix en Provence Festival comes this Luc Bondy staging of Handel's oratorio Hercules, an achingly serious and sober portrayal of Olympian rage and jealousy. »

16 Oct 2006

Homage — The Age of the Diva

In the 1890s, the term “diva” was first used in print to refer to an opera singer or stage star. »

08 Oct 2006

KILAR: Piano Concerto

Among the exciting new releases in Naxos’s series of 21st Century Classics is a compilation of four works by Wojciech Kilar (b. 1932), which include two symphonic compositions and two vocal pieces. »

08 Oct 2006

The Art of Elaine Bonazzi

This is a recital disc notable for the compelling presence and intimacy of the vocal performance. »

05 Oct 2006

MAHLER: Symphonie no. 2

Among the outstanding interpreters of Mahler’s music, Pierre Boulez stands out for his recent recordings of the composer’s symphonies. Having worked with various international orchestras, Boulez has been preserving on CD some finely shaped performances, and if he intends to create a cycle akin to those of other conductors, he is wisely recording the works one by one and not necessarily in the order in which they were composed. »

02 Oct 2006

The Psalms of David

The daily Anglican liturgies of Morning and Evening Prayer feature the recitation of the complete Psalter (apportioned in a monthly cycle), and in cathedrals and collegiate chapels, the chanting of the psalms has been cultivated to a degree of great refinement and beauty. »

29 Sep 2006

VERDI: Un ballo in maschera

Of late opera stagings often seem to be slotted into one of two categories: the "traditional," with sets as the original libretto detailed and singers in period costumes; and "non-traditional," "regie theater," or "Eurotrash," what you will. »

29 Sep 2006

STRAUSS: Salome

Having spent the better part of its life at full-price, the Solti/Nilsson Salome now appears as a mid-priced re-issue. »

29 Sep 2006

CHERUBINI: Le Sposo di tre marito di nessuna

This 250th anniversary year of Mozart's birth must be heaven not only Amadeus lovers but also for those with a general inclination toward classical era music. »

29 Sep 2006

ZEISL: Lieder

While most of the familiar Lieder repertoire stems from the nineteenth century, the powerful attraction the artform spurred composition in this genre through the mid-twentieth century. »

28 Sep 2006

That's Amore

Vanity publishing is not for the print world only, as a release from a company called Jeremiah Productions, called "That's Amore," proves. »

27 Sep 2006

Flaviano Labo – Vol III

According to Giancarlo Landini, author of the very interesting and detailed sleeve notes, Labo “has been sorely neglected, if not totally forgotten”. »

26 Sep 2006

LEHAR: Schön is die Welt

CPO has recently given us a lot of wonderful Lehar recordings like Eva, Der Rastelbinder or Der Sterngucker (admired by Hofmannsthal who exclaimed after a performance: ‘I wish, Lehar had composed Rosenkavalier’). »

25 Sep 2006

POULENC: Gloria and Stabat Mater

In the 1930s, Poulenc’s turn to writing sacred choral music such as the Litanies à la vierge noire and the Mass in G was closely linked to his new embrace of Roman Catholicism following the death of a close friend, the composer Pierre-Octave Ferroud. »

25 Sep 2006

BACH: St. John Passion

The Bach Passions combine drama, sublimity of expression, and deeply devotional reflection in such a powerful way that we invariably tend to set them apart from other liturgical works. »

25 Sep 2006

Pilar Lorengar: Prima Donna in Vienna

Maybe a looking glass will help you to decipher the reprint in this CD’s inside cover of a small article on the soprano by Terry McEwen, who was Manager of the Classical Divison of London Records at the time of recording. »

25 Sep 2006

Birgit Nilsson — "Or sai chi l'onore"

Deutsche Grammophon was one of the many labels for which Nilsson recorded and the company decided to commemorate her passing by offering us most of her not so very large catalogue. »

25 Sep 2006

BACH: Mass in B Minor

We are reasonably sensitive, I suspect, to the number of ways in which venue can shape the nature and success of musical performance. »

24 Sep 2006

BELLINI: Norma

The best Norma on DVD treats the viewer to a blurry picture of washed-out colors and remote, compressed sound. »

24 Sep 2006

VERDI: La Forza del Destino

The better can be the enemy of the good and this recording proves it. »

24 Sep 2006

Katarina Jovanovic — Songs by Brahms, Strauss, Schubert

In her debut recording the young Roumanian soprano Katarina Jovanic demonstrates her talent in performing an intriguing selection of Lieder by Schubert, Brahms, and Strauss. »

24 Sep 2006

ROSSINI: Moïse

Myto does many an opera-lover a service by offering this enjoyable recording of Rossini's French grand opera, here called Moïse. »

24 Sep 2006

HALÉVY: La Juive

For a period of close to half a century, French grand opera, as exemplified by the works of Giacomo Meyerbeer and his school, was the preferred form of music for the theatre (i.e. opera) in most of the civilized world. »

22 Sep 2006

MONTEVERDI: Il Sesto Libro de Madrigali

It is somewhat ironic that until recent years Italy has generally been slow to take a leading role in the historical performance movement: ironic in that historically Italy both dominates and defines the early baroque style and ironic in that that style enshrines the primacy of text— the Italian text. »

20 Sep 2006

CIMAROSA: Cleopatra

The first thing I noticed in the liner notes was the bold print claiming Cimarosa was born in 1797 and died in 1848, which correspond exactly with Donizetti’s lifespan. »

12 Sep 2006

ASHLEY: Perfect Lives; Celestial Excursions; Foreign Experiences

Robert Ashley has the uncanny ability to sprinkle diamonds amidst great swaths of apparently trivial and quotidian detritus–diamonds that trigger the nervous system in an intensely stimulating fashion. »

12 Sep 2006

BEETHOVEN: Overtures
BRUCKNER: Symphony no. 4

The later Günter Wand was a remarkable interpreter of Bruckner’s music, as is demonstrated in this live recording from the Schleswig-Holstein Music Festival. »

09 Sep 2006

Joshua Bell’s Good Taste

Sony Records occasionally still sends the odd CD to reviewers hoping they will give it notice. »

08 Sep 2006

VERDI: La Traviata

Callas fans better skip this review, as they won’t like the tone, the words, or whatever slights real or imagined they may perceive. »

08 Sep 2006

MAHLER: Symphony no. 7

At the expense of stating a truism, the music of Gustav Mahler, like that of other composers, is best experienced live in the concert hall. »

08 Sep 2006

PUCCINI: La Fanciulla del West

This Fanciulla is such a wonderful issue because, for once, none of the three protagonists ever recorded their role commercially, so that one is spared the many doublings often met in live recordings. »

07 Sep 2006

MAHLER: Symphony no. 8

During the last few years Antoni Wit has recorded Mahler’s symphonies one by one, such that he is building a fine cycle for the Naxos label. »

31 Aug 2006

BRAHMS: Missa Canonica
RHEINBERGER: Mass

The program for this recent recording from the choir of Westminster Cathedral presents sacred choral works by Brahms and Rheinberger, anchored at one end by Brahms’s youthful Missa Canonica and at the other by Rheinberger’s Mass for Double Choir in E-flat, Op. 109. with a handful of motets by Brahms in between. »

29 Aug 2006

VERDI: La Forza del Destino

This cast looks quite promising on paper. However, I cannot honestly say these big names keep their promise, except for the comprimario-singers. »

29 Aug 2006

WAGNER: Rienzi

I can readily understand why Bayreuth refuses to perform Richard Wagner’s third opera. »

29 Aug 2006

VERDI: Missa da Requiem

Verdi responded to the death of Rossini in 1868 by planning a collaborative Requiem Mass, drawing on the contributions of thirteen “distinguished” composers. »

28 Aug 2006

POULENC: Figure Humaine and Dialogues des Carmelites

Francis Poulenc is well known for the religious works that comprise much of his oeuvre after he was traumatized by the accidental and premature death of his friend Pierre-Octave Ferroud in 1936. »

28 Aug 2006

DUNSTABLE: Sweet Harmony — Masses and Motets

The music of John Dunstable embodies many of the characteristics that so dramatically set the music of the emerging Renaissance apart from its Medieval forebears. »

28 Aug 2006

HANDEL: Giulio Cesare in Egitto

Sometimes an invidious comparison cannot be avoided, and such is the case with two recent DVD versions of Georg Frederic Handel's masterpiece, Giulio Cesare. »

25 Aug 2006

MENDELSSOHN: Sacred Choral Music

The English “Oxbridge” choral tradition tends to be a cohesive one, most often with choirs of men and boys receiving similar training, singing a largely shared repertory in similar venues and in similar contexts. »

25 Aug 2006

Ikon

Harry Christophers and The Sixteen have a particular affinity for pre-modern polyphony, as their long discography, teeming with the music of the Eton Choirbook, assorted Renaissance masters, Handel, Bach, and others, amply shows. »

25 Aug 2006

WAGNER: Die Meistersinger von Nürnberg

Some argue that Bayreuth ushered in the modern era of regietheatre in opera productions with its now-legendary centennial Der Ring des Nibelungen, directed by Patrice Chereau. »

25 Aug 2006

Children’s Songs of the World

In Turkey recently, we visited a second-grade classroom, where our guide invited the children to sing songs for us. »

25 Aug 2006

Mozart — Airs Sacrés

It seems only natural that the quality of radiance should quickly come to mind in contemplating the twelfth-century Basilica of Saint Denis, where luminous stained glass creates colored walls of mystical light. »

25 Aug 2006

Bolshoi Russian opera highlights

Pentatone Classics joins some smaller recording companies staking out niche markets as the biggest labels continue their enforced retreat from the classical marketplace. »

25 Aug 2006

Verdi Gala 2004 Teatro Regio di Parma

In recent European reviews, Teatro Regio di Parma’s DVD of their 2004 Verdi Gala was generally labeled as worthless. »

25 Aug 2006

VERDI: La Traviata x 2

Tower Records online DVD page shows eleven available incarnations of Verdi's classic La Traviata, four of which have appeared in the last year, including one filmed at the reopening of La Fenice in Venice, and a Zurich production reviewed recently for Opera Today by yours truly. »

25 Aug 2006

BACH: Cantatas, Vol. 19

This installment of the estimable Bach Cantata Pilgrimage recordings brings together cantatas from the middle of the Epiphany season, along with a “refugee” from Trinity XXIV), and the well-known motet, “Jesu, meine Freude.” »

25 Aug 2006

RIMSKY-KORSAKOV: Snegurochka

This is a most sympathetic performance, though perhaps being a Fleming helps. In my small country on the frontier of Northern and Southern European influences, many musical styles made their entrance and became popular. »

25 Aug 2006

Erwartung — Lieder by Schoenberg, Wagner, Strauss et al.

Internationally acclaimed soprano, Solveig Kringelborn, now has recorded a delightful selection of late nineteenth-century German Lieder on the NMA label. »

25 Aug 2006

REIMANN: Lieder

In making words sing, to use a phrase from a recent study of the poetics of vocal composition, Aribert Reimann (b. 1936) does not emulate another composer as much as he makes fashions his own lines and punctuates them with accompaniments that serve as a means of accentuating the text. »

25 Aug 2006

BACH: Musical Offering

We can easily imagine the pleasure that Bach must have taken in presiding over a household that was both large and talented enough to form its own complete ensemble. »