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Elsewhere

François-Xavier Roth conducts the London Symphony Orchestra and Chorus in Works by Ligeti, Bartók and Haydn

For the second of my armistice anniversary concerts, I moved across town from the Royal Festival Hall to the Barbican.

The Silver Tassie at the Barbican Hall

‘Serious sport has nothing to do with fair play. It is bound up with hatred, jealousy, boastfulness, disregard of all rules and sadistic pleasure in witnessing violence: in other words it is war minus the shooting.’ The words of George Orwell, expressed in a Tribune article, ‘The Sporting Spirit’, published in 1945.

‘The Eternal Flame’: Works by Debussy, Magnus Lindberg, Stravinsky, and Janáček

If an armistice remembrance concert is to be held - and surely it is not unreasonable to do so, one hundred years on from 1918 - let it be programmed like this. Yes, official remembrance has, in the very worst sense, been politicised way beyond endurance for most of us in the United Kingdom.

The Last Letter: the Britten Sinfonia at Milton Court

The Barbican Centre’s For the Fallen commemorations continued with this varied and thought-provoking programme, The Last Letter, which interweaved vocal and instrumental music with poems and prose, and focused on relationships - between husband and wife, fellow soldiers, young men and their homelands - disrupted by war.

Fiona Shaw's Cendrillon casts a spell: Glyndebourne Tour 2018

Fiona Shaw’s new production of Massenet’s Cendrillon (1899) for this year’s Glyndebourne Tour makes one feel that the annual Christmas treat at the ballet or the panto has come one month early.

The Rake’s Progress: Vladimir Jurowski and the London Philharmonic

Stravinsky’s The Rake’s Progress is not, in many ways, a progressive opera; it doesn’t seek to radicalise, or even transform, opera and yet it is indisputably one of the great twentieth-century operas.

Bampton Classical Opera to perform Gian Carlo Menotti's Amahl and the Night Visitors

Gian Carlo Menotti’s much-loved Christmas opera, Amahl and the Night Visitors was commissioned in America by the National Broadcasting Company and was broadcast in 1951 - the first-ever opera composed specifically for television. Menotti said that it “is an opera for children because it tries to recapture my own childhood”.

A raucous Così fan tutte at the Guildhall School of Music and Drama

Precisely where and when Così fan tutte takes place should be a matter of sublime indifference - or at least of individual taste. It is ‘about’ many things, but eighteenth-century Naples - should that actually be the less exotic yet still ‘othered’ neāpolis of Wiener Neustadt? - is not among them.

For the Fallen: James Macmillan's All the Hills and Vales Along at Barbican Hall

‘He has clothed his attitude in fine words: but he has taken the sentimental attitude.’ So, wrote fellow war poet Charles Hamilton Sorley of the last sonnets of Rupert Brooke.

Kings College, Cambridge launches as curator on Apple Music

November 5, 2018, Los Angeles, CA: Today, King’s College Cambridge announces the launch of the College as a curator on Apple Music.

Royal Opera House’s Music Director Sir Antonio Pappano extends tenure to 2023

Sir Antonio Pappano, Music Director of the Royal Opera House, has confirmed that he will remain in position until at least the end of the 2022/23 Season.

English Touring Opera: Troubled fidelities and faiths

‘Can engaging with contemporary social issues save the opera?’ asked M. Sophia Newman last week, on the website, News City, noting that many commentators believe that ‘public interest in stuffy, intimidating, expensive opera is inevitably dwindling’, and that ‘several recent opera productions suggest that interest in a new kind of urban, less formally-staged, socially-engaged opera is emerging and drawing in new audiences to the centuries-old art form’.

Himmelsmusik: L'Arpeggiata bring north and south together at Wigmore Hall

Johann Theile, Crato Bütner, Franz Tunder, Christian Ritter, Giovanni Felice Sances … such names do not loom large in the annals of musical historiography. But, these and other little-known seventeenth-century composers took their place alongside Bach and Biber, Schütz and Monteverdi during L’Arpeggiata’s most recent exploration of musical cross-influences and connections.

Boston Early Music Festival Chamber Opera to Present Caccini’s Alcina

The GRAMMY-Winning Boston Early Music Festival Chamber Opera Series presents Francesca Caccini’s Alcina on Thanksgiving weekend – November 24 & 25 in Boston and November 26 & 27 in New York City

Complementary Josquin masses from The Tallis Scholars

This recording on the Gimell label, the seventh of nine in a series by the Tallis Scholars which will document Josquin des Prés’ settings of the Mass (several of these and other settings are of disputed authorship), might be titled ‘Sacred and Profane’, or ‘Heaven and Earth’.

Piotr Beczała – Polish and Italian art song, Wigmore Hall London

Can Piotr Beczała sing the pants off Jonas Kaufmann ? Beczała is a major celebrity who could fill a big house, like Kaufmann does, and at Kaufmann prices. Instead, Beczała and Helmut Deutsch reached out to that truly dedicated core audience that has made the reputation of the Wigmore Hall : an audience which takes music seriously enough to stretch themselves with an eclectic evening of Polish and Italian song.

Soloists excel in Chelsea Opera Group's Norma at Cadogan Hall

“Let us not be ashamed to be carried away by the simple nobility and beauty of a lucid melody of Bellini. Let us not be ashamed to shed a tear of emotion as we hear it!”

Handel's Serse: Il Pomo d'Oro at the Barbican Hall

Sadly, and worryingly, there are plenty of modern-day political leaders - both dictators and the democratically elected - whose petulance, stubbornness and egoism threaten the safety of their own subjects as well as the stability and security of other nations.

Dutch touring Tosca is an edge-of-your-seat thriller

Who needs another Tosca? Seasoned opera buffs can be blasé about repertoire mainstays. But the Nederlandse Reisopera’s production currently touring the Netherlands is worth seeing, whether it is your first or your hundred-and-first acquaintance with Puccini’s political drama. The staging is refreshing and pacey. Musically, it has the four crucial ingredients: three accomplished leads and a conductor who swashbuckles through the score in a blaze of color.

David Alden's fine Lucia returns to ENO

The burden of the past, and the duty to ensure its survival in the present and future, exercise a violent grip on the male protagonists in David Alden’s production of Lucia di Lammermoor for English National Opera, with dangerous and disturbing consequences.


OPERA TODAY ARCHIVES »

Recordings

Gimmell CDGIM 050
28 Oct 2018

Complementary Josquin masses from The Tallis Scholars

This recording on the Gimell label, the seventh of nine in a series by the Tallis Scholars which will document Josquin des Prés’ settings of the Mass (several of these and other settings are of disputed authorship), might be titled ‘Sacred and Profane’, or ‘Heaven and Earth’. »

Recently in Recordings

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10 Nov 2006

VIVALDI: Sacred Music 2

A recording of the complete sacred music of Antonio Vivaldi is a welcome prospect, not least because it offers an opportunity to go beyond the fame and familiarity of Vivaldi’s concertos and the ubiquitous “Gloria.” »

09 Nov 2006

Franco Corelli: The 1971 Tokyo Concert

A friend who bought this issue grumbled that Dynamic had swindled him out off his money as the whitewashed, less than sharp picture quality is not much better than the pirate issue he once received from a correspondent. »

09 Nov 2006

MOZART: Die Zauberflöte

The back of this DG set relates that the company made the recording "in Modena in conjunction with a series of performances in Italy and Germany." »

29 Oct 2006

Placido Domingo — Be My Love

Decca/London was somewhat earlier with their series ‘Classic Recitals’ and now Deutsche Gramophon is following without that title. »

29 Oct 2006

SPONTINI: La Vestale

Though this La Vestale is sung in its original French, it strikes me as rather odd that the contents in the sleeve notes nevertheless still employs the Italian names Licinio and Giulia. »

29 Oct 2006

GOUNOD: Faust

As rare as it may be to hear Gounod’s Faust in Bulgarian, the language differences soon pass in a good performance, especially one that includes a live performance of the bass Nicolai Ghiaurov from the prime of his performing career. »

28 Oct 2006

LEHAR: Eva

My father was a small bit player in an amateur operetta company from 1947 till 1963 when the company folded. »

26 Oct 2006

Opera Arias - Wojciech Drabowicz

Those familiar with Antoni Wit’s fine recording of Mahler’s Eighth Symphony will have encountered some Polish singers in the solo parts, and among them is the baritone Wojtek Drabowicz. »

26 Oct 2006

Hans Hotter & Birgit Nilsson sing Wagner & Schubert

Two of the most famous Wagner interpreters of the twentieth century, Hans Hotter and Birgit Nilsson, are always worth hearing in their studio recordings, and the live recordings capture the spontaneity of an actual performance with such accomplished singers. »

26 Oct 2006

WEBER: Der Freischütz; Oberon

The demise of Tower Records adds another hurdle to the collector's challenge in acquiring rare performances on obscure labels. »

22 Oct 2006

HANDEL: An Ode for St. Cecilia’s Day

“Cecilia, cast a glance upon the land of Britain, and you will see that in sonorous strains it renews on this day the pleasing memory of your name so dear. . . .” »

21 Oct 2006

Salvatore Licitra — Forbidden Love

As the careers of the “three tenors” drew to a close, it became more and more obvious that replacements would have to be found, if not for all of them, then certainly for one or two. »

19 Oct 2006

DONIZETTI: Alahor in Granata

A yellow banner in the lower right hand corner of the slip case cover (identical to that of the jewel box and booklet) proclaims this CD as the "first world recording" of Gaetano Donizetti's Alahor in Granata. »

17 Oct 2006

STRAUSS: Lieder

Virtuosic, expressive, subtle evocative – these words can be used to describe various aspects of the Lieder of Richard Strauss. »

16 Oct 2006

HANDEL: Hercules

From the 2004 Aix en Provence Festival comes this Luc Bondy staging of Handel's oratorio Hercules, an achingly serious and sober portrayal of Olympian rage and jealousy. »

16 Oct 2006

Homage — The Age of the Diva

In the 1890s, the term “diva” was first used in print to refer to an opera singer or stage star. »

08 Oct 2006

KILAR: Piano Concerto

Among the exciting new releases in Naxos’s series of 21st Century Classics is a compilation of four works by Wojciech Kilar (b. 1932), which include two symphonic compositions and two vocal pieces. »

08 Oct 2006

The Art of Elaine Bonazzi

This is a recital disc notable for the compelling presence and intimacy of the vocal performance. »

05 Oct 2006

MAHLER: Symphonie no. 2

Among the outstanding interpreters of Mahler’s music, Pierre Boulez stands out for his recent recordings of the composer’s symphonies. Having worked with various international orchestras, Boulez has been preserving on CD some finely shaped performances, and if he intends to create a cycle akin to those of other conductors, he is wisely recording the works one by one and not necessarily in the order in which they were composed. »

02 Oct 2006

The Psalms of David

The daily Anglican liturgies of Morning and Evening Prayer feature the recitation of the complete Psalter (apportioned in a monthly cycle), and in cathedrals and collegiate chapels, the chanting of the psalms has been cultivated to a degree of great refinement and beauty. »

29 Sep 2006

VERDI: Un ballo in maschera

Of late opera stagings often seem to be slotted into one of two categories: the "traditional," with sets as the original libretto detailed and singers in period costumes; and "non-traditional," "regie theater," or "Eurotrash," what you will. »

29 Sep 2006

STRAUSS: Salome

Having spent the better part of its life at full-price, the Solti/Nilsson Salome now appears as a mid-priced re-issue. »

29 Sep 2006

CHERUBINI: Le Sposo di tre marito di nessuna

This 250th anniversary year of Mozart's birth must be heaven not only Amadeus lovers but also for those with a general inclination toward classical era music. »

29 Sep 2006

ZEISL: Lieder

While most of the familiar Lieder repertoire stems from the nineteenth century, the powerful attraction the artform spurred composition in this genre through the mid-twentieth century. »

28 Sep 2006

That's Amore

Vanity publishing is not for the print world only, as a release from a company called Jeremiah Productions, called "That's Amore," proves. »

27 Sep 2006

Flaviano Labo – Vol III

According to Giancarlo Landini, author of the very interesting and detailed sleeve notes, Labo “has been sorely neglected, if not totally forgotten”. »

26 Sep 2006

LEHAR: Schön is die Welt

CPO has recently given us a lot of wonderful Lehar recordings like Eva, Der Rastelbinder or Der Sterngucker (admired by Hofmannsthal who exclaimed after a performance: ‘I wish, Lehar had composed Rosenkavalier’). »

25 Sep 2006

POULENC: Gloria and Stabat Mater

In the 1930s, Poulenc’s turn to writing sacred choral music such as the Litanies à la vierge noire and the Mass in G was closely linked to his new embrace of Roman Catholicism following the death of a close friend, the composer Pierre-Octave Ferroud. »

25 Sep 2006

BACH: St. John Passion

The Bach Passions combine drama, sublimity of expression, and deeply devotional reflection in such a powerful way that we invariably tend to set them apart from other liturgical works. »

25 Sep 2006

Pilar Lorengar: Prima Donna in Vienna

Maybe a looking glass will help you to decipher the reprint in this CD’s inside cover of a small article on the soprano by Terry McEwen, who was Manager of the Classical Divison of London Records at the time of recording. »

25 Sep 2006

Birgit Nilsson — "Or sai chi l'onore"

Deutsche Grammophon was one of the many labels for which Nilsson recorded and the company decided to commemorate her passing by offering us most of her not so very large catalogue. »

25 Sep 2006

BACH: Mass in B Minor

We are reasonably sensitive, I suspect, to the number of ways in which venue can shape the nature and success of musical performance. »

24 Sep 2006

BELLINI: Norma

The best Norma on DVD treats the viewer to a blurry picture of washed-out colors and remote, compressed sound. »

24 Sep 2006

VERDI: La Forza del Destino

The better can be the enemy of the good and this recording proves it. »

24 Sep 2006

Katarina Jovanovic — Songs by Brahms, Strauss, Schubert

In her debut recording the young Roumanian soprano Katarina Jovanic demonstrates her talent in performing an intriguing selection of Lieder by Schubert, Brahms, and Strauss. »

24 Sep 2006

ROSSINI: Moïse

Myto does many an opera-lover a service by offering this enjoyable recording of Rossini's French grand opera, here called Moïse. »

24 Sep 2006

HALÉVY: La Juive

For a period of close to half a century, French grand opera, as exemplified by the works of Giacomo Meyerbeer and his school, was the preferred form of music for the theatre (i.e. opera) in most of the civilized world. »

22 Sep 2006

MONTEVERDI: Il Sesto Libro de Madrigali

It is somewhat ironic that until recent years Italy has generally been slow to take a leading role in the historical performance movement: ironic in that historically Italy both dominates and defines the early baroque style and ironic in that that style enshrines the primacy of text— the Italian text. »

20 Sep 2006

CIMAROSA: Cleopatra

The first thing I noticed in the liner notes was the bold print claiming Cimarosa was born in 1797 and died in 1848, which correspond exactly with Donizetti’s lifespan. »

12 Sep 2006

ASHLEY: Perfect Lives; Celestial Excursions; Foreign Experiences

Robert Ashley has the uncanny ability to sprinkle diamonds amidst great swaths of apparently trivial and quotidian detritus–diamonds that trigger the nervous system in an intensely stimulating fashion. »

12 Sep 2006

BEETHOVEN: Overtures
BRUCKNER: Symphony no. 4

The later Günter Wand was a remarkable interpreter of Bruckner’s music, as is demonstrated in this live recording from the Schleswig-Holstein Music Festival. »

09 Sep 2006

Joshua Bell’s Good Taste

Sony Records occasionally still sends the odd CD to reviewers hoping they will give it notice. »

08 Sep 2006

VERDI: La Traviata

Callas fans better skip this review, as they won’t like the tone, the words, or whatever slights real or imagined they may perceive. »

08 Sep 2006

MAHLER: Symphony no. 7

At the expense of stating a truism, the music of Gustav Mahler, like that of other composers, is best experienced live in the concert hall. »

08 Sep 2006

PUCCINI: La Fanciulla del West

This Fanciulla is such a wonderful issue because, for once, none of the three protagonists ever recorded their role commercially, so that one is spared the many doublings often met in live recordings. »

07 Sep 2006

MAHLER: Symphony no. 8

During the last few years Antoni Wit has recorded Mahler’s symphonies one by one, such that he is building a fine cycle for the Naxos label. »

31 Aug 2006

BRAHMS: Missa Canonica
RHEINBERGER: Mass

The program for this recent recording from the choir of Westminster Cathedral presents sacred choral works by Brahms and Rheinberger, anchored at one end by Brahms’s youthful Missa Canonica and at the other by Rheinberger’s Mass for Double Choir in E-flat, Op. 109. with a handful of motets by Brahms in between. »

29 Aug 2006

VERDI: La Forza del Destino

This cast looks quite promising on paper. However, I cannot honestly say these big names keep their promise, except for the comprimario-singers. »

29 Aug 2006

WAGNER: Rienzi

I can readily understand why Bayreuth refuses to perform Richard Wagner’s third opera. »

29 Aug 2006

VERDI: Missa da Requiem

Verdi responded to the death of Rossini in 1868 by planning a collaborative Requiem Mass, drawing on the contributions of thirteen “distinguished” composers. »

28 Aug 2006

POULENC: Figure Humaine and Dialogues des Carmelites

Francis Poulenc is well known for the religious works that comprise much of his oeuvre after he was traumatized by the accidental and premature death of his friend Pierre-Octave Ferroud in 1936. »

28 Aug 2006

DUNSTABLE: Sweet Harmony — Masses and Motets

The music of John Dunstable embodies many of the characteristics that so dramatically set the music of the emerging Renaissance apart from its Medieval forebears. »

28 Aug 2006

HANDEL: Giulio Cesare in Egitto

Sometimes an invidious comparison cannot be avoided, and such is the case with two recent DVD versions of Georg Frederic Handel's masterpiece, Giulio Cesare. »