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Elsewhere

On The Death of Klinghoffer

This is a revised version of my review of the Sept 5th 1991American premiere of The Death of Klinghoffer, at the Brooklyn Academy of Music. The opera was first performed at Brussels’ La Monnaie the previous spring.

Anna Netrebko, now a dramatic soprano, shines in the Met’s dark and murky ‘Macbeth’

The former lyric soprano holds up well — and survives the intrusive close-up camerawork of the ‘Live in HD’ transmission

Arizona Opera Presents First Mariachi Opera

Houston Grand Opera commissioned Cruzar la Cara de la Luna from composer José “Pepe” Martínez, music director of Mariachi Vargas de Tecalitlán, who wrote the text together with Broadway and opera director Leonard Foglia. The work had its world premier in 2010. Since then, it has traveled to several cities including Paris, Chicago, and San Diego.

Plácido Domingo: I due Foscari, London

“Why should I go to hear Plácido Domingo” someone said when Verdi’s I due Foscari was announced by the Royal Opera House. There are very good reasons for doing so.

Philip Glass’s The Trial

Music Theatre Wales presented the world premiere of Philip Glass’s The Trial (Kafka) last night at the Linbury, Royal Opera House. Music Theatre Wales started doing Glass in 1989. Their production of Glass’s In the Penal Colony in 2010 was such a success that Glass conceived The Trial specially for the company.

Joyce DiDonato: Alcina, Barbican, London

To say that the English Concert’s performance of Handel’s Alcina at the Barbican on 10 October 2014 was hotly anticipated would be an understatement. Sold out for weeks, the performance capitalised on the draw of its two principals Joyce DiDonato and Alice Coote and generated the sort of buzz which the work did at its premiere.

Un ballo in maschera in San Francisco

The subject is regicide, a hot topic during the Italian risorgimento when the Italian peninsula was in the grip of the Hapsburgs, the Bourbons, the House of Savoy and the Pontiff of the Catholic Church.

A New Don Giovanni and Anniversary at Lyric Opera of Chicago

Lyric Opera of Chicago opened its sixtieth anniversary season with a new production of Mozart’s Don Giovanni directed by Artistic Director of the Goodman Theater, Robert Falls.

Grande messe des morts, LSO

It was a little over two years ago that I heard Sir Colin Davis conduct the Berlioz Requiem in St Paul’s Cathedral; it was the last time I heard — or indeed saw — him conduct his beloved and loving London Symphony Orchestra.

Guillaume Tell, Welsh National Opera

Part of their Liberty or Death season along with Rossini’s Mose in Egitto and Bizet’s Carmen, Welsh National Opera performed David Pountney’s new production of Rossini’s Guillaume Tell (seen 4 October 2014).

Mose in Egitto, Welsh National Opera

Welsh National Opera’s production of Rossini’s Mose in Egitto was the second of two Rossini operas (the other is Guillaume Tell) performed in tandem for their autumn tour.

L’incoronazione di Poppea, Barbican Hall

In Monteverdi’s first Venetian opera, Il Ritorno d’Ulisse (1641), Penelope’s patient devotion as she waits for the return of her beloved Ulysses culminates in the triumph of love and faithfulness; in contrast, in L’incoronazione di Poppea it is the eponymous Queen’s lust, passion and ambition that prevail.

Rameau’s Les Paladins, Wigmore Hall

After the triumphs of love, the surprises: Les Paladins, under their director Jérôme Correas, and soprano Sandrine Piau are following their tour of material from their 2011 CD, ‘Le Triomphe de L’amour’, with a new amatory arrangement.

Puccini : The Girl of the Golden West, ENO London

At the ENO, Puccini's La fanciulla del West becomes The Girl of the Golden West. Hearing this opera in English instead of Italian has its advantages, While we can still hear the exotic, Italianate Madama Butterfly fantasies in the orchestra, in English, we're closer to the original pot-boiler melodrama. Madama Biutterfly is premier cru: The Girl of the Golden West veers closer, at times, to hokum. The new ENO production gets round the implausibility of the plot by engaging with its natural innocence.

Anna Caterina Antonacci, Wigmore Hall, London

Presenting a well-structured and characterful programme, Italian soprano Anna Caterina Antonacci demonstrated her prowess in both soprano and mezzo repertoire in this Wigmore Hall recital, performing European works from the early years of the twentieth century. Assuredly accompanied by her regular pianist Donald Sulzen, Antonacci was self-composed and calm of manner, but also evinced a warmly engaging stage presence throughout.

Il barbiere di Siviglia, Royal Opera

Bold, bright and brash, Moshe Leiser and Patrice Caurier’s Il barbiere di Siviglia tells its story clearly in complementary primary colours.

Gluck and Bertoni at Bampton

Bampton Classical Opera’s 2014 double bill neatly balanced drollery and gravity. Rectifying the apparent prevailing indifference to the 300th centenary of Christoph Willibald Gluck birth, Bampton offered a sharp, witty production of the composer’s Il Parnaso confuso, pairing this ‘festa teatrale’ with Ferdinando Bertoni’s more sombre Orfeo.

Purcell: A Retrospective

Harry Christophers and The Sixteen Choir and Orchestra launched the Wigmore Hall’s two-year series, ‘Purcell: A Retrospective’, in splendid style. Flexibility, buoyancy and transparency were the watchwords.

Mahler: Symphony no.3 — Prom 73

It would be unfair, but one could summarise this concert with the words, ‘Senator, you’re no Leonard Bernstein.’

Los Angeles Opera Opens with La traviata

On September 13, Los Angeles Opera opened its 2014-2015 season with a revival of Marta Domingo’s updated, Art Deco staging of Giuseppe Verdi’s La traviata. It starred Nino Machaidze as Violetta, Arturo Chácon-Cruz as Alfredo, and Plácido Domingo as Giorgio Germont. The conductor was Music Director James Conlon.


OPERA TODAY ARCHIVES »

Recordings

Orfeo ed Euridice (Arthaus Musik 108103)
25 Aug 2014

Gluck: Orfeo ed Euridice

This elegant, smartly-paced film turns Gluck’s Orfeo into a Dostoevskian study of a guilt-wracked misanthrope, portrayed by American countertenor Bejun Mehta.  »

Recently in Recordings

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31 May 2006

BÖHM: Cantatas

“A little learning is a dangerous thing; drink deep, or taste not the Pierian spring”, quoth the great poet Alexander Pope in 1709. »

31 May 2006

JONES: The Geisha

Should Opera Today readers want to test where they would place themselves on a spectrum ranging from “completely politically incorrect” to “utterly politically correct,” the Hyperion Helios re-release of Sidney Jones “Japanese musical play” The Geisha surely will do the trick. »

31 May 2006

MANFREDINI: 12 Concerti op. 3

The general aversion of the listening public to vocal music can nowhere be more easily seen than in the comparative success of the operatic and instrumental works of the Italian baroque. »

31 May 2006

DONIZETTI: Marino Faliero

There was a great northward swing of composers from Italy to Paris and London in the 1820s and 1830s. Actually, this has been going on for a long time, but was temporarily halted by the Napoleonic wars. »

31 May 2006

BACH: Cantatas, vol. 10

Few works seem more seminal to our understanding of J. S. Bach than the church cantatas, written over a wide chronological swath of his career, sometimes as part of occasional duties, other times in what was clearly a frenzy of steady prolificity. »

31 May 2006

MASSENET: Le Roi de Lahore

Sergio Seggalini, former editor of Opéra International (now Opéra Magazine), is the artistic director of both La Fenice and the Festival of Martina Franca. »

30 May 2006

BOITO: Nerone

“What a difference a sound makes” goes the song (or something like that). »

25 May 2006

DONIZETTI: Maria Stuarda

By sheer coincidence I attended a concert performance of this opera at the Vlaamse Opera in Antwerp at the same moment I received these CD’s. »

25 May 2006

DONIZETTI: Roberto Devereux

When asked whether he believed Rossini had composed Il Barbiere di Siviglia in thirteen days, nineteen-year-old Donizetti is supposed to have replied, »

25 May 2006

NICOLAI: Die lustigen Weiber von Windsor

Klaus-Edgar Wichmann, in the booklet essay to this Capriccio recording from 2002 of Otto Nicolai's Die lustigen Weiber von Windsor, describes the work as having "asserted itself in the opera repertoire for more than a hundred years." »

24 May 2006

BACH: Alles mit Gott

A little over a year ago Bach scholar Michael Maul found himself in the exceedingly unusual position of having discovered a hitherto unknown Bach composition, a birthday ode for Duke Wilhelm Ernst of Weimar, entitled “Alles mit Gott und nichts ohn’ ihn. »

24 May 2006

SCHUBERT: Die schöne Müllerin

Franz Schubert's song cycle Die schöne Müllerin has received, in recent years, frequent attention with several fine recordings having been issued during this period. »

24 May 2006

Orchestral Excerpts from Wagner Operas

Among the plentiful selections of orchestral music from the operas of Richard Wagner, it is rare to find recordings that truly stand out, and this recent release of performances conducted by the late Klaus Tennstedt merits distinction. »

24 May 2006

Rolando Villazón — Opera Recital

I’ve carefully listened several times to this new solo album (his third) by Rolando Villazón and it grows on you, though there are a few weaknesses. »

24 May 2006

PUCCINI: Turandot

This must be the first Turandot that has in the sleeve notes three photographs of the soprano who sings Liu compared to two of the lady in the title role. »

19 May 2006

Placido Domingo — Great Scenes

Domingo-fans probably have all complete performances from which these scenes were culled, as they were widely broadcast in Europe during the eighties. »

19 May 2006

HALFFTER: Don Quijote

I can’t imagine a more utopian enterprise for a composer than writing an opera at the end of the twentieth century. »

19 May 2006

VERDI: Don Carlo

For a time this Don Carlo was a return to times people thought long gone. As always, Dutch papers covered beforehand this new Decker production in depth, as the theme of liberty is an important one. »

17 May 2006

PETRELLA: Jone

Jone is the only Italian opera from the 1850s by a composer other than Giuseppe Verdi to make it into the standard repertory for a period of well over 50 years, lasting until the onset of World War I before eventually disappearing. »

17 May 2006

CHARPENTIER: Te Deum and Grand Office des Morts

In the modern performance of seventeenth-century French music, the ensemble Les Arts Florissants holds a special place, both for its longevity and the striking stylistic fluency it brings to performances — performances that have come to define our very sense of French Baroque style. »

16 May 2006

FAURÉ: The Complete Songs 4

Dans un parfum de roses (“Within the scent of roses”), is the fourth and final volume of the Complete Songs of Gabriel Fauré issued by Hyperion. »

16 May 2006

PUCCINI: Madama Butterfly

All is right and good in the world of opera as long as the Arena di Verona puts on vivid productions, in questionable taste, with impassioned singers pouring out the volume, in questionable taste, and the audience roaring its approval - in questionable taste. »

16 May 2006

ROSSINI: La Scala Di Seta

Here is another handsome production of an early Rossini one-act comedy from the Schwetzingen festival, held at the charming and tiny Rokoko theater in May 1990. »

16 May 2006

MAHLER: Symphony no. 6

In recent years the Sixth Symphony of Gustav Mahler has gained some prominence with the declaration by the internationale Gustav Mahler Gesellschaft about the only correct order of the internal movements, a position that has inspired some discussion among enthusiasts. »

16 May 2006

VERDI: Nabucco

The booklet somewhat proudly tells us that “a modern Italian opera-going public would likely walk out in horror if confronted with the avant-garde productions of many German opera houses. »

15 May 2006

Three Releases from Nightingale Classics

Frank Sinatra had Reprise. The Beatles had Apple. Madonna has Maverick. And Edita Gruberova has Nightingale. »

11 May 2006

The Music of Joseph Dubiel

Joe Dubiel is a well known and accomplished music theorist, affable, pleasant in demeanor, learned and astute, and above all friendly in a field that has its thorns and brambles. »

02 May 2006

Three Mozart Collections from Universal

A recent newspaper report — the sort of item conveyed in a short paragraph and relegated to a column of such brief pieces — summarized a study that argues that Mozart did not die a pauper, but actually had a fairly steady stream of income. »

02 May 2006

ATTRAZIONE D'AMORE / VOYAGE TO CYTHERA

Passion for music is hardly rare, but it is welcome to hear it espoused in public, especially by some of the art’s strongest proponents. »

29 Apr 2006

Music for the Virgin Mary—Celebrating 300 Years of Charpentier

This wonderful CD was recorded in the magnificent church of Notre Dame, Rozay-en-Brie, which is 30 miles east of Paris, and contains one of the better-preserved French organs of the seventeenth century, actually played by Francois Couperin during his lifetime. »

29 Apr 2006

Conducting Mahler / I Have Lost Touch with the World

In recent years a number of the number of recordings of Mahler’s works have become available on DVD. »

29 Apr 2006

PONCHIELLI: I Lituani

Why would anyone want to replace his LP-version on MRF? Because his records are scratched and it is too much trouble to put everything on CD. »

27 Apr 2006

AUBER: Fra Diavolo
DONIZETTI: La Figlia del Reggimento

When these recordings first appeared during the mid-sixties, there was some eye batting. Why did Deutsche Grammophon bring these recordings on the market? »

22 Apr 2006

Tönet, ihr Pauken!

Bach’s famed career as an organist, his prolific output of church cantatas, and his personal piety, all conspire to keep the image of the churchly Bach front and center in the modern mind, despite the enduring familiarity and popularity of Brandenburg concertos, sonatas, and suites. »

22 Apr 2006

Victoria de los Angeles—Profile in Music

For those without much time to read reviews, I can be extremely brief: hurry and buy this DVD. For all the others: the same advise though maybe they want to know the reasons for such a purchase. »

22 Apr 2006

MOZART: Don Giovanni

Calixto Bieito has made his name as an opera director with productions of unrelenting violence and sex, perhaps exemplified by last year's Abduction from the Seraglio in Berlin with its full nudity and graphic mutilations. »

20 Apr 2006

Enescu: Oedipe

Enescu's Oedipe has always been a rarity outside his native Romania. »

20 Apr 2006

MASCAGNI: In Filanda

Last year was the 60th anniversary of Mascagni’s death. When I wrote a big commemoration article for a Dutch operatic magazine, I wondered if we would ever hear a full version of the 18-year old Mascagni’s first work: a cantata called “in the weaving mill.” »

20 Apr 2006

BRITTEN: Death in Venice

Even if this recording were a failure (which it isn't), it is indispensable on account of its inclusion of about 90 seconds of music not present in the only other studio recording. »

20 Apr 2006

“l’heure exquise”

After happily scanning the rarity-filled repertoire on this disc, and considering the unusual program order, with sets of songs by Enescu, Chausson, and Debussy alternating with sets by saloniste Reynaldo Hahn, I visualize this recital as an exquisite hour in Hahn’s salon, with three guest composers present, exchanging ideas with their host. »

20 Apr 2006

LORTZING: Undine

Albert Lortzing has suffered much lately. Artistically speaking, he is somewhat moribund. In a recent article in the German operatic magazine, Orpheus, one writer rightfully complained that the once so popular composer has almost disappeared from the German theatres. »

19 Apr 2006

A Night to Remember: Placido Domingo & Mstislav Rostropovich

Only a few seconds after watching this DVD I was reminded of one of the great marketing failures in records. More than forty years ago, RCA brought out several glorious LP’s of young Gigli’s records and they put photographs of the sixty-five year old tenor on the sleeve. »

19 Apr 2006

Song of America: Music from the Library of Congress

In connection with the joint project by Thomas Hampson and the U.S. Library of Congress to present events about American song and other creativity at venues as varied as Kansas City, Fort Worth, and Carnegie Hall, EMI Classics has released this CD containing tracks from three earlier discs featuring Thomas Hampson. »

18 Apr 2006

Alfredo Kraus and Renata Scotto: Villancicos

I fear this is a CD strictly reserved for fans of both singers or for collectors of Christmas albums by classical singers. »

18 Apr 2006

Lawrence Brownlee: Lieder & Song Recital

A few years ago I picked up a buzz among those close to the Seattle Opera Young Artists’ Program that there would be a truly remarkable young tenor in the program’s production of La Cenerentola that year. »

10 Apr 2006

The Rose, the Lily & the Whortleberry: Medieval Gardens

Holding “The Rose, the Lily & the Whortleberry” in my hands, I pondered for a moment whether it belonged on my bookshelf or in the CD cabinet. »

10 Apr 2006

VERDI: Nabucco

This 2001 Vienna State Opera production of Verdi’s first smash hit, Nabucco, serves as a textbook example of the “modern dress” production style, for better or worse – and probably, for both. »

07 Apr 2006

LEONCAVALLO: Pagliacci

No exact date is given for this performance and there is good reason for it. The sleeve notes clearly state that baritone Enzo Sordello (of the 15 minutes of world fame when the Met fired him for clinging to a high note longer than Callas) sings the role of Silvio. »