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Elsewhere

San Jose’s Bohemian Rhapsody

Opera San Jose has capped a wholly winning season with an emotionally engaging, thrillingly sung, enticingly fresh rendition of Puccini’s immortal masterpiece La bohème.

Fine Traviata Completes SDO Season

On Saturday evening April 22, 2017, San Diego Opera presented Giuseppe Verdi’s La traviata at the Civic Theater. Director Marta Domingo updated the production from the constrictions of the nineteenth century to the freedom of the nineteen twenties. Violetta’s fellow courtesans and their dates wore fascinating outfits and, at one point, danced the Charleston to what looked like a jazz combo playing Verdi’s score.

The Exterminating Angel: compulsive repetitions and re-enactments

Thomas Adès’s third opera, The Exterminating Angel, is a dizzying, sometimes frightening, palimpsest of texts (literary and cinematic) and music, in which ceaseless repetitions of the past - inexact, ever varying, but inescapably compulsive - stultify the present and deny progress into the future. Paradoxically, there is endless movement within a constricting stasis. The essential elements collide in a surreal Sartrean dystopia: beasts of the earth (live sheep and a simulacra of a bear) roam, a disembodied hand floats through the air, water spouts from the floor and a burning cello provides the flames upon which to roast the sacrificial lambs. No wonder that when the elderly Doctor tries to restore order through scientific rationalism he is told, “We don't want reason! We want to get out of here!”

Dutch National Opera revives deliciously dark satire A Dog’s Heart

Is A Dog’s Heart even an opera? It is sung by opera singers to live music. Alexander Raskatov’s score, however, is secondary to the incredible stage visuals. Whatever it is, actor/director Simon McBurney’s first stab at opera is fantastic theatre. Its revival at Dutch National Opera, where it premiered in 2010, is hugely welcome.

A Chat With Italian Conductor Riccardo Frizza

Riccardo Frizza is a young Italian conductor whose performances in Europe and the United States are getting rave reviews. He tells us of his love for the operas of Verdi, Bellini, and particularly Donizetti.

Opera Rara: new recording of Bellini's Adelson e Salvini

In May 2016, Opera Rara gave Bellini aficionados a treat when they gave a concert performance of Vincenzo Bellini’s first opera, Adelson e Salvini, at the Barbican Hall. The preceding week had been spent in the BBC’s Maida Vale Studios, and this recording, released last month, is a very welcome addition to Opera Rara’s bel canto catalogue.

Jonas Kaufmann : Mahler Das Lied von der Erde

Jonas Kaufmann Mahler Das Lied von der Erde is utterly unique but also works surprisingly well as a musical experience. This won't appeal to superficial listeners, but will reward those who take Mahler seriously enough to value the challenge of new perspectives.

Garsington Opera For All

Following Garsington Opera for All’s successful second year of free public screenings on beaches, river banks and parks in isolated coastal and rural communities, Handel’s sparkling masterpiece Semele will be screened in four areas across the UK in 2017. Free events are programmed for Skegness (1 July), Ramsgate (22 July), Bridgwater (29 July) and Grimsby (11 October).

María José Moreno lights up the Israeli Opera with Lucia di Lammermoor

I kept hearing from knowledgeable opera fanatics that the Israeli Opera (IO) in Tel Aviv was a surprising sure bet. So I made my way to the Homeland to hear how supposedly great the quality of opera was. And man, I was in for treat.

Cinderella Enchants Phoenix

At Phoenix’s Symphony Hall on Friday evening April 7, Arizona Opera offered its final presentation of the 2016-2017 season, Gioachino Rossini’s Cinderella (La Cenerentola). The stars of the show were Daniela Mack as Cinderella, called Angelina in the opera, and Alek Shrader as Don Ramiro. Actually, Mack and Shrader are married couple who met singing these same roles at San Francisco Opera.

LA Opera’s Young Artist Program Celebrates Tenth Anniversary

On Saturday evening April 1, 2017, Placido Domingo and Los Angeles Opera celebrated their tenth year of training young opera artists in the Domingo-Colburn-Stein Program. From the singing I heard, they definitely have something of which to be proud.

Extravagant Line-up 2017-18 at Festspielhaus in Baden-Baden, Germany

The town’s name itself “Baden-Baden” (named after Count Baden) sounds already enticing. Built against the old railway station, its Festspielhaus programs the biggest stars in opera for Germany’s largest auditorium. A Mecca for music lovers, this festival house doesn’t have its own ensemble, but through its generous sponsoring brings the great productions to the dreamy idylle.

Gerhaher and Bartoli take over Baden-Baden’s Festspielhaus

The Festspielhaus in Baden-Baden pretty much programs only big stars. A prime example was the Fall Festival this season. Grigory Sokolov opened with a piano recital, which I did not attend. I came for Cecilia Bartoli in Bellini’s Norma and Christian Gerhaher with Schubert’s Die Winterreise, and Anne-Sophie Mutter breathtakingly delivering Mendelssohn’s Violin Concerto together with the London Philharmonic Orchestra. Robin Ticciati, the ballerino conductor, is not my favorite, but together they certainly impressed in Mendelssohn.

Mahler Symphony no 8 : Jurowski, LPO, Royal Festival Hall, London

Mahler as dramatist! Mahler Symphony no 8 with Vladimir Jurowski and the London Philharmonic Orchestra at the Royal Festival Hall. Now we know why Mahler didn't write opera. His music is inherently theatrical, and his dramas lie not in narrative but in internal metaphysics. The Royal Festival Hall itself played a role, literally, since the singers moved round the performance space, making the music feel particularly fluid and dynamic. This was no ordinary concert.

Rameau's Les fêtes d'Hébé, ou Les talens lyriques: a charming French-UK collaboration at the RCM

Imagine a fête galante by Jean-Antoine Watteau brought to life, its colour and movement infusing a bucolic scene with charm and theatricality. Jean-Philippe Rameau’s opéra-ballet Les fêtes d'Hébé, ou Les talens lyriques, is one such amorous pastoral allegory, its three entrées populated by shepherds and sylvans, real characters such as Sapho and mythological gods such as Mercury.

The Royal Opera House announces its 2017/18 season

Details of the Royal Opera House's 2017/18 Season have been announced. Oliver Mears, who will begin his tenure as Director of Opera, comments: “I am delighted to introduce my first Season as Director of Opera for The Royal Opera House. As I begin this role, and as the world continues to reel from social and political tumult, it is reassuring to contemplate the talent and traditions that underpin this great building’s history. For centuries, a theatre on this site has welcomed all classes - even in times of revolution and war - to enjoy the most extraordinary combination of music and drama ever devised. Since the time of Handel, Covent Garden has been home to the most outstanding performers, composers and artists of every era. And for centuries, the joyous and often tragic art form of opera has offered a means by which we can be transported to another world, in all its wonderful excess and beauty.”

St Matthew Passion: Armonico Consort and Ian Bostridge

Whatever one’s own religious or spiritual beliefs, Bach’s St Matthew Passion is one of the most, perhaps the most, affecting depictions of the torturous final episodes of Jesus Christ’s mortal life on earth: simultaneously harrowing and beautiful, juxtaposing tender stillness with tragic urgency.

Pop Art with Abdellah Lasri in Berliner Staatsoper’s marvelous La bohème

Lindy Hume’s sensational La bohème at the Berliner Staatsoper brings out the moxie in Puccini. Abdellah Lasri emerged as a stunning discovery. He floored me with his tenor voice through which he embodied a perfect Rodolfo.

New opera Caliban banal and wearisome

Listening to Moritz Eggert’s Caliban is the equivalent of watching a flea-ridden dog chasing its own tail for one-and-half hours. It scratches, twitches and yelps. Occasionally, it blinks pleadingly, but you can’t bring yourself to care for such a foolish animal and its less-than-tragic plight.

Two rarities from the Early Opera Company at the Wigmore Hall

A large audience packed into the Wigmore Hall to hear the two Baroque rarities featured in this melodious performance by Christian Curnyn’s Early Opera Company. One was by the most distinguished ‘home-grown’ eighteenth-century musician, whose music - excepting some of the lively symphonies - remains seldom performed. The other was the work of a Saxon who - despite a few ups and downs in his relationship with the ‘natives’ - made London his home for forty-five years and invented that so English of genres, the dramatic oratorio.


OPERA TODAY ARCHIVES »

Recordings

<em>Adelson e Salvini</em>, Opera Rara
22 Apr 2017

Opera Rara: new recording of Bellini's Adelson e Salvini

In May 2016, Opera Rara gave Bellini aficionados a treat when they gave a concert performance of Vincenzo Bellini’s first opera, Adelson e Salvini, at the Barbican Hall. The preceding week had been spent in the BBC’s Maida Vale Studios, and this recording, released last month, is a very welcome addition to Opera Rara’s bel canto catalogue. »

Recently in Recordings

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01 Apr 2010

Otello (Salzburg Festival 2008) on Blu-Ray

There are two reasons why you need to see the new Otello DVD (Salzburg Festival 2008).  »

29 Mar 2010

Madama Butterfly, NYCO

Once again, as in L’Etoile, Mark Lamos’s staging and Robert Wierzel’s lighting nearly steal the show in the City Opera’s revival of Madama Butterfly.  »

27 Mar 2010

Harrison Birtwistle: The Minotaur

Premiered on 15 April 2008, The Minotaur is Harrison Birtwistle’s latest opera, and it stands well with the composer’s other stage work.  »

25 Mar 2010

Eva Marton in Puccini and Strauss

At one point in her career, Eva Marton appeared poised to be the true inheritor of Birgit Nilsson’s legacy roles: Wagner and Strauss’s most dramatic heroines, as well as key Italian roles (Puccini in particular).  »

17 Mar 2010

Debussy’s Pelléas et Mélisande

Five years after the première of Pelléas et Mélisande, Wilhelm Worringer published the twentieth century’s first great treatise on abstraction in art: »

17 Mar 2010

Karl Böhm: In Rehearsal and Performance

For many, the fine recordings of Richard Strauss’s tone poem Don Juan by the late Karl Böhm seem to have emerged full-spring from the baton of Karl Böhm and the playing of the various orchestras he led.  »

08 Mar 2010

Puccini: La Rondine

Throughout his relatively long and decidedly successful career, Giacomo Puccini returned to those operas of his that had not, immediately or eventually, secured an important place in the standard repertory.  »

10 Feb 2010

Rossini: La Cenerentola

Michael Hampe seems to have been the director of choice in the 1980s for tastefully traditional Rossini productions.  »

28 Jan 2010

Simon Boccanegra, New York

The Times used to have a music critic who seemed to feel that singing, especially in costume, didn’t count as serious music, though he reviewed opera anyway.  »

25 Jan 2010

Dido and Aeneas by Les Arts Florissants

We all wish Henry Purcell had written a few more operas like Dido and Aeneas — simple to cast, simple to stage, offering endless possibilities for either reserved or outrageous treatment, attractive to every sort of audience.  »

22 Jan 2010

Respighi — Works for solo voice and orchestra

While Ottorino Respighi (1879-1936) is best known to modern audiences for his colorful programmatic works associated with Italian locations, his vocal music is also engaging.  »

14 Jan 2010

Britten: Peter Grimes

Are you sitting comfortably?  »

11 Dec 2009

Puccini Romance

This disc faces a marketplace already crowded with similar compilations from major companies who can raid their archives to offer competitive interpretations at bargain prices.  »

11 Dec 2009

Emma Matthews in Monte Carlo

Emma Matthews is an English born soprano currently resident in Australia where she has sung with the state based opera companies as well as the national company Opera Australia where she is currently a soloist.  »

17 Nov 2009

Lorin Maazel conducts Verdi and Puccini at La Scala

In the mid-1980s (just before the Riccardo Muti era began), Lorin Maazel often ruled the conductor's roost at La Scala.  »

11 Nov 2009

Schubert: Fierrabras

The worlds of lieder and opera seem to share the same galaxy, while being countless light years apart.  »

11 Nov 2009

Muti conducts Domingo in Verdi's Otello

The December opening of the La Scala season requires a notable production, and in 2001 a gorgeous new production of Verdi's Otello fit the bill.  »

26 Oct 2009

Pascal Dusapin: Faustus, the Last Night

Pascal Dusapin (b. 1955) is an engaging composer, and his recent works includes a chamber opera entitled Faustus, the Last Night, a unique setting of the legend and a fine contribution to modern opera.  »

11 Oct 2009

Czech Opera Treasures on Supraphon

A note on the inside back cover of the booklets for these two releases announces that they are part of a new Supraphon series dedicated to “archive recordings of complete operas not yet available on CD.”  »

11 Oct 2009

Donizetti's Maria Stuarda at the Sferisterio Festival

A number of performances from the Sferisterio Opera Festival have been released in recent months.  »

11 Oct 2009

Wagner: Die Meistersinger von Nürnberg

Videos from the Bayreuth Festspiele typically feature the highest quality audio and video of any live performance documents.  »

11 Oct 2009

Toscanini: In His Own Words

The back cover description of this Medici Arts DVD can fairly be called misleading, though not dishonest.  »

11 Oct 2009

Giordano: Marcella

Although this DVD comes on the Naxos label, an earlier CD version of the same performance went under the Dynamic label, specialists in rare repertory.  »

11 Oct 2009

Johann Strauss: Das Spitzentuch der Königin

Dear non-German speaking Opera Today reader — what's your first guess as to the meaning of the biggest word in the title of this obscure Johann Strauss operetta?  »

11 Oct 2009

Siegfried Wagner: Der Schmeid von Marienburg

Will the 22nd century still see the opera-loving world as fascinated by the ongoing saga of the Wagner family as the 20th did and the 21st does?  »

04 Oct 2009

John Gay: The Beggar's Opera

The only thing truly operatic in this work is the use of the word “opera” in the title.  »

04 Oct 2009

Zandonai: Francesca Da Rimini

Besotted admirers of certain lesser-known operas of debatable merit sometimes include conductors, singers and opera house managers with the power to get their cherished rarity on stage.  »

20 Sep 2009

Cecilia Bartoli: Maria

While the cover of this Decca two-DVD set mirrors that of Cecilia Bartoli's 2007 CD, Maria, the contents are not identical.  »

20 Sep 2009

Anna Karenina: An Opera by David Carlson, Libretto by Colin Graham

Reading the articles in the booklet for this set, it becomes clear that librettist Colin Graham was the driving force behind this opera's creation.  »

15 Sep 2009

Gustav Mahler: Symphony no. 4 in G major

The legacy of the late conductor Giuseppe Sinopoli includes a number of fine recordings of Mahler’s music, and among them is his Deutsche Grammophon recording of the composer’s Fourth Symphony with the Philharmonia Orchestra and the soprano Edita Gruberova.  »

15 Sep 2009

Handel/arranged by Mendelssohn: Israel in Egypt

If, dear reader, a desire has ever swept over you (a desire such as a pregnant woman's craving for vanilla ice cream with pickles) to hear music reminiscent of both Messiah and the Fingal's Cave overture, CPO is just the musical ice cream parlor/deli for you.  »

10 Sep 2009

Verdi: La battaglia di Legnano

The true opera fan devotes almost as much time, if not more, to the "what might have been" careers as to those of the superstars.  »

10 Sep 2009

Richard Strauss: Elektra

Archival radio recordings of complete operas seldom have ideal sound, but the audio is usually sharper than that of a live performance while still carrying a comparable dramatic immediacy.  »

09 Sep 2009

Mahler: Symphony no. 1

Among the important recent cycles of Mahler’s symphonies is the one underway by Valery Gergiev with the London Symphony Orchestra.  »

09 Sep 2009

Fidelio from Glyndebourne and Medici Arts

Beethoven’s Fidelio is actually several works combined — a rescue opera in the grand style of the French revolution, a sentimental comedy focusing on mistaken identity, and a tragédie bourgeoise involving a husband, a wife, and their efforts to re-unite despite the actions of a relentless and implacable foe.  »

09 Sep 2009

Danielle de Niese: The Mozart Album

After thoroughly enjoying Daneille de Niese’s recording Handel Arias, I jumped at the chance to review her new recording, The Mozart Album. Her Handel interpretation was full of coloratura, clarity and virtuosity, along with an organic fusion of music serving drama. So I was eager to hear her perform Mozart.  »

09 Sep 2009

Franco Corelli: The Tenor as Hero

This 4-CD set gathers together solo recital material and extracts from complete opera sets that Franco Corelli recorded between 1959 and 1968, the prime of his career.  »

30 Aug 2009

Gustav Mahler: Songs from Des Knaben Wunderhorn

Following from the fine collaboration between Stephan Genz and Roger Vignoles on an ambitious collection of various sets of Mahler’s Lieder (Hyperion CD 67392), which includes some of the composer’s early settings of poetry from the anthology Des Knaben Wunderhorn, the present recording contains thirteen later settings from that source.  »

30 Aug 2009

Bellini: Il Pirata

This 1958 RAI broadcast of Bellini's early masterpiece requires the accustomed aural compromise for maximum enjoyment.  »

30 Aug 2009

Verdi's Macbeth at the Sferisterio Opera Festival

The opera venue at Macerata shares some features with its famous counterpart in Verona: both are outdoors, with huge stages that can accommodate spectacular productions.  »

30 Aug 2009

Lehär: Die Blaue Mazur

As the detail-filled booklet essay to this CPO set reminds its readers, Franz Lehär's operettas enjoyed widespread, though rarely lasting, success, with the music theater world of the time eager for each successive work.  »

30 Aug 2009

Franz Schreker : Die Gezeichneten, Salzburg

Franz Schreker’s Die Gezeichneten isn't the easiest opera to produce, with its grand effects, but this production comes close to being a perfect union between stage and music.  »

23 Aug 2009

Boito: Mefistofele

The bravura performance by Ferruccio Furlanetto in the title role is spoiled by the kitschy and incoherent staging of this production. Mefistofele is unique among operas based on the Faust legend in that it rather closely adheres to Goethe’s version.  »

23 Aug 2009

Paul Hindemith: Die junge Magd, Op. 23, no. 2; Ernst Toch: Die chinesische Flöte, Op. 29.

Gustav Mahler was not alone in setting verses from Hans Bethge’s collection of Chinese-inspired poetry entitled Die chinesische Flöte, as he did in his symphonic song cycle Das Lied von der Erde.  »

23 Aug 2009

The Full Monteverdi: A Film by John la Bouchardière

Although the cutesy title sounds like something conjured up by a community college marketing intern working for a mid-sized city orchestra’s ticket office—where every concert featuring Wagner and Brahms gets the sobriquet “Teutonic Titans”—don’t be put off by the moniker. This film is a brilliant adaptation of Monteverdi’s Fourth Book of Madrigals that is totally faithful to the composer’s music. »

23 Aug 2009

Wagner's Tannhaüser at the Festspielhaus Baden-Baden

Good directors don't always create good productions.  »

23 Aug 2009

Maconchy: The Sofa & The Departure

The two one-act operas - operettes? - on this disc play something like mediocre episodes of The Twilight Zone set to music, though without the quirky memorability of that show's opening theme.  »

17 Aug 2009

Verdi: Luisa Miller

On a good night an opera performance can come across with visceral excitement without a classy production, top-name singers, or the benefit of being of one of the more familiar titles.  »

17 Aug 2009

Verdi: Falstaff

Those opera lovers prone to rage at the perceived dominance of the director in their beloved art form today may collapse in apoplexy at this first release from the company called SignumVision.  »

17 Aug 2009

And If The Song Be Worth A Smile — Songs by American Composers

The word "living" would be a fitting addition to the subtitle of this collection of "Songs by American Composers."  »

17 Aug 2009

Bellini: Norma

"An all-American Norma," Roger Pines calls this release in his entertaining booklet essay.  »

09 Aug 2009

Monteverdi: L’incoronozione di Poppea

This excellent production of Monteverdi’s final (premiered in 1643) and most problematic opera features first-rate singing and a very effective (and restrained) staging.  »