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Elsewhere

Oxford Lieder Festival: in conversation with Julius Drake

In October 2014, the Oxford Lieder Festival - under its imaginative and intrepid founder, Sholto Kynoch - fulfilled an incredibly ambitious goal: to perform Schubert’s entire corpus of songs - more than 600 - and, for three marvellous weeks, to bring Vienna to Oxford. ‘The Schubert Project’ was a magnificent celebration of the life and music of Franz Schubert: at its core lay the first complete performance of Schubert’s songs - including variants and alternative versions - in the UK.

Così fan tutte at Covent Garden

Desire and deception; Amor and artifice. In Jan Philipp Gloger’s new production of Così van tutte at the Royal Opera House, the artifice is of the theatrical, rather than the human, kind. And, an opera whose charm surely lies in its characters’ amiable artfulness seems more concerned to underline the depressing reality of our own deluded faith in human fidelity and integrity.

Plácido Domingo as Macbeth, LA Opera

On September 22, 2016, Los Angeles Opera presented Darko Tresnjak’s production of Giuseppe Verdi’s opera Macbeth. Verdi and Francesco Maria Piave based their opera on Shakespeare’s play of the same name.

The Rake’s Progress: an Opera for Our Time

On September 18th, at a casual Sunday matinee, Pacific Opera Project presented a surprising choice for a small company. It was Igor Stravinsky’s 1951 three act opera, The Rake’s Progress. It’s a piece made for today's supertitles with its exquisitely worded libretto by W.H. Auden and Chester Kallman.

Classical Opera: Haydn's La canterina

We are nearing the end of Classical Opera’s MOZART 250 sojourn through 1766, a year that the company’s artistic director Ian Page admits was ‘on face value … a relatively fallow year’. I’m not so sure: Jommelli’s Il Vogoleso, performed at the Cadogan Hall in April, was a gem. But, then, I did find the repertoire that Classical Opera offered at the Wigmore Hall in January, ‘worthy rather than truly engaging’ (review). And, this programme of Haydn and his Czech contemporary Josef Mysliveček was stylishly executed but did not absolutely convince.

Dream of the Red Chamber in San Francisco

Globalization finds its way ever more to San Francisco Opera where Italian composer Marco Tutino’s La Ciociara saw the light of day in 2015 and now, 2016, Chinese composer Bright Sheng’s Dream of the Red Chamber has been created.

San Diego Opera Opens with Recital by Piotr Beczala

Renowned Polish tenor Piotr Beczala and well-known collaborative pianist Martin Katz opened the San Diego Opera 2016–2017 season with a recital at the Balboa Theater on Saturday, September 17th.

Andrea Chénier at San Francisco Opera

San Francisco Opera makes occasional excursions into the operatic big-time, such just now was Giordano’s blockbuster Andrea Chénier, last seen at the War Memorial 23 years ago (1992) and even then after a hiatus of 17 years (1975).

A rousing I due Foscari at the Concertgebouw

There is no reason why, given the right performers, second-tier Verdi can’t be a top-tier operatic experience, as was the case with this concert version of I Due Foscari.

A double dose of Don Quixote at the Wigmore Hall

Since their first appearance in Miguel de Cervantes Saavedra’s literary master-piece, during the Spanish Golden Age, the ingenuous and imaginative knight-errant, Don Quixote, and his loyal subordinate and squire, Sancho Panza, have touched the creative imagination of composers from Salieri to Strauss, Boismortier to Rodrigo.

Bampton Classical Opera: A double bill of divine comedies

Bampton Classical Opera’s 2016 double-bill ‘touched down’ at St John’s Smith Square last night, following performances in The Deanery Garden at Bampton and The Orangery of Westonbirt School earlier this summer.

Mahler’s Second, Concertgebouw

Daniele Gatti opened the first series of Royal Concertgebouw Orchestra’s season with a slightly uneven performance of Mahler’s Resurrection Symphony. With four planned, this staple repertoire for the RCO meant to introduce Gatti to the RCO subscribers.

Mad About San Jose’s Lucia

Opera San Jose opened a commendably impassioned Lucia di Lammermoor that sets the company’s bar very high indeed as it begins its new season.

ROH, Norma

The approach of the 2016-17 opera season has brought rising anticipation and expectation for the ROH’s new production - the first at Covent Garden for almost 30 years - of Bellini’s bel canto master-piece, Norma.

The Changing of the Guard

Last June, Riccardo Chailly led the Leipzig Gewandhaus Orchestra in Bach’s St. Matthew’s Passion for his last concert as Principal Conductor.

Morgen und Abend at Berlin

After its world premiere at Royal Opera House in London last year, the German première of Georg Friedrich Haas’s Morgen und Abend took place at the Deutsche Oper Berlin.

Der Freischütz at Unter den Linden

Rarely have I experienced such fabulous singing in such a dreadful production. With magnificent voices, Andreas Schager and Dorothea Röschmann rescued Michael Thalheimer’s grotesque staging of von Weber’s Der Freischütz. At Staatsoper Unter den Linden, Alexander Soddy led a richly detailed, transparent and brilliantly glowing Berliner Staatskapelle.

Prom 74: Verdi's Requiem

For the penultimate BBC Prom at the Royal Albert Hall on Friday 9 September 2016, Marin Alsop conducted the BBC Youth Choir and Orchestra of the Age of Enlightenment in Verdi's Requiem with soloists Tamara Wilson, Alisa Kolosova, Dimitri Pittas, and Morris Robinson.

British Youth Opera: English Eccentrics

“Eccentricity is not, as dull people would have us believe, a form of madness. It is often a kind of innocent pride, and the man of genius and the aristocrat are frequently regarded as eccentrics because genius and aristocrat are entirely unafraid of and uninfluenced by the opinions and vagaries of the crowd.”

2016 Elizabeth Connell Prize Winner Announced

Kseniia Muslanova from the Russian Federation has won the 3rd annual Elizabeth Connell Prize for aspiring dramatic sopranos held at the Sydney Conservatorium of Music in Sydney Australia on 3 September 2016.


OPERA TODAY ARCHIVES »

Recordings

Aparte AP110
13 Jun 2016

Lalo: Complete Songs

Edouard Lalo (1823-92) is best known today for his instrumental works: the Symphonie espagnole (which is, despite the title, a five-movement violin concerto), the Symphony in G Minor, and perhaps some movements from his ballet Namouna, a scintillating work that the young Debussy adored. »

Recently in Recordings

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11 Dec 2009

Emma Matthews in Monte Carlo

Emma Matthews is an English born soprano currently resident in Australia where she has sung with the state based opera companies as well as the national company Opera Australia where she is currently a soloist.  »

17 Nov 2009

Lorin Maazel conducts Verdi and Puccini at La Scala

In the mid-1980s (just before the Riccardo Muti era began), Lorin Maazel often ruled the conductor's roost at La Scala.  »

11 Nov 2009

Schubert: Fierrabras

The worlds of lieder and opera seem to share the same galaxy, while being countless light years apart.  »

11 Nov 2009

Muti conducts Domingo in Verdi's Otello

The December opening of the La Scala season requires a notable production, and in 2001 a gorgeous new production of Verdi's Otello fit the bill.  »

26 Oct 2009

Pascal Dusapin: Faustus, the Last Night

Pascal Dusapin (b. 1955) is an engaging composer, and his recent works includes a chamber opera entitled Faustus, the Last Night, a unique setting of the legend and a fine contribution to modern opera.  »

11 Oct 2009

Czech Opera Treasures on Supraphon

A note on the inside back cover of the booklets for these two releases announces that they are part of a new Supraphon series dedicated to “archive recordings of complete operas not yet available on CD.”  »

11 Oct 2009

Donizetti's Maria Stuarda at the Sferisterio Festival

A number of performances from the Sferisterio Opera Festival have been released in recent months.  »

11 Oct 2009

Wagner: Die Meistersinger von Nürnberg

Videos from the Bayreuth Festspiele typically feature the highest quality audio and video of any live performance documents.  »

11 Oct 2009

Toscanini: In His Own Words

The back cover description of this Medici Arts DVD can fairly be called misleading, though not dishonest.  »

11 Oct 2009

Giordano: Marcella

Although this DVD comes on the Naxos label, an earlier CD version of the same performance went under the Dynamic label, specialists in rare repertory.  »

11 Oct 2009

Johann Strauss: Das Spitzentuch der Königin

Dear non-German speaking Opera Today reader — what's your first guess as to the meaning of the biggest word in the title of this obscure Johann Strauss operetta?  »

11 Oct 2009

Siegfried Wagner: Der Schmeid von Marienburg

Will the 22nd century still see the opera-loving world as fascinated by the ongoing saga of the Wagner family as the 20th did and the 21st does?  »

04 Oct 2009

John Gay: The Beggar's Opera

The only thing truly operatic in this work is the use of the word “opera” in the title.  »

04 Oct 2009

Zandonai: Francesca Da Rimini

Besotted admirers of certain lesser-known operas of debatable merit sometimes include conductors, singers and opera house managers with the power to get their cherished rarity on stage.  »

20 Sep 2009

Cecilia Bartoli: Maria

While the cover of this Decca two-DVD set mirrors that of Cecilia Bartoli's 2007 CD, Maria, the contents are not identical.  »

20 Sep 2009

Anna Karenina: An Opera by David Carlson, Libretto by Colin Graham

Reading the articles in the booklet for this set, it becomes clear that librettist Colin Graham was the driving force behind this opera's creation.  »

15 Sep 2009

Gustav Mahler: Symphony no. 4 in G major

The legacy of the late conductor Giuseppe Sinopoli includes a number of fine recordings of Mahler’s music, and among them is his Deutsche Grammophon recording of the composer’s Fourth Symphony with the Philharmonia Orchestra and the soprano Edita Gruberova.  »

15 Sep 2009

Handel/arranged by Mendelssohn: Israel in Egypt

If, dear reader, a desire has ever swept over you (a desire such as a pregnant woman's craving for vanilla ice cream with pickles) to hear music reminiscent of both Messiah and the Fingal's Cave overture, CPO is just the musical ice cream parlor/deli for you.  »

10 Sep 2009

Verdi: La battaglia di Legnano

The true opera fan devotes almost as much time, if not more, to the "what might have been" careers as to those of the superstars.  »

10 Sep 2009

Richard Strauss: Elektra

Archival radio recordings of complete operas seldom have ideal sound, but the audio is usually sharper than that of a live performance while still carrying a comparable dramatic immediacy.  »

09 Sep 2009

Mahler: Symphony no. 1

Among the important recent cycles of Mahler’s symphonies is the one underway by Valery Gergiev with the London Symphony Orchestra.  »

09 Sep 2009

Fidelio from Glyndebourne and Medici Arts

Beethoven’s Fidelio is actually several works combined — a rescue opera in the grand style of the French revolution, a sentimental comedy focusing on mistaken identity, and a tragédie bourgeoise involving a husband, a wife, and their efforts to re-unite despite the actions of a relentless and implacable foe.  »

09 Sep 2009

Danielle de Niese: The Mozart Album

After thoroughly enjoying Daneille de Niese’s recording Handel Arias, I jumped at the chance to review her new recording, The Mozart Album. Her Handel interpretation was full of coloratura, clarity and virtuosity, along with an organic fusion of music serving drama. So I was eager to hear her perform Mozart.  »

09 Sep 2009

Franco Corelli: The Tenor as Hero

This 4-CD set gathers together solo recital material and extracts from complete opera sets that Franco Corelli recorded between 1959 and 1968, the prime of his career.  »

30 Aug 2009

Gustav Mahler: Songs from Des Knaben Wunderhorn

Following from the fine collaboration between Stephan Genz and Roger Vignoles on an ambitious collection of various sets of Mahler’s Lieder (Hyperion CD 67392), which includes some of the composer’s early settings of poetry from the anthology Des Knaben Wunderhorn, the present recording contains thirteen later settings from that source.  »

30 Aug 2009

Bellini: Il Pirata

This 1958 RAI broadcast of Bellini's early masterpiece requires the accustomed aural compromise for maximum enjoyment.  »

30 Aug 2009

Verdi's Macbeth at the Sferisterio Opera Festival

The opera venue at Macerata shares some features with its famous counterpart in Verona: both are outdoors, with huge stages that can accommodate spectacular productions.  »

30 Aug 2009

Lehär: Die Blaue Mazur

As the detail-filled booklet essay to this CPO set reminds its readers, Franz Lehär's operettas enjoyed widespread, though rarely lasting, success, with the music theater world of the time eager for each successive work.  »

30 Aug 2009

Franz Schreker : Die Gezeichneten, Salzburg

Franz Schreker’s Die Gezeichneten isn't the easiest opera to produce, with its grand effects, but this production comes close to being a perfect union between stage and music.  »

23 Aug 2009

Boito: Mefistofele

The bravura performance by Ferruccio Furlanetto in the title role is spoiled by the kitschy and incoherent staging of this production. Mefistofele is unique among operas based on the Faust legend in that it rather closely adheres to Goethe’s version.  »

23 Aug 2009

Paul Hindemith: Die junge Magd, Op. 23, no. 2; Ernst Toch: Die chinesische Flöte, Op. 29.

Gustav Mahler was not alone in setting verses from Hans Bethge’s collection of Chinese-inspired poetry entitled Die chinesische Flöte, as he did in his symphonic song cycle Das Lied von der Erde.  »

23 Aug 2009

The Full Monteverdi: A Film by John la Bouchardière

Although the cutesy title sounds like something conjured up by a community college marketing intern working for a mid-sized city orchestra’s ticket office—where every concert featuring Wagner and Brahms gets the sobriquet “Teutonic Titans”—don’t be put off by the moniker. This film is a brilliant adaptation of Monteverdi’s Fourth Book of Madrigals that is totally faithful to the composer’s music. »

23 Aug 2009

Wagner's Tannhaüser at the Festspielhaus Baden-Baden

Good directors don't always create good productions.  »

23 Aug 2009

Maconchy: The Sofa & The Departure

The two one-act operas - operettes? - on this disc play something like mediocre episodes of The Twilight Zone set to music, though without the quirky memorability of that show's opening theme.  »

17 Aug 2009

Verdi: Luisa Miller

On a good night an opera performance can come across with visceral excitement without a classy production, top-name singers, or the benefit of being of one of the more familiar titles.  »

17 Aug 2009

Verdi: Falstaff

Those opera lovers prone to rage at the perceived dominance of the director in their beloved art form today may collapse in apoplexy at this first release from the company called SignumVision.  »

17 Aug 2009

And If The Song Be Worth A Smile — Songs by American Composers

The word "living" would be a fitting addition to the subtitle of this collection of "Songs by American Composers."  »

17 Aug 2009

Bellini: Norma

"An all-American Norma," Roger Pines calls this release in his entertaining booklet essay.  »

09 Aug 2009

Monteverdi: L’incoronozione di Poppea

This excellent production of Monteverdi’s final (premiered in 1643) and most problematic opera features first-rate singing and a very effective (and restrained) staging.  »

07 Aug 2009

Discovering Masterpieces of Classical Music — Béla Bartók: Concerto for Orchestra

In the Euroarts series Discovering Masterpieces of Classical Music: Documentary & Performance, the volume devoted to Béla Bartók’s Concerto for Orchestra stands out as a particularly accessible and well-executed release.  »

07 Aug 2009

Donizetti: L'Elisir d'amore

For adherents of the prima voce school of opera appreciation, this Laurent Pelly production of Donizetti's comic masterpiece may not hold that much appeal.  »

03 Aug 2009

Vivaldi: La fida ninfa

Although Antonio Vivaldi’s instrumental compositions were highly popular in his lifetime, and have been held in high regard throughout the centuries, most of his operas have been — until recently — relegated to obscurity.  »

03 Aug 2009

Puccini: Madama Butterfly

EMI's publicity for this studio recording focuses on soprano Angela Gheorghiu and her portrayal of Cio-Cio-San.  »

02 Aug 2009

Donizetti: Lucrezia Borgia

Of Donizetti's 55 operas, four to five hold on to secure places in the repertory, a much greater number are all but unknown, and in the middle come the titles that see occasional revivals, as flawed but fascinating rarities.  »

02 Aug 2009

Verdi: La Forza del Destino

This looks like a winner, with an esteemed conductor (Zubin Mehta), top-rank cast (Violeta Urmana, Marcello Giordani, Carlo Guelfi), and a production directed by Nicholas Joël that originated at the Opernhaus Zürich, a house that takes some chances and scores some successes.  »

29 Jul 2009

Busoni: Doktor Faust

The legacy of Ferruccio Busoni (1866-1924) includes some notable compositions, and among them is his unique setting of the Faust story.  »

22 Jul 2009

Mozart: Die Entführung aus dem Serail

The strategies of non-traditional opera directors are becoming as predictable and formulaic as the stuffy, static traditional productions that they work so hard not to emulate.  »

20 Jul 2009

Rossini: Il Turco in Italia

If the economic downturn has canceled some opera lovers plans to attend any of the appealing European summer festivals, perhaps a trip online will find a DVD of a production from a recent year.  »

09 Jul 2009

DONIZETTI: Don Gregorio

Like a baseball player with a low batting average but a propensity for home runs, Gaetano Donizetti composed dozens of operas, among which only a very few get frequent performances today.  »

09 Jul 2009

DVOŘÁK: Král a uhlíř (The King and the Charcoal Burner)

Years before Antonin Dvořák composed his most famous opera Rusalka (1900), he completed a series of works in the genre which contributed to his reputation and skill in this genre.  »