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Elsewhere

Soprano Nadine Sierra Wins the 2018 Beverly Sills Artist Award

Soprano Nadine Sierra has been named the winner of the 13 th annual Beverly Sills Artist Award for young singers at the Metropolitan Opera.

European premiere of Unsuk Chin’s Le Chant des enfants des étoiles, with works by Biber and Beethoven

Excellent programming: worthy of Boulez, if hardly for the literal minded. (‘I think you’ll find [stroking chin] Beethoven didn’t know Unsuk Chin’s music, or Heinrich Biber’s. So … what are they doing together then? And … AND … why don’t you use period instruments? I rest my case!’)

Rising Stars in Concert 2018 at Lyric Opera of Chicago

On a recent weekend evening the performers in the current roster of the Patrick G. and Shirley W. Ryan Opera Center at Lyric Opera of Chicago presented a concert of operatic selections showcasing their musical talents. The Lyric Opera Orchestra accompanied the performers and was conducted by Edwin Outwater.

Arizona Opera Presents a Glittering Rheingold

On April 6, 2018, Arizona Opera presented an uncut performance of Richard Wagner’s Das Rheingold. It was the first time in two decades that this company had staged a Ring opera.

Handel's Teseo brings 2018 London Handel Festival to a close

The 2018 London Handel Festival drew to a close with this vibrant and youthful performance (the second of two) at St George’s Church, Hanover Square, of Handel’s Teseo - the composer’s third opera for London after Rinaldo (1711) and Il pastor fido (1712), which was performed at least thirteen times between January and May 1713.

Camille Saint-Saens: Mélodies avec orchestra

Saint-Saëns Mélodies avec orchestra with Yann Beuron and Tassis Christoyannis with the Orchestra della Svizzera Italiana conducted by Markus Poschner.

The Moderate Soprano

The Moderate Soprano and the story of Glyndebourne: love, opera and Nazism in David Hare’s moving play

The Spirit of England: the BBCSO mark the centenary of the end of the Great War

Well, it was Friday 13th. I returned home from this moving and inspiring British-themed concert at the Barbican Hall in which the BBC Symphony Orchestra and conductor Sir Andrew Davis had marked the centenary of the end of World War I, to turn on my lap-top and discover that the British Prime Minister had authorised UK armed forces to participate with French and US forces in attacks on Syrian chemical weapon sites.

Thomas Adès conducts Stravinsky's Perséphone at the Royal Festival Hall

This seemed a timely moment for a performance of Stravinsky’s choral ballet, Perséphone. April, Eliot’s ‘cruellest month’, has brought rather too many of Chaucer’s ‘sweet showers [to] pierce the ‘drought of March to the root’, but as the weather finally begins to warms and nature stirs, what better than the classical myth of the eponymous goddess’s rape by Pluto and subsequent rescue from Hades, begetting the eternal rotation of the seasons, to reassure us that winter is indeed over and the spirit of spring is engendering the earth.

Dido and Aeneas: La Nuova Musica at Wigmore Hall

This performance of Purcell’s Dido and Aeneas by La Nuova Musica, directed by David Bates, was, characteristically for this ensemble, alert to musical details, vividly etched and imaginatively conceived.

Bernstein's MASS at the Royal Festival Hall

In 1969, Mrs Aristotle Onassis commissioned a major composition to celebrate the opening of a new arts centre in Washington, DC - the Kennedy Center for the Performing Arts, named after her late husband, President John F. Kennedy, who had been assassinated six years earlier.

Hans Werner Henze : The Raft of the Medusa, Amsterdam

This is a landmark production of Hans Werner Henze's Das Floß der Medusa (The Raft of the Medusa) conducted by Ingo Metzmacher in Amsterdam earlier this month, with Dale Duesing (Charon), Bo Skovhus and Lenneke Ruiten, with Cappella Amsterdam, the Nieuw Amsterdams Kinderen Jeugdkoor, and the Netherlands Philharmonic Orchestra, in a powerfully perceptive staging by Romeo Castellucci.

The Grand Tour: A European Journey in Song

The seventeenth Oxford Lieder Festival (12-27 October 2018) will celebrate a rich tapestry of music, words and performance in European song and will showcase the pinnacles of the repertoire while exploring wider cultural influences.

Johann Sebastian Bach, St John Passion, BWV 245

This was the first time, I think, since having moved to London that I had attended a Bach Passion performance on Good Friday here.

Easter Voices, including mass settings by Mozart and Stravinsky

It was a little early, perhaps, to be hearing ‘Easter Voices’ in the middle of Holy Week. However, this was not especially an Easter programme – and, in any case, included two pieces from Gesualdo’s Tenebrae responsories for Good Friday. Given the continued vileness of the weather, a little foreshadowing of something warmer was in any case most welcome. (Yes, I know: I should hang my head in Lenten shame.)

Academy of Ancient Music: St John Passion at the Barbican Hall

‘In order to preserve the good order in the Churches, so arrange the music that it shall not last too long, and shall be of such nature as not to make an operatic impression, but rather incite the listeners to devotion.’

Fiona Shaw's The Marriage of Figaro returns to the London Coliseum

The white walls of designer Peter McKintosh’s Ikea-maze are still spinning, the ox-skulls are still louring, and the servants are still eavesdropping, as Fiona Shaw’s 2011 production of The Marriage of Figaro returns to English National Opera for its second revival. Or, perhaps one should say that the servants are still sleeping - slumped in corridors, snoozing in chairs, snuggled under work-tables - for at times this did seem a rather soporific Figaro under Martyn Brabbins’ baton.

Lenten Choral Music from the Choir of King’s College, Cambridge

Time was I could hear the Choir of King’s College, Cambridge almost any evening I chose, at least during term time. (If I remember correctly, Mondays were reserved for the mixed voice King’s Voices.)

A New Faust at Lyric Opera of Chicago

Lyric Opera of Chicago’s innovative, new production of Charles Gounod’s Faust succeeds on multiple levels of musical and dramatic representation. The title role is sung by Benjamin Bernheim, his companion in adventure Méphistophélès is performed by Christian Van Horn.

Netrebko rules at the ROH in revival of Phyllida Lloyd's Macbeth

Shakespeare’s Macbeth is a play of the night: of dark interiors and shadowy forests. ‘Light thickens, and the crow/Makes wing to th’ rooky wood,’ says Macbeth, welcoming the darkness which, whether literal or figurative, is thrillingly and threateningly palpable.


OPERA TODAY ARCHIVES »

Recordings

Alpha-Classics: Alpha 273 [CD]
16 Apr 2018

Camille Saint-Saens: Mélodies avec orchestra

Saint-Saëns Mélodies avec orchestra with Yann Beuron and Tassis Christoyannis with the Orchestra della Svizzera Italiana conducted by Markus Poschner.  »

Recently in Recordings

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05 Mar 2009

Mahler: Das Lied von der Erde (The Song of the Earth)

Recorded on 9 November 1959 at Symphony Hall (now Symphony Center), this recent issue of a classic performed of Gustav Mahler’s Das Lied von der Erde translates the then state-of-the-art RCA “Living Stereo” sound for the LP vinyl medium to the enhanced sound currently available in SACD format.  »

25 Feb 2009

Lehár's Die Lustige Witwe from Semperoper Dresden

Jérôme Savary, director of this December 2007 Semperoper Dresden production of Lehár's Die Lustige Witwe, expresses a view in the booklet essay that many others will probably share: "What I like most of all about The Merry Widow is its music, which is literally bursting with colours, gyrating movements and sensuality..." »

15 Feb 2009

Kurt Weill’s Der Kuhhandel at Volks Oper Wien

The Kurt Weill-composed operetta Arms and the Cow premiered in 1935 under the title A Kingdom for a Cow, according to Erwin Berger’s booklet essay for this DVD of a 2007 VolksOper Vien staging of David Pountney’s production. »

13 Feb 2009

Fritz Wunderlich — The Legend

Some opera aficionados who take a look at the contents of this two-CD Fritz Wunderlich collection from Profil might shake their heads in bemused wonder: the German lyric tenor as Turridu, let alone Pinkerton and Rodolfo? »

13 Feb 2009

Donizetti's Don Pasquale from the Ravenna Festival

The CEO of the Ravenna Festival, one Cristina Mazzavillano Muti, understandably takes top billing at the top of this DVD booklet's three - count 'em, 3! - pages of credits for the Festival, not counting the single page of credits for the production of Donizetti's Don Pasquale itself. »

08 Feb 2009

The Beggar’s Opera at Covent Garden

Entering the Linbury Studio for this production of The Beggar’s Opera, one might have been forgiven for thinking that one had wandered into the main house by mistake.  »

08 Feb 2009

Liber Evangeliorum: Verse and Music From the Age of Charlemagne

The emergence of a standardized western liturgy with a uniform chant repertory, while to a significant degree realized, neither completely silenced regional liturgies nor extinguished the additions to liturgical practice that comprise much medieval creativity.  »

27 Jan 2009

Jessye Norman — A Portrait

A sticker on the cover of the Decca DVD Jessye Norman a portrait describes the contents as "An intimate new film portrait of the great soprano."  »

26 Jan 2009

Orfeo ed Euridice at the MET

I am an ardent fan of Stephanie Blythe, and if you revel in sheer sound, she will delight you, too.  »

26 Jan 2009

René Pape: Gods, Kings & Demons

The first solo operatic recital from the great German bass René Pape bears a title that serves as an homage to an esteemed predecessor, George London. »

26 Jan 2009

Die Zauberflöte from Opernhaus Zürich

A traditional production of Mozart and Schikaneder's singspiel Die Zauberflöte can go for charm, fantasy, and enjoyable camp. It can also turn trite and cloying. »

26 Jan 2009

Anna Netrebko: Souvenirs

The title of Anna Netrebko's most recent recital disc apparently springs from the musical selections' ability to prompt memories in the singer. »

26 Jan 2009

Dvořák: Kate and the Devil

On this 1955 recording of Dvořák's folk-tale based comic romp Kate and the Devil, conductor Zdenĕk Chalaba offers a lighter, faster approach than that heard on the modern studio version Supraphon released in 1981, under conductor Jiří Pinkas.  »

14 Jan 2009

MASCAGNI: Zanetto

More than just three letters distinguishes "rarity" from "oddity." In opera, a rarity would be an admired work seldom performed. »

14 Jan 2009

Who Was Mary Lewis?

“Mary Lewis, the golden haired soprano” — does that name mean much to today’s lovers of singing and good music?  »

14 Jan 2009

Walter Felsenstein Edition

Some of the more ingenious opera productions of the twentieth century are the work of Walter Felsenstein, who renowned internationally for his efforts in the genre.  »

14 Jan 2009

DVORÁK: Lieder

Unjustly neglected, Dvorák’s Lieder are among his most engaging works, and this selection of some of his most important contributions to the genre demonstrate the range of emotions and the breadth of expression the composer used in these works.  »

07 Jan 2009

Mozart: Le Nozze di Figaro

This performance of Le Nozze di Figaro, recorded live at the Théâtre des Champs-Élysées in June 2004, prompts much admiration for René Jacobs, its conductor. »

22 Dec 2008

PAISIELLO: I Giuochi d'Agrigento

Dynamic offers devotees of classical era opera a rare and quite rewarding opportunity to hear I Giuochi d'Agrigento, a little-known opera by Giovanni Paisiello, best known as the man who composed a popular Barbiere di Siviglia before Rossini came along and eclipsed his predecessor.  »

22 Dec 2008

Best of Neujahrskonzert

An annual event televised around the world, the Vienna Philharmonic's Neujahrskonzert has become a classical music institution, and as such is impervious to criticism. But not beyond it. »

22 Dec 2008

Karita Mattila — Fever

Ondine provides a treasure of a booklet for Fever, Karita Mattila's traversal of some standards from the so-called "Great American Songbook," plus two Brazilian numbers. »

18 Dec 2008

I mori di Valenza — Ponchielli’s Unfinished Opera

It almost seems as if every composer was entitled to have at least one unfinished work.  »

05 Dec 2008

London Philharmonic Orchestra — 75th Anniversary, Vol. 3: 1983-2007.

Released to commemorate the seventy-fifth anniversary of the London Philharmonic Orchestra, the three multi-disc sets of recordings makes available recordings that document the triumphs of the ensemble since its founding in 1932 by Sir Thomas Beecham.  »

01 Dec 2008

Verdi's Aida at La Scala

Can this truly be the production of Verdi's Aida that earned world-wide headlines in December 2007? »

01 Dec 2008

GIORDANO: Marcella

Alberto Cantù's booklet essay for the Dynamic release of Umberto Giordano's rare one-act opera Marcella quotes a review from the day after the 1907 premiere, which indicates that the premiere's audience's expectations of "greater originality of melodic invention" went unmet. »

21 Nov 2008

Il Barbiere di Siviglia at Opera House Zürich

This 2001 Zürich performance of Rossini's masterpiece Il Barbiere di Siviglia boasts one of the final performances of the great bass Nicolai Ghiaurov, who passed away in 2004. »

20 Nov 2008

MAYR: L’amor coniugale

Naxos, in conjunction with SWR, has been releasing recordings from the Rossini in Wildbad Festival, which focuses not just on the titular composer but also on his contemporaries. »

16 Nov 2008

Great Operatic Arias with Sir Thomas Allen 2

The "2" in this disc's title indicates that this is the second Chandos recital for Sir Thomas Allen.  »

13 Nov 2008

Jean Baptiste Lully's Persée

At a time when it is the fashion for stage direction, sets, and costumes to have little, if anything to do with the ouvre presented on stage, this production of Jean-Baptiste Lully's Persée (1682) is candy for the eyes and ears, with adherence to what is known of the French Baroque operatic standards.1 »

09 Nov 2008

Muti's La Traviata

EMI owns this recording, so if pride dictates they repackage it in the "Great Recordings of the Century" series, a dissenter shouldn't moralize. »

09 Nov 2008

Ernani and I Capuletti e I Montecchi on Dynamic DVD

Both these performances come from mid-2005. Teatro Regio di Parma presented the Ernani in May of that year; August saw I Capuletti e I Montecchi on stage at the Festival della Valle d'Itria di Martina Franca.  »

09 Nov 2008

Andrew Lloyd Webber — A Classical Tribute

Countless must be the number of true opera fans who have heard well-meaning acquaintances say, "Oh I just love opera! Especially Phantom of the Opera." »

02 Nov 2008

Wagner Duets: Nilsson and Hotter, Polaski and Botha

A few years ago EMI released a recording of Wagner duets with Placido Domingo and Deborah Voigt. »

30 Oct 2008

Portraits of Domingo and Pavarotti

While the tributes and retrospectives continue to appear for the late Luciano Pavarotti, his sometime-colleague (if not rival) Plácido Domingo maintains a top-rank career, even including a contract with Deutsche Grammophon for new studio work.  »

30 Oct 2008

STRAUSS: Die Liebe der Danae

Gala may be a budget label, but more opera sets of vintage live performances deserve a booklet essay as concise yet comprehensive, critically honest and yet fair, as Andrew Palmer's for this set, which preserves a 1980 performance of Richard Strauss and Joseph Grigor's Die Liebe der Danae. »

24 Oct 2008

BACH: Mass in B minor

Bach’s monumental Mass in b minor exists in an abundant quantity of period performances to the point where one might ponder the wisdom of adding yet another to the shelf.  »

20 Oct 2008

BACH: St. Matthew Passion (excerpts)

There is much to admire in Masaaki Suzuki’s Bach performances with the Bach Collegium Japan, and this recording of excerpts from the St. Matthew Passion will remind the listener of the diverse ways in which this is so.  »

20 Oct 2008

BEETHOVEN: Fidelio

Among the recent releases on DVD of Rolf Liebermann's productions of operas from the Hamburg Opera conceived for television in the late 1960s, Beethoven's Fidelio is impressive for the use of the medium of film to bring out the personal aspects of this intensive opera.  »

06 Oct 2008

VERDI: Requiem / Quattro pezzi sacri

Presented in its fine line of “Originals,” Decca’s reissue of Solti’s famous 1967 recording of Verdi’s Requiem is actually offered with another fine recording, the same conductor’s 1977/78 performance of the Quattro pezzi sacri. »

06 Oct 2008

MONTEVERDI: Combattimento

In recent years, Emmanuelle Haïm has achieved prominence at the helm of several baroque operas, including Monteverdi’s L’Orfeo and Handel’s Rodelinda and Giulio Cesare. »

22 Sep 2008

Music for the Court of Maximilian II

Although Jacobus Vaet, Antonius Galli and Pieter Maessens are little-known composers today, this impressive recording featuring their music, the debut recording by the ensemble Cinquecento, may serve as a cautionary reminder that modern familiarity is often the fruit of circumstance and not necessarily a reliable measure of artistic achievement. »

19 Sep 2008

Souvenir of a Golden Era: The Sisters Garcia

Last year saw Cecilia Bartoli’s recording dedicated to the memory, and repertoire, of the early 19th century singer Maria Malibran, “Maria.” »

14 Sep 2008

Film Music Classics on Naxos: Herrmann and Perry

There may be no name more famous in the world of film music than that of Bernard Herrmann. William Perry, however, is a name unlikely to set off many bells. »

14 Sep 2008

Mozart, Rossini and Verdi at the Maggio Musicale Fiorentino

Of these three productions staged for the Maggio Musicale Fiorentino, the beautifully dressed Entführung and refined Tancredi present the company as a theater for tasteful, stylish productions, just a tad on the dull side. »

07 Sep 2008

WAGNER: Tristan und Isolde

I’ve rarely seen a performance of Tristan und Isolde where I was quite so conscious of the singers’ teeth. »

17 Aug 2008

SZYMANOWSKI: Songs, Op. 31 and Op. 49.

The lyricism characteristic of the instrumental music of Karol Szymanowski (1882-1937) is at the core of his songs, and the two collections found on this recording represent his vocal music well. »

17 Aug 2008

Karajan on DG, EMI

The 100th anniversary of his birth inevitably produces a flood of releases from the catalog of conductor Herbert von Karajan. »

17 Aug 2008

SMETANA: Dvě vdovy (The Two Widows)

Bedrich Smetana (1824-1884) is, perhaps known best for his opera The Bartered Bride (1863, rev. 1870), a touchstone of comic opera fused with eastern-European nationalism and, as much as that work has much to offer, his other efforts deserve attention. »