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Elsewhere

Kathleen Ferrier Awards, Wigmore Hall

Kathleen Ferrier may have been one of the world’s finest contraltos but this year’s Kathleen Ferrier Awards Final, held at the Wigmore Hall, was all about lyric sopranos.

Green: Mélodies françaises sur des poèmes de Verlaine

Philippe Jaroussky lends poetry and poise to the sounds of nineteenth- and twentieth-century France

J. C. Bach: Adriano in Siria

At this start of the year, Classical Opera embarked upon an ambitious project. MOZART 250 will see the company devote part of its programme each season during the next 27 years to exploring the music by Mozart and his contemporaries which was being written and performed exactly 250 years previously.

Bethan Langford, Wigmore Hall

The Concordia Foundation was founded in the early 1990s by international singer and broadcaster Gillian Humphreys, out of her ‘real concern for building bridges of friendship and excellence through music and the arts’.

Tansy Davies: Between Worlds (world premiere)

An opera dealing with — or at least claiming to deal with — the events of 11 September 2001? I suppose it had to come, but that does not necessarily make it any more necessary.

Arizona Opera Ends Season in Fine Style with Fille du Régiment

On April 10, 2015, Arizona Opera ended its season with La Fille du Régiment at Phoenix Symphony Hall. A passionate Marie, Susannah Biller was a veritable energizer bunny onstage. Her voice is bright and flexible with a good bloom on top and a tiny bit of steel in it. Having created an exciting character, she sang with agility as well as passion.

Il turco in Italia, Royal Opera

This second revival of Patrice Caurier and Moshe Leiser’s 2005 production of Rossini’s Il Turco in Italia seems to have every going for it: excellent principals comprising experienced old-hands and exciting new voices, infinite gags and japes, and the visual éclat of Agostino Cavalca’s colour-bursting costumes and Christian Fenouillat’s sunny sets which evoke the style, glamour and ease of La Dolce Vita.

The Siege of Calais
——
The Wild Man of the West Indies

English Touring Opera’s 2015 Spring Tour is audacious and thought-provoking. Alongside La Bohème the company have programmed a revival of their acclaimed 2013 production of Donizetti’s The Siege of Calais (L’assedio di Calais) and the composer’s equally rare The Wild Man of the West Indies (Il furioso all’isola di San Domingo).

The Met’s Lucia di Lammermoor

Mary Zimmerman’s still-fresh production is made fresher still by Shagimuratova’s glimmering voice, but the acting disappoints

Voices, voices in space, and spaces: Thoughts on 50 years of Meredith Monk

When WNYC’s John Schaefer introduced Meredith Monk’s beloved Panda Chant II, which concluded the four-and-a-half hour Meredith Monk & Friends celebration at Carnegie’s Zankel Hall, he described it as “an expression of joy and musicality” before lamenting the fact that playing it on his radio show could never quite compete with a live performance.

St. John Passion by Soli Deo Gloria, Chicago

This year’s concert of the Chicago Bach Project, under the aegis of the Soli Deo Gloria Music Foundation, was a presentation of the St. John Passion (BWV 245) at the Harris Theater in Millennium Park.

Fedora in Genoa

It is not an everyday opera. It is an opera that illuminates a larger verismo history.

The Marriage of Figaro, LA Opera

On March 26, 2015, Los Angeles Opera presented Mozart’s Le nozze di Figaro (The Marriage of Figaro). The Ian Judge production featured jewel-colored box sets by Tim Goodchild that threw the voices out into the hall. Only for the finale did the set open up on to a garden that filled the whole stage and at the very end featured actual fireworks.

The Tempest Songbook, Gotham Chamber Opera

Gotham Chamber Opera’s latest project, The Tempest Songbook, continues to explore the possibilities of unconventional spaces and unconventional programs that the company has made its hallmark. The results were musically and theatrically thought-provoking, and left me wanting more.

San Diego Opera presents Adams’ Riveting Nixon in China

Nixon in China is a three-act opera with a libretto by Alice Goodman and music by John Adams that was first seen at the Houston Grand Opera on October 22, 1987. It was the first of a notable line of operas by the composer.

Ars Minerva presents Castrovillari’s La Cleopatra in San Francisco

It is thanks to Céline Ricci, mezzo-soprano and director of Ars Minerva, that we have been able to again hear Daniele Castrovillari’s exquisite melodies because she is the musician who has brought his 1662 opera La Cleopatra to life.

World Premiere of Jennifer Higdon’s opera Cold Mountain at Santa Fe Opera this August

East Coast Premiere at Opera Philadelphia next season. Performances from Cold Mountain at the Guggenheim in New York this Monday, March 30.

An Ideal Cast in Chicago’s Tannhäuser

Lyric Opera of Chicago, in association with the Royal Opera House, Covent Garden, has staged a production of Richard Wagner’s Tannhäuser with an estimable cast.

Winners of the Metropolitan Opera National Council Auditions Announced

Five Young Singers Named Winners of the 2015 Met National Council Auditions, America’s Most Prestigious Vocal Competition

A Chat with Julia Noulin-Mérat

Julia Noulin-Mérat is the principal designer for the Noulin-Merat Studio, an intrepid New York City production design firm that works in theater, film, and television, but emphasizes opera and immersive site-specific theatre.


OPERA TODAY ARCHIVES »

Recordings

Green: Mélodies françaises sur des poèmes de Verlaine
16 Apr 2015

Green: Mélodies françaises sur des poèmes de Verlaine

Philippe Jaroussky lends poetry and poise to the sounds of nineteenth- and twentieth-century France »

Recently in Recordings

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16 Mar 2008

The Opera Gala — Live from Baden-Baden

As evidence of Deutsche Grammophon's proud status as a classical record label of the "old school," there appears this CD document of a typical opera gala affair, from July of 2007 in Baden-Baden. »

16 Mar 2008

MAHLER: Symphony no. 8.

While a number of fine recordings of Gustav Mahler’s Eighth Symphony have been released in recent years, the prospect of a performance conducted by Pierre Boulez is attractive for many reasons. »

02 Mar 2008

Johann Sebastian Bach. H-moll-Messe, BWV 232.

The large number of recordings of Bach’s Mass in B minor predispose one to look for distinctions between them. »

02 Mar 2008

The Sea Hawk and Deception

A typical film soundtrack today might not fill the length of a CD, while being padded with any pop music hits for which the producers would cough up the money for the rights. As often as not the scoring would... »

02 Mar 2008

Juan Diego Florez: Voce D'Italia - Arias for Rubini

The handsome face of tenor Juan Diego Florez naturally gets the cover of his latest CD, and his arguably unusually slim physique is on view too: on the inside cover of the booklet, on both the interior and rear of the jewel case, and on the back of the booklet. »

25 Feb 2008

Puccini Gold

Many an anthology of Puccini's "greatest hits" has found its way to market, and many more will follow this latest from Decca, Puccini Gold. »

22 Feb 2008

Leonie Rysanek Live Recordings 1955-1991

With the tenth anniversary of her death approaching, Orfeo has released a double-CD box set tribute to Leonie Rysanek in their Wiener Staatsoper Live series. »

18 Feb 2008

Jonas Kaufmann—Romantic Arias

Jonas Kaufmann’s debut album is a treat to the ears of opera lovers. »

10 Feb 2008

Italian Opera at the Liceu

The Gran Teatre del Liceu in Barcelona, after suffering a calamitous fire in the early 1990s, reopened in 1999, lovingly restored. TDK has released a series of DVDs from the Liceu since that date, providing ample evidence of the world... »

06 Feb 2008

MAHLER: Das Lied von der Erde

Premiered posthumously, the symphonic song-cycle Das Lied von der Erde by Gustav Mahler (1860-1911) remains one of his defining works because of its synthesis of song and symphony, two genres he pursued throughout his career. »

03 Feb 2008

J. S. Bach, arr. Robert Schumann. Johannes Passion.

In 1851 during his first season as music director in Düsseldorf, Robert Schumann presented a performance of Bach’s St. John Passion, and unsurprisingly adapted the score both to nineteenth-century taste and nineteenth-century practicalities. »

03 Feb 2008

DE LALANDE: Les Folies de Cardenio.

The centrality of dance at the French court helped bring grace, order, and political allegory into the characteristic prominence they enjoyed during the reigns of Louis XIV and Louis XV; theatre presentations of all stripes were infused with choreographic diversions. »

03 Feb 2008

SIBELIUS: Symphonies 1-7

In tandem with the recently released set of Sir Simon Rattle’s recordings of Mahler’s symphonies on EMI Classics, the set of the complete symphonies by Jean Sibelius merits attention. »

24 Jan 2008

Wagner: Orchestral Hightlights from the Operas

As much as Richard Wagner espoused opera reform in his theoretical writings by bringing to his works for the stage a closer unity between music and text, his actual means of doing so at times involved the use of orchestral forces that sometimes overwhelmed the sung word. »

24 Jan 2008

Italian opera on Gala

The budget label Gala purveys live performances both historic and relatively recent; of the three discussed here, the La Scala Fedora dates back to 1931, while the Attila comes from a 1987 La Fenice performance. »

22 Jan 2008

Echo de Paris: Parisian Love Songs 1610-1660

National styles of music in the seventeenth century were often distinctive, and in the case of French and Italian music, famously so. »

21 Jan 2008

MAHLER: Symphonies 1-10

With its recent release of Mahler’s symphonies conducted by Sir Simon Rattle, EMI Classics makes available in a single place an outstanding contribution to the composer’s discography. »

21 Jan 2008

WAGNER: Parsifal

This DVD records and commemorates a 1981 production of Parsifal in its Bayreuth lair, and the singers of 1981 are as fine as recollection might paint them. »

20 Jan 2008

Historic opera performances in Russian on Gala

Once the custom of the world's opera houses was to translate great operas into the language of each respective country. »

20 Jan 2008

Deutsche Grammophon budget opera sets

Repackaging older recordings having become the primary focus of a classical recording company's business, Deutsche Grammophon budgeted some funds for art direction for its budget series called "Opera House" (although that appellation only appears in a link found on the back inside cover of the sets' booklets). »

20 Jan 2008

STRAUSS: Der Rosenkavalier

Of Rosenkavaliers on DVD, the classics tend to be lovingly detailed productions, going back to the film of Herbert von Karajan leading an exemplary cast, with Elizabeth Schwarzkopf's iconic Marschallin. »

20 Jan 2008

Lamentazioni per la Settimana Santa

Despite an unsurprising degree of conservatism in liturgical music, devotional life in Rome often found ways of taking advantage of modern musical style. »

16 Jan 2008

Castradiva

“Her fioritura is priceless, breathtaking, and effortless.” »

13 Jan 2008

“One Foot in Eden Still, I Stand”: Choral Music by Nicholas Maw.

The English composer Nicholas Maw has been a major voice since the 1960's, with a wide range of works that include the 2002 opera, "Sophie’s Choice," a violin concerto for Joshua Bell (1993), and the monumentally-scaled orchestral work, "Odyssey" (1972-87). »

13 Jan 2008

MOZART: Requiem (Neukomm ed.)

As is often the case, last works that remain incomplete at the time of a composer’s death, are quick to invoke controversy and conspiracy theories. »

07 Jan 2008

ROUSSEAU: Le Devin du Village

This is a valuable new recording of a work that is only rarely heard, but was widely influential and wildly popular during the eighteenth century. Philosophe Jean-Jacques Rousseau wrote both the libretto and the music, with mixed success. »

07 Jan 2008

Les Élémens

This disc is well worth the price for the first track alone: the opening measures of Jean-Féry Rebel’s “Cahos,” (Chaos), written in 1737 or 1738, may cause you to wonder if you accidentally left a Stockhausen or Ligeti disc in the changer. »

30 Dec 2007

Jan Neckers on Recently Reissued Historicals: December 2007

This recording made half a century ago will not be anyone’s first choice unless one is a die-hard fan of one of the principal singers; neither of them belonging to the absolute top in their profession. »

27 Dec 2007

MOZART: Don Giovanni

The glorious universe of the Baroque has been receiving tribute from the wonderful talent of countertenor and early music guru René Jacobs for more than thirty years now. »

27 Dec 2007

RAVEL: Daphnis et Chloé

Although considered among Ravel’s finest works, Daphnis et Chloé may be known best through excerpts, particularly the second suite that the composer derived from his score. »

26 Dec 2007

SCHOENBERG: Gurrelieder

A 1979 recording originally released on LP in 1985, the CD reissue of this classic performance of Schoenberg’s 1913 cantata Gurrelieder as part of its series entitled Originals makes this fine account of this magnificent work available to another generation of listeners. »

14 Dec 2007

WAGNER: Götterdämmerung

You will wonder what designer Rosalie could have been thinking when she put Brunnhilde in trousers twice as wide at the waist as the soprano wearing them, with a nippled plastic bustier above. »

04 Dec 2007

KINKEL: An Imaginary Voyage through Europe. 32 Songs

Johanna Kinkel (1810-1858) was a talented contemporary of Fanny Hensel, and other fine musicians of the first half of the nineteenth century. Her legacy includes some fine Lieder, which are collected as An Imaginary Voyage through Europe in an arrangement that represents the various themes she explored in her music. »

28 Nov 2007

DONIZETTI: Adelia

The little heard “Adelia, o la figlia dell’arciere” (Adelia, or the Archer’s Daughter) stands between Donizetti’s Parisian successes “La fille du regiment” and “La favorite” in the prolific composer’s oeuvre. »

27 Nov 2007

Johann Pachelbel. Arien & Concerti

Although few composers have been so closely associated with a single work, Johann Pachelbel, whose canon for three violins has achieved canonical ubiquity, was a prolific composer with a number of vocal works to his credit. »

18 Nov 2007

BRUCKNER: Symphonie no. 7

Released as part of Orfeo’s series entitled Festspiel Dokumente, this recording makes available on CD the concert performance at the Salzburg Festival of Anton Bruckner’s Seventh Symphony by the Vienna Philharmonic that Hans Knappertsbusch conducted on 30 August 1949. »

18 Nov 2007

Jan Neckers on Recently Released Reissues and Historicals

The first opera performance I consciously attended while being definitely hooked to the genre due to records, was Guillaume Tell more than 40 years ago. »

18 Nov 2007

Bryn Terfel: Tutto Mozart!

Released in celebration of the recent Mozart year, Tutto Mozart! is a collection of nineteen arias, duets and other ensembles from the composer’s operas that feature the baritone Bryn Terfel. »

18 Nov 2007

The Oxford Psalms

Founded in Oxford in the early 1990’s, the ensemble Charivari Agréable looks to seventeenth-century composers with Oxford connections as the basis for their recent recording, “The Oxford Psalms.” »

16 Nov 2007

Gruberova on Nightingale Classics

Edita Gruberova’s North American fans, who can only hold onto dim hopes that someday the European superstar will return to these shores, can always seek to sate their desire for her artistry by picking up the latest CD from Nightingale Classics. »

14 Nov 2007

Libera — Angel Voices

"They are boys, and they sing, but don't call them choirboys. 'Libera' prefer to be called a vocal group — a real boy band, if you like." »

14 Nov 2007

ROSSINI: Torvaldo e Dorliska

Between the efforts of recording companies Naxos and Opera Rara, Rossini-philes have been living in a golden age. »

14 Nov 2007

Portraits of Dmitri Hvorostovsky and Olga Borodina

Philips decided some time ago that it no longer needed to be the audio representative for two fine contemporary singers of Russian origin, mezzo Olga Borodina and baritone Dmitri Hvorostovsky. »

12 Nov 2007

Armida

As its name suggests, the selections on this wonderful new CD are all excerpted from five different versions of the tale of the beautiful enchantress “Armida.” »

11 Nov 2007

BEETHOVEN: Fidelio

Recorded on 29 January 1978, this performance preserves a classic production of Beethoven’s Fidelio, which involved a gifted cast. »

30 Oct 2007

MAHLER: Symphony no. 3

When performances remain in the aural memory of the audience long after the final wave of applause, the event merits attention. »

29 Oct 2007

Jean Sibelius: A Film in Two Parts

The two short films about the composer Jean Sibelius (1865-1957), The Early Years and Maturity & Silence comprise a video biography of Finnish artist. »

28 Oct 2007

DONIZETTI: La Figlia del Reggimento

For the final HD moviecast of the 2007-08 season, the Metropolitan Opera will present two stars in a production that has already earned rave reviews at Covent Garden: Natalie Dessay and Juan Diego Florez starring in Donizetti’s La Fille du Regiment. »

28 Oct 2007

SHOSTAKOVICH: Lady Macbeth of Mtsensk

Among the signal operas of the twentieth century, Lady Macbeth of Mtsensk (1934) by Dmitri Shostakovich (1906-1975) is a powerful transformation of Shakespeare’s tragedy Macbeth, based on the 1865 short story by Nicolai Leskov. »

24 Oct 2007

Jan Neckers on Recently Reissued Historicals

I doubt many admirers of Leontyne Price will be tempted to buy this issue. »