Subscribe to
Opera Today

Receive articles and news via RSS feeds or email subscription.


facebook-icon.png


twitter_logo[1].gif



9780393088953.png

9780521746472.png

0810888688.gif

0810882728.gif

Elsewhere

Hugo Wolf, Italienisches Liederbuch

Nationality is a complicated thing at the best of times. (At the worst of times: well, none of us needs reminding about that.) What, if anything, might it mean for Hugo Wolf’s Italian Songbook? Almost whatever you want it to mean, or not to mean.

Mortal Voices: the Academy of Ancient Music at Milton Court

The relationship between music and money is long-standing, complex and inextricable. In the Baroque era it was symbiotically advantageous.

Glyndebourne Opera Cup 2018: semi-finalists announced

The semi-finalists for the first Glyndebourne Opera Cup have been announced. Following a worldwide search that attracted nearly 200 entries, and preliminary rounds in Berlin, London and Philadelphia, 23 singers aged 21-28 have been chosen to compete in the semi-final at Glyndebourne on 22 March.

ENO announces Studio Live casts and three new Harewood Artists

English National Opera (ENO) has announced the casts for Acis and Galatea and Paul Bunyan, 2018’s two ENO Studio Live productions. ENO Studio Live forms part of ENO Outside which takes ENO’s work to arts-engaged audiences that may not have considered opera before, presenting the immense power of opera in more intimate studio and theatre environments.

Handel in London: 2018 London Handel Festival

The 2018 London Handel Festival explores Handel’s relationship with the city. Running from 17 March to 16 April 2018, the Festival offers four weeks of concerts, talks, walks & film screenings explore masterpieces by Handel, from semi-staged operas to grand oratorio and lunchtime recitals.

Dartington International Summer School & Festival: 70th anniversary programme

Internationally-renowned Dartington Summer School & Festival has released the course programme for its 70th Anniversary Summer School and Festival, curated by the pianist Joanna MacGregor, that will run from 28th July to 25th of August 2018.

I Puritani at Lyric Opera of Chicago

What better evocation of bel canto than an opera which uses the power of song to dispel madness and to reunite the heroine with her banished fiancé? Such is the final premise of Vincenzo Bellini’s I puritani, currently in performance at Lyric Opera of Chicago.

Iolanthe: English National Opera

The current government’s unfathomable handling of the Brexit negotiations might tempt one to conclude that the entire Conservative Party are living in the land of the fairies. In Gilbert & Sullivan’s 1882 operetta Iolanthe, the arcane and Arcadia really do conflate, and Cal McCrystal’s new production for English National Opera relishes this topsy-turvy world where peris consort with peri-wigs.

Il barbiere di Siviglia in Marseille

Any Laurent Pelly production is news, any role undertaken by soprano Stephanie d’Oustrac is news. Here’s the news from Marseille.

Riveting Maria de San Diego

As part of its continuing, adventurous “Detour” series, San Diego Opera mounted a deliciously moody, proudly pulsating, wholly evocative presentation of Astor Piazzolla’s “nuevo tango” opera, Maria de Buenos Aires.

La Walkyrie in Toulouse

The Nicolas Joel 1999 production of Die Walküre seen just now in Toulouse well upholds the Airbus city’s fame as Bayreuth-su-Garonne (the river that passes through this quite beautiful, rich city).

Barrie Kosky's Carmen at Covent Garden

Carmen is dead. Long live Carmen. In a sense, both Bizet’s opera and his gypsy diva have been ‘done to death’, but in this new production at the ROH (first seen at Frankfurt in 2016) Barrie Kosky attempts to find ways to breathe new life into the show and resurrect, quite literally, the eponymous temptress.

Candide at Arizona Opera

On Friday February 2, 2018, Arizona Opera presented Leonard Bernstein’s Candide to honor the 100th anniversary of the composer’s birth. Although all the music was Bernstein’s, the text was written and re-written by numerous authors including Lillian Hellman, Richard Wilbur, Stephen Sondheim, John La Touche, and Dorothy Parker, as well as the composer.

Satyagraha at English National Opera

The second of Philip Glass’s so-called 'profile' operas, Satyagraha is magnificent in ENO’s acclaimed staging, with a largely new cast and conductor bringing something very special to this seminal work.

Mahler Symphony no 8—Harding, Swedish Radio Symphony Orchestra

From the Berwaldhallen, Stockholm, a very interesting Mahler Symphony no 8 with Daniel Harding and the Swedish Radio Symphony Orchestra. The title "Symphony of a Thousand" was dreamed up by promoters trying to sell tickets, creating the myth that quantity matters more than quality. For many listeners, Mahler 8 is still a hard nut to crack, for many reasons, and the myth is part of the problem. Mahler 8 is so original that it defies easy categories.

Wigmore Hall Schubert Birthday—Angelika Kirchschlager

At the Wigmore Hall, Schubert's birthday is always celebrated in style. This year, Angelika Kirchschlager and Julius Drake, much loved Wigmore Hall audience favourites, did the honours, with a recital marking the climax of the two-year-long Complete Schubert Songs Series. The programme began with a birthday song, Namenstaglied, and ended with a farewell, Abschied von der Erde. Along the way, a traverse through some of Schubert's finest moments, highlighting different aspects of his song output : Schubert's life, in miniature.

GLUCK: Alceste

Alceste. Tragedia in three acts (Italian version). Alceste. Tragédie opéra in three acts (French version).

A Splendid Italian Spoken-Dialogue Opera: De Giosa’s Don Checco

Never heard of Nicola De Giosa (1819-85), a composer who was born in Bari (a town on the Adriatic, near the heel of Italy), but who spent most of his career in Naples? Me, neither!

Winterreise by Mark Padmore

Schubert's Winterreise is almost certainly the most performed Lieder cycle in the repertoire. Thousands of performances and hundreds of recordings ! But Mark Padmore and Kristian Bezuidenhout's recording for Harmonia Mundi is proof of concept that the better the music the more it lends itself to re-discovery and endless revelation.

Ilker Arcayürek at Wigmore Hall

The first thing that struck me in this Wigmore Hall recital was the palpable sincerity of Ilker Arcayürek’s artistry. Sincerity is not everything, of course; what we think of as such may even be carefully constructed artifice, although not, I think, here.


OPERA TODAY ARCHIVES »

Recordings

Nicola De Giosa: <em>Don Checco</em>
04 Feb 2018

A Splendid Italian Spoken-Dialogue Opera: De Giosa’s Don Checco

Never heard of Nicola De Giosa (1819-85), a composer who was born in Bari (a town on the Adriatic, near the heel of Italy), but who spent most of his career in Naples? Me, neither!  »

Recently in Recordings

All Pages |  1  |  2  |  3  |  4  |  5  |  6  |  7  |  8  |  9  |  10  |  11  |  12  |  13  |  14  |  15  |  16  |  17  |  18  |  19  |  20  |  21  |  22  |  23  |  24  |  25  |  26  |  27  |  28  |  29  |  30  |  31  |  32  |  33 
16 May 2006

PUCCINI: Madama Butterfly

All is right and good in the world of opera as long as the Arena di Verona puts on vivid productions, in questionable taste, with impassioned singers pouring out the volume, in questionable taste, and the audience roaring its approval - in questionable taste. »

16 May 2006

ROSSINI: La Scala Di Seta

Here is another handsome production of an early Rossini one-act comedy from the Schwetzingen festival, held at the charming and tiny Rokoko theater in May 1990. »

16 May 2006

MAHLER: Symphony no. 6

In recent years the Sixth Symphony of Gustav Mahler has gained some prominence with the declaration by the internationale Gustav Mahler Gesellschaft about the only correct order of the internal movements, a position that has inspired some discussion among enthusiasts. »

16 May 2006

VERDI: Nabucco

The booklet somewhat proudly tells us that “a modern Italian opera-going public would likely walk out in horror if confronted with the avant-garde productions of many German opera houses. »

15 May 2006

Three Releases from Nightingale Classics

Frank Sinatra had Reprise. The Beatles had Apple. Madonna has Maverick. And Edita Gruberova has Nightingale. »

11 May 2006

The Music of Joseph Dubiel

Joe Dubiel is a well known and accomplished music theorist, affable, pleasant in demeanor, learned and astute, and above all friendly in a field that has its thorns and brambles. »

02 May 2006

Three Mozart Collections from Universal

A recent newspaper report — the sort of item conveyed in a short paragraph and relegated to a column of such brief pieces — summarized a study that argues that Mozart did not die a pauper, but actually had a fairly steady stream of income. »

02 May 2006

ATTRAZIONE D'AMORE / VOYAGE TO CYTHERA

Passion for music is hardly rare, but it is welcome to hear it espoused in public, especially by some of the art’s strongest proponents. »

29 Apr 2006

Music for the Virgin Mary—Celebrating 300 Years of Charpentier

This wonderful CD was recorded in the magnificent church of Notre Dame, Rozay-en-Brie, which is 30 miles east of Paris, and contains one of the better-preserved French organs of the seventeenth century, actually played by Francois Couperin during his lifetime. »

29 Apr 2006

Conducting Mahler / I Have Lost Touch with the World

In recent years a number of the number of recordings of Mahler’s works have become available on DVD. »

29 Apr 2006

PONCHIELLI: I Lituani

Why would anyone want to replace his LP-version on MRF? Because his records are scratched and it is too much trouble to put everything on CD. »

27 Apr 2006

AUBER: Fra Diavolo
DONIZETTI: La Figlia del Reggimento

When these recordings first appeared during the mid-sixties, there was some eye batting. Why did Deutsche Grammophon bring these recordings on the market? »

22 Apr 2006

Tönet, ihr Pauken!

Bach’s famed career as an organist, his prolific output of church cantatas, and his personal piety, all conspire to keep the image of the churchly Bach front and center in the modern mind, despite the enduring familiarity and popularity of Brandenburg concertos, sonatas, and suites. »

22 Apr 2006

Victoria de los Angeles—Profile in Music

For those without much time to read reviews, I can be extremely brief: hurry and buy this DVD. For all the others: the same advise though maybe they want to know the reasons for such a purchase. »

22 Apr 2006

MOZART: Don Giovanni

Calixto Bieito has made his name as an opera director with productions of unrelenting violence and sex, perhaps exemplified by last year's Abduction from the Seraglio in Berlin with its full nudity and graphic mutilations. »

20 Apr 2006

Enescu: Oedipe

Enescu's Oedipe has always been a rarity outside his native Romania. »

20 Apr 2006

MASCAGNI: In Filanda

Last year was the 60th anniversary of Mascagni’s death. When I wrote a big commemoration article for a Dutch operatic magazine, I wondered if we would ever hear a full version of the 18-year old Mascagni’s first work: a cantata called “in the weaving mill.” »

20 Apr 2006

BRITTEN: Death in Venice

Even if this recording were a failure (which it isn't), it is indispensable on account of its inclusion of about 90 seconds of music not present in the only other studio recording. »

20 Apr 2006

“l’heure exquise”

After happily scanning the rarity-filled repertoire on this disc, and considering the unusual program order, with sets of songs by Enescu, Chausson, and Debussy alternating with sets by saloniste Reynaldo Hahn, I visualize this recital as an exquisite hour in Hahn’s salon, with three guest composers present, exchanging ideas with their host. »

20 Apr 2006

LORTZING: Undine

Albert Lortzing has suffered much lately. Artistically speaking, he is somewhat moribund. In a recent article in the German operatic magazine, Orpheus, one writer rightfully complained that the once so popular composer has almost disappeared from the German theatres. »

19 Apr 2006

A Night to Remember: Placido Domingo & Mstislav Rostropovich

Only a few seconds after watching this DVD I was reminded of one of the great marketing failures in records. More than forty years ago, RCA brought out several glorious LP’s of young Gigli’s records and they put photographs of the sixty-five year old tenor on the sleeve. »

19 Apr 2006

Song of America: Music from the Library of Congress

In connection with the joint project by Thomas Hampson and the U.S. Library of Congress to present events about American song and other creativity at venues as varied as Kansas City, Fort Worth, and Carnegie Hall, EMI Classics has released this CD containing tracks from three earlier discs featuring Thomas Hampson. »

18 Apr 2006

Alfredo Kraus and Renata Scotto: Villancicos

I fear this is a CD strictly reserved for fans of both singers or for collectors of Christmas albums by classical singers. »

18 Apr 2006

Lawrence Brownlee: Lieder & Song Recital

A few years ago I picked up a buzz among those close to the Seattle Opera Young Artists’ Program that there would be a truly remarkable young tenor in the program’s production of La Cenerentola that year. »

10 Apr 2006

The Rose, the Lily & the Whortleberry: Medieval Gardens

Holding “The Rose, the Lily & the Whortleberry” in my hands, I pondered for a moment whether it belonged on my bookshelf or in the CD cabinet. »

10 Apr 2006

VERDI: Nabucco

This 2001 Vienna State Opera production of Verdi’s first smash hit, Nabucco, serves as a textbook example of the “modern dress” production style, for better or worse – and probably, for both. »

07 Apr 2006

LEONCAVALLO: Pagliacci

No exact date is given for this performance and there is good reason for it. The sleeve notes clearly state that baritone Enzo Sordello (of the 15 minutes of world fame when the Met fired him for clinging to a high note longer than Callas) sings the role of Silvio. »

04 Apr 2006

ROSSINI: Il signor Bruschino

“A jewel box of a theater”: that great cliché of the opera world comes to mind when viewing a production from the Schwetzinger Festspiele held at the Rokokotheater Schwetzingen. »

03 Apr 2006

Nine German Arias—An Urban Baroque Film

It’s always interesting when one’s own opinion about a work varies violently from others’ views, even if they are to date minimal in number. In this case, it is not the music per se that is under discussion but the way it is represented, or in my opinion, mis-represented by this film. »

01 Apr 2006

Gala Concert—50th Anniversary of the Reopening of the Vienna State Opera

Tuxes and gowns, a marathon of trotting on and offstage by renowned singers, a ritzy audience abusing their palms with ritual clapping—yes, EuroArts has another opera gala event available on DVD in this two-disc Vienna State Opera Gala concert. »

31 Mar 2006

RACHMANINOV: Piano concerti nos. 1 and 2

This is a wonderful, recent recording of these popular piano concertos by Rachmaninov. The Piano concerto no. 1 is a studio recording, while the Piano concerto no. 2 is a live version. »

31 Mar 2006

STRAUSS: Daphne

New recordings of complete operas lumber into view these days as the dinosaurs trod painfully into a dying sun in an animated depiction of their extinction. »

30 Mar 2006

OFFENBACH: La Grande-Duchesse de Gerolstein

Los Angeles Opera opened the 2005-6 season with a staging of Offenbach’s La Grande-Duchesse de Gerolstein, directed by Hollywood’s Garry Marshall. »

30 Mar 2006

Jumalaa kiittää sieluni—Hymns in Finnish

In 2001, Finland observed the 300th anniversary of the Finnish Hymnal. As a part of the celebration, YLE (the Finnish public broadcasting company) launched a project to record a substantial portion of the hymnal in performance by soloists or ensembles. »

29 Mar 2006

Franz Schubert: The Trout • The Greatest Love and The Greatest Sorrow

In this compelling documentary, Christopher Nupen has captured rare and wondrous collaborations by some of the greatest twentieth century performers as they pay tribute to an early nineteenth century musical treasure, Franz Schubert. »

29 Mar 2006

The Jessye Norman Collection from Philips

Jessye Norman’s long-time label, Philips, celebrates the artist’s sizeable recorded heritage with an expansive series of double CDs of re-releases, under the sobriquet The Jessye Norman Collection. »

24 Mar 2006

PUCCINI: Turandot

Here is a Turandot to watch with the sound off—not because the singers misfire so badly, although no one really impresses. »

23 Mar 2006

FAURÉ: The Complete Songs 3 — Chanson d’amour.

The theme of the third volume of Hyperion’s set of the Complete Songs of Gabriel Fauré (1845-1924) is Chanson d’amour, which takes its name from a piece in the composer’s opus 27 set – a compilation devoted to the love song. »

22 Mar 2006

WHITACRE: Cloudburst and other choral works

There is little doubt about the popularity of Eric Whitacre’s music among North American choral ensembles. With the release of this Hyperion disc, the international choral scene may soon become enamored as well. »

21 Mar 2006

ROSSINI: Maometto Secondo

Before you watch this DVD, the best thing you can do is read the sleeve notes. They are brief but to the point; and they succinctly tell you the differences between this Venice version and the traditional one. »

21 Mar 2006

VERDI: La forza del destino

After issuing recordings of Les Vêpres Siciliennes, Simon Boccanegra, and Macbeth, Opera Rara continues it series of Verdi Originals—first versions of operas the composer later revised—with La forza del destino. »

21 Mar 2006

MOZART: Don Giovanni and Cosi fan tutte

This is an absolutely wonderful, live performance recording of two of Mozart’s best operas, Don Giovanni and Cosi fan tutte. »

20 Mar 2006

SCHUBERT: Symphony no. 9

This is an absolutely fabulous recording of Schubert’s final symphony, which is often compared as his closest composition to the style of Beethoven. »

20 Mar 2006

MONTEVERDI: L'Orfeo

In the 1990’s Pierre Audi staged productions of Monteverdi’s three surviving operas (L’Orfeo, Il ritorno d’Ulisse in patria, and L’incoronazione di Poppea) with De Nederlandse Opera in Amsterdam. »

20 Mar 2006

Maria Callas — Three Remastered Releases from EMI

Of all opera singers of the last century, no one better dominated the genre’s star power than Maria Callas. During her thirty-four years onstage, she came to embody the essence of the term “diva,” both in her stormy personal life and her equally tempestuous stage career. »

17 Mar 2006

My Name is Barbara

Barbara Bonney’s discography is extensive and wide-ranging, including opera and oratorio, as well as lieder recitals from Mozart and Mendelssohn through the major Romantics to Zemlinsky. »

16 Mar 2006

Songs for Ariel

Of the countertenors coming to the fore in the generation following Alfred Deller, few, if any, have achieved the prominence or performance longevity of James Bowman. »