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Elsewhere

Daniel Michieletto's Cav and Pag returns to Covent Garden

It felt rather decadent to be sitting in an opera house at 12pm. Even more so given the passion-fuelled excesses of Pietro Mascagni’s Cavalleria Rusticana and Ruggero Leoncavallo’s Pagliacci, which might seem rather too sensual and savage for mid-day consumption.

Manitoba Opera: Madama Butterfly

Manitoba Opera opened its 45th season with Puccini’s Madama Butterfly proving that the aching heart as expressed through art knows no racial or cultural divide, with the Italian composer’s self-avowed favourite opera still able to spread its poetic wings across time and space since its Milan premiere in 1904.

Ian Bostridge and Julius Drake celebrate 25 years of music-making

In 1992, concert promoter Heinz Liebrecht introduced pianist Julius Drake to tenor Ian Bostridge and an acclaimed, inspiring musical partnership was born. On Wenlock Edge formed part of their first programme, at Holkham Hall in Norfolk; and, so, in this recital at Middle Temple Hall, celebrating their 25 years of music-making, the duo included Vaughan Williams’ Housman settings for tenor, piano and string quartet alongside works with a seventeenth-century origin or flavour.

Girls of the Golden West in San Francisco

Not many (maybe any) of the new operas presented by San Francisco Opera over the past 10 years would lure me to the War Memorial Opera House a second time around. But for Girls of the Golden West just now I would be there again tomorrow night and the next, and I am eagerly awaiting all future productions.

DiDonato is superb in Semiramide at Covent Garden

It’s taken a while for Rossini’s Semiramide to reach the Covent Garden stage. The last of the operas which Rossini composed for Italian theatres between 1810-1823, Semiramide has had only one outing at the Royal Opera House since 1887, and that was a concert version in 1986.

Hans Werner Henze Choral Music

Hans Werner Henze works for mixed voice and chamber orchestra with SWR Vokalensemble and Ensemble Modern, conducted by Marcus Creed. Welcome new recordings of important pieces like Lieder von einer Insel (1964), Orpheus Behind the Wire (1984) plus Fünf Madrigale (1947).

Philippe Jaroussky and Ensemble Artaserse at the Wigmore Hall

‘His master’s masterpiece, the work of heaven’: ‘a common fountain’ from which flow ‘pure silver drops’. At the risk of effulgent hyperbole, I’d suggest that Antonio’s image of the blessed governance and purifying power of the French court - in the opening scene of Webster’s The Duchess of Malfi - is also a perfect metaphor for the voice of French countertenor Philippe Jaroussky, as it slips through Handel’s roulades like a silken ribbon.

La Rondine Takes Flight in San Jose

Kudos to San Jose Opera for offering up a wholly winning, consistently captivating new production of Puccini’s seldom performed La Rondine.

Bettina Smith, Norwegian Mezzo, in Songs by Fauré and Debussy

Here are five complete song sets by two of the greatest masters of French song. The performers are highly competent. I should have known, given the rave reviews that their 2015 recording of modern Norwegian songs received.

Clonter Opera Gala

Clonter’s Opera Gala in the breath-taking beautiful ball-room at the Lansdowne Club in Mayfair was a glamorously glittering smattering of opera – which made me want to run out to every opera in town.  

Étienne-Nicolas Méhul: Uthal

The opera world barely knows how to handle works that have significant amounts of spoken dialogue. Conductors and stage directors will often trim the dialogue to a bare minimum (Magic Flute), have it rendered as sung recitative (Carmen), or have it spoken in the vernacular though the sung numbers may often be performed in the original language (Die Fledermaus).

A New Anna Moffo?: The Debut Disc of Aida Garifullina

Here is the latest CD from a major label promoting a major new soprano. Aida Garifullina is utterly remarkable: a lyric soprano who also can handle coloratura with ease. Her tone has a constant shimmer, with a touch of quick, narrow vibrato even on short notes.

A New Die Walküre at Lyric Opera of Chicago

From the start of Lyric Opera of Chicago’s splendid, new production of Richard Wagner’s Die Walküre conflict and resolution are portrayed throughout with moving intensity. The central character Brünnhilde is sung by Christine Goerke and her father Wotan by Eric Owens.

As One a Haunting Success in San Diego

San Diego Opera has mined solid gold with its mesmerizing and affecting production of As One, a part of their innovative ‘Detour Series.’

OLF: Songs by Tchaikovsky, Anton Rubinstein, Rachmaninov and Georgy Sviridov

Compared to the oft-explored world of German lieder and French chansons, the songs of Russia are unfairly neglected in recordings and in the concert hall. The raw emotion and expansive lyricism present in much of this repertoire was clearly in evidence at the Holywell Music Room for the penultimate day of the celebrated Oxford Lieder Festival.

Stockhausen’s STIMMUNG and COSMIC PULSES at the Barbican.

This concert was an event on several levels - marking a decade since the death of Stockhausen, the fortieth anniversary (almost to the day) since Singcircle first performed STIMMUNG (at the Round House), and their final public performance of the piece. It was also a rare opportunity to hear (and see) Stockhausen’s last completed purely electronic work, COSMIC PULSES - an overwhelming visual and aural experience that anyone who was at this concert will long remember.

Bampton Classical Opera Young Singers’ Competition 2017 - Winner Announced

Bampton Classical Opera is pleased to announce that the winner of the 2017 Young Singers’ Competition is mezzo-soprano Emma Stannard and the runner-up is tenor Wagner Moreira. The winner of the accompanists’ prize, a new category this year, is Keval Shah.

Il sogno di Scipione: a new recording from Classical Opera

With this recording of Mozart’s 1771 opera, Il sogno di Scipione (Sicpio’s Dream), Classical Opera continue their progress through the adolescent composer’s precocious achievements and take another step towards the fulfilment of their complete Mozart opera series for Signum Classics.

Nico Muhly's Marnie at ENO

Winston Graham’s 1961 novel Marnie was bold for its time. Its themes of sexual repression, psychological suspense and criminality set within the dark social fabric of contemporary Britain are but outlier themes of the anti-heroine’s own narrative of deceit, guilt, multiple identities and blackmail.

TOSCA: A Dramatic Sing-Fest

On November 12, 2017, Arizona Opera presented Giacomo Puccini’s verismo opera, Tosca, in a dramatic production directed by Tara Faircloth. Her production utilized realistic scenery from Seattle Opera and detailed costumes from the New York City Opera. Gregory Allen Hirsch’s lighting made the set look like the church of St. Andrea as some of us may have remembered it from time gone by.


OPERA TODAY ARCHIVES »

Recordings

29 Nov 2017

Hans Werner Henze Choral Music

Hans Werner Henze works for mixed voice and chamber orchestra with SWR Vokalensemble and Ensemble Modern, conducted by Marcus Creed. Welcome new recordings of important pieces like Lieder von einer Insel (1964), Orpheus Behind the Wire (1984) plus Fünf Madrigale (1947).  »

Recently in Recordings

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22 Apr 2006

Tönet, ihr Pauken!

Bach’s famed career as an organist, his prolific output of church cantatas, and his personal piety, all conspire to keep the image of the churchly Bach front and center in the modern mind, despite the enduring familiarity and popularity of Brandenburg concertos, sonatas, and suites. »

22 Apr 2006

Victoria de los Angeles—Profile in Music

For those without much time to read reviews, I can be extremely brief: hurry and buy this DVD. For all the others: the same advise though maybe they want to know the reasons for such a purchase. »

22 Apr 2006

MOZART: Don Giovanni

Calixto Bieito has made his name as an opera director with productions of unrelenting violence and sex, perhaps exemplified by last year's Abduction from the Seraglio in Berlin with its full nudity and graphic mutilations. »

20 Apr 2006

Enescu: Oedipe

Enescu's Oedipe has always been a rarity outside his native Romania. »

20 Apr 2006

MASCAGNI: In Filanda

Last year was the 60th anniversary of Mascagni’s death. When I wrote a big commemoration article for a Dutch operatic magazine, I wondered if we would ever hear a full version of the 18-year old Mascagni’s first work: a cantata called “in the weaving mill.” »

20 Apr 2006

BRITTEN: Death in Venice

Even if this recording were a failure (which it isn't), it is indispensable on account of its inclusion of about 90 seconds of music not present in the only other studio recording. »

20 Apr 2006

“l’heure exquise”

After happily scanning the rarity-filled repertoire on this disc, and considering the unusual program order, with sets of songs by Enescu, Chausson, and Debussy alternating with sets by saloniste Reynaldo Hahn, I visualize this recital as an exquisite hour in Hahn’s salon, with three guest composers present, exchanging ideas with their host. »

20 Apr 2006

LORTZING: Undine

Albert Lortzing has suffered much lately. Artistically speaking, he is somewhat moribund. In a recent article in the German operatic magazine, Orpheus, one writer rightfully complained that the once so popular composer has almost disappeared from the German theatres. »

19 Apr 2006

A Night to Remember: Placido Domingo & Mstislav Rostropovich

Only a few seconds after watching this DVD I was reminded of one of the great marketing failures in records. More than forty years ago, RCA brought out several glorious LP’s of young Gigli’s records and they put photographs of the sixty-five year old tenor on the sleeve. »

19 Apr 2006

Song of America: Music from the Library of Congress

In connection with the joint project by Thomas Hampson and the U.S. Library of Congress to present events about American song and other creativity at venues as varied as Kansas City, Fort Worth, and Carnegie Hall, EMI Classics has released this CD containing tracks from three earlier discs featuring Thomas Hampson. »

18 Apr 2006

Alfredo Kraus and Renata Scotto: Villancicos

I fear this is a CD strictly reserved for fans of both singers or for collectors of Christmas albums by classical singers. »

18 Apr 2006

Lawrence Brownlee: Lieder & Song Recital

A few years ago I picked up a buzz among those close to the Seattle Opera Young Artists’ Program that there would be a truly remarkable young tenor in the program’s production of La Cenerentola that year. »

10 Apr 2006

The Rose, the Lily & the Whortleberry: Medieval Gardens

Holding “The Rose, the Lily & the Whortleberry” in my hands, I pondered for a moment whether it belonged on my bookshelf or in the CD cabinet. »

10 Apr 2006

VERDI: Nabucco

This 2001 Vienna State Opera production of Verdi’s first smash hit, Nabucco, serves as a textbook example of the “modern dress” production style, for better or worse – and probably, for both. »

07 Apr 2006

LEONCAVALLO: Pagliacci

No exact date is given for this performance and there is good reason for it. The sleeve notes clearly state that baritone Enzo Sordello (of the 15 minutes of world fame when the Met fired him for clinging to a high note longer than Callas) sings the role of Silvio. »

04 Apr 2006

ROSSINI: Il signor Bruschino

“A jewel box of a theater”: that great cliché of the opera world comes to mind when viewing a production from the Schwetzinger Festspiele held at the Rokokotheater Schwetzingen. »

03 Apr 2006

Nine German Arias—An Urban Baroque Film

It’s always interesting when one’s own opinion about a work varies violently from others’ views, even if they are to date minimal in number. In this case, it is not the music per se that is under discussion but the way it is represented, or in my opinion, mis-represented by this film. »

01 Apr 2006

Gala Concert—50th Anniversary of the Reopening of the Vienna State Opera

Tuxes and gowns, a marathon of trotting on and offstage by renowned singers, a ritzy audience abusing their palms with ritual clapping—yes, EuroArts has another opera gala event available on DVD in this two-disc Vienna State Opera Gala concert. »

31 Mar 2006

RACHMANINOV: Piano concerti nos. 1 and 2

This is a wonderful, recent recording of these popular piano concertos by Rachmaninov. The Piano concerto no. 1 is a studio recording, while the Piano concerto no. 2 is a live version. »

31 Mar 2006

STRAUSS: Daphne

New recordings of complete operas lumber into view these days as the dinosaurs trod painfully into a dying sun in an animated depiction of their extinction. »

30 Mar 2006

OFFENBACH: La Grande-Duchesse de Gerolstein

Los Angeles Opera opened the 2005-6 season with a staging of Offenbach’s La Grande-Duchesse de Gerolstein, directed by Hollywood’s Garry Marshall. »

30 Mar 2006

Jumalaa kiittää sieluni—Hymns in Finnish

In 2001, Finland observed the 300th anniversary of the Finnish Hymnal. As a part of the celebration, YLE (the Finnish public broadcasting company) launched a project to record a substantial portion of the hymnal in performance by soloists or ensembles. »

29 Mar 2006

Franz Schubert: The Trout • The Greatest Love and The Greatest Sorrow

In this compelling documentary, Christopher Nupen has captured rare and wondrous collaborations by some of the greatest twentieth century performers as they pay tribute to an early nineteenth century musical treasure, Franz Schubert. »

29 Mar 2006

The Jessye Norman Collection from Philips

Jessye Norman’s long-time label, Philips, celebrates the artist’s sizeable recorded heritage with an expansive series of double CDs of re-releases, under the sobriquet The Jessye Norman Collection. »

24 Mar 2006

PUCCINI: Turandot

Here is a Turandot to watch with the sound off—not because the singers misfire so badly, although no one really impresses. »

23 Mar 2006

FAURÉ: The Complete Songs 3 — Chanson d’amour.

The theme of the third volume of Hyperion’s set of the Complete Songs of Gabriel Fauré (1845-1924) is Chanson d’amour, which takes its name from a piece in the composer’s opus 27 set – a compilation devoted to the love song. »

22 Mar 2006

WHITACRE: Cloudburst and other choral works

There is little doubt about the popularity of Eric Whitacre’s music among North American choral ensembles. With the release of this Hyperion disc, the international choral scene may soon become enamored as well. »

21 Mar 2006

ROSSINI: Maometto Secondo

Before you watch this DVD, the best thing you can do is read the sleeve notes. They are brief but to the point; and they succinctly tell you the differences between this Venice version and the traditional one. »

21 Mar 2006

VERDI: La forza del destino

After issuing recordings of Les Vêpres Siciliennes, Simon Boccanegra, and Macbeth, Opera Rara continues it series of Verdi Originals—first versions of operas the composer later revised—with La forza del destino. »

21 Mar 2006

MOZART: Don Giovanni and Cosi fan tutte

This is an absolutely wonderful, live performance recording of two of Mozart’s best operas, Don Giovanni and Cosi fan tutte. »

20 Mar 2006

SCHUBERT: Symphony no. 9

This is an absolutely fabulous recording of Schubert’s final symphony, which is often compared as his closest composition to the style of Beethoven. »

20 Mar 2006

MONTEVERDI: L'Orfeo

In the 1990’s Pierre Audi staged productions of Monteverdi’s three surviving operas (L’Orfeo, Il ritorno d’Ulisse in patria, and L’incoronazione di Poppea) with De Nederlandse Opera in Amsterdam. »

20 Mar 2006

Maria Callas — Three Remastered Releases from EMI

Of all opera singers of the last century, no one better dominated the genre’s star power than Maria Callas. During her thirty-four years onstage, she came to embody the essence of the term “diva,” both in her stormy personal life and her equally tempestuous stage career. »

17 Mar 2006

My Name is Barbara

Barbara Bonney’s discography is extensive and wide-ranging, including opera and oratorio, as well as lieder recitals from Mozart and Mendelssohn through the major Romantics to Zemlinsky. »

16 Mar 2006

Songs for Ariel

Of the countertenors coming to the fore in the generation following Alfred Deller, few, if any, have achieved the prominence or performance longevity of James Bowman. »

16 Mar 2006

TCHAIKOVSKY: The Nutcracker

The Nutcracker is one of the most popular ballets. Tchaikovsky’s score alone is synonymous with Christmas—one can even say that it is what keeps this ballet alive. »

16 Mar 2006

MAHLER: Symphony no. 4
BERG: Sieben Frühe Lieder

A critical aspect of Mahler’s music is the way the composer often juxtaposed the familiar and the new, and this dichotomy is reflected strongly in his Fourth Symphony. »

13 Mar 2006

MEYERBEER: Dinorah

Some opera sets are meant to be an introduction to the work presented. They contain a booklet which tells you about the life of the composer, the history of the work, some analysis, a synopsis of the story, and maybe (if you're lucky) the libretto translated into your language. »

10 Mar 2006

Gabriela Montero — Piano Recital

This recording features piano works by the pillars of nineteenth-century Romantic piano composition (Chopin and Liszt), the Spanish-speaking musical nationalists (Granados, Ginastera, and de Falla), and the Russian composer-pianists (Scriabin and Rachmaninov) who reinterpreted the Romantic spirit in new and innovative ways for the piano. »

10 Mar 2006

MOZART: Requiem

Mozart’s Requiem has become widely-known and popular since the 1984 movie Amadeus. Left incomplete at his death, his student and assistant Franz Xaver Sussmayr (1766-1803) completed the work from Mozart’s notes. »

10 Mar 2006

VERDI: La Traviata

Could La Traviata be the opera with the most versions available on DVD? The appetite for the doomed heroine never wavers. »

09 Mar 2006

Wagnerian Songs

If Richard Wagner’s music may be seen to pervade the late nineteenth century, an area that is rarely discussed is his influence on song. »

08 Mar 2006

Karajan Performs Strauss Waltzes and Polkas

Everyone is familiar with the waltzes and polkas of the “Waltz King,” Johan Strauss II, along with his father Johann I and his brother Josef. »

08 Mar 2006

VERDI: Ernani

Verdi’s smash hit of 1844 is a relative rarity these days. As Stefano Olcese notes in his booklet essay for a new Dynamic recording, the opera calls for daunting vocal display from tenor, soprano, baritone, and bass. »

05 Mar 2006

HILLIARD ENSEMBLE: Thy Kiss of a Divine Nature — The Contemporary Perotin

The richness of the Ars Antiqua flourishing in Paris in the twelfth and thirteenth centuries marks the time as one of high cultural achievement, drawing nurture from the contemporaneous rise of the Cathedral of Notre Dame and the University of Paris. »

05 Mar 2006

MOZART: The Magic Flute

It would be presumptuous of me to go through the entire plot of The Magic Flute, given its historical and popular significance with all classical music devotees. »