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Elsewhere

In Parenthesis, Welsh National Opera in London

‘A century after the Somme, who still stands with Britain?’ So read a headline in yesterday’s Evening Standard on the eve of the centenary of the first day of that battle which, 141 days later, would grind to a halt with 1,200,000 British, French, German and Allied soldiers dead or injured.

Die Walküre, Opera North

A day is now a very long time indeed in politics; would that it were otherwise. It certainly is in the Ring, as we move forward a generation to Die Walküre.

Early Gluck arias at the Wigmore Hall

If composers had to be categorised as either conservatives or radicals, Christoph Willibald Gluck would undoubtedly be in the revolutionary camp, lauded for banishing display, artifice and incoherence from opera and restoring simplicity and dramatic naturalness in his ‘reform’ operas.

Das Rheingold, Opera North

Das Rheingold is, of course, the reddest in tooth and claw of all Wagner’s dramas - which is saying something.

Peter Grimes in Princeton

The Princeton Festival presents one opera annually, amidst other events. Its offerings usually alternate annually between 20th century and earlier operas. This year the Festival presented Benjamin Britten’s Peter Grimes, now a classic work, in a very effective and moving production.

Scintillating Strauss in Saint Louis

If you like your Ariadne on Naxos productions as playful as a box of puppies, then Opera Theatre of Saint Louis is the address for you.

Saint Louis Takes On ‘The Scottish Opera’

Opera Theatre of Saint Louis took forty years before attempting Verdi’s Macbeth but judging by the excellence of the current production, it was well worth the wait.

Anatomy Theater: A Most Unusual New Opera

On June 16, 2016, Los Angeles Opera with Beth Morrison Projects presented the world premiere of Pulitzer Prize-winning composer David Lang's Anatomy Theater at the Roy and Edna Disney/CalArts Theater (REDCAT).

Shalimar in St. Louis: Pagliaccio Non Son

In its compact forty-year history, the ambitious Opera Theatre of Saint Louis has just triumphantly presented its twenty-fifth world premiere with Shalimar the Clown.

Jenůfa, ENO

The sharp angles and oddly tilting perspectives of Charles Edwards’ set for David Alden’s production of Jenůfa at ENO suggest a community resting precariously on the security and certainty of its customs, soon to slide from this precipice into social and moral anarchy.

The “Other” Marriage of Figaro in a West Village Townhouse

Last week an audience of 50 assembled in the kitchen of a luxurious West Village townhouse for a performance of Marriage of Figaro.

West Wind: A new song-cycle by Sally Beamish

In a recent article in BBC Music Magazine tenor James Gilchrist reflected on the reason why early-nineteenth-century England produced no corpus of art song to match the German lieder of Schumann, Schubert and others, despite the great flowering of English Romantic poetry during this period.

Interview with Star of Florencia en el Amazonas, Elizabeth Caballero

Lyric soprano Elizabeth Caballero’s signature role is Violetta in La traviata, which she portrays with a compelling interpretation, focused sound, and elegant coloratura that floats through the opera house as naturally as waves on the ocean.

Florencia en el Amazonas, NYCO

With the New York Premiere of Florencia en el Amazonas, the New York City Opera Steps Out of the Shadows of the Past

Idomeneo, re di Creta, Garsington

Opportunities to see Idomeneo are not so frequent as they might be, certainly not so frequent as they should be.

Don Carlo in San Francisco

Not merely Don Carlo, but the five-act Don Carlo in the 1886 Modena version! The welcomed esotericism of San Francisco Opera’s extraordinary spring season.

Jenůfa in San Francisco

The early summer San Francisco Opera season has the feel of a classy festival. There is an introduction of Spanish director Calixto Bieito to American audiences, a five-act Don Carlo and two awaited, inevitable role debuts, Karita Mattila as Kostelnička and Malin Bystrom as Janacek's Jenůfa.

Musings on the “American Ring

Now that the curtain has long fallen on the third and last performance of the Ring cycle at the Washington National Opera (WNO), it is safe to say that the long-anticipated production has been an unqualified success for the company, director Francesca Zambello, and conductor Philippe Auguin.

Nabucco, Covent Garden

Most of the attention during this revival of Daniele Abbado’s 2013 production of Nabucco has been directed at Plácido Domingo’s reprise of the title role, with the critical reception somewhat mixed.

Tristan, English National Opera

My first Tristan, indeed my first Wagner, in the theatre was ENO’s previous staging of the work, twenty years ago, in 1996. The experience, as it should, as it must, although this is alas far from a given, quite overwhelmed me.


OPERA TODAY ARCHIVES »

Recordings

Aparte AP110
13 Jun 2016

Lalo: Complete Songs

Edouard Lalo (1823-92) is best known today for his instrumental works: the Symphonie espagnole (which is, despite the title, a five-movement violin concerto), the Symphony in G Minor, and perhaps some movements from his ballet Namouna, a scintillating work that the young Debussy adored. »

Recently in Recordings

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21 Feb 2006

ARIOSTI: “The Flowering and Fading of Love”

Musicologists should be eager to welcome the “first modern recordings” of any work; surely having the opportunity to hear a long-lost musical treasure, rather than having it stare off the page in black-and-white, is something to be celebrated. »

21 Feb 2006

VIVALDI: Concerti e Cantate da Camera III

As the Vivaldi edition continues, Opus 111 is releasing a series of individual volumes dedicated to cantatas interspersed with other chamber works. »

17 Feb 2006

VIVALDI: Arie d’Opera

This recording is another gem from the Complete Vivaldi Edition, a collaboration of Naïve (opus 111) and various Piedmontese institutions [see this author’s review of Vivaldi’s Orlando in that series]. »

15 Feb 2006

BARRY: The Intelligence Park

Irish composer Gerald Barry insists that “Really, my music is very straightforward. »

13 Feb 2006

WAGNER: Parsifal

Nikolaus Lehnhoff’s Parsifal, first staged by English National Opera in 1999, is given on this Opus Arte DVD in a 2004 performance led by Kent Nagano at the Baden-Baden summer festival. »

11 Feb 2006

GÓRECKI: Symphony no. 3

Henryk Górecki’s Symphony no. 3 (1976), his “Symphony of Sorrowful Songs,” as it is called, is one of the most popular recordings of late twentieth-century music. »

11 Feb 2006

CIMAROSA: Il Matrimonio Segreto

Premiered in 1792 (just months after the death of Mozart), Il Matrimonio Segreto won over Vienna from the start, and Domenico Cimarosa’s opera would remain his most popular work. »

09 Feb 2006

BYRD: The Great Service

The religious turmoil of sixteenth-century England was characterized not only by factionalism and polarity, but also famously by the charting of a via media, a middle path, through opposing views. »

05 Feb 2006

MAHLER: Symphonies 1-10 • Das Lied von der Erde

The late Gary Bertini (1927-2005) was noted for his fine interpretations of Mahler’s work, and his cycle with EMI was esteemed highly. An accomplished musician, Bertini founded the Israeli Chamber Orchestra in 1965, and later become chief conductor of the Jerusalem Symphony. »

04 Feb 2006

TCHAIKOVSKY: Swan Lake

This 2005 release was filmed at a performance in La Scala’s temporary home, Milan’s Teatro degli Arcimboldi, in April 2004. It is based on the Burmeister version of the ballet of some 50 years ago, first introduced in the West by the Paris Opera. »

03 Feb 2006

WAGNER: Der Ring des Nibelungen

It has been nearly thirty years since the centenary production of the Ring at Bayreuth, and the controversy and even scandal that it generated have long since faded into memory. »

02 Feb 2006

BRUCKNER: Symphonie no. 6

The symphonies of Anton Bruckner deserve excellent performances to convey the intensity that the composer intended for them, and sometimes an individual performance can offer the opportunity to understand them more clearly. »

01 Feb 2006

HANDEL: Radamisto

Handel went to London as a free-lance musician – i.e., “on his own bottom” – in autumn 1710. His Rinaldo of February 1711, with its dazzling arias and scenic spectacles, was resoundingly successful. »

29 Jan 2006

DEBUSSY: La Mer

Inspired by the elitist poets of late nineteenth century Paris, Debussy was eager to join their ranks by developing musical ideas that evoked the same emotional response as the poetry he admired. Originally, Prélude à l’après-midi d’un faune was a collaborative project between Debussy and Stéphane Mallarmé, a poet highly regarded by the composer. »

29 Jan 2006

PETITGIRARD: The Elephant Man

Perhaps instead of waiting for the next great new opera, focus should be on finding the next great opera composer. »

27 Jan 2006

ROSSINI: Il Turco in Italia

Clearly someone at Naxos loves Rossini. The label only recently released a good Cenerentola with the most excellent Joyce Di Donato, and the back catalog contains many titles, including highly praised sets of Barbieri (with Ramon Vargas) and Tancredi (featuring Ewa Podles). »

26 Jan 2006

KÁLMÁN: Lieder

I wonder if a record company, any record company, would have taken the trouble of recording these songs if the composer had been Zoltan Kocsis or Deszö Ranki instead of Imre (his real first name) Kálmán? »

26 Jan 2006

PADEREWSKI: Manru

Known for his virtuosity as a pianist, Ignacy Paderewski (1860-1941) is also known as a composer. While most of his works involve piano, he left a single opera, Manru, a three-act work that he composed between 1892 and 1901. »

26 Jan 2006

SALLINEN: Barabbas Dialogues

Two of Finland’s greatest artistic luminaries—composer Aulis Sallinen (b. 1935) and poet Lassi Nummi (b. 1928)—came together to produce a fine new work, The Barabbas Dialogues (2004), which has been recently recorded and released on CD on the CPO label. »

25 Jan 2006

BRITTEN: Serenade for Tenor, Horn and Strings etc.

In an era where new studio recordings by major orchestras have dwindled to a pathetic dribble, leaving many fine institutions to start their own in-house labels, the Berlin Philharmonic still has an active contract with a major company (its conductor’s label of many years, EMI) and releases come on a regular basis. A recent one features some of Benjamin Britten’s great work for instruments and tenor. »

24 Jan 2006

Violeta Urmana — Lieder

“Carmen, un bon conseil” warns Frasquita in the last act of the opera. So friends, heed my advice and don’t play this CD in your car when you are accompanied by someone who likes opera but is not crazy on lieder. »

24 Jan 2006

MERCADANTE: La vestale

It is now slightly over 40 years since the first recording of a complete opera by Saverio Mercadante (an Il Giuramento with Maria Vitale and Amedeo Berdini) was released on LP. I quickly fell in love with his music, and realized that, while not necessarily on the same level as Bellini and Donizetti, he was not far behind, and that more of his works would be extremely welcome. »

22 Jan 2006

BIZET: Carmen

On June 3, 1875, thirty-six year old Bizet died after having one, some say two, heart attacks preceded by other complications. Legend has it that the composer's death was hastened by the failure of his latest work, Carmen. »

19 Jan 2006

The Diva Live — Wilhelmenia Fernandez & Bruno Fontaine

In 1981 Wilhelminia Fernandez became somewhat of a cult figure when the French thriller “Diva” appeared on the screens. For a time her “Ebben, ne andro lontano” from La Wally almost became a hit and several commercials used a small part of the aria. »

18 Jan 2006

GERSHWIN: Porgy and Bess

So EMI has declared this 1988 Porgy and Bess to be one of the “Great Recordings of the Century.” That may settle the issue for many – but not all. »

17 Jan 2006

IT MUST NOT HAVE BEEN EASY BEING MOZART

It must not have been an easy life, being Wolfgang Amadeus Mozart (1756-1791). Perhaps even more so after the fact when scholars began to do their research and “wanna bes” began their intimations and psychoanalyzing. In the more seventy-five years of Mozart scholarship and its coming of age, one must ask: How much more is there to learn, to research? »

16 Jan 2006

STRAUSS: Capriccio

It is not uncommon for opera on DVD to have credits for two directors. In the case of this Paris Capriccio, a new production from June 2004, the credits list Robert Carsen as the stage director and Francois Roussillon as directing for TV and video. »

16 Jan 2006

Trinity Sunday at Westminster Abbey

Under the direction of James O’Donnell since January 2000, the Choir of Westminster Abbey has cultivated a robust singing style that well serves the music of this new recording and continues the Abbey’s position as one of the obvious standard bearers of the English cathedral tradition. »

14 Jan 2006

Berlin Opera Night

At 73 minutes, this DVD of the typical gala affair – various soloists trot on, sing an aria, then trot off – can’t be called generous, but it does have variety. »

14 Jan 2006

MASSENET: Werther

When you and I were young Maggie, there was only the fine Werther with Thill and Vallin and the Cetra recording with Tagliavini and his first wife, Pia Tassinari. »

14 Jan 2006

SCHEIDT: Ludi musici I, II, III & IV

I suspect that when we survey the musical landscape of the early seventeenth century, it is opera, monody, and madrigal that come most quickly and lastingly into view, and given the contemporaneous attention given to the relationship between music and word, it is unsurprising that this would be the case. »

14 Jan 2006

CACCINI: Nuove musiche

When Giulio Caccini entitled his landmark 1601/02 publication Le nuove musiche, he confidently laid claim both to the novelty of the emerging baroque style and his formidable role in bringing it to blossom. »

11 Jan 2006

VERDI: Macbeth

This Macbeth, originally conceived by Phyllida Lloyd for a co-production of the Paris Opéra and Covent Garden, is an excellent example of what nowadays is to be seen on most opera stages in Europe (and probably the States as well). »

11 Jan 2006

BELLINI: I Puritani

Through Rossini's influence Bellini and his rival Donizetti were each invited to compose an opera for the Théâtre des Italiens in Paris. Bellini who, paranoid and delusional, thought he was the object of a sinister plan headed by Rossini to benefit Donizetti, went out of his way to ingratiate himself with the "Great Master" long before Donizetti's arrival in the French capital. After a year of idle life in Paris, where he survived off the kindness of his hosts and friends, the Sicilian composer set to work on what would regretfully become his last opera: I Puritani di Scozia. »

08 Jan 2006

CILEA: L’Arlesiana

For a work that is known as a one-aria-opera, four official (this one included) recordings is not a bad record. And of course most opera-lovers have not only “E la solita storia” in their many tenor recitals but know the baritone aria “Come due tizzi” and the mezzo’s “Esser madre è un inferno” as well. »

08 Jan 2006

Operatunity Winners — Denise Leigh and Jane Gilchrist

When asked if I had any interest in reviewing the discs of “the Operatunity finalists,” I admit I was so ignorant of what Operatunity was that I had to make a quick web search to find out. »

06 Jan 2006

Dvořák und seine Zeit

Dvořák und seine Zeit – Dvořák and his Time – immediately conveys a singular perspective on some of the vocal music of Antonín Dvořák (1841-1904) in the context of his generation. Recorded on 17 August 2004, the music on this two-CD set is from the second of two programs that were given at the 2004 Salzburg Festspiel under the rubric of “Dvořák und seine Zeit.” »

06 Jan 2006

Natalie Dessay: Mozart Concert Arias

I wonder how Natalie Dessay would comment on this CD made more than 10 years ago when she was barely thirty? The lady is a dream for every interviewer. »

06 Jan 2006

BELLINI: La Sonnambula

What to do, what to do, with Bellini and Romani’s bel canto masterpiece, La Sonnambula? The exquisite music demands to be performed, so the opera continues to have an existence on the fringes of the standard repertory. »

04 Jan 2006

Régine Crespin: Wagner and Berlioz Opera Arias

For those who want to possess every single TV appearance of Régine Crespin, this issue will not suffice. Only four items of the EMI DVD devoted to the soprano are to be found on the short DVD that is included with this CD. »