Subscribe to
Opera Today

Receive articles and news via RSS feeds or email subscription.








René Pape, Joseph Calleja, Kristine Opolais, Boito Mefistofele, Munich

Arrigo Boito Mefistofele was broadcast livestream from the Bayerische Staatsoper in Munich last night. What a spectacle !

Calixto Bieito’s The Force of Destiny

The monochrome palette of Picasso’s Guernica and the mural’s anti-war images of suffering dominate Calixto Bieito’s new production of Verdi’s The Force of Destiny for English National Opera.

Morgen und Abend — World Premiere, Royal Opera House

The world premiere of Morgen und Abend by Georg Friedrich Haas at the Royal Opera House, London — so conceptually unique and so unusual that its originality will confound many.

Company XIV Combines Classic and Chic in an Exquisite Cinderella

Company XIV’s production of Cinderella is New York City theater at its finest. With a nod to the court of Louis the XIV and the grandiosity of Lully’s opera theater, Company XIV manages to preserve elements of the French Baroque while remaining totally innovative, and never—in fact, not once for the entire two and a half hour show—falls prey to the predictable. Not one detail is left to chance in this finely manicured yet earthily raw production of Cinderella.

Monteverdi by The Sixteen at Wigmore Hall

This was a concert where immense satisfaction was derived equally from the quality of musicianship displayed and the coherence and resourcefulness of the programme presented. In 1610, Claudio Monteverdi published his Vespro della Beata Vergine for soloists, chorus, and orchestra.

Félicien David: Songs for voice and piano

This well-packed disc is a delight and a revelation. Until now, even the most assiduous record collector had access to only a few of the nearly 100 songs published by Félicien David (1810-76), in recordings by such notable artists as Huguette Tourangeau, Ursula Mayer-Reinach, Udo Reinemann, and Joan Sutherland (the last-mentioned singing the duet “Les Hirondelles” with herself!).

Dialogues des Carmélites Revival at Dutch National Opera

If not timeless, Robert Carsen’s production of Francis Poulenc’s Dialogues des Carmélites is highly age-resistant.

Ermanno Wolf-Ferrari: Le donne curiose

Ermanno Wolf-Ferrari was one of the Italian composers of the post-Puccini generation (which included Licinio Refice, Riccardo Zandonai, Umberto Giordano and Franco Leoni) who struggled to prolong the verismo tradition in the early years of the twentieth century.

Moby-Dick Surfaces in the City of Angels

On Saturday evening October 31, 2015, the Nantucket whaling ship Pequod journeyed to Los Angeles Opera and began its sixth voyage in the attempt to kill the elusive whale called Moby-Dick.

Great Scott at the Dallas Opera

Great Scott is a combination of a parody of bel canto opera and an operatic version of All About Eve. Beloved American diva Arden Scott (Joyce DiDonato), has discovered the score to a long-lost opera “Rosa Dolorosa, Figlia di Pompeii” and has become committed to getting the work revived as a vehicle for her. “Rosa Dolorosa” has grand musical moments and a hilariously absurd plot.

Schubert and Debussy at Wigmore Hall

The most recent instalment of the Wigmore Hall’s ambitious series, ‘Schubert: The Complete Songs’, was presented by soprano Lucy Crowe, pianist Malcolm Martineau and harpist Lucy Wakeford.

John Taverner: Missa Corona spinea

This new release of John Taverner’s virtuosic and florid Missa Corona spinea (produced by Gimell Records) comes two years after The Tallis Scholars’ critically esteemed recording of the composer’s Missa Gloria tibi Trinitas, which topped the UK Specialist Classical Album Chart for 6 weeks, and with which the ensemble celebrated their 40th anniversary. The recording also includes Taverner’s two settings of Dum transisset Sabbatum.

A Bright and Accomplished Cenerentola at Lyric Opera of Chicago

Gioachino Rossini’s La Cenerentola has returned to Lyric Opera of Chicago in a production new to this venue and one notable for several significant debuts along with roles taken by accomplished, familiar performers.

La Bohème, ENO

Back in 2000, Glyndebourne Touring Opera dragged Puccini’s sentimental tale of suffering bohemian artists into the ‘modern urban age’, when director David McVicar ditched the Parisian garrets and nineteenth-century frock coats in favour of a squalid bedsit in which Rodolfo and painter Marcello shared a line of cocaine under the grim glare of naked light bulbs and the clientele at Café Momus included a couple of gaudily attired transvestites.

Luigi Rossi: Orpheus

Just as Orpheus embarks on a quest for his beloved Eurydice, so the Royal Opera House seems to be in pursuit of the mythical music-maker himself: this year the house has presented Monteverdi’s Orfeo at the Camden Roundhouse (with the Early Opera Company in January), Gluck’s Orphée et Eurydice on the main stage (September), and, in the Linbury Studio Theatre, both Birtwistle’s The Corridor (June) and the Paris-music-hall style Little Lightbulb Theatre/Battersea Arts Centre co-production, Orpheus (September).

64th Wexford Festival Opera

Wexford Festival Opera has served up another thought-provoking and musically rewarding trio of opera rarities — neglected, forgotten or seldom performed — in 2015.

Christoph Prégardien, Schubert, Wigmore Hall London

Another highlight of the Wigmore Hall complete Schubert Song series - Christoph Prégardien and Christoph Schnackertz. The core Wigmore Hall Lieder audience were out in force. These days, though, there are young people among the regulars : a sign that appreciation of Lieder excellence is most certainly alive and well at the Wigmore Hall. .

The Magic Flute in San Francisco

How did it go? Reactions of my neighbors varied. Some left at the intermission, others remarked that they thought the singing was good.

La Vestale, La Monnaie, Bruxelles

In the first half of the 19th century, Spontini’s La Vestale was a hit. Empress Josephine sponsored its premiere, Parisians heard it hundreds of times, Berlioz raved about it and Wagner conducted it.

THOMAS: Hamlet, Moscow 2015

Hamlet: Opéra in five acts. Music composed by Ambroise Thomas. Libretto by Michel Carré and Jules Barbier after The Tragedy of Hamlet, Prince of Denmark by William Shakespeare.



12 Nov 2015

Félicien David: Songs for voice and piano

This well-packed disc is a delight and a revelation. Until now, even the most assiduous record collector had access to only a few of the nearly 100 songs published by Félicien David (1810-76), in recordings by such notable artists as Huguette Tourangeau, Ursula Mayer-Reinach, Udo Reinemann, and Joan Sutherland (the last-mentioned singing the duet “Les Hirondelles” with herself!).  »

Recently in Recordings

All Pages |  1  |  2  |  3  |  4  |  5  |  6  |  7  |  8  |  9  |  10  |  11  |  12  |  13  |  14  |  15  |  16  |  17  |  18  |  19  |  20  |  21  |  22  |  23  |  24  |  25  |  26  |  27  |  28  |  29  |  30  |  31  |  32 
05 Feb 2006

MAHLER: Symphonies 1-10 • Das Lied von der Erde

The late Gary Bertini (1927-2005) was noted for his fine interpretations of Mahler’s work, and his cycle with EMI was esteemed highly. An accomplished musician, Bertini founded the Israeli Chamber Orchestra in 1965, and later become chief conductor of the Jerusalem Symphony. »

04 Feb 2006


This 2005 release was filmed at a performance in La Scala’s temporary home, Milan’s Teatro degli Arcimboldi, in April 2004. It is based on the Burmeister version of the ballet of some 50 years ago, first introduced in the West by the Paris Opera. »

03 Feb 2006

WAGNER: Der Ring des Nibelungen

It has been nearly thirty years since the centenary production of the Ring at Bayreuth, and the controversy and even scandal that it generated have long since faded into memory. »

02 Feb 2006

BRUCKNER: Symphonie no. 6

The symphonies of Anton Bruckner deserve excellent performances to convey the intensity that the composer intended for them, and sometimes an individual performance can offer the opportunity to understand them more clearly. »

01 Feb 2006

HANDEL: Radamisto

Handel went to London as a free-lance musician – i.e., “on his own bottom” – in autumn 1710. His Rinaldo of February 1711, with its dazzling arias and scenic spectacles, was resoundingly successful. »

29 Jan 2006


Inspired by the elitist poets of late nineteenth century Paris, Debussy was eager to join their ranks by developing musical ideas that evoked the same emotional response as the poetry he admired. Originally, Prélude à l’après-midi d’un faune was a collaborative project between Debussy and Stéphane Mallarmé, a poet highly regarded by the composer. »

29 Jan 2006

PETITGIRARD: The Elephant Man

Perhaps instead of waiting for the next great new opera, focus should be on finding the next great opera composer. »

27 Jan 2006

ROSSINI: Il Turco in Italia

Clearly someone at Naxos loves Rossini. The label only recently released a good Cenerentola with the most excellent Joyce Di Donato, and the back catalog contains many titles, including highly praised sets of Barbieri (with Ramon Vargas) and Tancredi (featuring Ewa Podles). »

26 Jan 2006

KÁLMÁN: Lieder

I wonder if a record company, any record company, would have taken the trouble of recording these songs if the composer had been Zoltan Kocsis or Deszö Ranki instead of Imre (his real first name) Kálmán? »

26 Jan 2006


Known for his virtuosity as a pianist, Ignacy Paderewski (1860-1941) is also known as a composer. While most of his works involve piano, he left a single opera, Manru, a three-act work that he composed between 1892 and 1901. »

26 Jan 2006

SALLINEN: Barabbas Dialogues

Two of Finland’s greatest artistic luminaries—composer Aulis Sallinen (b. 1935) and poet Lassi Nummi (b. 1928)—came together to produce a fine new work, The Barabbas Dialogues (2004), which has been recently recorded and released on CD on the CPO label. »

25 Jan 2006

BRITTEN: Serenade for Tenor, Horn and Strings etc.

In an era where new studio recordings by major orchestras have dwindled to a pathetic dribble, leaving many fine institutions to start their own in-house labels, the Berlin Philharmonic still has an active contract with a major company (its conductor’s label of many years, EMI) and releases come on a regular basis. A recent one features some of Benjamin Britten’s great work for instruments and tenor. »

24 Jan 2006

Violeta Urmana — Lieder

“Carmen, un bon conseil” warns Frasquita in the last act of the opera. So friends, heed my advice and don’t play this CD in your car when you are accompanied by someone who likes opera but is not crazy on lieder. »

24 Jan 2006

MERCADANTE: La vestale

It is now slightly over 40 years since the first recording of a complete opera by Saverio Mercadante (an Il Giuramento with Maria Vitale and Amedeo Berdini) was released on LP. I quickly fell in love with his music, and realized that, while not necessarily on the same level as Bellini and Donizetti, he was not far behind, and that more of his works would be extremely welcome. »

22 Jan 2006

BIZET: Carmen

On June 3, 1875, thirty-six year old Bizet died after having one, some say two, heart attacks preceded by other complications. Legend has it that the composer's death was hastened by the failure of his latest work, Carmen. »

19 Jan 2006

The Diva Live — Wilhelmenia Fernandez & Bruno Fontaine

In 1981 Wilhelminia Fernandez became somewhat of a cult figure when the French thriller “Diva” appeared on the screens. For a time her “Ebben, ne andro lontano” from La Wally almost became a hit and several commercials used a small part of the aria. »

18 Jan 2006

GERSHWIN: Porgy and Bess

So EMI has declared this 1988 Porgy and Bess to be one of the “Great Recordings of the Century.” That may settle the issue for many – but not all. »

17 Jan 2006


It must not have been an easy life, being Wolfgang Amadeus Mozart (1756-1791). Perhaps even more so after the fact when scholars began to do their research and “wanna bes” began their intimations and psychoanalyzing. In the more seventy-five years of Mozart scholarship and its coming of age, one must ask: How much more is there to learn, to research? »

16 Jan 2006

STRAUSS: Capriccio

It is not uncommon for opera on DVD to have credits for two directors. In the case of this Paris Capriccio, a new production from June 2004, the credits list Robert Carsen as the stage director and Francois Roussillon as directing for TV and video. »

16 Jan 2006

Trinity Sunday at Westminster Abbey

Under the direction of James O’Donnell since January 2000, the Choir of Westminster Abbey has cultivated a robust singing style that well serves the music of this new recording and continues the Abbey’s position as one of the obvious standard bearers of the English cathedral tradition. »

14 Jan 2006

Berlin Opera Night

At 73 minutes, this DVD of the typical gala affair – various soloists trot on, sing an aria, then trot off – can’t be called generous, but it does have variety. »

14 Jan 2006


When you and I were young Maggie, there was only the fine Werther with Thill and Vallin and the Cetra recording with Tagliavini and his first wife, Pia Tassinari. »

14 Jan 2006

SCHEIDT: Ludi musici I, II, III & IV

I suspect that when we survey the musical landscape of the early seventeenth century, it is opera, monody, and madrigal that come most quickly and lastingly into view, and given the contemporaneous attention given to the relationship between music and word, it is unsurprising that this would be the case. »

14 Jan 2006

CACCINI: Nuove musiche

When Giulio Caccini entitled his landmark 1601/02 publication Le nuove musiche, he confidently laid claim both to the novelty of the emerging baroque style and his formidable role in bringing it to blossom. »

11 Jan 2006

VERDI: Macbeth

This Macbeth, originally conceived by Phyllida Lloyd for a co-production of the Paris Opéra and Covent Garden, is an excellent example of what nowadays is to be seen on most opera stages in Europe (and probably the States as well). »

11 Jan 2006

BELLINI: I Puritani

Through Rossini's influence Bellini and his rival Donizetti were each invited to compose an opera for the Théâtre des Italiens in Paris. Bellini who, paranoid and delusional, thought he was the object of a sinister plan headed by Rossini to benefit Donizetti, went out of his way to ingratiate himself with the "Great Master" long before Donizetti's arrival in the French capital. After a year of idle life in Paris, where he survived off the kindness of his hosts and friends, the Sicilian composer set to work on what would regretfully become his last opera: I Puritani di Scozia. »

08 Jan 2006

CILEA: L’Arlesiana

For a work that is known as a one-aria-opera, four official (this one included) recordings is not a bad record. And of course most opera-lovers have not only “E la solita storia” in their many tenor recitals but know the baritone aria “Come due tizzi” and the mezzo’s “Esser madre è un inferno” as well. »

08 Jan 2006

Operatunity Winners — Denise Leigh and Jane Gilchrist

When asked if I had any interest in reviewing the discs of “the Operatunity finalists,” I admit I was so ignorant of what Operatunity was that I had to make a quick web search to find out. »

06 Jan 2006

Dvořák und seine Zeit

Dvořák und seine Zeit – Dvořák and his Time – immediately conveys a singular perspective on some of the vocal music of Antonín Dvořák (1841-1904) in the context of his generation. Recorded on 17 August 2004, the music on this two-CD set is from the second of two programs that were given at the 2004 Salzburg Festspiel under the rubric of “Dvořák und seine Zeit.” »

06 Jan 2006

Natalie Dessay: Mozart Concert Arias

I wonder how Natalie Dessay would comment on this CD made more than 10 years ago when she was barely thirty? The lady is a dream for every interviewer. »

06 Jan 2006

BELLINI: La Sonnambula

What to do, what to do, with Bellini and Romani’s bel canto masterpiece, La Sonnambula? The exquisite music demands to be performed, so the opera continues to have an existence on the fringes of the standard repertory. »

04 Jan 2006

Régine Crespin: Wagner and Berlioz Opera Arias

For those who want to possess every single TV appearance of Régine Crespin, this issue will not suffice. Only four items of the EMI DVD devoted to the soprano are to be found on the short DVD that is included with this CD. »

04 Jan 2006


Although nothing is mentioned on the cover of the CD, I think this is the first official recording of the opera even if there are some pirates doing the rounds of the collectors (my copy is a Buenos Aires pirate). So this is not an unimportant issue of Catalani’s first opera. »

03 Jan 2006

Jonathan Lemalu: Love Blows as the Wind Blows

If one should believe British critics, especially English ones, Jonathan Lemalu is a major new bass; one of the greatest talents around whose qualities are widely proven by the fact this is already his third solo CD in a short time. »

02 Jan 2006

BRUCH: Das Lied von der Glocke

A century or so past, those simpler times without the internet, Desperate Housewives, and back-to-back sports and other activities that desperate parents feel they have to chauffeur their children to so they’ll be able to get into the higher levels of student loan debt, Americans joined choral societies and regularly presented well-known oratorios and cantatas: Elijah, The Seasons, maybe Christ on the Mount of Olives if they were really adventurous. »

02 Jan 2006

WEBER: Der Freischütz

This 1959 recording is one where the whole is bigger and better than the separate parts. It is the German equivalent to the Cetra recordings of the fifties. Those were maybe not the greatest recording of an opera but one felt that everybody was steeped in the Italian tradition. The same is happening here. »

02 Jan 2006

VERDI: La Traviata

One takes a look at the sleeve and one realizes the wheel has finally turned a full circle. It started to move with the Decca La Traviata (Gheorgiu as Violetta, conducted by Solti) in 1994. Downloading and pc-copies were still in the future but nevertheless sales of complete opera recordings were spectacularly falling off since the eighties. »