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Elsewhere

London Bel Canto Festival 2019: an interview with Ken Querns-Langley

“Physiognomy, psychology and technique.” These are the three things that determine the way a singer’s sound is produced, so Ken Querns-Langley explains when we meet in the genteel surroundings of the National Liberal Club, where the training programmes, open masterclasses and performances which will form part the third London Bel Canto Festival will be held from 5th-24th August.

Anthony Negus conducts Das Rheingold at Longborough

There are those in England who decorate their front lawns with ever-smiling garden gnomes, but in rural Gloucestershire the Graham family has gone one better; their converted barn is inhabited, not by diminutive porcelain figures, but fantasy creatures of Norse mythology - dwarves, giants and gods.

Carmen in San Francisco

A razzle-dazzle, bloodless Carmen at the War Memorial, further revival of Francesca Zambello’s 2006 Covent Garden production already franchised to Oslo, Sidney and Washington, D.C.

Weimar Berlin - Bittersweet Metropolis: Esa-Pekka Salonen conducts the Philharmonia Orchestra

Strictly speaking, The Weimar Republic began on 11th August 1919 when the Weimar Constitution was announced and ended with the Enabling Act of 23rd March 1933 when all power to enact laws without the involvement of the Reichstag was disbanded.

A superb Un ballo in maschera at Investec Opera Holland Park

Investec Opera Holland Park’s brilliantly cast new production of Un ballo in maschera reunites several of the creative team from last year’s terrific La traviata, with director Rodula Gaitanou, conductor Matthew Kofi Waldren and lighting designer Simon Corder being joined by the designer, takis.

A Classy Figaro at The Grange Festival

Where better than The Grange’s magnificent grounds to present Mozart’s Le nozze di Figaro. Hampshire’s neo-classical mansion, with its aristocratic connections and home to The Grange Festival, is the perfect setting to explore 18th century class structures as outlined in Lorenzo da Ponte’s libretto.

A satisfying Don Carlo opens Grange Park Opera 2019

Grange Park Opera opened its 2019 season with a revival of Jo Davies fine production of Verdi's Don Carlo, one of the last (and finest) productions in the company's old home in Hampshire.

Ernst von Siemens Music Prize, 2019

The first woman composer to receive the Ernst von Siemens Music Prize could not have been a worthier candidate.

Josquin des Prez and His Legacy: Cinquecento at Wigmore Hall

The renown and repute of Josquin des Prez (c.1450-1521) both during his lifetime and in the years following his death was so extensive and profound that many works by his contemporaries, working in Northern France and the Low Countries, were mis-attributed to him. One such was the six-part Requiem by Jean Richafort (c.1480-c.1550) which formed the heart of this poised concert by the vocal ensemble Cinquecento at Wigmore Hall, in which they gave pride of place to Josquin’s peers and successors and, in the final item, an esteemed forbear.

Symphonie fantastique and Lélio United – F X Roth and Les Siècles, Paris

Symphonie fantastique and Lélio together, as they should be, with François-Xavier Roth and Les Siècles livestreamed from the Philharmonie de Paris (link below). Though Symphonie fantastique is heard everywhere, all the time, it makes a difference when paired with Lélio because this restores Berlioz’s original context.

Ivo van Hove's The Diary of One Who Disappeared at the Linbury Theatre

In 1917 Leoš Janáček travelled to Luhačovice, a spa town in the Zlín Region of Moravia, and it was here that he met for the first time Kamila Stösslová, the young married woman, almost 40 years his junior, who was to be his muse for the remaining years of his life.

The Royal Opera Tours to Japan in September 2019

The Royal Opera is delighted to be returning to Japan in September 2019 as part of an exciting year of UK-Japan exchanges, titled UK in Japan 2019-20, following the Company’s hugely successful tour in autumn 2015.

Manon Lescaut opens Investec Opera Holland Park's 2019 season

At this end of this performance of Puccini’s Manon Lescaut at Investec Opera Holland Park, the first question I wanted to ask director Karolina Sofulak was, why the 1960s?

Karlheinz Stockhausen: Cosmic traveling through his Klavierstücke, Kontakte and Stimmung

Stockhausen. Cosmic Prophet. Two sequential concerts. Music written for piano, percussion, sound diffusion and the voice. We are in the mysterious labyrinth of one of the defining composers of the last century. That at least ninety-minutes of one of these concerts proved to be an event of such magnitude is as much down to the astonishing music Stockhausen composed as it is to the peerless brilliance of the pianist who took us on the journey through the Klavierstücke. Put another way, in more than thirty years of hearing some of the greatest artists for this instrument - Pollini, Sokolov, Zimerman, Richter - this was a feat that has almost no parallels.

Longborough Festival Opera announces collaboration with The Academy of Ancient Music in 2020

Longborough Festival Opera will collaborate with the Academy of Ancient Music (AAM) for its production of Monteverdi The Return of Ulysses in 2020. Robert Howarth will conduct Monteverdi’s beautiful, compassionate drama, with Tom Randle in the title role.

Don Giovanni at Garsington Opera

A violent splash of black paint triggers the D minor chord which initiates the Overture. The subsequent A major dominant is a startling slash of red. There follows much artistic swishing and swirling by Don Giovanni-cum-Jackson Pollock. The down-at-heel artist’s assistant, Leporello, assists his Master, gleefully spraying carmine oil paint from a paint-gun. A ‘lady in red’ joins in, graffiti-ing ‘WOMAN’ across the canvas. The Master and the Woman slip through a crimson-black aperture; the frame wobbles.

A brilliant The Bartered Bride to open Garsington's 2019 30th anniversary season

Is it love or money that brings one happiness? The village mayor and marriage broker, Kecal, has passionate faith in the banknotes, while the young beloveds, Mařenka and Jeník, put their own money on true love.

A reverent Gluck double bill by Classical Opera

In staging this Gluck double bill for Classical Opera, at the Queen Elizabeth Hall, director John Wilkie took a reverent approach to classical allegory.

Lise Davidsen sings Wagner and Strauss

Superlatives to describe Lise Davidsen’s voice have been piling up since she won Placido Domingo’s 2015 Operalia competition, blowing everyone away. She has been called “a voice in a million” and “the new Kirsten Flagstad.”

Nicky Spence and Julius Drake record The Diary of One Who Disappeared

From Hyperion comes a particularly fine account of Leoš Janáček’s song cycle The Diary of One Who Disappeared. Handsome-voiced Nicky Spence is the young peasant who loses his head over an alluring gypsy and is never seen again.


OPERA TODAY ARCHIVES »

Recordings

Decca 4834883
31 May 2019

Lise Davidsen sings Wagner and Strauss

Superlatives to describe Lise Davidsen’s voice have been piling up since she won Placido Domingo’s 2015 Operalia competition, blowing everyone away. She has been called “a voice in a million” and “the new Kirsten Flagstad.”  »

Recently in Recordings

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25 Aug 2006

VERDI: Don Carlos and Don Carlo

Had Plato been a 19th century opera fan, would the philosopher have been so sure that there exists an ideal version of each and every opera, in the way that all chairs come from one immutable concept of "chair"? »

13 Aug 2006

VERDI: Don Carlo

Myto is always generous with its timings, usually producing very full CD’s and thus of necessity offering a bonus if a performance doesn’t fill the whole of the record. »

13 Aug 2006

SCHUBERT: Der Graf von Gleichen

Most of us who listen to opera often chose a work to relax us on a quiet evening; perhaps lighting some candles, and opening that bottle of good vino you’ve been saving for a special occasion. »

10 Aug 2006

OFFENBACH: Les Contes d'Hoffmann

When the Ring theater burned in Vienna, on December 8, 1881,1 Richard Wagner commented that it left him “cold” to know that a number of patrons should die while at a performance of Jacques Offenbach’s music. »

03 Aug 2006

A Night of Rhythm and Dance

The Waldbühne in Berlin is a large copy of ancient Greek theatres. Originally it was the ‘Reichssportfeld’, built for the Olympic Games of 1936. »

02 Aug 2006

Mirella Freni and Cesare Siepi Live in Concert

In summer doldrums? Spend a delightful hour with two great artists in a rare joint appearance, as Fabula Classics has resurrected for DVD a 1985 Cesare Siepi and Mirelle Freni televised recital. »

02 Aug 2006

Haitink conducts Elgar and Britten

Commemorating some of its outstanding concerts of the 1980s and Bernard Haitink, its principal conductor (from 1967-1979), the London Philharmonic Orchestra has released on its own label a single CD that includes several pieces that brought notice to the ensemble. »

02 Aug 2006

Ann Murray and Malcolm Martineau: Schumann, Mahler, Britten

Recorded in early May 2005 at Crear, an artists’ community in Argyll, Scotland, this CD contains selections of Lieder and songs that fit well the supple voice of the mezzo-soprano Ann Murray, who is accompanied facilely by the Scottish pianist Malcolm Martineau. »

01 Aug 2006

Morricone Conducts Morricone

Connoisseurs of pretentious booklet essay verbiage will delight in the prose style of  Matthias Kellerin his musings for this EuroArts DVD of Ennio Morricone conducting his film scores with the Munich radio orchestra. »

27 Jul 2006

BUXTEHUDE: Membra Jesu nostri

Dietrich Buxtehude’s Membra Jesu nostri is a large-scale Passion work dedicated to the Swedish chapelmaster, Gustav Dübin, in whose notable collection, now at Uppsala, it holds a prominent place. »

27 Jul 2006

WAGNER: Das Rheingold

Was it so many years ago that lovers of Wagner's titanic multi-part opus, Der Ring Des Nibelung, focused their passion principally on audio versions? »

24 Jul 2006

WAGNER: Siegfried, The 100th Covent Garden performance

“These probably unique documents may well owe their existence to the presence of Joan Sutherland in the cast and represent the earliest recordings of the great diva. »

24 Jul 2006

MOZART: Don Giovanni (Highlights)

Naxos reinforces its status as the classical recording world's bargain leader by releasing a single CD highlights disc from its complete Don Giovanni, recorded in 2000 and originally released in 2001. »

24 Jul 2006

SHOSTAKOVICH: The Execution of Stepan Razin

This new Naxos recording offers a rare opportunity to hear three little-known works by one of the 20th century's greatest composers - The Execution of Stepan Razin op. 119, October op. 131, and Five Fragments for orchestra op. 42, by Dmitri Shostakovich (1906-75). »

24 Jul 2006

CHAPI: Margarita la tornera

Is this the application of Peter’s Principle on Ruperto Chapi’s music as Chris Webber, editor of www.zarzuela.net preaches, or is this proof of Chapi being “undoubtedly the most important Spanish composer of stage music of all time” as the sleeve notes tell us? »

24 Jul 2006

The Italian Dramatic Lament

Its foundational interest in affective response made the early Baroque era a time rich in the nurture of highly impassioned music and text. Little surprise then that laments, with their characteristic emotional intensity, were particularly at home on the early seventeenth-century stage and in the chambers of the nobility. »

24 Jul 2006

DEBUSSY: Pélleas et Mélisande

Whatever its flaws - and it has them - this Zurich Opera production of Debussy's Pelléas and Mélisande boasts qualities that carry it very far from the standard view of those opera goers who considers the work dry, dull, and depressingly long. »

24 Jul 2006

MAHLER: Symphony no. 8

Recorded approximately 35 years ago in September 1971, Bernard Haitink’s performance of Gustav Mahler’s Eighth Symphony remains a classic account of the composer’s demanding score. »

24 Jul 2006

BURKHARD: Lieder

Refreshingly modern and familiar at the same time, the Lieder of Willy Burkhard (1900-55) are better known in his native Switzerland than anywhere else. »

23 Jul 2006

MENOTTI : Concerto for Violin and Orchestra / Cantilena e Scherzo / Canti Della Lontanza / Five Songs

Most Opera Today readers are probably familiar with Gian Carlo Menotti largely through his operas (The Medium, The Consul, Amahl and the Night Visitors, The Telephone, and others), and, if they teach or coach voice, may be more familiar than they’d like to be with pieces like “This is my box” and “Monica’s Waltz”, which have long been mainstays of the “American aria” branch of repertoire for young singers. »

19 Jul 2006

Leyla Gencer in Concert

There are lieder-recitals and there are lieder-recitals. In my experience Lucia Popp, Dietrich Fischer-Dieskau and Margaret Price stuck to their Lieder-guns till the last item, sometimes offering Strauss’ Zueignung as an encore. »

19 Jul 2006

BEETHOVEN: Missa Solemnis

This excellent performance of Beethoven's mammoth sacred work, Missa Solemnis, served as part of the celebration of the reopening (after reconstruction) of the Dresden Frauenkirche, which suffered devastating damage in the same bombing raid that destroyed much of the city and so many of its inhabitants near the end of WWII. »

19 Jul 2006

GUERRERO: Missa Surge Propera

The composers Morales, Guerrero, and Victoria form a holy trinity of sorts, dominating Spanish church music in what we have come to see as a “Golden Age,” a time in which sixteenth-century liturgical polyphony assumed a classical perfection. »

19 Jul 2006

CHAUSSON: Le Roi Arthus

I belong to the happy few (some would say ‘unhappy’ few) who ever witnessed a stage production of this rarely performed opera. »

19 Jul 2006

MOZART: Die Entführung aus dem Serail

Glyndebourne’s recent DVD release of it’s 1980 production of Die Entführung aus dem Serail is quite an exceptional performance of this particular work. »

10 Jul 2006

HAYDN: Arias & Cantatas

In a room filled with music scholars, conversations surrounding the name Franz Joseph Haydn would be synonymous with symphonic music, keyboard works, operas, string quartets, and vocal music. »

08 Jul 2006

Dmitri Shostakovich: A Portrait

2006 is a centenary year of Dmitri Shostakovich (1906-1975) - a great Russian composer of the 20th century, and a complicated and tortured soul whose posthumous legacy has been a subject of heated ideological debates in recent years. »

05 Jul 2006

GESUALDO DA VENOSA: Quarto Libro di Madrigali
MONTEVERDI: Madrigals Book 4

Two sets of madrigals, each the fourth book published by its composer, give complementary views of the state of madrigal composition in Italy in the years either side of 1600. »

05 Jul 2006

Ana María Sánchez: Zarzuela

During the fifties and sixties, it was almost impossible (or horrendously expensive) to collect the hundreds of recordings of zarzuela outside Spain and some Latin American countries. »

05 Jul 2006

PUCCINI: Il Tabarro
LEONCAVALLO: I Pagliacci

The recent Deutsche Grammaphone release of an insightful Metropolitan Opera double bill from 1994 provides a fascinating comparison of contrasting verismo worlds. »

05 Jul 2006

Three Sopranos: Elena Obraztsova, Ileana Cotrubas, Renata Scotto

Even with a magnifying glass you won’t be able to find a date of this concert on either the DVD itself or in the sleeve notes. »

27 Jun 2006

Belcanto: The Tenors of the 78 Era, vols. 1 and 2

Second only to soprano divas, history’s great tenors have received the most retrospective scrutiny. »

26 Jun 2006

Puccini: Sogno d’or

Anyone who knows Giacomo Puccini only for his operas is in for a treat. Puccini: Sogno d’or presents Puccini the songwriter, and what is fascinating about this little-known repertory is that it prefigures many of the delightful melodies that later appeared in his works for the stage. »

23 Jun 2006

GLUCK: Orfeo ed Euridice

All the excitement and activity in the classical recording company world now seems to be in the budget area. »

23 Jun 2006

Gypsy Melodies

“Gypsies! Filthy, dirty, thieving gypsies!” cried Amy Sedaris as Jerri Blank from one delightful Strangers With Candy episode years back. For those who have experienced a forced ‘chance’ meeting with one of these colorful characters in say, Granada, Spain, they may have espoused a similar belief in recent years. »

23 Jun 2006

Renato Bruson — Live in Concert

One sign that a media market has really come into its own, economically speaking, is the appearance of items previously released in other formats, items that one struggles to imagine a wide market for. DVDs must be doing fairly well, then, in the classical market. »

15 Jun 2006

BACH: Cantatas, vol. 14

This installment in the remarkable Bach Cantata Pilgrimage series presents four Christmas cantatas: “Gelobet seist du, Jesus Christ,” BWV 91; “Unser Mund sei voll Lachens,” BWV 110; “Dazu ist erschienen,” BWV 40; and “Christum wir sollen loben schon,” BWV 121, all recorded live in St. Bartholomew’s Church, New York City. »

14 Jun 2006

Piero Cappuccilli: Recital

Can you believe it? With all the profound knowledge of my 24 years, I first visited the Verona Arena in 1968. On was Trovatore with Bergonzi, Gencer and, as Luna, Piero Cappuccilli. »

14 Jun 2006

PUCCINI: Gianni Schicchi

Glyndebourne’s 2004 live recording of Gianni Schicchi, produced by Opus Arte, is quite possibly the most electric and riveting performance of this Puccini one-act opera. »

12 Jun 2006

WOLF: Prometheus — Orchesterlieder

Like other nineteenth-century composers, Hugo Wolf (1860-1903) orchestrated some of his Lieder, and his contributions to the genre of Orchesterlieder are impressive. »

01 Jun 2006

MAHLER: Lieder

Among the interpreters of Mahler’s music in the late twentieth century, Dietrich Fischer-Dieskau and Daniel Barenboim stand out for their various contributions. »

01 Jun 2006

BERNHARD: Geistliche Harmonien

The composer Christoph Bernhard (born Kolberg, Pomerania, 1628, died, Dresden 1692) embodies the problematic nature of German musical culture in the seventeenth century. »

01 Jun 2006

MONTEVERDI: Il ritorno d'Ulisse in patria

This Opus Arte set not only captures a mostly satisfying performance of Monteverdi's opera based on the last books of Homer's Odyssey, but features something even rarer: a booklet essay by the musical director (Glen Wilson) of remarkable lucidity. »

01 Jun 2006

LE JEUNE: Autant en emporte le vent — French Chansons

In spite of the religious warfare that consumed France during the second half of the sixteenth century (which claimed the life of one eminent Catholic composer, Antoine de Bertrand, who was murdered by Protestants)*, musical life continued unabated. »

31 May 2006

PFITZNER: Das Christelflein

Dubbed a “spieloper,” Hans Pfitzner’s Das Christelflein (“The Christmas Elf”) casts a magical, yet appropriately cool, spell, even in the warm days of late May, the time of this review. »

31 May 2006

Delectatio angeli — Music of love, longing & lament

Catherine Bott is an English soprano in her fifties with decades of career and an extensive discography, but even in the world of early music, where she has spent most of her time, one could not say she is a marquee name. »