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Die Meistersinger von Nurnberg in San Francisco

Falstaff and Die Meistersinger are among the pinnacles if not the pinnacles of nineteenth century opera. Both operas are atypical of the composer and both operas are based on a Shakespeare play.

Le Nozze di Figaro, Manitoba Opera

To borrow from the great Bard himself: “the course of true love never did run smooth.”

Arizona Opera Presents Florencia in el Amazonas

Florencia in el Amazonas was the first Spanish-language opera to be commissioned by major United States opera houses.

Viva la Mamma!: A Fun Evening at POP

Gaetano Donizetti wrote a comedy or dramma giocoso called Le convenienze ed inconvenienze teatrali (The Conventions and Inconveniences of the Theater), which is also known by the shorter title, Viva La Mamma!.

LA Opera Norma: A Feast for the Ears

Vincenzo Bellini composed Norma to a libretto that Felice Romani had fashioned after Alexandre Soumet’s French play, Norma, ossia L'infanticidio (Norma, or The Infanticide).

Alban Berg’s Wozzeck at Lyric Opera of Chicago

In order to mount a successful production of Alban Berg’s opera Wozzeck, first performed in 1925, the dramatic intensity and lyrical beauty of the score must become the focal point for participants.

A Prize-Winning Rediscovery from 1840s Paris (and 1830s Egypt)

Félicien David’s intriguing Le désert, for vocal and orchestral forces plus narrator, was widely performed in its own day, then disappeared from the performing repertory for nearly a century. In recent days,

Florilegium at Wigmore Hall

During this exploration of music from the Austro-German Baroque, Florilegium were joined by the baritone Roderick Williams in a programme of music which placed the music and career of J.S. Bach in the context of three older contemporaries: Franz Tunder (1614-67), Dietrich Buxtehude (1637-1701) and Heinrich Biber (1644-1704).

Leoncavallo’s Zazà by Opera Rara

Charismatic charm, vivacious insouciance, fervent passion, dejected self-pity, blazing anger and stoic selflessness: Zazà — a chanteuse raised from the backstreets to the bright lights — is a walking compendium of emotions.

L'ospedale - an anonymous opera rediscovered

‘Stay away from doctors; they are bad for your health.’ This seems to be the central message of L’Ospedale - a one-hour opera by an unknown seventeenth-century composer, with a libretto by Antonio Abati which presents a satirical critique of the medical profession of the day and those who had the misfortune to need curative treatment for their physical and mental ills.

Šimon Voseček : Biedermann and the Arsonists

‘In these times of heightened security … we are listening, watching …’

René Pape, Joseph Calleja, Kristine Opolais, Boito Mefistofele, Munich

Arrigo Boito Mefistofele was broadcast livestream from the Bayerische Staatsoper in Munich last night. What a spectacle !

Calixto Bieito’s The Force of Destiny

The monochrome palette of Picasso’s Guernica and the mural’s anti-war images of suffering dominate Calixto Bieito’s new production of Verdi’s The Force of Destiny for English National Opera.

Morgen und Abend — World Premiere, Royal Opera House

The world premiere of Morgen und Abend by Georg Friedrich Haas at the Royal Opera House, London — so conceptually unique and so unusual that its originality will confound many.

Company XIV Combines Classic and Chic in an Exquisite Cinderella

Company XIV’s production of Cinderella is New York City theater at its finest. With a nod to the court of Louis the XIV and the grandiosity of Lully’s opera theater, Company XIV manages to preserve elements of the French Baroque while remaining totally innovative, and never—in fact, not once for the entire two and a half hour show—falls prey to the predictable. Not one detail is left to chance in this finely manicured yet earthily raw production of Cinderella.

Monteverdi by The Sixteen at Wigmore Hall

This was a concert where immense satisfaction was derived equally from the quality of musicianship displayed and the coherence and resourcefulness of the programme presented. In 1610, Claudio Monteverdi published his Vespro della Beata Vergine for soloists, chorus, and orchestra.

Félicien David: Songs for voice and piano

This well-packed disc is a delight and a revelation. Until now, even the most assiduous record collector had access to only a few of the nearly 100 songs published by Félicien David (1810-76), in recordings by such notable artists as Huguette Tourangeau, Ursula Mayer-Reinach, Udo Reinemann, and Joan Sutherland (the last-mentioned singing the duet “Les Hirondelles” with herself!).

Dialogues des Carmélites Revival at Dutch National Opera

If not timeless, Robert Carsen’s production of Francis Poulenc’s Dialogues des Carmélites is highly age-resistant.

Ermanno Wolf-Ferrari: Le donne curiose

Ermanno Wolf-Ferrari was one of the Italian composers of the post-Puccini generation (which included Licinio Refice, Riccardo Zandonai, Umberto Giordano and Franco Leoni) who struggled to prolong the verismo tradition in the early years of the twentieth century.

Moby-Dick Surfaces in the City of Angels

On Saturday evening October 31, 2015, the Nantucket whaling ship Pequod journeyed to Los Angeles Opera and began its sixth voyage in the attempt to kill the elusive whale called Moby-Dick.



Felicien David: Le Desert (Naïve V5405)
30 Nov 2015

A Prize-Winning Rediscovery from 1840s Paris (and 1830s Egypt)

Félicien David’s intriguing Le désert, for vocal and orchestral forces plus narrator, was widely performed in its own day, then disappeared from the performing repertory for nearly a century. In recent days, »

Recently in Recordings

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21 Jan 2007

DITTERSDORF: Il barone di rocca antica

For those OperaToday readers prone to fantasies about being a member of royalty with one's own cozy opera house tucked away on the hereditary estate, this Hungaroton DVD will enable that desire. Filmed in August 2005 at the royal palace at Gödölló, Il barone di rocca antica, an operetta giocosa from Karl Ditters von Dittersdorf, requires only four singers. »

21 Jan 2007

Montserrat Caballé: Französische Opernarien

There is a (no doubt apocryphal) story that if one listens carefully to Caballé’s recordings there is a slight sshhh-sound in the background; the sound of the knife she uses to cut open her scores while recording. »

21 Jan 2007

Giuseppe di Stefano: Opera Recital

This issue from DG’s own classic recital series is a copy of the 1963 LP. »

21 Jan 2007

Die Göttliche Liturgie

Serge Jaroff and his Don Cossacks Choir were for many decades legendary performers of Russian choral music, ranging from the liturgical works of Orthodoxy to beloved regional folk melodies. »

21 Jan 2007

HANDEL: Giulio Cesare

This Sellars production had its origins at the 1985 Pepsico Summerfare Festival in Purchase NY. »

19 Jan 2007

WAGNER: Lohengrin

These recordings prove decisively a well-known thesis: more or less realistic productions always age better than so called innovative modern productions which often only aggrandize the clichés of the time of their conception if one views them a few decades after their première. »

17 Jan 2007

SILVER: The Thief of Love

If the audience for new American art music seems small and is (supposedly) shrinking, then the audience for new American operas is even more exclusive. »

17 Jan 2007

Opera Night

Some interesting repertory choices and the participation of some of today's most attractive singers make this particular "gala" evening of "walk on-sing-walk off" entertainment more consistently enjoyable than these affairs often are. »

16 Jan 2007

WAGNER: Tannhäuser

The ever-busy Brian Large directed the 1989 filming (for TV) of a Wolfgang Wagner Tannhäuser production which had debuted at Bayreuth in 1985. »

16 Jan 2007

SHOSTAKOVICH: The Complete Symphonies

Recording a Shostakovich cycle has become de rigueur in recent years — a conductor’s mandatory right of passage, like recording a Beethoven or a Mahler cycle. »

15 Jan 2007

Era La Notte

“Era la notte” presents four highly emotional, seventeenth-century Italian works, sung with commanding theatricality by Anna Caterina Antonacci. »

12 Jan 2007

ARBOS: El Centro de la Tierra

Most heroes in costume drama movies speak lines directly from our own time. I’ve yet to see a cinematic Roman general, being a serious hero, look at an animal’s liver and says: “ this smells bad; no battle today”. »

12 Jan 2007

Le Donne di Puccini

The recording date is given as November the 12th 1994. Since recording sessions usually last more than one day, and as a radio orchestra is playing, we may safely assume this CD to be derived from a public broadcasted concert by the ‘4 sopranos’ capitalizing on the concept made popular by Domingo, Carreras, and Pavarotti. »

10 Jan 2007

MOZART: Così fan tutte

The booklet essay by Gottfried Kraus (translated from the German by Stewart Spencer) for this TDK release of the 1983 Salzburg Così fan tutte presents an intriguing history of the opera, with the Austrian festival taking in a central role in the work’s return to the standard repertory. »

10 Jan 2007

MARTINŮ: Peach Blossom; The Orphan and Other Songs

The artsong in the twentieth century benefits from the efforts of national composers, like Bohuslav Martinů (1890–1959), who stimulated the genre by incorporating regional folk elements into their music. »

07 Jan 2007


Decca loves to repackage this set. Your reviewer first acquired it as a low-price "Double Decca" release, with no libretto. Just a couple years ago saw another incarnation, with a great cover pic of Price and Karajan locked in an embrace - Karajan as Scarpia? Or Cavaradossi - take one's pick. »

07 Jan 2007

WAGNER: Siegfried

The cover art for the Opus Arts DVD of Wagner's Siegfried, from the Nederlandse Opera in 1999, features Mime, as impersonated by Graham Clark, in amazing make-up and costume: a bald, bulging head almost split down the middle by a furrow of anxiety, and clad in a ghastly green insect-like carapace, including wire-like hair and a bobbing tail-sack. »

07 Jan 2007

NIELSEN: Complete Symphonies

Notable among recent releases, the set of the Complete Symphonies by Carl Nielsen (1865-1931) on DVD makes available some fine performances of the composer’s important contributions to the genre. »

29 Dec 2006


A luminous blue backdrop, sliding columns, a solitary iconic prop (an over-sized falcon head in the opening scene, for example), singers frozen in stiff, awkward poses — yes, it's a Robert Wilson spectacular! »

28 Dec 2006

MOZART: The Glyndebourne Collection

What kind of opera lovers will appreciate this big DVD box the most? »

28 Dec 2006

MUSSORGSKY: Boris Godunov

One of the best opera DVDs released in 2006 was the Salzburg La Traviata, with Rolando Villazon and Anna Netrebko able to make full use of their vocal charisma and acting skills in Willy Decker's sharp, sexy production. »

23 Dec 2006

ROSSINI: Il barbeire di Siviglia

Rossini’s comic masterpiece premiered in 1816, which means a big anniversary lies just a few years ahead. »

22 Dec 2006

VIVALDI: Dixit Dominus, RV 807
GALUPPI: Laetatus Sum; Nisi Domine; Lauda Jerusalem

This disc presents the first recording of a work newly ascribed to the Red Priest (by musicologist Janice Stockigt), the Dixit Dominus held at the State Library of Saxony in Dresden, where it was ascribed to Vivaldi’s younger Venetian colleague, Baldassare Galuppi (who is experiencing a renaissance of late, with various new discs of operas and sacred works). »

21 Dec 2006


The collection of sacred compositions published by Claudio Monteverdi in Venice in 1610 with a Latin title of jaw-breaking length (in which vesperae is only the tenth word) has attained the sort of elevated status granted to but a few works, which stand so high that the rest of the landscape is almost invisible from their peaks, or to put it in plainer language, a music-lover may have heard or heard of the Vespers without knowing any of the composer’s other works, nor those of his contemporaries (rather like the Four Seasons, or The Sorcerer’s Apprentice). There are over two dozen recordings of the work on the market at this writing. »

16 Dec 2006

HANDEL: Messiah

Undoubtedly the appearance of Handel’s Messiah in late December means different things to different people. »

13 Dec 2006

George London: Spirituals

Previously unreleased, this collection of Spirituals never received the approval of the Canadian-born bass-baritone George London (1920-85) for release when it was prepared in 1963. »

13 Dec 2006

LOEWE: Lieder and Balladen

Of the nineteenth-century composers of music for solo voice, Carl Loewe (1796-1869) is one of the most voluminous, with his songs, with his works in this genre filling seventeen volumes in the uniform edition. »

08 Dec 2006

The Deepest Desire

“In choosing the program for a debut recital disc, perhaps an artist should be overwhelmed by the enormity of the task: how in the world do I begin to sort through the wealth of masterpieces at my fingertips, daring to stamp a select few with my voice?” »

06 Dec 2006


Who is the most annoying character in opera? Preziosilla from Verdi’s Forza del Destino drives some to distraction, while others wish the conspirators in Ballo would assassinate Oscar in act one. »

06 Dec 2006

ENNA: Lille pige med svovlstikkerne
ZEMLINSKY: Die Seejungfrau

Walt Disney has colored our perception of fairy tales, turning them, whatever their source, into egalitarian morality plays: »

06 Dec 2006

Frederica von Stade sings Mozart and Rossini arias

Frederica von Stade was just about 30 years old in 1975, when she recorded these Mozart and Rossini arias with the Rotterdam Philharmonic Orchestra under Edo de Waart. »

01 Dec 2006

Sweet was the Song

I doubt that this recital disc, recorded in 2004, could have been intended as a memorial to Arne Dorumsgaard, who died in March of 2006, but the composer’s centrality to the program, and the poetic themes of death, sleep, and mortality that recur in the Elizabethan texts, enable such an interpretation. »

29 Nov 2006

CHARPENTIER: Le Malade Imaginaire

On the 10th February 1673, only a few months after their first collaboration, Jean-Baptiste Poquelin, better known as Molière (1622-1673), and Marc-Antoine Charpentier (1643-1704) presented at the Palais Royal’s theater Le Malade Imaginaire, a comédie ballet (a comedy with incidental music in the form of interludes built around a secondary plot). »

29 Nov 2006

All the Ends of the Earth: Contemporary & Medieval Vocal Music

There is an often compelling relationship between early and contemporary music. The relationship grows out of many different things. »

29 Nov 2006

CHARPENTIER: Andromède; Ballet de Polyeucte

Conceived by Marc-Antoine Charpentier (1643-1704) to serve as musical interludes for a revival at the Jesuit college of Harcourt in 1680 of Pierre Corneille’s play, Polyeucte Martyr (originally written in 1642), the ballet Le combat de l'amour divin was composed for string orchestra with trumpets, kettledrums and continuo. »

20 Nov 2006

Songs of Amy Beach

I can remember a time when Amy Beach was primarily known as a favorite among performers (largely female) whose mission was to present the work of neglected women composers. »

20 Nov 2006

LASSUS: Lamentationes Jeremiæ Prophetæ; Requiem

Lassus’s long tenure in Munich in the employ of Duke Albrecht V resulted in an unusually prolific and diverse output. »

20 Nov 2006

MAHLER: Symphony no. 3

Originally recorded in Carnegie Hall on 15 April 1956, Dimitri Mitropoulos’s performance of Mahler’s Third Symphony dates from a time when this particular score was rarely heard in concert. »

19 Nov 2006


While undated, this performance of Beethoven’s Fidelio is a solid performance of the opera that has all the earmarks of a radio broadcast. »

16 Nov 2006

MOZART: Idomeneo

After an apparently successful premiere in 1781, Mozart’s Idomeneo fell out of favor, not being revived in the composer’s lifetime and staying dormant in the 19th century and first half of the 20th. »

15 Nov 2006

GIORDANO: Andrea Chénier

A socially conscious artist, caught in the violent gyrations of a country in revolution and war, awaits execution. »

14 Nov 2006

BELLINI: I Capuleti e i Montecchi

It only takes a few moments for the overture to Vincenzo Bellini's I Capuleti e i Montecchi to establish that this opera takes a very different approach to the classic story than does Shakespeare's play. »

12 Nov 2006

PUCCINI: Manon Lescaut

This beautiful production premièred in 1980 and was the first live-telecast from the Met internationally relayed. »

12 Nov 2006

MERCURIO: Many Voices

Conductor Steven Mercurio appears to have made a highly favorable impression on singers in his career so far (some of the following info comes from his website, »

12 Nov 2006


I’m surprised that such an eminent musicologist as Julian Budden, in his interesting essay accompanying the recording, still lays the blame for the relative failure of Edgar at the librettist’s feet. »

12 Nov 2006

ROSSINI: La Cenerentola

Putting the “grim” into a classic fairy tale (whether the Brothers Grimm's or not), this Glyndebourne La Cenerentola from the 2005 festival season establishes a drab, dark mood in its first scenes. »

10 Nov 2006

VIVALDI: Sacred Music 2

A recording of the complete sacred music of Antonio Vivaldi is a welcome prospect, not least because it offers an opportunity to go beyond the fame and familiarity of Vivaldi’s concertos and the ubiquitous “Gloria.” »