14 Nov 2007
After the marketing gimmickry of Sally Potter’s production of Carmen, and a dance-based Poppea set at the bottom of the sea, it did not bode well when the advertising for ENO’s latest
production included an interactive dress-up doll circulated by email. »
14 Nov 2007
Attending the opera may not be the first thing you think of when visiting Istanbul, but opera is to be found (if less well advertised than the local Bach Festival) at the Ataturk Cultural Center on Taksim Square, the heart of modern Istanbul. »
14 Nov 2007
Welsh National Opera’s new opera “The Sacrifice”, composed by James MacMillan with libretto by Michael Symmons Roberts, and directed by Katie Mitchell, is an emotionally raw and compelling study of the nature of conflict, and how humans are changed by it. »
13 Nov 2007
Verdi, a born skeptic where the supernatural is concerned, did not seem to know quite what to do with the witches in Macbeth and was far too loyal to Shakespeare to reduce their role – he knew how closely the play was bound to them, famous for them. »
12 Nov 2007
Le Nozze di Figaro, in 1786, was the longest and most elaborate opera buffa ever composed and (though it is seldom given complete) is still the longest you are likely to see in the regular repertory. »
11 Nov 2007
Although seriously ill, Beverly Sills and Luciano Pavarotti were still very much alive when general director Anthony Freud in his second year in this position planned the 53rd season of the Houston Grand Opera. »
11 Nov 2007
Since his appointment as general manager of Parma’s Teatro Regio in August 2005, Mauro Meli didn’t conceal his ambitious plans for growth. »
11 Nov 2007
A notice for organizers: it’s relatively easy to produce a vocal recital and sell out a large house
for two nights in a row. »
11 Nov 2007
It’s somewhat of a mystery why Puccini’s 1917 “La Rondine” is such a neglected, rarely-performed opera. »
31 Oct 2007
The 17th Bienal of Contemporary Brazilian Music [XVII Bienal de Música Brasileira Contemporânea] began on Sunday, Oct. 21, 2007 at the Sala Cecilia Meireles, Rio's leading concert hall, with a lengthy program divided between six orchestral works, entrusted to the National Symphony Orchestra of the Universidade Federal Fluminense, based in Niteroi, RJ and three works for percussion, interpreted by the Dynamo Percussion Quartet. »
30 Oct 2007
I recently made a special trip to Hamburg with one real goal in mind: to hear one of my most favorite young singers, bass Kyle Ketelsen in the Staatsoper’s new production of “Tales of Hoffmann.” »
28 Oct 2007
Despite rumours to the contrary, English National Opera’s advertising material claims that this 12th revival of Nicholas Hytner’s popular production of ‘ The Magic Flute’ will be the last. Though it’s arguably better to get rid of a production in... »
28 Oct 2007
Someone once called Handel’s Italian cantata Apollo e Dafne a “proto-opera” and it’s easy to see why. »
28 Oct 2007
For some seasons now, ENO has expressed a commitment to reinforce the role of dance within opera. »
24 Oct 2007
Do you remember a moment when a piece, new to you, so engaged you that you immediately wanted to know more. . .or all about it? »
22 Oct 2007
An expedition against the famed warring women, the Amazons, ranking as Hercules’ ninth labor out the canonic twelve, provided the subject for the libretto by Antonio Salvi (not Giacomo Francesco Bussani, as hitherto misattributed) that Vivaldi set to music in 1723 as his own sixteenth operatic labor. »
22 Oct 2007
Glyndebourne Festival Opera’s guest appearance is an annual fixture at the Proms, and this year the work of choice was Verdi’s Macbeth, in a semi-staged performance on July 24th based on Richard Jones’s new production for this year’s Festival. »
16 Oct 2007
At this point in his career David Gockley has no need to prove himself. He did that with awesome success as general director of Houston Grand Opera for 33 years, during which he made that company a front runner both on the American and international opera scenes. »
15 Oct 2007
SAN FRANCISCO — “My subject is war and the pity of war, and the poetry is in the pity.” »
15 Oct 2007
A remarkably quick turnaround from only last May when the first run of Handel’s “Radamisto” was blessed with a consistently high level of vocal performance may have been the reason for sparser houses this time round at the Hamburg Staatsoper (October 6th). »
09 Oct 2007
Of Donizetti’s fifty or so “serious” operas, Lucia di Lammermoor was the only one to survive his heyday almost unscathed by change of fashion; today, when a dozen of his other worthy works have been restored to the repertory, Lucia easily hangs on. »
02 Oct 2007
There is a certain onerous responsibility in developing a new production of Carmen at a major house. »
01 Oct 2007
Across the country from Los Angeles, the Metropolitan Opera has opened its 2007-08 season with big stars (Netrebko, Alagna, Dessay, Giordani) in juicy, melodic operas by Donizetti and Gounod. »
28 Sep 2007
Masterpiece? The term rather depends on whether the artist in question was indeed a master and it might come as a surprise to learn that this little-known composer of the brief, but significant, German Baroque Opera period is regarded by many as just that. »
26 Sep 2007
The New York City Opera’s production of Richard Danielpour’s and Toni Morrison’s opera, Margaret Garner, boldly faces the ugly history of slavery in the United States, and the racism inherent in the institution of opera. »
23 Sep 2007
If the swift downpour that hit Pesaro, moments before the Prima of G. Rossini’s Otello on August 8th, seemed like a bad omen, that was nothing compared to the two major cast changes that could have weakened the foundation of the Rossini Opera Festival’s new production of the opera and washed it away. »
19 Sep 2007
For those who can’t (or won’t) see the forest of an opera for the trees of performance minutiae, here’s the word about the San Francisco Opera’s new production of Wagner’s “Tannhauser” that opened tonight: »
18 Sep 2007
Name this stage piece if you can: »
18 Sep 2007
Los Angeles Opera opened its 2007 season with Fidelio on September 8th, and on the following day held a gala performance of Verdi’s Requiem. »
07 Sep 2007
A husky baritone in Speedos on a motor scooter and a buxom, purple-wigged Dame Edna drag clone — the Aspen Opera Theater Company’s staging of Francesco Cavalli’s 1667 “Eliogabalo” was off to a start that promised to equal the program’s over-the-top staging of the composer’s 1649 “Giasone” two summers ago. (AOTC director Edward Berkeley raised the curtain on that Baroque potboiler to a biker Amor on a Harley.) »
05 Sep 2007
The unmistakable fanfare that opens Monteverdi’s seminal L’Orfeo rang out from the top of the crowded foyer of the Netherlands Opera in Amsterdam last Friday night to signal not only the start of the opera, but also the opening night of their celebratory 2007 Monteverdi Cycle. »
28 Aug 2007
Written in 1900, Elgar’s Gerontius expresses the universal and existentialist struggle of death and rebirth. The allegorical significance of the piece touches on a need for faith, self-discovery, and acceptance of the world around us. »
27 Aug 2007
CENTRAL CITY, Colo. — A year ago, when the Central City Opera announced plans to conclude its 2007 75th anniversary season with Gian Carlo Menotti’s “Saint of Bleecker Street,” the composer was aged but alive. »
27 Aug 2007
It’s clear today that China’s Cultural Revolution has led to a cultural revolution that — in music at least — has made the country’s artists frontrunners on the international scene. »
27 Aug 2007
Glimmerglass Opera is in a watershed year. With the departure of Paul Kellogg, who had considerable success developing that annual festival, General and Artistic Director Michael Macleod has chosen to begin his tenure with a variation on the usual four-opera-season, namely a thematic collection
of pieces based on the “Orpheus” legend. “Don’t look
back” is the marketing catch phrase. »
27 Aug 2007
In an evening brimming with sublime performances, Anja Siljja took grasp of her dramatic prowess and left us breathless, yearning for more. At the most sacred opera house in Italy, and perhaps the world, Janáček’s opera was thrillingly presented and is an example of our beloved genre at its finest. »
20 Aug 2007
“Who in the world am I?” proclaimed the posters all over Munich, reducing Lewis Carroll’s famous conundrum to a sound-bite. »
16 Aug 2007
If you are in need of a Romantic, Alt-Nuernberg, Beloved-Old-Vaterland-As-It-(Never)-Was sort of production of “Die Meistersinger,” you would probably do well to wait for the Met revival, and stay far far away (actually, add another “far” to that) from the Bayreuth Festpiel’s latest “Skandal”-ripe interpretation. »
16 Aug 2007
For twenty-eight years now the Ohio Light Opera Festival (OLO) has held forth in Wooster in the summertime, presenting no less than 99 different works (their big 100th comes next year), familiar and forgotten, by the likes of Gilbert and Sullivan, Rodgers and Hammerstein, Offenbach, Sigmund Romberg, Carl Zeller and Emmerich Kálmán — to refer only to the authors of the seven undertaken this year. »
16 Aug 2007
“Tea: Mirror of the Soul” with book by Xu Ying and music by Tan Dun, revised from an earlier version first produced in Japan in 2002, was to have been the novelty of the present Santa Fe Opera season. Instead, it was dead on arrival. »
16 Aug 2007
On a cold winter’s day in Vienna, just before Christmas 1790, Mr. Haydn dined with Mr. Mozart for the last time. »
16 Aug 2007
The legend of Orpheus and Eurydice has come down through the centuries to us, on the way inspiring some sixty-four other known operas. »
![Kurt Streit as Idomeneo [Photo by Terrence McCarthy courtesy of San Francisco Opera]](http://70.32.73.199/Idomeneo1.png)