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Elsewhere

Tosca in San Francisco

The story was bigger than its actors, the Tosca ritual was ignored. It wasn’t a Tosca for the ages though maybe it was (San Francisco’s previous Tosca production hung around for 95 years). P.S. It was an evening of powerful theater, and incidentally it was really good opera.

Fine performances in uneven War Requiem at the Concertgebouw

At the very least, that vehement, pacifist indictment against militarism, Benjamin Britten’s War Requiem, should leave the audience shaking a little. This performance by the Royal Concertgebouw Orchestra only partially succeeded in doing so. The cast credits raised the highest expectations, but Gianandrea Noseda, stepping in for an ailing Mariss Jansons and conducting the RCO for the first time, did not bring out the full potential at his disposal.

The Tallis Scholars at Cadogan Hall

In their typical non-emphatic way, the Tallis Scholars under Peter Phillips presented here a selection of English sacred music from the Eton Choirbook to Tallis. There was little to ruffle anyone’s feathers here, little in the way of overt ‘interpretation’ – certainly in a modern sense – but ample opportunity to appreciate the mastery on offer in this music, its remoteness from many of our present concerns, and some fine singing.

Dido and Aeneas: Academy of Ancient Music

“Remember me, but ah! forget my fate.” Well, the spectral Queen of Carthage atop the poppy-strewn sarcophagus wasn’t quite yet “laid in earth”, but the act of remembering, and remembrance, duly began during the first part of this final instalment of the Academy of Ancient Music’s Purcell trilogy at the Barbican Hall.

Poignantly human – Die Zauberflöte, La Monnaie

Mozart Die Zauberflöte (The Magic Flute) at La Monnaie /De Munt, Brussels, conducted by Antonello Manacorda, directed by Romeo Castellucci. Part allegory, part Singspeile, and very much a morality play, Die Zauberflöte is not conventional opera in the late 19th century style. Naturalist realism is not what it's meant to be. Cryptic is closer to what it might mean.

Covent Garden: Wagner’s Siegfried, magnificent but elusive

How do you begin to assess Covent Garden’s Siegfried? From a purely vocal point of view, this was a magnificent evening; it’s hard not to reach the conclusion that this was as fine a cast as you are likely to hear anywhere today.

Powerful Monodramas: Zender, Manoury and Schoenberg

The concept of the monologue in opera has existed since the birth of opera itself, but when we come to monodramas - with the exception of Rousseau’s Pygmalion (1762) - we are looking at something that originated at the beginning of the twentieth century.

ENO's Salome both intrigues and bewilders

Femme fatale, femme nouvelle, she-devil: the personification of patriarchal castration-anxiety and misogynistic terror of female desire.

In the Company of Heaven: The Cardinall's Musick at Wigmore Hall

Palestrina led from the front, literally and figuratively, in this performance at Wigmore Hall which placed devotion to the saints at its heart, with Saints Peter, Paul, Catherine of Alexandria, Bartholomew and the Virgin Mary all musically honoured by The Cardinall’s Musick and their director Andrew Carwood.

Roberto Devereux in San Francisco

Opera’s triple crown, Donizetti’s tragic queens — Anna Bolena who was beheaded by her husband Henry VIII, their daughter Elizabeth I who beheaded her rival Mary, Queen of Scots and who executed her lover Roberto Devereux.

O18: Queens Tries Royally Hard

Opera Philadelphia is lightening up the fare at its annual festival with a three evening cabaret series in the Theatre of Living Arts, Queens of the Night.

O18 Magical Mystery Tour: Glass Handel

How to begin to quantify the wonderment stirred in my soul by Opera Philadelphia’s sensational achievement that is Glass Handel?

Magic Lantern Tales: darkness, disorientation and delight from Cheryl Frances-Hoad

“It produces Effects not only very delightful, but to such as know the contrivance, very wonderful; so that Spectators, not well versed in Opticks, that could see the various Apparitions and Disappearances, the Motions, Changes and Actions, that may this way be presented, would readily believe them super-natural and miraculous.”

A lunchtime feast of English song: Lucy Crowe and Joseph Middleton at Wigmore Hall

The September sunshine that warmed Wigmore Street during Monday’s lunch-hour created the perfect ambience for this thoughtfully compiled programme of seventeenth- and twentieth-century English song presented by soprano Lucy Crowe and pianist Joseph Middleton at Wigmore Hall.

O18: Mad About Lucia

Opera Philadelphia has mounted as gripping and musically ravishing an account of Lucia di Lammermoor as is imaginable.

O18 Poulenc Evening: Moins C’est Plus

In Opera Philadelphia’s re-imagined La voix humaine, diva Patricia Racette had a tough “act” to follow ...

O18: Unsettling, Riveting Sky on Swings

Opera Philadelphia’s annual festival set the bar very high even by its own gold standard, with a troubling but mesmerizing world premiere, Sky on Wings.

Vaughan Williams: A Sea Symphony — Martyn Brabbins BBCSO

From Hyperion, an excellent new Ralph Vaughan Williams A Sea Symphony with Martyn Brabbins conducting the BBC Symphony Orchestra and BBC Symphony Chorus, Elizabeth Llewellyn and Marcus Farnsworth soloists. This follows on from Brabbins’s highly acclaimed Vaughan Williams Symphony no 2 "London" in the rarely heard 1920 version.

Simon Rattle — Birtwistle, Holst, Turnage, and Britten

Sir Simon Rattle and the London Symphony Orchestra marked the opening of the 2018-2019 season with a blast. Literally, for Sir Harrison Birtwistle's new piece Donum Simoni MMXVIII was an explosion of brass — four trumpets, trombones, horns and tuba, bursting into the Barbican Hall. When Sir Harry makes a statement, he makes it big and bold !

OSJ: A Funny Thing Happened on the Way to the Harem

Opera San Jose kicked off its 35th anniversary season with a delectably effervescent production of their first-ever mounting of Mozart’s youthful opus, The Abduction from the Seraglio.


OPERA TODAY ARCHIVES »

Repertoire

16 Jul 2018

Mefistofele at Orange’s Chorégies

This is the one where a very personable devil tells God that mankind is so far gone it isn’t worth his time to bother corrupting it further. »

Recently in Repertoire

All Pages |  1  |  2  |  3 
22 Jul 2006

MOZART: Die Entführung aus dem Serail — Part II

Die Entführung aus dem Serail, Singspiel in 3 Acts.Music composed by Wolfgang Amadeus Mozart (1756–1791). Libretto by Johann Gottlieb Stephanie the Younger, based on an earlier libretto by Christoph Friedrich Bretzner. »

17 Jul 2006

MOZART: Die Entführung aus dem Serail — Part I

Die Entführung aus dem Serail, Singspiel in 3 Acts.Music composed by Wolfgang Amadeus Mozart (1756–1791). Libretto by Johann Gottlieb Stephanie the Younger, based on an earlier libretto by Christoph Friedrich Bretzner. »

08 Jul 2006

BIZET: Carmen

Opéra comique in four acts.Music composed by Georges Bizet (1838-1875). Libretto by Henri Meilhac and Ludovic Halévy after Prosper Mérimée’s novella, Carmen. »

19 Jun 2006

WAGNER: Der fliegende Holländer

Der fliegende Holländer. Romantic opera in 3 acts.Music composed by Richard Wagner. Libretto by the composer. »

11 Jun 2006

MOZART: Così fan tutte — La Scala 1956

Così fan tutte, ossia La scuola degli amanti (K. 588). Opera buffa in two acts.Music composed by Wolfgang Amadeus Mozart (1756–1791). Libretto by Lorenzo Da Ponte. »

08 Jun 2006

ROSSINI: La Cenerentola

La Cenerentola, ossia La bontà in trionfo. Dramma giocoso in two acts.Music composed by Gioacchino Rossini (1792–1868). Libretto by Jacopo Ferretti after Perrault. »

21 May 2006

DONIZETTI: Poliuto

Poliuto, Tragedia lirica in three acts.Music composed by Gaetano Donizetti (1797-1848). Libretto by Salvatore Cammarano, after the tragedy Polyeucte (1640) by Pierre Corneille. »

18 May 2006

GLUCK: Alceste

Alceste. Tragedia in three acts (Italian version).Alceste. Tragédie opéra in three acts (French version). »

15 May 2006

GLUCK: Orfeo ed Euridice

Orfeo ed Euridice. Azione teatrale in three acts (Italian version).Orphée et Eurydice. Tragédie opéra in three acts (French version). »

09 May 2006

MARTÍN Y SOLER: Una cosa rara

Una cosa rara, ossia Bellezza ed onestà. Dramma giocoso in two acts.Music composed by Vicente Martín y Soler (1754–1806). Libretto by Lorenzo Da Ponte from the comedy La luna de la Sierra by Luis Vélez de Guevara. »

30 Apr 2006

HANDEL: Giulio Cesare in Egitto

Giulio Cesare in Egitto (HWV 17), Drama in three acts.Music composed by Georg Friedrich Handel (1685–1759). Libretto by Nicola Francesco Haym after an earlier libretto by Giacomo Francesco Bussani. »

20 Apr 2006

BELLINI: I puritani

I puritani, opera seria in three actsMusic composed by Vincenzo Bellini (1801-1835). Libretto by Carlo Pepoli from Têtes rondes et Cavaliers (1833) by Jacques Ancelot and Xavier Saintine. »

17 Apr 2006

BELLINI: Norma — Trieste 1953

Norma: Tragedia lirica in due atti »

09 Apr 2006

BELLINI: La sonnambula — La Scala 1955

La sonnambula, Melodramma in due attiMusic composed by Vincenzo Bellini (1801–1835). Libretto by Felice Romani, based on La Sonnambule ou L'arrivée d'un nouveau Seigneur (1827) by Eugène Scribe. »

07 Apr 2006

BELLINI: I Capuleti e i Montecchi

I Capuleti e i Montecchi, Tragedia lirica in due atti e quattro parti.Music composed by Vincenzo Bellini (1801-1835). Libretto by Felice Romani, based on the play Giulietta e Romeo (1818) by Luigi Scevola. »

26 Mar 2006

SMETANA: Die verkaufte Braut

Die verkaufte Braut (The Bartered Bride; Prodaná nevěsta)Comic opera in three acts.Music composed by Bedřich Smetana. Libretto by Karel Sabina »

23 Mar 2006

DONIZETTI: Don Pasquale

Don Pasquale, Dramma buffo in three acts. Music by Gaetano Donizetti. Libretto by Giovanni Ruffini and the composer after Angelo Anelli’s libretto for Stefano Pavesi’s Ser Marcantonio (1810), which was derived from Epicœne or The Silent Woman by Ben Jonson (1609). »

20 Mar 2006

GOUNOD: Roméo et Juliette

Roméo et Juliette, Opéra en cinq actes Music composed by Charles François Gounod. Libretto by Jules Barbier and Michel Carré, based on the play Romeo and Juliet by William Shakespeare. »

12 Mar 2006

CIMAROSA: Il Matrimonio Segreto

Il Matrimonio Segreto, Melodramma giocoso in two acts.Music composed by Domenico Cimarosa (1749-1801). Libretto by Giovanni Bertati after The Clandestine Marriage (1766) by George Colman the Elder and David Garrick. »

02 Mar 2006

WEBER: Oberon

Oberon, Romantic opera in three actsMusic by Carl Maria von Weber. Libretto by James Robinson Planché after Oberon by Christoph Martin Wieland and the 13th-century French romance Huon de Bordeaux »

18 Feb 2006

WEBER: Der Freischütz

Der Freischütz, Romantische Oper in drei Aufzügen.Music composed by Carl Maria von Weber (1786-1826). Libretto by Friedrich Kind. »

15 Feb 2006

ROSSINI: Armida — Venice 1970

Armida, Dramma per musica in tre atti. »

12 Feb 2006

WEBER: Euryanthe

Euryanthe, Romantische Oper in drei AufzügenMusic composed by Carl Maria von Weber (1786-1826). Libretto by Wilhelmina Christiane von Chézy. »

22 Jan 2006

WAGNER: Parsifal

Parsifal. Bühnenweihfestspiel ("stage dedication play") in three acts.Music and libretto by Richard Wagner. »

15 Jan 2006

MOZART: La clemenza di Tito

La clemenza di Tito. Opera seria in due atti (K. 621).Music by Wolfgang Amadeus Mozart. Libretto by Caterino Mazzolà based on a text by Pietro Metastasio. »

08 Jan 2006

MOZART: Idomeneo

Idomeneo, rè di Creta. Dramma per musica in tre atti (K. 366).Music composed by Wolfgang Amadeus Mozart. Libretto by Giovanni Battista Varesco after Idomenée by Antoine Danchet. »

06 Jan 2006

MOZART: Requiem

Requiem in D Minor (K. 626)Music composed by Wolfgang Amadeus Mozart. Text based on the Mass for the Dead (Requiem Mass). »

01 Jan 2006

HAYDN: Die Schöpfung

Die Schöpfung, Oratorium in drei TeilenMusic composed by Franz Joseph Haydn. Libretto by Gottfried van Swieten based on selections from the Book of Genesis and Paradise Lost by John Milton. »

28 Dec 2005

GOUNOD: Faust

Faust, Opéra en cinq actesMusic composed by Charles Gounod. Libretto by Jules Barbier and Michel Carré after Faust by Johann Wolfgang von Goethe »

25 Dec 2005

BERLIOZ: La damnation de Faust

La damnation de Faust, Légende dramatique en quatre partiesMusic composed by Hector Berlioz. Libretto by Hector Berlioz, Almire Gandonanière and Gérard de Nerval after Faust by Johann Wolfgang von Goethe »

16 Dec 2005

BOITO: Mefistofele

Mefistofele, Opera in un prologo, quattro atti e un epilogoMusic and libretto by Arrigo Boito (1842-1918), based on Faust: Eine Tragödie by Johann Wolfgang von Goethe »

11 Dec 2005

VERDI: La Forza del Destino

La Forza del Destino, a melodramma in quattro attiMusic composed by Giuseppe Verdi. Libretto by Francesco Maria Piave based on the drama Don Alvaro o La fuerza del sino by Angel Perez de Saavedra »

04 Dec 2005

FLOTOW: Martha — Berlin 1944

Martha, an opera in four acts.Music composed by Friedrich von Flotow. Libretto by Wilhelm Friedrich.First performance: 25 November 1847 at Theater an der Wien, Vienna. »

01 Dec 2005

PERGOLESI: La serva padrona

La serva padrona, intermezzo in two partsMusic composed by Giovanni Battista Pergolesi. Libretto by Gennar'antonio Frederico.First performance: 28 August 1733, Teatro San Bartolomeo, Naples. »

27 Nov 2005

BEETHOVEN: Fidelio — Munich 1978

Fidelio, an opera in two acts »

24 Nov 2005

Maria Callas Performs Lady Macbeth

Here we offer three selections from Macbeth with Maria Callas performing the role of Lady Macbeth. These are from a live performance given on 7 December 1952 at La Scala. Victor de Sabata conducts the Orchestra del Teatro alla Scala, Milano. »

20 Nov 2005

VERDI: Macbeth

VERDI: Macbeth, melodramma in quattro parti.Music composed by Giuseppe Verdi. Libretto by Francesco Maria Piave, based on the play by William Shakespeare. »

12 Nov 2005

STRAUSS: Die Fledermaus

Music composed by Johann Strauss II.Libretto by Richard Genée based on Henri Meilhac and Ludovic Halévy/Karl Haffner.First performance: 5 April 1874 at the Theater an der Wien, Vienna. »

29 Oct 2005

GIORDANO: Fedora

Fedora, a melodrama in three acts.Umberto Giordano, composer. Arturo Colautti, librettist, based on the play with the same name by Victorien SardouFirst performance: 17 November 1898 at Teatro Lirico Internazionale, Milan »

24 Oct 2005

PUCCINI: Tosca

Tosca, a melodrama in three acts Giacomo Puccini, composer. Libretto by Luigi Illica and Giuseppe Giacosa, based on the play La Tosca by Victorien Sardou. First performance: 14 January 1900 at Teatro Costanzi, Rome »

24 Oct 2005

Victorien Sardou — A Tale of Two Operas

Victorien Sardou (1831-1908) was a popular French dramatist during the later half of the 19th Century. He, along with Eugène Scribe, combined melodrama and realism to a produce a more serious form of drama that emphasized careful plot construction. »

23 Oct 2005

The twists and trysts of Tosca

A few years ago, I had the rare experience of attending a performance of Tosca in a small farm community where opera was a fairly new commodity. After the second act ended, with Scarpia's corpse lying center stage, I happened to overhear a young, wide-eyed woman say to her companion, "I knew she was upset, but I didn't think she'd KILL him!" »

22 Oct 2005

RIMSKY-KORSAKOV: Mozart and Salieri

Mozart and Salieri, an opera in one act consisting of two scenes. Nicolai Rimsky-Korsakov (1844-1908), composer. Libretto derived from Alexander Puskhin's play of the same name. First performance: 7 December 1898 in Moscow. »

19 Oct 2005

MUSSORGSKY: Boris Godunov

Boris Godunov, an opera in four acts with prologue Modest Mussorgsky, composer. Libretto by the composer, based on Alexander Pushkin's drama Boris Godunov and Nikolai Karamazin's History of the Russian Empire First performance: 8 February 1874 at the Mariinsky Theatre, St. Petersburg »

15 Oct 2005

TCHAIKOVSKY: Eugene Onegin

Eugene Onegin, lyrical scenes in three acts and seven tableaux. Pyotr Il’yich Tchaikovsky, composer. Libretto by the composer, based on the verse novel by Aleksandr Sergeevich Pushkin. First performance: 29 March 1879 at the Maliy Theatre, Moscow. »

10 Oct 2005

The Operatic Pushkin

Aleksandr Sergeevich Pushkin (1799-1837) is generally considered Russia’s greatest poet. According to Andrew Kahn, his contemporaries held him “above all the master of the lyric poem, verse that is famous for its formal perfection and its reticent lyric persona, and infamous for its resistance to translation.” [Alexander Pushkin, The Queen of Spades and Other Stories, trans. Alan Myers, Oxford and New York: Oxford University Press, 1997] »

10 Oct 2005

TCHAIKOVSKY: The Queen of Spades

The Queen of Spades (Pique Dame), an opera in three acts. Pyotr Il’yich Tchaikovsky, composer. Modest Tchaikovsky and composer, librettists. First performance: 19 December 1890 at the Mariinsky Theatre, St. Petersburg. »

05 Oct 2005

PUCCINI: Manon Lescaut

Manon Lescaut, dramma lirico in quattro atti Giacomo Puccini (1858-1924), composer. Luigi Illica and Domenico Oliva, librettists. First performance: 1 February 1893 at Teatro Regio, Turin. »

05 Oct 2005

Abbé Prévost's Manon Lescaut

The Story of the Chevalier Des Grieux and Manon Lescaut by Abbé Prévost stands as one of the great works of French literature. It first appeared in 1731 as an appendix to the series, Memoirs and Adventures of a Man of Quality. It was later revised in 1753 for independent publication under the title Les Aventures du chevalier Des Grieux et Manon Lescaut with illustrations by Pasquier and Gravelot. »

25 Sep 2005

Ariadne auf Naxos

Only a few months following the premiere of Der Rosenkavalier, Hugo von Hofmannsthal proposed a new opera to Richard Strauss based on Molière’s comedy-ballet, Le Bourgeois gentilhomme (in German, Der Bürger als Edelmann). »

18 Sep 2005

Sappho and the Leucadian Leap

Sappho (also spelled Sapho, Saphon, Saffo and Psappha), is said to have been born on the island of Lesbos in the second half of the 7th Century (B.C.E.).  »

11 Sep 2005

Das Rheingold — An Overview

Das Rheingold is the first of the four works that constitute Der Ring des Nibelungen. On the title page of Der Ring des Nibelungen, Wagner refers to Das Rheingold as a Vorabend (a preliminary evening). Nevertheless, Das Rheingold sets the foundation on which the remainder of the Ring is built. »

05 Sep 2005

The Nibelungen-Myth. As Sketch for a Drama

From the womb of Night and Death was spawned a race that dwells in Nibelheim (Nebelheim), i.e. in gloomy subterranean clefts and caverns: Nibelungen are they called; with restless nimbleness they burrow through the bowels of the earth, like worms in a dead body; they smelt and smith hard metals.  »