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Elsewhere

Haitink at the Lucerne Festival

Bernard Haitink’s monumental Bruckner and Mahler performances with the Royal Concertgebouw Orchestra (RCO) got me hooked on classical music. His legendary performance of Bruckner’s Symphony No. 8 in C-minor, where in the Finale loosened plaster fell from the Concertgebouw ceiling, is still recounted in Amsterdam.

BBC Prom 45 - Janáček: The Makropulos Affair

Karita Mattila was born to sing Emilia Marty, the diva around whom revolves Leoš Janáček's The Makropulos Affair (Věc Makropulos). At Prom 45, she shone all the more because she was conducted by Jirí Belohlávek and performed alongside a superb cast from the National Theatre, Prague, probably the finest and most idiomatic exponents of this repertoire.

Two Tales of Offenbach: Opera della Luna at Wilton's Music Hall

‘Two outrageous operas in one crazy evening,’ reads the bill. Hyperbole? Certainly not when the operas are two of Jacques Offenbach’s more off-the-wall bouffoneries and when the company is Opera della Luna whose artistic director, Jeff Clarke, is blessed with the comic imagination and theatrical nous to turn even the most vacuous trivia into a sharp and sassy riotous romp.

Britten Untamed! Glyndebourne: A Midsummer Night's Dream

This performance of Britten's A Midsummer Night's Dream at Glyndebourne was so good that it was the highlight of the whole season, making the term ‘revival’ utterly irrelevant. Jakub Hrůša is always stimulating, but on this occasion, his conducting was so inspired that I found myself closing my eyes in order to concentrate on what he revealed in Britten's quirky but brilliant score. Eyes closed in this famous production by Peter Hall, first seen in 1981?

Salzburg encores

A staged piano recital and an opera as a concert.  Pianist András Schiff accompanied the Salzburg Marionette Theater at the Mozarteum Grosser Saal and Anna Netrebko sang Manon Lescaut at the Grosses Festspielhaus.

Leah Crocetto at Santa Fe

On August 4, 2016, soprano Leah Crocetto and accompanist Tamara Sanikidze gave a recital at the Scottish Rite Center in Santa Fe New Mexico. A winner of the Metropolitan Opera Auditions and the BBC Cardiff Singer of the World Contest, this year Crocetto was singing Donna Anna in Santa Fe Opera’s excellent Don Giovanni.

Angela Meade at Sante Fe

On July 31, 2016, against the ethereal beauty of the main hall in the Scottish Rite Center, soprano Angela Meade and pianist Joe Illick gave a recital offering both opera and art songs ranging in origin from early nineteenth century Europe to mid twentieth century America. Many in the audience probably remembered Meade’s recent excellent portrayal of Norma at Los Angeles Opera.

Turco in Italia in Pesaro

When more is definitely more, and less would indeed be less. Two of the biggest names in Italian theater art collide in an eponymous theater.

Proms Chamber Music 5: Shakespeare at 400

It was the fifth Proms Chamber Music concert at Cadogan Hall this season, and we were celebrating Shakespeare’s 400th. And, given the extent and range of the composers and artists, and the diversity and profundity of the musical achievement inspired by the Bard, we could probably keep celebrating in this fashion ad infinitum.

La donna del lago in Pesaro

Each August the bleak and leaky, 12,000 seat Arena Adriatica (home of the famed Pesaro basketball team) magically transforms itself into an improvised opera house that boasts the ultimate in opera chic — exemplary Rossini production standards for its now twelve hundred seats.

Proms at … Sam Wanamaker Playhouse

This highly enjoyable Prom, part of 2016’s ‘Proms at …’ mini-series, took as its guiding concept the reopening of London’s theatres following the Restoration, focusing in particular upon musical and dramatic responses to Shakespeare. Purcell, rightly, loomed large, with John Blow and Matthew Locke joining him. Receiving their Proms premieres were the excerpts from Timon of Athens and those from Locke’s The Tempest.

Santa Fe: Straussian Sweet Nothings

With all the bombast of the presidential campaigns rattling in our heads, with invectives being exchanged and measured discussion all but absent, how utterly lovely to retreat and relax into the harmonious soundscape and well-reasoned debate posed in Strauss’ Capriccio, on magnificent display at Santa Fe Opera.

Santa Fe’s Civil War Gounod

When we entered the Crosby Theatre for Gounod’s Roméo et Juliette the stage was surprisingly dominated by a somber, semi-circular black mausoleum, many chambers inscribed with scrambled names of US Civil War era dead.

Coolly Elegant Vanessa in the Desert

Molten passions were seething just below the icy Nordic exterior of Santa Fe Opera’s wholly masterful production of Barber’s Vanessa.

Le Comte Ory, Seattle

Farce is probably the most difficult of dramatic comedy sub-genres to put across. A farce got up in the stately robes of opera sets its presenters an even higher bar. Presenting an operatic farce on a notoriously chilly and cavernous auditorium is to risk catastrophe.

Racette’s Golden Girl in New Mexico

Fan interest began raging when Santa Fe Opera engaged venerable artist Patricia Racette to make her role debut as Minnie in Puccini’s La Fanciulla del West.

Santa Fe’s Mozart Cast Sweeps All Before It

A funny thing happened on the way to Andalusia.

Die Liebe der Danae in Salzburg

The tale of a Syrian donkey driver. And, yes, the donkey stole the show! The competition was intense — the Vienna Philharmonic and the Grosses Festspielhaus in full production regalia for starters.

Snape Proms: Bostridge sings Brahms and Schumann

Two men, one woman. Both men worshipped and enshrined her in their music. The younger man was both devotee of and rival to the elder.

Cosi fan tutte in Salzburg

This Cosi fan tutte concludes the Salzburg Festival's current Mozart / DaPonte cycle staged by Sven-Eric Bechtolf, the festival's head of artistic planning.


OPERA TODAY ARCHIVES »

Repertoire

Eugène Delacroix, Hamlet and Horatio in the Graveyard (1827–28) [Courtesy of The Metropolitan Museum of Art]
22 Oct 2015

THOMAS: Hamlet, Moscow 2015

Hamlet: Opéra in five acts. Music composed by Ambroise Thomas. Libretto by Michel Carré and Jules Barbier after The Tragedy of Hamlet, Prince of Denmark by William Shakespeare. »

Recently in Repertoire

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11 Jun 2006

MOZART: Così fan tutte — La Scala 1956

Così fan tutte, ossia La scuola degli amanti (K. 588). Opera buffa in two acts.Music composed by Wolfgang Amadeus Mozart (1756–1791). Libretto by Lorenzo Da Ponte. »

08 Jun 2006

ROSSINI: La Cenerentola

La Cenerentola, ossia La bontà in trionfo. Dramma giocoso in two acts.Music composed by Gioacchino Rossini (1792–1868). Libretto by Jacopo Ferretti after Perrault. »

21 May 2006

DONIZETTI: Poliuto

Poliuto, Tragedia lirica in three acts.Music composed by Gaetano Donizetti (1797-1848). Libretto by Salvatore Cammarano, after the tragedy Polyeucte (1640) by Pierre Corneille. »

18 May 2006

GLUCK: Alceste

Alceste. Tragedia in three acts (Italian version).Alceste. Tragédie opéra in three acts (French version). »

15 May 2006

GLUCK: Orfeo ed Euridice

Orfeo ed Euridice. Azione teatrale in three acts (Italian version).Orphée et Eurydice. Tragédie opéra in three acts (French version). »

09 May 2006

MARTÍN Y SOLER: Una cosa rara

Una cosa rara, ossia Bellezza ed onestà. Dramma giocoso in two acts.Music composed by Vicente Martín y Soler (1754–1806). Libretto by Lorenzo Da Ponte from the comedy La luna de la Sierra by Luis Vélez de Guevara. »

30 Apr 2006

HANDEL: Giulio Cesare in Egitto

Giulio Cesare in Egitto (HWV 17), Drama in three acts.Music composed by Georg Friedrich Handel (1685–1759). Libretto by Nicola Francesco Haym after an earlier libretto by Giacomo Francesco Bussani. »

20 Apr 2006

BELLINI: I puritani

I puritani, opera seria in three actsMusic composed by Vincenzo Bellini (1801-1835). Libretto by Carlo Pepoli from Têtes rondes et Cavaliers (1833) by Jacques Ancelot and Xavier Saintine. »

17 Apr 2006

BELLINI: Norma — Trieste 1953

Norma: Tragedia lirica in due atti »

09 Apr 2006

BELLINI: La sonnambula — La Scala 1955

La sonnambula, Melodramma in due attiMusic composed by Vincenzo Bellini (1801–1835). Libretto by Felice Romani, based on La Sonnambule ou L'arrivée d'un nouveau Seigneur (1827) by Eugène Scribe. »

07 Apr 2006

BELLINI: I Capuleti e i Montecchi

I Capuleti e i Montecchi, Tragedia lirica in due atti e quattro parti.Music composed by Vincenzo Bellini (1801-1835). Libretto by Felice Romani, based on the play Giulietta e Romeo (1818) by Luigi Scevola. »

26 Mar 2006

SMETANA: Die verkaufte Braut

Die verkaufte Braut (The Bartered Bride; Prodaná nevěsta)Comic opera in three acts.Music composed by Bedřich Smetana. Libretto by Karel Sabina »

23 Mar 2006

DONIZETTI: Don Pasquale

Don Pasquale, Dramma buffo in three acts. Music by Gaetano Donizetti. Libretto by Giovanni Ruffini and the composer after Angelo Anelli’s libretto for Stefano Pavesi’s Ser Marcantonio (1810), which was derived from Epicœne or The Silent Woman by Ben Jonson (1609). »

20 Mar 2006

GOUNOD: Roméo et Juliette

Roméo et Juliette, Opéra en cinq actes Music composed by Charles François Gounod. Libretto by Jules Barbier and Michel Carré, based on the play Romeo and Juliet by William Shakespeare. »

12 Mar 2006

CIMAROSA: Il Matrimonio Segreto

Il Matrimonio Segreto, Melodramma giocoso in two acts.Music composed by Domenico Cimarosa (1749-1801). Libretto by Giovanni Bertati after The Clandestine Marriage (1766) by George Colman the Elder and David Garrick. »

02 Mar 2006

WEBER: Oberon

Oberon, Romantic opera in three actsMusic by Carl Maria von Weber. Libretto by James Robinson Planché after Oberon by Christoph Martin Wieland and the 13th-century French romance Huon de Bordeaux »

18 Feb 2006

WEBER: Der Freischütz

Der Freischütz, Romantische Oper in drei Aufzügen.Music composed by Carl Maria von Weber (1786-1826). Libretto by Friedrich Kind. »

15 Feb 2006

ROSSINI: Armida — Venice 1970

Armida, Dramma per musica in tre atti. »

12 Feb 2006

WEBER: Euryanthe

Euryanthe, Romantische Oper in drei AufzügenMusic composed by Carl Maria von Weber (1786-1826). Libretto by Wilhelmina Christiane von Chézy. »

22 Jan 2006

WAGNER: Parsifal

Parsifal. Bühnenweihfestspiel ("stage dedication play") in three acts.Music and libretto by Richard Wagner. »

15 Jan 2006

MOZART: La clemenza di Tito

La clemenza di Tito. Opera seria in due atti (K. 621).Music by Wolfgang Amadeus Mozart. Libretto by Caterino Mazzolà based on a text by Pietro Metastasio. »

08 Jan 2006

MOZART: Idomeneo

Idomeneo, rè di Creta. Dramma per musica in tre atti (K. 366).Music composed by Wolfgang Amadeus Mozart. Libretto by Giovanni Battista Varesco after Idomenée by Antoine Danchet. »

06 Jan 2006

MOZART: Requiem

Requiem in D Minor (K. 626)Music composed by Wolfgang Amadeus Mozart. Text based on the Mass for the Dead (Requiem Mass). »

01 Jan 2006

HAYDN: Die Schöpfung

Die Schöpfung, Oratorium in drei TeilenMusic composed by Franz Joseph Haydn. Libretto by Gottfried van Swieten based on selections from the Book of Genesis and Paradise Lost by John Milton. »

28 Dec 2005

GOUNOD: Faust

Faust, Opéra en cinq actesMusic composed by Charles Gounod. Libretto by Jules Barbier and Michel Carré after Faust by Johann Wolfgang von Goethe »

25 Dec 2005

BERLIOZ: La damnation de Faust

La damnation de Faust, Légende dramatique en quatre partiesMusic composed by Hector Berlioz. Libretto by Hector Berlioz, Almire Gandonanière and Gérard de Nerval after Faust by Johann Wolfgang von Goethe »

16 Dec 2005

BOITO: Mefistofele

Mefistofele, Opera in un prologo, quattro atti e un epilogoMusic and libretto by Arrigo Boito (1842-1918), based on Faust: Eine Tragödie by Johann Wolfgang von Goethe »

11 Dec 2005

VERDI: La Forza del Destino

La Forza del Destino, a melodramma in quattro attiMusic composed by Giuseppe Verdi. Libretto by Francesco Maria Piave based on the drama Don Alvaro o La fuerza del sino by Angel Perez de Saavedra »

04 Dec 2005

FLOTOW: Martha — Berlin 1944

Martha, an opera in four acts.Music composed by Friedrich von Flotow. Libretto by Wilhelm Friedrich.First performance: 25 November 1847 at Theater an der Wien, Vienna. »

01 Dec 2005

PERGOLESI: La serva padrona

La serva padrona, intermezzo in two partsMusic composed by Giovanni Battista Pergolesi. Libretto by Gennar'antonio Frederico.First performance: 28 August 1733, Teatro San Bartolomeo, Naples. »

27 Nov 2005

BEETHOVEN: Fidelio — Munich 1978

Fidelio, an opera in two acts »

24 Nov 2005

Maria Callas Performs Lady Macbeth

Here we offer three selections from Macbeth with Maria Callas performing the role of Lady Macbeth. These are from a live performance given on 7 December 1952 at La Scala. Victor de Sabata conducts the Orchestra del Teatro alla Scala, Milano. »

20 Nov 2005

VERDI: Macbeth

VERDI: Macbeth, melodramma in quattro parti.Music composed by Giuseppe Verdi. Libretto by Francesco Maria Piave, based on the play by William Shakespeare. »

12 Nov 2005

STRAUSS: Die Fledermaus

Music composed by Johann Strauss II.Libretto by Richard Genée based on Henri Meilhac and Ludovic Halévy/Karl Haffner.First performance: 5 April 1874 at the Theater an der Wien, Vienna. »

29 Oct 2005

GIORDANO: Fedora

Fedora, a melodrama in three acts.Umberto Giordano, composer. Arturo Colautti, librettist, based on the play with the same name by Victorien SardouFirst performance: 17 November 1898 at Teatro Lirico Internazionale, Milan »

24 Oct 2005

PUCCINI: Tosca

Tosca, a melodrama in three acts Giacomo Puccini, composer. Libretto by Luigi Illica and Giuseppe Giacosa, based on the play La Tosca by Victorien Sardou. First performance: 14 January 1900 at Teatro Costanzi, Rome »

24 Oct 2005

Victorien Sardou — A Tale of Two Operas

Victorien Sardou (1831-1908) was a popular French dramatist during the later half of the 19th Century. He, along with Eugène Scribe, combined melodrama and realism to a produce a more serious form of drama that emphasized careful plot construction. »

23 Oct 2005

The twists and trysts of Tosca

A few years ago, I had the rare experience of attending a performance of Tosca in a small farm community where opera was a fairly new commodity. After the second act ended, with Scarpia's corpse lying center stage, I happened to overhear a young, wide-eyed woman say to her companion, "I knew she was upset, but I didn't think she'd KILL him!" »

22 Oct 2005

RIMSKY-KORSAKOV: Mozart and Salieri

Mozart and Salieri, an opera in one act consisting of two scenes. Nicolai Rimsky-Korsakov (1844-1908), composer. Libretto derived from Alexander Puskhin's play of the same name. First performance: 7 December 1898 in Moscow. »

19 Oct 2005

MUSSORGSKY: Boris Godunov

Boris Godunov, an opera in four acts with prologue Modest Mussorgsky, composer. Libretto by the composer, based on Alexander Pushkin's drama Boris Godunov and Nikolai Karamazin's History of the Russian Empire First performance: 8 February 1874 at the Mariinsky Theatre, St. Petersburg »

15 Oct 2005

TCHAIKOVSKY: Eugene Onegin

Eugene Onegin, lyrical scenes in three acts and seven tableaux. Pyotr Il’yich Tchaikovsky, composer. Libretto by the composer, based on the verse novel by Aleksandr Sergeevich Pushkin. First performance: 29 March 1879 at the Maliy Theatre, Moscow. »

10 Oct 2005

The Operatic Pushkin

Aleksandr Sergeevich Pushkin (1799-1837) is generally considered Russia’s greatest poet. According to Andrew Kahn, his contemporaries held him “above all the master of the lyric poem, verse that is famous for its formal perfection and its reticent lyric persona, and infamous for its resistance to translation.” [Alexander Pushkin, The Queen of Spades and Other Stories, trans. Alan Myers, Oxford and New York: Oxford University Press, 1997] »

10 Oct 2005

TCHAIKOVSKY: The Queen of Spades

The Queen of Spades (Pique Dame), an opera in three acts. Pyotr Il’yich Tchaikovsky, composer. Modest Tchaikovsky and composer, librettists. First performance: 19 December 1890 at the Mariinsky Theatre, St. Petersburg. »

05 Oct 2005

PUCCINI: Manon Lescaut

Manon Lescaut, dramma lirico in quattro atti Giacomo Puccini (1858-1924), composer. Luigi Illica and Domenico Oliva, librettists. First performance: 1 February 1893 at Teatro Regio, Turin. »

05 Oct 2005

Abbé Prévost's Manon Lescaut

The Story of the Chevalier Des Grieux and Manon Lescaut by Abbé Prévost stands as one of the great works of French literature. It first appeared in 1731 as an appendix to the series, Memoirs and Adventures of a Man of Quality. It was later revised in 1753 for independent publication under the title Les Aventures du chevalier Des Grieux et Manon Lescaut with illustrations by Pasquier and Gravelot. »

25 Sep 2005

Ariadne auf Naxos

Only a few months following the premiere of Der Rosenkavalier, Hugo von Hofmannsthal proposed a new opera to Richard Strauss based on Molière’s comedy-ballet, Le Bourgeois gentilhomme (in German, Der Bürger als Edelmann). »

18 Sep 2005

Sappho and the Leucadian Leap

Sappho (also spelled Sapho, Saphon, Saffo and Psappha), is said to have been born on the island of Lesbos in the second half of the 7th Century (B.C.E.).  »

11 Sep 2005

Das Rheingold — An Overview

Das Rheingold is the first of the four works that constitute Der Ring des Nibelungen. On the title page of Der Ring des Nibelungen, Wagner refers to Das Rheingold as a Vorabend (a preliminary evening). Nevertheless, Das Rheingold sets the foundation on which the remainder of the Ring is built. »

05 Sep 2005

The Nibelungen-Myth. As Sketch for a Drama

From the womb of Night and Death was spawned a race that dwells in Nibelheim (Nebelheim), i.e. in gloomy subterranean clefts and caverns: Nibelungen are they called; with restless nimbleness they burrow through the bowels of the earth, like worms in a dead body; they smelt and smith hard metals.  »