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Elsewhere

Kathleen Ferrier Awards 2016

Having enjoyed superb singing by a young cast of soloists in Classical Opera’s UK premiere of Jommelli’s Il Vogoleso the previous evening, I was delighted that the 2016 Kathleen Ferrier Awards Final at the Wigmore Hall confirmed the strength and depth of talent possessed by the young singers studying in and emerging from our academies and conservatoires.

A Conversation with Sir Nicholas Jackson

With its merry-go-round exchange of deluded and bewitched lovers, an orphan-turned-princess, a usurped prince, a jewel and a flower with magical properties, a march to the scaffold and a meddling ‘mistress-of-ceremonies’ who encourages the young lovers to disguise and deceive, William Makepeace Thackeray’s The Rose and the Ring has all the ingredients of an opera buffa.

Pacific Opera Project Recreates Mozart and Salieri Contest

On February 7, 1786, Emperor Joseph II of Austria had brand new one-act operas by Wolfgang Amadeus Mozart and Antonio Salieri performed in the Schönbrunn Palace’s Orangery.

Powerful chemistry in La Cenerentola in Cologne

Those poor opera lovers in Cologne have a never ending problem with the city’s opera house. Together with the rest of city, the construction of the new opera house is mired in political incompetence.

Tannhäuser: Royal Opera House, London

London remains starved of Wagner. This season, its major companies offer but two works, Tannhäuser from the Royal Opera and Tristan from ENO.

The Golden Cockerel in Düsseldorf

Dmitry Bertman’s hilarious staging of Rimsky-Korsakov’s political sex-comedy The Golden Cockerel in Düsseldorf.

San Diego Opera Presents a Tragic Madama Butterfly

On April 16, 2016, San Diego Opera presented Giacomo Puccini’s sixth opera, Madama Butterfly, in an intriguing production by Garnett Bruce. Roberto Oswald’s scenery included the usual Japanese styled house with many sliding doors and walls. On either side, however, were blooming cherry trees with rough trunks and gnarled branches that looked as though they had been growing on the property for a hundred years.

Simon Rattle conducts Tristan und Isolde

New Co-Production Tristan und Isolde with Metropolitan: Simon Rattle and Westbroek electrify Treliński’s Opera-Noir.

San Jose’s Smooth Streetcar Ride

In an operatic world crowded with sure-fire bread and butter repertoire, Opera San Jose has boldly chosen to lavish a new production on a dark horse, Andre Previn’s A Streetcar Named Desire.

Roméo et Juliette: Dutch National Opera and Ballet seal merger with leaden Berlioz

Choral symphony, oratorio, symphonic poem — Berlioz’s Roméo et Juliette does not fit into any mould. It has the potential to work as an opera-ballet, but incoherent storytelling and uninspired conducting undermined this production.

Donizetti : Lucia di Lammermoor, Royal Opera House

When Kasper Holten took the precaution of pre-warning ticket-holders that the Royal Opera House’s new production of Lucia di Lammermoor featured scene portraying ‘sexual acts’ and ‘violence’, one assumed that he was aiming to avert a re-run of the jeering and hectoring that accompanied last season’s Guillaume Tell. He even went so far as to offer concerned patrons a refund.

Five Reviews of Regina at Maryland Opera Studio

These are five very different reviews by students at the University of Maryland on its Opera Studio production of Regina — an interesting, informative and entertaining read . . .

Three Cheers for the English Touring Opera

‘Remember me, the one who is Pia;/ Siena made me, Maremma undid me.’ The speaker is Pia de’ Tolomei. She appears in a brief episode of Dante’s Divine Comedy (Purgatorio V, 130-136) which was the source for Gaetano Donizetti’s Pia de’ Tolomei - by way of Bartolomeo Sestini’s verse-novella of 1825.

Andriessen's De Materie at the Park Avenue Armory

"The large measure of formalism which forms the basis of De Materie does not in itself offer any guarantee that the work will be beautiful," says Dutch composer Louis Andriessen of his four-movement opera.

Falstaff Makes a Big Splash in Phoenix

On April 1, 2016, Arizona Opera presented Falstaff by Giuseppe Verdi (1813-1901) and Arrigo Boito (1842-1918) in Phoenix. Although Boito based most of his libretto on Shakespeare’s The Merry Wives of Windsor, he used material from Henry IV as well. Verdi wrote the music when he was close to the age of eighty. He was concerned about his ability at that advanced age, but he was immensely pleased with Boito’s text and decided to compose his second comedy, despite the fact that his first, Un giorno di regno, had not been successful.

Svadba in San Francisco

The brand new SF Opera Lab opened last month with artist William Kentridge’s staged Schubert Winterreise. Its second production just now, Svadba-Wedding — an a cappella opera for six female voices — unabashedly exposes the space in a different, non-theatrical configuration.

Benvenuto Cellini in Rome

One may think of Tosca as the most Roman of all operas, after all it has been performed at the Teatro Costanzi (Rome’s opera house) well over a thousand times since 1900. Though equally, maybe even more Roman is Hector Berlioz’ Benvenuto Cellini that has had only a dozen or so performances in Rome since 1838.

New from Opera Rara : Gounod La Colombe and Donizetti Le Duc d'Albe

Two new recordings from highly acclaimed specialists Opera Rara - Gounod La Colombe and Donizetti Le Duc d'Albe.

Handel : Elpidia - Opera Settecento

Roll up! A new opera by Handel is to be performed, L’Elpidia overo li rivali generosi. It is based upon a libretto by Apostolo Zeno with music by Leonardo Vinci - excepting a couple of arias by Giuseppe Orlandini and, additionally, two from Antonio Lotti’s Teofane (which the star bass, Giuseppe Maria Boschi , on bringing with him from the Dresden production of 1719).

Roberto Devereux in Genova

Radvanovsky in New York, Devia in Genoa — Donizetti queens are indeed in the news! Just now in Genoa Mariella Devia was the Elizabeth I for her beloved Roberto Devereux in a new trilogy of Donizetti queens (Maria Stuarda and Anne Bolena) directed by baritone Alfonso Antoniozzi.


OPERA TODAY ARCHIVES »

Performances

From left to right: James Newby, Alessandro Fisher, Bianca Andrew and Ashok Gupta [Photo by Robert Piwko]
02 May 2016

Kathleen Ferrier Awards 2016

Having enjoyed superb singing by a young cast of soloists in Classical Opera’s UK premiere of Jommelli’s Il Vogoleso the previous evening, I was delighted that the 2016 Kathleen Ferrier Awards Final at the Wigmore Hall confirmed the strength and depth of talent possessed by the young singers studying in and emerging from our academies and conservatoires. »

Recently in Performances

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22 May 2014

LA Opera: The Monk vs. The Courtesan

As Athanaël, Placido Domingo created a realistic monk who was ostensibly tempted to disregard his vows. The audience knew that had the courtesan Thaïs lived longer, he would have thrown his immortal soul into the wind. »

22 May 2014

LA Opera Presents Powerful Streetcar Named Desire

As Blanche, Renée Fleming sang her role with a sultry air. Her smooth, creamy tones revealed her character’s ultra-refined dream world as she told of having once been married to a gay man. The moment when Blanche met Stanley was electric. From that first second, the audience knew he hated everything she valued.  »

22 May 2014

English Concert, Wigmore Hall

With the FIFA World Cup just three weeks away perhaps it is permissible to use a sporting metaphor, for this performance by The English Concert at the Wigmore Hall — part of the ensemble’s 40th anniversary celebrations — really was a game of two halves.  »

19 May 2014

The Met’s ‘La Cenerentola’ a winning ensemble of music and comedy

The company bids a smiling farewell to its 2013-14 HD simulcast season with Rossini’s comic masterpiece  »

19 May 2014

Così fan tutte at ENO

It must be the sea air. In Thomas Hardy’s vignette ‘The History of the Hardcomes’, two young women — quiet, gentle Emily Darth, and the more lively, rumbustious Olive Pawle — are betrothed to two cousins, James and Stephen Hardcome; but the quartet decide that they are paired up wrongly, and so ‘swap’ suitors, submitting to a moment of irrational infatuation.  »

19 May 2014

Verdi’s Macbeth of the Living Dead

If it is supposed to bring bad luck to even whisper the name of the “Scottish Play” out loud, someone must have screamed Macbeth deafeningly before the performance at Saarbrücken’s State Opera House. »

19 May 2014

Birtwistle at 80 — Gawain

This was a truly outstanding performance, thoroughly worthy of its standing ovation. The only problem now will be of upholding such standards throughout the Barbican’s Birtwistle at 80 series.  »

18 May 2014

Strauss: Der Rosenkavalier, Glyndebourne 2014

Der Rosenkavalier opened Glyndebourne’s 80th anniversary season, dedicated to the memory of George Christie, who created country house opera as we know it today. »

13 May 2014

La clemenza di Tito at Lyric Opera of Chicago

For its final production of the 2013-14 season Lyric Opera of Chicago featured Mozart’s La clemenza di Tito in a staging originating at the Festival d’Aix-en-Provence, in co-production with the Théatre du Capitole de Toulouse and l’Opéra de Marseille.  »

08 May 2014

Baden-Baden: Proficient Puccini as Easter Treat

Baden’s Easter Festival centerpiece was a solid production of Manon Lescaut that was well-intended, well-designed, and well-performed. »

08 May 2014

Amsterdam: Arabella’s New Water in Old Glasses

What a difference a venue and a cast can make!  »

07 May 2014

The Marriage of Figaro, Royal Opera

“Oh! Woman! Woman! Woman!” So, cries Beaumarchais’s Figaro, in his angry, self-chastising, at times self-pitying diatribe against the injustices of ‘life’. “Oh, servants, servants, servants!” might be the Count’s complaint in David McVicar’s production of Le Nozze di Figaro, revived here for the sixth time.  »

06 May 2014

Stéphane Degout, Wigmore Hall, London

Excellent Wigmore Hall recital with Stéphane Degout and Simon Lepper. Degout is one of the great names in French repertoire and in French baroque in particular.  »

05 May 2014

Thebans: World Premiere at ENO

Julian Anderson’s Thebans at the Coliseum, London, absolutely justifies the ENO's mission: opera, in English, and of national significance. Anderson is one of the most influential figures in modern British music.  »

30 Apr 2014

Les Mamelles de Tirésias in San Francisco

Poulenc’s racy little 1947 confection took stage within Kurt Weill’s peculiar little 1927 singspiel Mahagonny all framed within the current California drought and doomsday predictions of impending global aridity.  »

26 Apr 2014

A Coffin in Egypt: A Tour-de-Force for von Stade

Librettist Leonard Foglia based his elegant and literate text on the late Horton Foote’s play, A Coffin in Egypt, and the opera has the original play’s dramatic punch.  »

25 Apr 2014

Songlives: Henri Duparc

The latest recital in the Songlives series at the Wigmore Hall turned the spotlight on a figure whose short compositional career and small oeuvre might have been expected to confine him to the margins of musical history, but whose name has in fact become almost synonymous with a whole genre of song: mélodie. »

23 Apr 2014

La Bohème, Manitoba

Manitoba Opera’s first production in nine years of Giacomo Puccini’s La Bohème still stirs the heart and inspires tears with its tragic tale of bohemian artists living — and loving — in 1840s Paris.  »

23 Apr 2014

Arizona Opera Presents Don Pasquale in Tucson

On April 12, 2014, Arizona Opera opened its series of performances of Donizetti's Don Pasquale in Tucson. Chuck Hudson’s production of this opera combined Commedia dell’arte with Hollywood movie history.  »

15 Apr 2014

Will Don Quichotte Be the Last Production at San Diego Opera?

This quotation from Cervantes was displayed before the opening of the opera’s final scene:“The greatest madness a man can commit in this life is to let himself die, just like that, without anybody killing him or any other hands ending his life except those of melancholy.” »

13 Apr 2014

Gound Faust - Calleja and Terfel, Royal Opera House London

Gounod's Faust makes a much welcomed return to the Royal Opera House. With each new cast, the dynamic changes as the balance between singers shifts and brings out new insights. In that sense, every revival is an opportunity to revisit from new perspectives. This time Bryn Terfel sang Méphistophélès, with Joseph Calleja as Faust - stars whose allure certainly helped fill the hall to capacity. And the audience enjoyed a very good show. »

10 Apr 2014

Syracuse Opera’s Porgy and Bess
Got Plenty O’ Plenty

The company ends its 2013-14 season on a high note with a staged performance of Gershwin’s theatrical masterpiece »

10 Apr 2014

A New Rusalka in Chicago

Lyric Opera of Chicago’s new production of Antonin Dvorak’s Rusalka is visually impressive and fulfills all possible expectations musically with unquestioned excitement.  »

10 Apr 2014

Karlsruhe’s Mixed Blessing Ballo

The reliable Badisches Staatstheater has assembled plenty of talent for its new Un Ballo in Maschera. »

10 Apr 2014

Louise Alder, Wigmore Hall

This varied, demanding programme indisputably marked soprano Louise Alder as a name to watch.  »

09 Apr 2014

Luke Bedford: Through His Teeth, Linbury, Royal Opera House

Can this be the best British opera in years? Luke Bedford’s Through His Teeth at the Royal Opera House’s Linbury Theatre is exceptional. Drop everything and go.  »

08 Apr 2014

Powder Her Face, ENO

As one descends the steel steps into the cavernous bunker of Ambika P3, one seems about to enter rather insalubrious realms — just right one might imagine, then, for an opera which delves into the depths of the seedier side of celebrity life.  »

01 Apr 2014

Iphigénie Fascinates in the Pfalz

Kaiserslautern’s Pfalztheater has produced a tantalizing realization of Gluck’s Iphigénie en Aulide, characterized by intriguing staging, appealing designs, and best of all, superlative musical standards.  »

30 Mar 2014

ROH presents Cavalli’s L’Ormindo at the Sam Wanamaker Playhouse, London

Never thought I’d say it but......  »

27 Mar 2014

Harrison Birtwistle, Elliott Carter, Wigmore Hall, London

Celebrating the 80th birthday of one of the UK's greatest composers (if not the greatest), this concert was an intriguing, and not always stimulating, mix. Birtwistle with Carter makes sense, but Birtwistle with Adams does not - or at least only within the remit of the concert series. The concert was actually entitled “Nash Inventions: American and British Masterworks, including an 80th Birthday Tribute to Sir Harrison Birtwistle” and was the final concert in the “Inventions” series.  »

27 Mar 2014

Requiem for a Lost Opera Company

On Wednesday, March 19, 2014, General Director Ian Campbell of San Diego Opera announced that the company would go out of business at the end of this season. The next day the company performed their long-planned Verdi Requiem with a stellar cast including soprano Krassimira Stoyanova, mezzo-soprano Stephanie Blythe, tenor Piotr Beczala, and bass Ferruccio Furlanetto. »

21 Mar 2014

The Met’s Werther a tasty mix of singing, staging, acting and orchestral splendor

Visual elements in Richard Eyre’s striking production offset Massenet’s melodic shortcomings »

19 Mar 2014

Chicago’s New Barber of Seville

New productions of repertoire staples such as Gioachino Rossini’s Il Barbiere di Siviglia bear much anticipation for both performers and staging.  »

19 Mar 2014

Lucia in LA: A Performance to Remember

On March 15, 2014, Los Angeles Opera presented Elkhanah Pulitzer’s production of the opera, which she set in 1885 when women were beginning to be recognized as persons separate from their fathers, brothers and husbands. At that time many European countries were beginning to allow women to own property, obtain higher education, and choose their husbands. »

19 Mar 2014

San Diego Opera Presents an All Star Ballo in Maschera

On March 11, 2014, San Diego Opera presented Verdi’s A Masked Ball in a traditional production by Leslie Koenig. Metropolitan Opera star tenor Piotr Beczala was Gustav III, the king of Sweden, and Krassimira Stoyanova gave an insightful portrayal of Amelia, his troubled but innocent love interest.  »

19 Mar 2014

Anne Schwanewilms, Wigmore Hall

From the moment she walked, resplendent in red, onto the Wigmore Hall platform, Anne Schwanewilms radiated a captivating presence — one that kept the audience enthralled throughout this magnificent programme of Romantic song. »

19 Mar 2014

Die Frau ohne Schatten, Royal Opera

Magnificent! Following the first night of this new production of Die Frau ohne Schatten, I quipped that I could forgive an opera house anything for musical performance at this level, whether orchestral, vocal, or, in this case, both.  »

12 Mar 2014

La Fille du regiment, Royal Opera

Donizetti’s opera comique La Fille du regiment returned to the Royal Opera House, Covent Garden, for its third revival.  »

10 Mar 2014

Schoenberg and company

With Schoenberg, I tend to take every opportunity I can — at least since my first visit to the Salzburg Festival, when understandably I chose to see Figaro over Boulez conducting Moses und Aron, though I have rued the loss ever since.  »

06 Mar 2014

Benjamin Britten: The Prince of the Pagodas

As the Britten centenary events draw to a close, the Birmingham Royal Ballet are offering one final highlight: a new version of Britten’s only ballet, The Prince of the Pagodas, with choreography by David Bintley.  »

04 Mar 2014

Arizona Opera Presents La Traviata as Violetta’s Dream

Nashville Opera Artistic Director John Hoomes set the opera as Violetta’s dying dream, so colors and other aspects of the backgrounds were symbolic and bright.  »

04 Mar 2014

Elisir d’amore in Monte-Carlo

Will wonders never cease? Wheat stalks 6 meters high? Rats 2 meters tall. Setting Donizetti’s little comedy amidst biological mutations engendered by Chernobyl does seem a bit farfetched. »

03 Mar 2014

Torn Between Rival Loyalties

Handel’s great opus, Rodelinda, at English National Opera on Friday night was the latest in the Coliseum’s recent run of new and co-produced productions, and also renowned director Peter Jones’ latest foray into the world of opera.  »

02 Mar 2014

San Diego Opera’s Elixir of Love

On Sunday afternoon, February 23, 2014, San Diego Opera presented The Elixir of Love in a traditional production by Stephen Lawless.  »

02 Mar 2014

LA Opera Presents a Parable of Good and Evil

Billy Budd, portrayed by handsome lyric tenor Liam Bonner, is a charismatic embodiment of innocence.  »