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Elsewhere

An English Winter Journey

Roderick Williams’ and Julius Drake’s English Winter Journey seems such a perfect concept that one wonders why no one had previously thought of compiling a sequence of 24 songs by English composers to mirror, complement and discourse with Schubert’s song-cycle of love and loss.

History Repeating Itself: Prokofiev’s Semyon Kotko, Amsterdam Concertgebouw

A historical afternoon at the NTR Saturday Matinee occurred with an epic concert version of Prokofiev’s Soviet Opera Semyon Kotko.

L’amour de loin at the Metropolitan Opera

Opening night at the Metropolitan is a gleeful occasion even when the composer is long gone, but December 1st was an opening for a living composer who has been making waves around the world and is, gasp, a woman — the second woman composer ever to have an opera presented at the Met.

Battles administration neglects FLO’s assets by defunding the program

The college administration and President Denise Battles’ recent decision to defund the Finger Lakes Opera came as a shock to many and a concern to more. This decision reflects the administration’s blatant disregard for the arts and reveals a mindset that is counterproductive to the mission of the college.

Early Swedish opera - Stenhammer world premiere

The Feast at Solhaug : Henrik Ibsen's play Gildet paa Solhaug (1856) inspired Wilhelm Stenhammer's opera Gillet på Solhaug. The world premiere recording is now available via Sterling CD, in a 3 disc set which includes full libretto and background history.

La finta giardiniera at the Royal College of Music

For an opera that has never quite made it over the threshold into the ‘canonical’, the adolescent Mozart’s La finta giardiniera has not done badly of late for productions in the UK. In 2014, Glyndebourne presented Frederic Wake-Walker’s take on the eighteen-year-old’s dramma giocoso. Wake-Walker turned the romantic shenanigans and skirmishes into a debate on the nature of reality, in which the director tore off layers of theatrical artifice in order to answer Auden’s rhetorical question, ‘O tell me the truth about love’.

Lust for Revenge: Barenboim and Herlitzius fire up Strauss’s Elektra in Berlin

As the German language describes so beautifully, a “Schrei aus tiefstem Herzen” was felt as Evelyn Herlitzius channelled an Elektra from the depths of her soul.

Semyon Bychkov heading to NYC and DC with Glanert and Mahler

Heading to N.Y.C and D.C. for its annual performances, the Royal Concertgebouw Orchestra invited Semyon Bychkov to return for his Mahler debut with the Fifth Symphony. Having recently returned from Vienna with praise for their rendition, the orchestra now presented it at their homebase.

Lost Stravinsky re-united with Rimsky-Korsakov, Gergiev, Mariinsky

Igor Stravinsky's lost Funeral Song, (Chante funèbre) op 5 conducted by Valery Gergiev at the Mariinsky in St Petersburg This extraordinary performance was infinitely more than an ordinary concert, even for a world premiere of an unknown work.

Philippe Jaroussky at the Wigmore Hall: Baroque cantatas by Telemann and J.S.Bach

On Tuesday evening this week, I found myself at The Actors Centre in London’s Covent Garden watching a performance of Unknowing, a dramatization of Schumann’s Frauenliebe und Leben and Dichterliebe (in a translation by David Parry, in which Matthew Monaghan directed a baritone and a soprano as they enacted a narrative of love, life and loss. Two days later at the Wigmore Hall I enjoyed a wonderful performance, reviewed here, by countertenor Philippe Jaroussky with Julien Chauvin’s Le Concert de la Loge, of cantatas by Telemann and J.S. Bach.

The new Queen of the City of Birmingham Symphony Orchestra

Here is one of the next new great conductors. That’s a bold statement, but even the L.A. Times agrees: Mirga Gražinytė-Tyla’s appointment “is the biggest news in the conducting world.” But Ms. Mirga Gražinytė-Tyla will be getting a lot of weight on her shoulders.

Falstaff at Manitoba Opera

Manitoba Opera chose to open its 44th season by going for the belly laughs — literally — as it notably presented its inaugural production of Verdi’s Falstaff.

Gothic Schubert : Wigmore Hall, London

Macabre and moonstruck, Schubert as Goth, with Stuart Jackson, Marcus Farnsworth and James Baillieu at the Wigmore Hall. An exceptionally well-planned programme devised with erudition and wit, executed to equally high standards.

Rusalka, AZ Opera

On November 20, 2016, Arizona Opera completed its run of Antonín Dvořák’s fairy Tale opera, Rusalka. Loosely based on Hand Christian Andersen’s The Little Mermaid, Joshua Borths staged it with common objects such as dining room chairs that could be found in the home of a child watching the story unfold.

First new Ring Cycle in 40 Years, Leipzig

Consistently overshadowed by the neighboring Bayreuth, the far less stuffy Oper Leipzig (Wagner’s birthplace) programmed after forty years their first complete Ring Cycle.

San Jose’s Beta-Carotene Rich Barber

You didn’t have to know the Bugs Bunny oeuvre to appreciate Opera San Jose’s enchanting Il barbiere di Sivigila, but it sure enhanced your experience if you did.

Manon Lescaut at Covent Garden

If there was ever any doubt that Puccini’s Manon is on a road to nowhere, then the closing image of Jonathan Kent’s 2014 production of Manon Lescaut (revived here for the first time, by Paul Higgins) leaves no uncertainty.

Fierce in War, dazzling in Peace: Joyce DiDonato at the Concertgebouw

Many opera singers are careful to maintain an air of political neutrality. Not so mezzo-soprano Joyce DiDonato, who is outspoken about causes she holds dear. Her latest project, a very personal response to the 2015 terror attacks in Paris, puts her audience through the emotional wringer, but also showers them with musical rewards.

Walter Braunfels Orchestral Songs Vol 2

Honours yet again to Oehms Classics who understand the importance of excellence. A composer as good, and as individual, as Walter Braunfels deserves nothing less.

Simplicius Simplicissimus

I wonder if Karl Amadeus Hartmann saw something of himself in the young Simplicius Simplicissimus, the eponymous protagonist of his three-scene chamber opera of 1936. Simplicius is in a sort of ‘Holy Fool’ who manages to survive the violence and civil strife of the Thirty Years War (1618-48), largely through dumb chance, and whose truthful pronouncements fall upon the ears of the deluded and oppressive.


OPERA TODAY ARCHIVES »

Performances

Roderick Williams
07 Dec 2016

An English Winter Journey

Roderick Williams’ and Julius Drake’s English Winter Journey seems such a perfect concept that one wonders why no one had previously thought of compiling a sequence of 24 songs by English composers to mirror, complement and discourse with Schubert’s song-cycle of love and loss. »

Recently in Performances

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20 Jul 2008

Idomeneo and Doktor Faust at München Opernfestspiele

The Bayerische Staatsoper, based in three spectacular houses where Mozart, Wagner and many other composers premiered their works, presents over 300 annual performances to a discerning public. »

13 Jul 2008

Die Soldaten

Bernd Alois Zimmermann was a sensitive, none too healthy 21-year-old music prodigy in 1939, when he was drafted into the German army. »

13 Jul 2008

Troilus triumphant in Saint Louis …..

For Sir William Walton, the protracted genesis of Troilus and Cressida must have seemed more akin to the agonies of Sisyphus than to the composition of an opera. »

13 Jul 2008

CANDIDE – English National Opera, London Coliseum

Originating at the Châtelet, where the narration was given in French, Robert Carsen's staging of Bernstein's unique satire worked rather well in its television broadcast from the Parisian house late in 2006. »

13 Jul 2008

A Brescian Butterfly and a bewildering Hoffman at Opera Theatre of Saint Louis

The disastrous 1904 La Scala premiere of Giacomo Puccini’s Madame Butterfly is one of those famous annals of opera which tend to leave today’s audiences perplexed about all the uproar. »

13 Jul 2008

Grant Park Music Festival: “20th-Century Masters.”

The concert “20th-Century Masters,” presented by the Grant Park Music Festival, Chicago on 27 and 28 June 2008 featured several pieces performed for the first time under the auspices of the Festival. »

06 Jul 2008

San Francisco Opera summer season, 2008

David Gockley heard the cries of many an opera fan that Pamela Rosenberg had denied them their 'stars,' so for his summer season, 2008, he brought them Natalie Dessay, Susan Graham, Ruth Ann Swenson, and Stefan Margita. »

06 Jul 2008

Unusual Fare at Opera Festival of St. Louis

My visit to two rarely mounted pieces at the Opera Festival of St. Louis brought to mind the little girl with the curl, for when it was good, it was very very good and when it was bad, it was, um. . .er. . . »

23 Jun 2008

Don Carlo at Royal Opera House

In the latter part of last year, the casting for Nicholas Hytner’s new production of Don Carlo — in the five-act Italian version — looked to be on shaky ground. »

23 Jun 2008

Don Giovanni. No, the other one

No one has ever called Gazzaniga’s Don Giovanni an overlooked masterpiece. »

22 Jun 2008

A rare treasure in Saint Louis. . .

Pink flamingos, sheep on wheels, and a queen crowned with giant antlers all inhabit the zany world of Opera Theatre of Saint Louis’s Una cosa rara, where the artificial 18th century pastoral commingles with cutesy country colors and 1950s yard art. »

15 Jun 2008

Plácido Domingo’s miraculous autumn

On the barren stage: a few chairs, a dark-gold hectoplasm projected on the wood panels of the acoustic chamber - nothing more. »

15 Jun 2008

See Venice and then die

For the belated Spanish premiere of Britten’s Death in Venice, 35 years after its creation in Aldeburgh, Barcelona seems a felicitous choice. »

09 Jun 2008

Star Power in Paris “Capuleti”

For Bellini’s “I Capuleti e i Montecchi,” Paris Opera peopled its revival with plenty of star power. »

09 Jun 2008

Opera with a human heart

When the Ringling Brothers folded their tents, opera took over. Aïda with elephants, and Walküre with real horses. »

09 Jun 2008

St. Francis in Amsterdam

It is a bit hard to know what to make of Olivier Messiaen’s colossal piece “Saint François d’Assise,” beautifully mounted by Netherlands Opera. »

08 Jun 2008

Zurich Has Malibran to Thank

If you are going to produce Jacques Fromental Halevy’s forgotten opera “Clari,” I urge you to first make sure you have a signature on the contact from a superstar with the firepower of Cecilia Bartoli. »

04 Jun 2008

Der Rosenkavalier at ENO

It is worth remembering that prior to the première of Strauss’s opera in 1911, the working title was ‘Ochs auf Lerchenau’. »

04 Jun 2008

Il Matrimonio Segreto in Brooklyn

Opera producers in quest of headlines, unable to make them from the limited number of Mozart operas available (all of them far too familiar) but equipped with the flood of attractive young singers trained to sing Mozart in conservatories (because singing Mozart does not harm young voices, and singing Verdi and Wagner before 30 — better yet, 40 — often will), sometimes turn to Mozart’s contemporary, Cimarosa, and his Il Matrimonio Segreto, to get attention. »

04 Jun 2008

Handel's Rodrigo — Ensemble San Felice, St John’s Smith Square, London

Handel’s Rodrigo, subtitled ‘Vincer se stesso è la maggior vittoria’ (Self-conquest is the greater victory) is one of the composer’s earliest operatic works, and rarely heard. »

28 May 2008

Tree-mendous in Chicago

Chicago Opera Theater scored a resounding success with its area premiere of John Adams’ newest stage piece, “A Flowering Tree.” »

28 May 2008

Revised Amistad makes its mark

Upon its premiere at Chicago’s Lyric Opera in 1997 Anthony Davis’ Amistad found little critical favor. Its undisciplined excesses led one writer to compare it to a high-school pageant. »

27 May 2008

Merry Widow at ENO

In these days of 'concept' productions, it is rare that the curtain goes up on the first act of an opera and it looks exactly as one might reasonably expect it to. »

27 May 2008

Masterpiece Masterfully Rendered in Toronto

I can still remember my first ever “Pelleas et Melisande” in my first ever outing at San Francisco Opera during my first ever visit to that beautiful town. »

25 May 2008

A Berlin Sampler

A recent visit to Berlin’s three opera houses yielded decidedly, nay wildly varying outcomes. »

15 May 2008

Gotham Chamber Opera: Ariadne Unhinged

The Gotham Chamber Opera has been delighting opera fans on the Lower East Side for seven years now, one small audience at a time. »

13 May 2008

Les Troyens in Boston

Thirty-six years after Sarah Caldwell and the Opera Company of Boston presented the first complete staged performances in the United States, Hector Berlioz’ Les Troyens returned to Boston in triumph in a series of concert performances presented by the Boston Symphony Orchestra under the baton of James Levine to close the BSO’s 2007-2008 season. »

13 May 2008

Ponnelle Clemenza remains a masterpiece

Opera companies should practice historic preservation, keeping certain productions forever in the repertory because of their quality and aesthetic value. »

13 May 2008

Nono's Prometeo at Royal Festival Hall

Prometeo is so radically different that it’s almost incomprehensible heard from preconceived assumptions of what music “ought” to be. »

12 May 2008

John Brown lives again in Kansas City

John Brown might have been a’mouldering in his grave since he was hanged in 1859, but he was resurrected — in body and spirit — on May 3, when the Lyric Opera of Kansas City staged the world premiere of Kirke Mechem’s John Brown. »

09 May 2008

Canada’s Brueggergosman makes the most of Mozart

When Toronto’s Opera Atelier asked her to sing Elettra in Mozart’s Idomeneo Measha Brueggergosman hesitated. »

09 May 2008

Fort Worth Opera Festival features “Angels in America”

In 2007 it was an experiment; now it’s a new summer festival firmly rooted in fertile Texas turf with a bright view of its second season and of the more distant future as well. »

07 May 2008

Die Entführung aus dem Serail

Die Entführung aus dem Serail is too light to be a grand opera, but it makes rather grander demands of its singers than operetta could possibly bear. »

06 May 2008

Punch & Judy at ENO

English National Opera’s production of Harrison Birtwistle’s ‘Punch and Judy’ is the company’s second collaboration with the Young Vic Theatre — following the premiere of Neuwirth’s ‘Lost Highway’ a few weeks earlier — and remarkably, also the second London production of this early Birtwistle work within a month, the previous one having been at the Linbury Studio Theatre, a collaboration between Music Theatre Wales and the Royal Opera. »

06 May 2008

The Collegiate Chorale: Jupiter in Argos

Over the years, one tried and true method of packing audiences in to the concerts of Robert Bass’s Collegiate Chorale has been to present concert opera with impressive soloists. »

04 May 2008

Ned Rorem's Our Town

Martha Graham used to say, “In order for there to be dance, there must be something that needs to be danced.” »

04 May 2008

La Fille du Régiment at the Met

When the Met presented La Fille du Régiment for Lily Pons during World War II, she sought permission to wave the Cross of Lorraine, symbol of Charles de Gaulle’s Free French, during the Salut à la France in Act II. »

04 May 2008

Minnesota Opera makes strong case for Rusalka’s greatness

Why does one so seldom encounter Dvořák’s Rusalka on stage? »

25 Apr 2008

Satyagraha at the MET

Satyagraha is an odd duck to encounter if you are seeking a traditional opera-going experience or anything like it. »

23 Apr 2008

Sarasota rises above the regional

Victor DeRenzi is a man of convictions — and of courage. Given his commitment to tradition, you might call DeRenzi, artistic director of Sarasota Opera since 1982, conservative. »

22 Apr 2008

A Cut Too Far…..the new Giulio Cesare in Lausanne

With what might (if one were risking facetiousness) be termed a “false-set” of four countertenors in the cast, this was always going to be an intriguing production of Handel’s Giulio Cesare for aficionados of a voice type which has revolutionised the perception (and popularity) of baroque opera over the past 15 years. »

21 Apr 2008

The Minotaur — Royal Opera, Covent Garden

Harrison Birtwistle’s new full-scale opera, commissioned by the Royal Opera House, Covent Garden, is a study of isolation and imprisonment. »

21 Apr 2008

OONY Performs Puccini's Edgar

It was one of Queler’s good nights. »

21 Apr 2008

Berlin’s “other” opera often stellar

It is, you might say, the little opera that can. True, if it’s size of the budget, the price of tickets and the number of seats that concerns you, the Komische Oper is clearly the third of Berlin’s opera houses. »

21 Apr 2008

(Mostly) Pretty Poison

What to make of "Lucrezia Borgia"? I have always felt that, some lovely arias notwithstanding, this Donizetti work never really gets going until the slam-bang soprano-baritone duet in Act II. »

09 Apr 2008

Prokofiev's The Gambler at the MET

That Fed Dostoevsky – sure plays a mean pinball! »

08 Apr 2008

Frankurt Opera — The Rape of Lucretia

Plainly put, Frankfurt Opera’s “The Rape of Lucretia” could be offered as a textbook example of just how great a performance can be when everything goes right. »

07 Apr 2008

Barenboim and Berlin — beauty and brilliance

BERLIN — Which car-rental agency was it that was once No. 2 and “trying harder?” »

06 Apr 2008

ANNA BOLENA – English Touring Opera

In a climate in which bel canto opera seems to be enjoying a steady and welcome revival, ETO opened their current season with a welcome production of Donizetti's historically dubious account of the latter days of Anne Boleyn. The company's... »

06 Apr 2008

SUSANNAH – English Touring Opera

The most interesting opera on ETO's Spring 2008 tour was Carlisle Floyd's 1950s tale of religious hypocrisy in the rural Deep South, based on the Apocryphal tale of Susannah and the Elders. »

06 Apr 2008

DON GIOVANNI – English Touring Opera

The last of the three operas on ETO's Spring 2008 tour was sung in English, and updated to a Spain of the mid-twentieth century under Franco. »

06 Apr 2008

San Diego Opera: Cavalleria Rusticana & Pagliacci

Opera companies often tout new productions as a major attraction of their seasons. »