Subscribe to
Opera Today

Receive articles and news via RSS feeds or email subscription.


facebook-icon.png


twitter_logo[1].gif



9780393088953.png

9780521746472.png

0810888688.gif

0810882728.gif

Elsewhere

O18: Mad About Lucia

Opera Philadelphia has mounted as gripping and musically ravishing an account of Lucia di Lammermoor as is imaginable.

O18 Poulenc Evening: Moins C’est Plus

In Opera Philadelphia’s re-imagined La voix humaine, diva Patricia Racette had a tough “act” to follow ...

O18: Unsettling, Riveting Sky on Swings

Opera Philadelphia’s annual festival set the bar very high even by its own gold standard, with a troubling but mesmerizing world premiere, Sky on Wings.

Vaughan Williams: A Sea Symphony — Martyn Brabbins BBCSO

From Hyperion, an excellent new Ralph Vaughan Williams A Sea Symphony with Martyn Brabbins conducting the BBC Symphony Orchestra and BBC Symphony Chorus, Elizabeth Llewellyn and Marcus Farnsworth soloists. This follows on from Brabbins’s highly acclaimed Vaughan Williams Symphony no 2 "London" in the rarely heard 1920 version.

Simon Rattle — Birtwistle, Holst, Turnage, and Britten

Sir Simon Rattle and the London Symphony Orchestra marked the opening of the 2018-2019 season with a blast. Literally, for Sir Harrison Birtwistle's new piece Donum Simoni MMXVIII was an explosion of brass — four trumpets, trombones, horns and tuba, bursting into the Barbican Hall. When Sir Harry makes a statement, he makes it big and bold !

OSJ: A Funny Thing Happened on the Way to the Harem

Opera San Jose kicked off its 35th anniversary season with a delectably effervescent production of their first-ever mounting of Mozart’s youthful opus, The Abduction from the Seraglio.

Superlative Lohengrin from Bayreuth, 1967

The names of Belfast-born soprano Heather Harper and Kansas-born tenor James King may not resonate for younger music lovers, but they sure do for folks my age. Harper was the glowing, nimble soprano in Colin Davis’s renowned 1966 recording of Handel’s Messiah and in Davis’s top-flight recording (ca. 1978) of Britten’s Peter Grimes, featuring Jon Vickers.

Isouard's Cinderella: Bampton Classical Opera at St John's Smith Square

A good fairy-tale sweeps us away on a magic carpet while never letting us forget that for all the enchanting transformations, beneath the sorcery lie essential truths.

The Royal Opera House lets everyone in on the act

The Royal Opera House today opens the doors to its transformed new home, following an extensive three-year construction project.

A Winterreise both familiar and revelatory: Ian Bostridge and Thomas Adès at Wigmore Hall

‘“Will you play your hurdy-gurdy to my songs?” the wanderer asks. If the answer were to be a “yes”, then the crazy but logical procedure would be to go right back to the beginning of the whole cycle and start all over again. This could explore a notion of eternal recurrence: we are trapped in the endless repetition of this existential lament.’

Stars of Lyric Opera at Millennium Park, 2018

Lyric Opera of Chicago’s annual concert, Stars of Lyric Opera at Millennium Park, given during last weekend, was both a tribute to the many facets of opera and a preview of what lies ahead in the upcoming repertoire season.

Classical Opera: Bastien und Bastienne on Signum Classics

Pride and Prejudice, North and South, Antony and Cleopatra, Much Ado About Nothing: literary fiction and drama are strewn with dissembling lovers who display differing degrees of Machiavellian sharpness in matters of amatory strategy. But, there is an artless ingenuousness about Bastien and Bastienne, the eponymous pastoral protagonists of Mozart’s 1768 opera, who pretend not to love in order to seal their shared romantic destiny, but who require a hefty dose of the ‘Magician’ Colas’s conjuring/charlatanry in order to avoid a future of lonely singledom.

A Stunning Semiramide from Opera Rara

In early October 1822, Gioachino Rossini summoned the librettist Gaetano Rossi to a villa (owned by his wife, the soprano Isabella Colbran) in Castenaso, just outside Bologna. Their project: to work on a new opera, which would be premiered during the Carnival in Venice on 3rd February the following year, based on the legend of Queen Semiramide.

Dorothea Röschmann at Wigmore Hall: songs by Schumann, Wolf and Brahms

One should not judge a performance by its audience, but spying Mitsuko Uchida in the audience is unlikely ever to prove a negative sign. It certainly did not here, in a wonderfully involving recital of songs by Schumannn, Wolf, and Brahms from Dorothea Röschmann and Malcolm Martineau.

Two of Garsington Opera's 2018 productions to reach a wider audience

Garsington Opera is delighted to announce that on Saturday 6 October, BBC Radio 3’s ‘Opera on 3’, will broadcast the production of its first festival world premiere - The Skating Rink by David Sawer set to a libretto by Rory Mullarkey based on a novel by Chilean author Roberto Bolaño.

The Path of Life: Ilker Arcayürek sings Schubert at Wigmore Hall

Wigmore Hall’s BBC Radio 3 Lunchtime Concert 2018-19 series opened this week with a journey along The Path of Life as illustrated by the songs of Schubert, and it offered a rare chance to hear the composer’s long, and long-germinating, setting of Johann Baptist Mayrhofer’s philosophical rumination, ‘Einsamkeit’ - an extended eulogy to loneliness which Schubert described, in a letter of 1822, as the best thing he had done, “mein Bestes, was ich gemacht habe”.

Heine through Song: Florian Boesch and Malcolm Martineau open a new Wigmore Hall season

The BBC Proms have now gone into hibernation until July 2019. But, as the hearty patriotic strains rang out over South Kensington on Saturday evening, in Westminster the somewhat gentler, but no less emotive, flame of nineteenth-century lied was re-lit at Wigmore Hall, as baritone Florian Boesch and pianist Malcolm Martineau opened the Hall’s 2018-19 season with a recital comprising song settings of texts by Heinrich Heine.

Elgar Orchestral Songs - SOMM

Edward Elgar's Sea Pictures are extremely well-known, but many others are also worth hearing. From SOMM recordings, specialists in British repertoire, comes this interesting new collection of other Elgar orchestral songs, sponsored by the Elgar Society.

Prom 74: Handel's Theodora

“One of the most insufferable prigs in a literature.” Handel scholar Winton Dean’s dismissal of Theodora, the eponymous heroine of Handel’s 1749 oratorio, may well have been shared by many among his contemporary audience.

Remembering and Representing Dido, Queen of Carthage: an interview with Thomas Guthrie

The first two instalments of the Academy of Ancient Music’s ‘Purcell trilogy’ at the Barbican Hall have posed plentiful questions - creative, cultural and political.


OPERA TODAY ARCHIVES »

Performances

O18 Lucia
24 Sep 2018

O18: Mad About Lucia

Opera Philadelphia has mounted as gripping and musically ravishing an account of Lucia di Lammermoor as is imaginable. »

Recently in Performances

All Pages |  1  |  2  |  3  |  4  |  5  |  6  |  7  |  8  |  9  |  10  |  11  |  12  |  13  |  14  |  15  |  16  |  17  |  18  |  19  |  20  |  21  |  22  |  23  |  24  |  25  |  26  |  27  |  28  |  29  |  30  |  31  |  32  |  33  |  34  |  35  |  36  |  37  |  38  |  39  |  40  |  41  |  42  |  43  |  44  |  45  |  46  |  47  |  48  |  49  |  50  |  51  |  52  |  53  |  54  |  55  |  56  |  57  |  58  |  59  |  60  |  61  |  62  |  63  |  64  |  65  |  66  |  67  |  68  |  69  |  70  |  71  |  72  |  73  |  74  |  75  |  76  |  77  |  78 
10 Nov 2016

Oreste at Wilton's Music Hall

Handel’s pasticcio, Oreste, with its mythological core and Roman source libretto, is a Classical beast: it pits barbarous human cruelty versus man’s potential for grace and gentility. Director Gerard Jones’ production at Wilton’s Music Hall, for the Royal Opera house, dispenses with ethical dilemmas - and questions of love and loyalty - and gives us a comic-strip bloodbath which is less a blend of mythological dysfunctionality and moral consolation, and more a mal-functional cross-breed of Tarantino, Hammer House of Horror and the Rocky Horror Show. »

08 Nov 2016

Heresy, Electronic Opera in Dublin About Giordano Bruno

Travellers to Rome may have noticed that in the middle of the vegetable market, the Campo Dei Fiori, there is a statue in memory of the Dominican friar, philosopher, scientist and poet, Giordano Bruno, who was tried as a heretic in 1593 and burned at the stake in 1600.  »

08 Nov 2016

A New Das Rheingold at Lyric Opera of Chicago

With the premiere of Das Rheingold on opening night of the 2016-17 season Lyric Opera of Chicago has initiated a new Ring Cycle to be staged over multiple seasons. Both cast and vision for this production of the first of the four Ring operas make a strong, individual impression. The scenic division of Das Rheingold into four parts is realized with inventive, seamless coherence, a signal for the totality of this unfolding Cycle.  »

08 Nov 2016

Bare Opera Proves Opera is as Relevant as Ever in a Fresh-Faced La Cambiale di Matrimonio

“Opera is so old-fashioned!” Thus was the mantra adopted by the Bare Opera cast following a funny, awkward pre-show announcement by Executive Producer Kirsten Scott.  »

06 Nov 2016

Wexford Festival Opera 2016

This year’s Wexford Festival was all about the women. Deluded, dangerous, depressed, deranged, they stood centre-stage and commanded the emotional territory. »

03 Nov 2016

Opera Las Vegas Spook-tacular Halloween Concert

On Saturday evening October 29, 2016, Opera Las Vegas held a concert in a most elegant private home. After a glass of wine and some delicious hors d’oeuvres, members of the audience, most of whom were in costume, retreated to a salon that held some seventy chairs. With a grand piano in front and an “off stage” area to the side, the salon was as close to a concert hall as could be found in a private home. »

03 Nov 2016

A magnetic performance by Christiane Karg

The always stimulating Iván Fischer consistently validates himself as an innovative conductor with his fresh approaches. Last May, his soul-crushing performance of Mozart’s Requiem with his Budapest Festival Orchestra at the Concertgebouw left me a sobbing mess at the end, so hearing him lead the Berliner Philharmoniker in Mozart was a must.  »

03 Nov 2016

Christian Gerhaher sings Mahler’s Das Lied von der Erde in Berlin

As Bernard Haitink’s bout with the Royal Concertgebouw Orchestra has finally been resolved, we in Amsterdam still have to wait for his return to his former homebase till this coming February. So I was thrilled to hear him in Berlin conduct Mahler’s Das Lied von der Erde with the Berliner Philharmoniker. It turned out to be historical evening. Not just because of attendance by the Swedish King and Queen, but also because baritone Christian Gerhaher performed the by Mahler preferred alto role, in an extraordinarily deep “Der Abschied”. Haitink did not disappoint in this spectacular affair. »

01 Nov 2016

A Russian double bill from the GSMD

The Guildhall School of Music and Drama have taken on quite a challenge in selecting two rarely performed Russian operas for their autumn double bill. Stravinsky’s Mavra (1922) blends satire with suburban inconsequentialities while Tchaikovsky’s Iolanta (1892) mixes fantasy and myth; but both operas are characterised by an emotional directness which the young singers and musicians of the GSMD, under conductor and Head of Opera Studies Dominic Wheeler, successfully communicated. »

27 Oct 2016

San Diego Opera Presents Charming Cinderella

On Saturday, October 22, San Diego Opera opened its main stage season with Rossini’s comic opera, Cinderella (La Cenerentola). Lindy Hume’s production had already worked it intrinsic magic in Australia, New Zealand, and Leipzig, Germany but this was its first run of performances in the United States. »

26 Oct 2016

Macbeth, LA Opera

On Thursday evening October 13, Los Angeles Opera transmitted Giuseppe Verdi’s Macbeth live from the Dorothy Chandler Pavilion, in the center of the city, to a pier in Santa Monica and to South Gate Park in Southeastern Los Angeles County. My companion and I saw the opera in High Definition on a twenty-five foot high screen at the park.  »

26 Oct 2016

COC’d Up Ariodante

Director Richard Jones never met an opera he couldn’t ‘change,’ and Canadian Opera Company’s sumptuously sung Ariodante was a case in point. »

24 Oct 2016

Jamie Barton at the Wigmore Hall

“Hi! … I’m at the Wigmore Hall!” American mezzo-soprano Jamie Barton’s exuberant excitement at finding herself performing in the world’s premier lieder venue was delightful and infectious. With accompanist James Baillieu, Barton presented what she termed a “love-fest” of some of the duo’s favourite art songs. The programme - Turina, Brahms, Dvořák, Ives, Sibelius - was also surely designed to show-case Barton’s sumptuous and balmy tone, stamina, range and sheer charisma; that is, the qualities which won her the First and Song Prizes at the 2013 BBC Cardiff Singer of the World Competition. »

24 Oct 2016

Toronto: Bullish on Bellini

Canadian Opera Company has assembled a commendable Norma that is long on ritual imagery and war machinery. »

23 Oct 2016

Arizona Opera’s Sapphire Celebration

On Saturday evening October 15, 2016, Arizona Opera celebrated forty-five unbroken years of presenting opera. The company first presented Rossini’s The Barber of Seville in Tucson and a few years later it was performing five operas per year in both Tucson and Phoenix.  »

23 Oct 2016

The Nose: Royal Opera House, Covent Garden

“If I lacked ears, it would be bad, but still more bearable; but lacking a nose, a man is devil knows what: not a bird, not a citizen—just take and chuck him out the window!” »

22 Oct 2016

The Source, an Important New Stage Work

On October 20, 2016, Los Angeles Opera’s Off Grand Series presented librettist Mark Doten and composer Ted Hearne’s The Source at the Roy and Edna Disney Cal Arts Theater. “REDCAT” is a one-hundred seat auditorium in the Disney Hall complex.  »

21 Oct 2016

Věc Makropulos in San Francisco

A fixation on death at San Francisco Opera. A 337 year-old woman gave it all up just now after only six years since she last gave it all up on the War Memorial stage.  »

20 Oct 2016

The Pearl Fishers at English National Opera

Penny Woolcock's 2010 production of Bizet's The Pearl Fishers returned to English National Opera (ENO) for its second revival on 19 October 2018. Designed by Dick Bird (sets) and Kevin Pollard (costumes) the production remains as spectacular as ever, and ENO fielded a promising young cast with Claudia Boyle as Leila, Robert McPherson as Nadir and Jacques Imbrailo as Zurga, plus James Creswell as Nourabad, conducted by Roland Böer. »

14 Oct 2016

Academy of Ancient Music: The Fairy Queen at the Barbican Hall

At the end of Shakespeare’s A Midsummer Night’s Dream, Theseus delivers a speech which returns to the play’s central themes: illusion, art and the creative imagination. The sceptical king dismisses ‘The poet’s vision - his ‘eye, in a fine frenzy rolling’ - which ‘gives to airy nothing/ A local habitation and a name’; such art, and theatre, is a psychological deception brought about by an excessive, uncontrolled imagination.  »

13 Oct 2016

Vaughan Williams and Friends: St John's Smith Square

Following the success of previous ‘mini-festivals’ at St John’s Smith Square devoted to Schubert and Schumann, last weekend pianist Anna Tilbrook curated a three-day exploration of the work of Ralph Vaughan Williams and his contemporaries. The music performed in these six concerts was chosen to reflect the changing contexts in which it was composed and to reveal the vast changes in society, politics and culture which occurred during Vaughan Williams’ long life-time (1872-1958) and which shaped his life and creative output. »

12 Oct 2016

Bloodless Manon Lescaut at DNO

Trying to work around Manon Lescaut’s episodic structure, this new production presents the plot as the dying protagonist’s feverish hallucinations. The result is a frosty retelling of what is arguably Puccini’s most hot-blooded opera. Musically, the performance also left much to be desired. »

11 Oct 2016

English Touring Opera: Xerxes

It is Herodotus who tells us that when Xerxes was marching through Asia to invade Greece, he passed through the town of Kallatebos and saw by the roadside a magnificent plane-tree which, struck by its great beauty, he adorned with golden ornaments, and ordered that a man should remain beside the tree as its eternal guardian.  »

07 Oct 2016

English National Opera: Tosca

Poor Puccini. He is far too often treated as a ‘box-office hit’ by our ‘major’ opera houses, at least in Anglophone countries. For so consummate a musical dramatist, that is something beyond a pity. Here in London, one is far better advised to go to Holland Park for interesting, intelligent productions, although ENO’s offerings have often had something to be said for them.  »

05 Oct 2016

Don Pasquale in San Francisco

With only four singers and a short-story-like plot Don Pasquale is an ideal chamber opera. That chamber just now was the 3200 seat War Memorial Opera House where this not always charming opera buffa is an infrequent visitor (post WWII twice in the 1980’s after twice in the 40’s).  »

04 Oct 2016

“Written in fire”: Momenta Quartet blazes through an Indonesian chamber opera

“Yang sementara tak akan menahan bintang hilang di bimasakti; Yang bergetar akan terhapus.” (“The transient cannot hold on to stars lost in the Milky Way; that which quivers will be erased.”) As soprano Tony Arnold sang these words of Tony Prabowo’s chamber opera Pastoral, with astonishingly crisp Indonesian diction, the first night of the second annual Momenta Festival approached its end.  »

03 Oct 2016

English National Opera: Don Giovanni

Some operas seemed designed and destined to raise questions and debates - sometimes unanswerable and irresolvable, and often contentious. Termed a dramma giocoso, Mozart’s Don Giovanni has, historically, trodden a movable line between seria and buffa.  »

03 Oct 2016

World Premiere Eötvös, Wigmore Hall, London

Péter Eötvös’ The Sirens Cycle received its world premiere at the Wigmore Hall, London, on Saturday night with Piia Komsi and the Calder Quartet. An exceptionally interesting new work, which even on first hearing intrigues: imagine studying the score! For The Sirens Cycle is elegantly structured, so intricate and so complex that it will no doubt reveal even greater riches the more familiar it becomes. It works so well because it combines the breadth of vision of an opera, yet is as concise as a chamber miniature. It's exquisite, and could take its place as one of Eötvös's finest works.  »

02 Oct 2016

Manitoba Underground Opera: Mozart and Offenbach

Manitoba Underground Opera took audiences on a journey — literally and figuratively — as it presented its latest installment of repertory opera between August 19–26. »

02 Oct 2016

Stars of Lyric Opera 2016, Millennium Park, Chicago

On a recent weekend Lyric Opera of Chicago gave its annual concert at Millennium Park during which the coming season and its performers are variously showcased. Several of the performers, who were featured at this “Stars of Lyric Opera” event, are scheduled to make their debuts in Lyric Opera’s new production of Wagner’s Das Rheingold beginning on 1 October.  »