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Elsewhere

The Tempest Songbook, Gotham Chamber Opera

Gotham Chamber Opera’s latest project, The Tempest Songbook, continues to explore the possibilities of unconventional spaces and unconventional programs that the company has made its hallmark. The results were musically and theatrically thought-provoking, and left me wanting more.

San Diego Opera presents Adams’ Riveting Nixon in China

Nixon in China is a three-act opera with a libretto by Alice Goodman and music by John Adams that was first seen at the Houston Grand Opera on October 22, 1987. It was the first of a notable line of operas by the composer.

Ars Minerva presents Castrovillari’s La Cleopatra in San Francisco

It is thanks to Céline Ricci, mezzo-soprano and director of Ars Minerva, that we have been able to again hear Daniele Castrovillari’s exquisite melodies because she is the musician who has brought his 1662 opera La Cleopatra to life.

World Premiere of Jennifer Higdon’s opera Cold Mountain at Santa Fe Opera this August

East Coast Premiere at Opera Philadelphia next season. Performances from Cold Mountain at the Guggenheim in New York this Monday, March 30.

An Ideal Cast in Chicago’s Tannhäuser

Lyric Opera of Chicago, in association with the Royal Opera House, Covent Garden, has staged a production of Richard Wagner’s Tannhäuser with an estimable cast.

Winners of the Metropolitan Opera National Council Auditions Announced

Five Young Singers Named Winners of the 2015 Met National Council Auditions, America’s Most Prestigious Vocal Competition

A Chat with Julia Noulin-Mérat

Julia Noulin-Mérat is the principal designer for the Noulin-Merat Studio, an intrepid New York City production design firm that works in theater, film, and television, but emphasizes opera and immersive site-specific theatre.

Madame Butterfly, Royal Opera

Puccini and his fellow verismo-ists are commonly associated with explosions of unbridled human passion and raw, violent pain, but in this revival (by Justin Way) of Moshe Leiser’s and Patrice Caurier’s 2003 production of Madame Butterfly, directorial understatement together with ravishing scenic beauty are shown to be more potent ways of enabling the sung voice to reveal the emotional depths of human tragedy.

Tosca in Marseille

Rarely, very rarely does a Tosca come around that you can get excited about. Sure, sometimes there is good singing, less often good conducting but rarely is there a mise en scène that goes beyond stock opera vocabulary.

Poetry beyond words — Nash Ensemble, Wigmore Hall

The Nash Ensemble’s 50th Anniversary Celebrations at the Wigmore Hall were crowned by a recital that typifies the Nash’s visionary mission. Above, the dearly-loved founder, Amelia Freeman, a quietly revolutionary figure in her own way, who has immeasurably enriched the cultural life of this country.

Arizona Opera Presents Magritte Style Magic Flute

On March 7, 2015, Arizona Opera presented Dan Rigazzi’s production of Die Zauberflöte in Tucson. Inspired by the works of René Magritte, designer John Pollard filled the stage with various sizes of picture frames, windows, and portals from which he leads us into Mozart and Schikaneder’s dream world.

Henry Purcell: A Retrospective

There are some concert programmes which are not just wonderful in their execution but also delight and satisfy because of the ‘rightness’ of their composition. This Wigmore Hall recital by soprano Carolyn Sampson and three period-instrument experts of arias and instrumental pieces by Henry Purcell was one such occasion.

Die Meistersinger and The Indian Queen
at the ENO

It has been a cold and gray winter in the south of France (where I live) made splendid by some really good opera, followed just now by splendid sunshine at Trafalgar Square and two exquisite productions at English National Opera.

Rise and Fall of the City of Mahagonny, Royal Opera

At long last, Rise and Fall of the City of Mahagonny has come to the Royal Opera House. Kurt Weill’s teacher, Busoni, remains scandalously ignored, but a season which includes house firsts both of this opera and Szymanowsi’s King Roger, cannot be all bad.

How to Write About Music: The RILM Manual of Style

RILM Abstracts of Music Literature is an international database for musicological and ethnomusicological research, providing abstracts and indexing for users all over the world. As such, RILM’s style guide (How to Write About Music: The RILM Manual of Style) differs fairly significantly from those of more generalized style guides such as MLA or APA.

Unsuk Chin: Alice in Wonderland, Barbican, London

Unsuk Chin’s Alice in Wonderland returned to the Barbican, London, shape-shifted like one of Alice’s adventures. The BBC Symphony Orchestra was assembled en masse, almost teetering off stage, creating a sense of tension. “Eat me, Drink me”. Was Lewis Carroll on hallucinogens or just good at channeling the crazy world of the subconscious?

Welsh National Opera: The Magic Flute and Hansel and Gretel

Dominic Cooke’s 2005 staging of The Magic Flute and Richard Jones’s 1998 production of Hansel and Gretel have been brought together for Welsh National Opera’s spring tour under the unifying moniker, Spellbound.

A worthy tribute for a vocal seductress of the ancient régime

Carolyn Sampson has long avoided the harsh glare of stardom but become a favourite singer for “those in the know” — and if you are not one of those it is about time you were.

Double bill at Guildhall

Gaetano Donizetti and Malcolm Arnold might seem odd operatic bedfellows, but this double bill by the Guildhall School of Music and Drama offered a pair of works characterised by ‘madness, misunderstandings and mistaken identity’ which proved witty, sparkling and imaginatively realised.

LA Opera: Barber of Seville

Saturday, February 28, 2015, was the first night for Los Angeles Opera’s revival of its 2009 presentation of The Barber of Seville, a production by Emilio Sagi, which comes originally from Teatro Real in Madrid in cooperation with Lisbon’s Teatro San Carlos. Sagi and onsite director, Trevor Ross, made comedy the focus of their production and provided myriad sight gags which kept the audience laughing.


OPERA TODAY ARCHIVES »

Performances

Scene from The Tempest Songbook [Photo by Julieta Cervantes]
29 Mar 2015

The Tempest Songbook, Gotham Chamber Opera

Gotham Chamber Opera’s latest project, The Tempest Songbook, continues to explore the possibilities of unconventional spaces and unconventional programs that the company has made its hallmark. The results were musically and theatrically thought-provoking, and left me wanting more.  »

Recently in Performances

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01 Aug 2010

Maria di Rohan at Caramoor

Maria di Rohan was Donizetti’s penultimate opera, composed in Italian for Vienna in 1843, with revisions to appeal to the taste of Paris and Milan following.  »

26 Jul 2010

Santa Fe’s Mixed Dreams

Fairy Tales are often short on character, motivation and development. The stock figures are either good or bad, they are usually archetypal, and stand not only for themselves but larger dimensions of humanity.  »

26 Jul 2010

George Benjamin: Into the Little Hill, Linbury, London

George Benjamin is the leading British composer of his generation. Into the Little Hill premiered in 2006, has been acclaimed a masterpiece.  »

22 Jul 2010

Hoffmann Takes A Hit In Santa Fe

Despite its length and pretentions to being serious opera, Jacques Offenbach’s The Tales of Hoffmann, dating from the 1880s, remains a leaky vessel adrift on a sea of self-fulfilling prophesies of doom. »

21 Jul 2010

Angela Meade's Norma at Caramoor

Bellini’s Norma was composed in 1831 and, in the era of such singing actresses as Giuditta Pasta, Maria Malibran, Giuseppina Strepponi, Giulia Grisi and Thérèse Tietjens (famous Normas all), soon came to be known as the bel canto vehicle par excellence, the summit of vocal achievement.  »

20 Jul 2010

Simon Boccanegra at the Proms

Proms audiences have a tendency to be overly enthusiastic in showing their appreciation, with an arsenal of rituals and traditions at the ready to show their praise and adulation for their idols.  »

20 Jul 2010

Opera’s Brigadoon — OTSL’s 2010 Season of the Sublime

At the beginning of every summer, an oasis of music and theater appears like magic in the suburbs of St. Louis.  »

19 Jul 2010

Meistersinger at the Proms

The BBC Proms brought the Welsh National Opera’s hit Die Meistersinger von Nürnberg to the Royal Albert Hall and to the world, via international broadcast. »

18 Jul 2010

Mahler’s 8th at Royal Albert Hall

A performance of Mahler’s Eighth Symphony could only ever be relatively underwhelming; even a car crash of a performance would impress in some sense, indeed most likely in quite a few.  »

18 Jul 2010

Darkness Visible: Dowland and beyond

This was a recital of concentrated intensity — a remarkable dialogue between texts, timbres and idioms, across ages and among performers.  »

18 Jul 2010

Stars Sizzle, Productions Fizzle in Paris

So when did you last shout “bravissima”? »

18 Jul 2010

Star Power in Zürich’s Rosenkavalier

The annual Zürcher Festspiel banked on a heavy hitter to generate excitement for its revival of Der Rosenkavalier. »

13 Jul 2010

Don Giovanni, Alceste, Le Rossignol at the Aix Festival

The Aix Festival was known not so very long ago for pretentious productions. Perhaps now it will become known for good productions. »

12 Jul 2010

Handel’s Serse (Xerxes) at Iford Manor

Something rather extraordinary happened to opera seria in 1738. The acknowledged master of that time, London’s George Frideric Handel, presented two new operas at the King’s Theatre: Faramondo and Serse.  »

12 Jul 2010

Three Decembers at Central City

CENTRAL CITY — The story is banal: a single mother, an aging actress, is alienated from her grown-up children. »

12 Jul 2010

A Magnificent Don Giovanni at Glyndebourne

Don Giovanni isn't new and most of the cast at Glyndebourne (led by Gerald Finley) are familiar.  »

11 Jul 2010

Semele, Paris

The Parisian press was plastered with photos of Daniele de Niese. The glamorous 31-year old Sri Lankan-Australian mega-star is everywhere these days: a new TV series (“Diva Diaries”), a Decca greatest hits CD (“Diva”), and, with her marriage to Guy Christie of the Glyndebourne ruling clan, a secure position as the first lady of English opera. »

11 Jul 2010

Terfel’s Towering Hans Sachs Debuts at WNO

We have Welsh National Opera to thank not only for providing the occasion for an auspicious role debut, but also for showcasing their world star in a wholly brilliant new production of Die Meistersinger von Nürnberg. »

09 Jul 2010

La Traviata, Royal Opera

This was my first Verdi performance in the theatre for thirteen years or so I must have been the least jaded of critics for the opening night of the revival of Sir Richard Eyre’s La Traviata.  »

08 Jul 2010

Salome, London

David McVicar’s production of Salome received its first revival at Covent Garden, though McVicar left its revival in the capable hands of Justin Way.  »

08 Jul 2010

Out in a blaze of glory — Garsington, A Midsummer Night's Dream

Garsington Opera is moving to Wormsley Park. in 2011, but it marked its last production at Garsington Manor with a glorious coda, that augurs well for the future. As a friend remarked “We'll be talking about this for years to come”. »

07 Jul 2010

Central City stages Butterfly with a bite

CENTRAL CITY — No matter how much verismo you heap onto Madama Butterfly, the opera — the favorite of American companies — remains a threadbare — if tragic — tale of a love that failed. »

04 Jul 2010

London’s Manon: Diva and Divo Deliver

The Royal Opera's intriguingly staged Manon had all the trappings of success including a soprano at the top of her game, and a tenor on the brink of his fame.  »

02 Jul 2010

Picture Perfect — Plácido Domingo as Simon Boccanegra, Royal Opera

Plácido Domingo isn’t a tenor, a baritone or even a singer. He’s a phenomenon. Dozens stood by the stage door at the Royal Opera House to greet him with bouquets.  »

23 Jun 2010

Leipzig Opera to stage Gluck Ring

Richard Wagner’s 200th birthday is just around the corner in 2013 — and the composer was, after all, born in Leipzig. »

22 Jun 2010

Idomeneo at ENO

Mozart was reputedly more attached to this musical drama of hubris and honour set during the Trojan War than to any other of his stage works. »

21 Jun 2010

Anne Schwanewilms in Recital at Wigmore Hall

This recital was the last in a series of five put together by Roger Vignoles to celebrate the lieder of Richard Strauss — a series which, comprising 85 of Strauss’ songs, has highlighted the composer’s role as heir to the nineteenth-century German lieder masters and reminded us of the ravishing beauty and varied emotional range of these unjustly neglected songs. »

21 Jun 2010

Night Music Magic 'n' More in St. Louis

With Opera Theatre of St. Louis’ stunning A Little Night Music, at long last we have been treated to a multi-faceted production that not only equals, but in many ways surpasses the dazzling original. »

19 Jun 2010

Orpheus & Euridice at Long Beach Opera

Early Greek writings say that Orpheus was the son of the muse Calliope and either Apollo, the god of prophecy and music or Oeagrus, the river god.  »

18 Jun 2010

Revivals Sparkle in the City of Lights

Paris Opéra recently served up two past productions in vibrant performances that were fresh-as-new. »

10 Jun 2010

Musically Astute Armida, Garsington

Garsington has become a distinctive part of the English summer opera season. »

09 Jun 2010

Le Grand Macabre, Avery Fisher Hall, NY

György Ligeti (1923-2006) was a naughty boy, and he reveled in it.  »

09 Jun 2010

Pearl Fishers, ENO

The opening tableau of Penny Woolcock’s new production depicts deep waters with rays of sun hitting the surface; in the murky blue depths, three harnessed acrobats glide down to the sea bed and back up again.  »

08 Jun 2010

Festive Concert with Jessye Norman

It was more the ruins than the remnants of a once-great voice that Jessye Norman brought to Israel’s new, 6500-seat outdoor opera theater at the foot of historic Masada Mountain.  »

08 Jun 2010

Nabucco at Masada

Israel Opera Nabucco includes three Va pensiero’s It’s apocrypha, of course, but legend has it that since its 1843 premiere at La Scala audiences have wanted an encore of the chorus Va pensiero when Verdi’s Nabucco is on stage.  »

08 Jun 2010

Le Nozze di Figaro, Royal Opera House

Detailed and precise, but never fussy, David McVicar’s thought-provoking production of Le Nozze di Figaro is ‘busy’ from the opening rushing semi-quavers of the overture.  »

07 Jun 2010

I Gioielli della Madonna, New York

Ermanno Wolf-Ferrari, son of an Italian mother and a German father, was born in Venice but acclaimed only when he took his operas to Germany, where he became quite popular during the first decades of the twentieth century.  »

07 Jun 2010

Bliss, Tosca and La Sonnambula at Opera Australia

Opera Australia regularly commission new work. Usually serious subjects drawn from notable Australian literature or dealing with an event or hero from Australian history. »

07 Jun 2010

La Damnation de Faust in Modern Guise at Lyric Opera of Chicago

During its recently concluded season Lyric Opera of Chicago presented two musical pieces based on the theme of “Faust.”  »

07 Jun 2010

First Opera in 3D — Carmen, Royal Opera House

Everyone knows the tunes from Bizet's Carmen even if they don't know it's an opera. Now the Royal Opera House, London, is making the world's best known opera into the world's first 3D opera film. »

07 Jun 2010

Tosca, ENO

Seeing Tosca at the Coliseum brings back happy memories, as it was a performance of Tosca (in a revival of the Keith Warner production in the 1990s) which occasioned my very first trip to the ENO. That also happens to have been the first time I ever saw Tosca. »

06 Jun 2010

Bostridge and Pappano at Wigmore Hall

Bringing their recent recording of Schubert’s late songs to the concert stage, Ian Bostridge and Antonio Pappano swept through a sequence which ranged from bitter-sweet regret to angry self-reproach, from hesitant hope to turbulent despair, in this the second of two performances at the Wigmore Hall. »

05 Jun 2010

Lulu, New York

Alban Berg died in 1935, but his music was generations ahead of his time – as one could not help but conclude during the recent revival of Lulu at the Met whenever the vibraphone played “doorbell” music, reminding us of the intrusion of cell phones into theaters.  »

01 Jun 2010

Ian Bostridge at the Wigmore Hall

One very tall and gaunt,one short and stocky, one introspective, one effusive : Ian Bostridge and Antonio Pappano, Music Director of the Royal Opera house make an odd couple, but they've partnered each other musically for many years. It's a good relationship, as this recital at the Wigmore Hall demonstrated. »

22 May 2010

Imbrailo stars as Billy Budd in Glyndebourne

Star born through stutter? It’s immediately obvious that Jacques Imbrailo’s Billy Budd at Glyndebourne is an extraordinary portrayal. His stammer is more expressive than speech. »

20 May 2010

La Fille du régiment, Royal Opera

Expectations were running high for the opening night of Elaine Kidd’s revival of Laurent Pelly’s production of Donizetti’s mad-cap romp, La Fille du regiment — almost as high as Tonio’s infamous top Cs.  »

19 May 2010

Florian Boesch, Wigmore Hall

At the Wigmore Hall, performers can chose daring repertoire, because audiences there are unusually receptive.  »

17 May 2010

Mefistofele in Montpellier

Back in 1989 Ken Russell opened his Genovese Mefistofele with heavenly choirs contemplating the divinity of a praying mantis.  »

17 May 2010

Michel van der Aa : After Life at the Barbican, London

“If you could take any one memory with you to eternity, which one would you choose?” In Michel van der Aa’s After Life several people meet in a waiting room.  »