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Elsewhere

Review: You Promised Me Everything

Richard Taruskin entitled his 1988 polemical critique of the notion of ‘authenticity’ in the context of historically informed performance, ‘The Pastness of the Present and the Presence of the Past’.

Manon Lescaut, Munich

Puccini’s Manon Lescaut at the Bayerische Staatsoper, Munich. Some will scream in rage but in its austerity it reaches to the heart of the opera.

Stefano Mastrangelo — An Italian in Japan

I’m interviewing Stefano Mastrangelo in the immediate aftermath of his conducting La Traviata for the Chofu City Opera in Tokyo on 22 November 2014; he conveys an air at once of tiredness and exhilaration.

Proms Saturday Matinée 1

It might seem churlish to complain about the BBC Proms coverage of Pierre Boulez’s 90th anniversary. After all, there are a few performances dotted around — although some seem rather oddly programmed, as if embarrassed at the presence of new or newish music. (That could certainly not be claimed in the present case.)

The Maid of Pskov (Pskovityanka) , St. Petersburg

I recently spent four days in St. Petersburg, timed to coincide with the annual Stars of the White Nights Festival. Yet the most memorable singing I heard was neither at the Mariinsky Theater nor any other performance hall. It was in the small, nearly empty church built for the last Tsar, Nicholas II, at Tsarskoye Selo.

Prom 11 — Grange Park Opera: Fiddler on the Roof

As I walked up Exhibition Road on my way to the Royal Albert Hall, I passed a busking tuba player whose fairground ditties were enlivened by bursts of flame which shot skyward from the bell of his instrument, to the amusement and bemusement of a rapidly gathering pavement audience.

Saul, Glyndebourne

A brilliant theatrical event, bringing Handel’s theatre of the mind to life on stage

Roberta Invernizzi, Wigmore Hall

‘Here, thanks be to God, my opera is praised to the skies and there is nothing in it which does not please greatly.’ So wrote Antonio Vivaldi to Marchese Guido Bentivoglio d’Aragona in Ferrara in 1737.

Apotheosis Opera to Stage Tannhäuser

Apotheosis Opera is proud to announce their inaugural production will be a fully-staged English translation of Richard Wagner’s early masterpiece TANNHÄUSER on Friday, July 31, 2015, at 7pm and Sunday, August 2, 2015, at 3pm at the theatre of El Museo del Barrio (1230 5th Avenue) .

Montemezzi: L’amore dei tre Re

Asphyxiations, atrophy by poison, assassination: in Italo Montemezzi’s L’amore dei tre Re (The Love of the Three Kings, 1913) foul deed follows foul deed until the corpses are piled high. 

Prom 4: Andris Nelsons

The precision of attack in the opening to Beethoven’s Creatures of Prometheus Overture signalled thoroughgoing excellence in the contribution of the CBSO to this concert.

BBC Proms: The Cardinall’s Musick

When he was skilfully negotiating the not inconsiderable complexities, upheavals and strife of musical and religious life at the English royal court during the Reformation, Thomas Tallis (c.1505-85) could hardly have imagined that more than 450 years later people would be queuing round the block for the opportunity spend their lunch-hour listening to the music that he composed in service of his God and his monarch.

Operalia 2015

‘Competitions are for horses, not artists.’ The words of Béla Bartók seemed apposite on Sunday night at the Royal Opera House, as 11 soloists walked swiftly onto the Covent Garden stage, performed their chosen aria, briefly acknowledged the applause and then returned summarily to the wings.

Oberon, Persephone and Iolanta at the Aix Festival

Two of the important late twentieth century stage directors, Robert Carsen and Peter Sellars, returned to the Aix Festival this summer. Carsen’s A Midsummer Night’s Dream is a masterpiece, Sellars’ strange Tchaikovsky/Stravinsky double bill is simply bizarre.

Betrothal and Betrayal : JPYA at the ROH

The annual celebration of young talent at the Royal Opera House is a magnificent showcase, and it was good to see such a healthy audience turnout.

Jenůfa Packs a Wallop at DMMO

There are few operas that can rival the visceral impact of a well-staged Jenůfa and Des Moines Metro Opera has emphatically delivered the goods.

Des Moines Fanciulla a Minnie-Triumph

The Girl of the Golden West (La Fanciulla del West) often gets eclipsed when compared to the rest of the mature Puccini canon.

First Night of the BBC Proms 2015

First Night of the BBC Proms 2015 with Sakari Oramo in exuberant form, pulling off William Walton’s Belshazzar’s Feast with the theatrical flair it deserves.

Monsters and Marriage at the Aix Festival

Plus an evening by the superb Modigliani Quartet that complimented the brief (55 minutes) a cappella opera for six female voices Svadba (2013) by Serbian composer Ana Sokolovic (b. 1968). She lives in Canada.

Des Moines: A Whole Other Secret Garden

With its revelatory production of Rappaccini’s Daughter performed outdoors in the city’s refurbished Botanical Gardens, Des Moines Metro Opera has unlocked the gate to a mysterious, challenging landscape of musical delights.


OPERA TODAY ARCHIVES »

Performances

Kristine Opolais as Manon Lescaut and Jonas Kaufmann as Il Cavaliere Renato des Grieux [Photo courtesy of Bayerische Staatsoper]
01 Aug 2015

Manon Lescaut, Munich

Puccini’s Manon Lescaut at the Bayerische Staatsoper, Munich. Some will scream in rage but in its austerity it reaches to the heart of the opera.  »

Recently in Performances

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29 Oct 2010

New York Festival of Song

“Don’t I have the coolest job in the world?” said Steven Blier.  »

28 Oct 2010

Kafka at the Opera: Bartlett Sher’s Production of Hoffmann at the Met

We all come to the opera for different things. To escape, to elevate, to laugh, to cry, or perhaps because someone else bought the tickets.  »

27 Oct 2010

Piotr Beczala: Roméo et Juliette, Royal Opera

Charles Gounod’s Roméo et Juliette is almost more musical than opera. Everyone knows the story, and it would be hard to compete with Shakespeare. Gounod wisely focused on music, rather than drama. »

24 Oct 2010

Boris Godunov, Metropolitan Opera

The last curtain call at the opera usually goes to the title character, the star of the work just performed. At the end of the Met’s new Boris Godunov, the calls begin with a solo call for the title character, René Pape as Boris, and conclude with one for the Metropolitan Opera Chorus all by themselves.  »

24 Oct 2010

Gilbert and Sullivan opens Arizona Opera

On 16 October 2010 in Tucson, Arizona Opera opened it’s 2010-2011 season with an operetta, The Pirates of Penzance, by W. S. Gilbert and Arthur Sullivan.  »

24 Oct 2010

Divas and Divos Concert, Manitoba

It’s every opera director’s nightmare.  »

24 Oct 2010

Jerry Springer, The Opera in San Francisco

The fall opera season in San Francisco has been dealt a wild card — Jerry Springer, The Opera! Not exactly material for SF’s august opera company . . . »

24 Oct 2010

Il Postino at Los Angeles Opera

An American opera house premieres a new work by a Mexico-born composer, to his own libretto in Spanish based on a film in Italian by an English director about an unlikely friendship the Chilean poet Pablo Neruda found when in exile on a small Italian island. »

24 Oct 2010

La Bohème, ENO

ENO clearly expect high returns from Jonathan Miller’s La Bohème.  »

24 Oct 2010

Paris: La Saison a Commencé

Paris Opéra’s L’Italiana in Algeri had a lot going for it, including a star mezzo in her local debut, so why was I resistant to its merits?  »

21 Oct 2010

Rameau’s Zéphyre, New York

In sports they say, “Winning isn’t the most important thing—it’s the only thing.” In the theater, getting the show on the boards out front is the key.  »

16 Oct 2010

Jephtha, New York

Jephtha was Handel’s last work — he went blind while composing it, noting this on the manuscript, and though he lived another seven years, did not deign to dictate new music.  »

16 Oct 2010

Rigoletto at Covent Garden

Dame Joan Sutherland, ‘La Stupenda’, sang her first Gilda at Covent Garden in 1957 under the baton of Sir Edward Downes, and sang the role many times and to great acclaim on the ROH stage.  »

13 Oct 2010

Verdi’s Macbeth in a New Production at Lyric Opera of Chicago

A successful production of Verdi’s Macbeth relies not only on incisive vocal characterization as projected by Macbeth and Lady Macbeth but also on the interaction of these lead figures in order to vivify their descent into a world of destruction.  »

13 Oct 2010

Salome at the Washington National Opera

With its playbill half-empty, its general director Placido Domingo resigning, and the talk of a takeover by the Kennedy Center, Washington National Opera is in a dire need of good news this season. »

12 Oct 2010

Promised End — English Touring Opera

In the final scene of Shakespeare’s King Lear, faced with the dreadful sight of the distraught Lear cradling in his arms the body of his dead daughter Cordelia, the Earl of Kent asks: “Is this the promised end?”  »

11 Oct 2010

The Other ‘Marriage of Figaro’

The opening night of Rossini’s The Barber of Seville, in Rome in 1816, was violently disrupted by vociferous protests from supporters loyal to Paisiello, whose own comic interpretation of Beaumarchais’ politically-charged play had appeared in 1782.  »

10 Oct 2010

Technicolour Radamisto at ENO

Handel’s Radamisto came to the ENO at the Coliseum in glorious technicolour.  »

08 Oct 2010

El Gato con Botas: Gotham Chamber Opera

Haven’t you always secretly felt that singers who reach for high notes (and make them) ought to levitate and maintain themselves in mid-air when they do it?  »

08 Oct 2010

Das Rheingold, Metropolitan Opera

It will be no surprise to me, a year or five from now, when someone falls to her or his death from the guy-wires that configure so much of Robert Lepage’s new state-of-the-art (ah! But which art?) production of Der Ring des Nibelung.  »

07 Oct 2010

Bizet Les Pêcheurs de Perles - Royal Opera House

Bizet’s Les Pêcheurs de Perles is notoriously hard to stage. Because the plot’s so grandiose, the imagination works overtime, dwarfing the music, making it seem puny in comparison. There’s a lot to be said in favour of concert performances because they shift the balance back to Bizet. »

29 Sep 2010

Faust by ENO

Perhaps because the rather stolidly Victorian character of both its music and its morality, Gounod’s Faust has been out of fashion in the UK in recent decades, and owes a debt to David McVicar and his darkly Gothic production for the Royal Opera in 2004 (now, at last, available on DVD) for the restoration of its footing in the standard repertoire. »

28 Sep 2010

Orpheo ed Eurydice in Minnesota

Minnesota Opera pulled out all the stops for its 2010-2011 season with its production of Gluck’s Orpheo ed Eurydice.  »

27 Sep 2010

Tristan und Isolde at Royal Festival Hall

Almost irrespective of the results, it was quite a statement to open the Philharmonia’s London concert season with a performance of Nietzsche’s ‘opus metaphysicum of all true art,’ Tristan und Isolde.  »

26 Sep 2010

Niobe, Regina di Tebe, Royal Opera

The Royal Opera is hardly renowned for its commitment to baroque opera, and even the great Handel still gets short shrift in his adopted city’s major house.  »

23 Sep 2010

The Makropulos Case at ENO

In their programme note, Christopher Alden and Peter Littlefield explain the concept which informs this dark, dystopian production of Janáček’s penultimate opera, The Makropulos Case — a production first seen at ENO in 2004: »

20 Sep 2010

An experience In the Penal Colony

Kafka's In the Penal Colony set as an opera by Philip Glass? Against all expectations, it was a powerful and deeply moving experience.  »

19 Sep 2010

Un ballo in maschera at the Washington National Opera

Verdi’s 1859 hit Un ballo in maschera is an inspired choice to open an operatic season.  »

16 Sep 2010

Hugo Wolf’s Spanisches Liederbuch at Wigmore Hall

In this recital of thirty-four songs selected from Hugo Wolf’s Spanisches Liederbuch, Ian Bostridge and Angelika Kirchschlager revealed the profound emotional intensity of Wolf’s art; the concentrated ardour of their performance intimated the heightened passion and expressive angst which, as well as driving Wolf’s creative spirit, also led to persistent depression and resulted in insanity and finally death in mental asylum at the age of 42. »

15 Sep 2010

Don Pasquale at the Royal Opera House

This show, a revival of Jonathan Miller’s 2004 production (first seen at the Maggio Musicale in Florence) is certainly a feast for the eyes.  »

14 Sep 2010

Bayreuth’s Lohengrin: A ‘Rat’-ical Re-‘tail’-ing

It doesn’t take long for the summer’s new Lohengrin to reveal its entire bag of tricks as a large chorus of rats (yes, the chorus-as-rodents) scurries on at curtain-rise into the white science laboratory setting. »

13 Sep 2010

Così fan tutte, Royal Opera House

Everyone loves Mozart. The Royal Opera House's 2010-2011 season began with Così fan tutte, and simultaneous live international broadcast.  »

08 Sep 2010

Unique Rigoletto live from Mantua

Realism never comes more authentic than this RAI Rigoletto filmed live on location in Mantua, Italy and broadcast simultaneously in 148 countries..  »

01 Sep 2010

Englebert Humperdinck: Hansel und Gretel — BBC Prom 61

The annual visit of Glyndebourne Opera to the BBC Proms has become an eagerly awaited event.  »

24 Aug 2010

Aspen makes Corigliano’s Ghosts classic

When it debuted at the Met in 1991 John Corigliano’s overwrought and somewhat all-too comic Ghosts of Versailles was praised largely as a vehicle for the long-celebrated artistry of Teresa Stratas and Marilyn Horne. »

24 Aug 2010

Glimmerglass Rarities Out-Score Hall of Famer

To frame it in nearby-Cooperstown sports metaphors, the enterprising Glimmerglass Opera scored two decisive ‘home runs,’ and a decent enough ‘single’ in its 2010 Festival season.  »

24 Aug 2010

Sigismondo, La Cenerentola, Demetrio e Polibio at Pesaro

The fourteen year old Rossini composed his first opera Demetrio e Polibio in 1806 though it was not performed for another six years.  »

18 Aug 2010

Mozart and Rossini Finales at Grant Park, Chicago

During a recent concert at the Grant Park Music Festival, held on this occasion in the adjacent Harris Theater, members of the Ryan Opera Center of Lyric Opera of Chicago presented ensembles from four operas, two each by Mozart and by Rossini.  »

15 Aug 2010

Tales of Hoffmann at Santa Fe

The performances of Jacques Offenbach’s The Tales of Hoffmann at Santa Fe Opera this summer are based on Michael Kaye’s edition of the score.  »

15 Aug 2010

Tristan in Seattle

Seattle, the city of software and Starbucks, is also a summer site for serious Wagnerites.  »

15 Aug 2010

To Loxford with Love

There was a time when the works of Benjamin Britten, one of the 20th-Century’s supreme composers, were not welcome at Santa Fe Opera. »

15 Aug 2010

Michael Christie conducts Corigliano in Aspen

Michael Christie, now 34, was too young to see John Corigliano’s Ghosts of Versailles when it was new at the Metropolitan Opera in 1991.  »

11 Aug 2010

Rossini’s Mosè in Egitto at Chicago Opera Theater

Although productions of Gioachino Rossini’s Mosè in Egitto are infrequent, the lively debate on successive versions of the work has generally led to questions of priority and to informative discussions on performance history.  »

10 Aug 2010

Middle Ages Next to Come

According to Paulus Diaconus’ Historia Langobardorum, both Lombard sovereigns warring for supremacy in late 7th-century Italy — the legitimate king Perctarit and Grimuald the usurper — behaved rather fairly to each other and their families.  »

06 Aug 2010

Prom 21 — Berlioz and Wagner

Period instruments and nineteenth-century grand opera are seldom found on the same stage — or even the same sentence — but as adventurous practitioners increasingly experiment in the repertoire of the late-nineteenth and early-twentieth centuries, it’s a sight and sound that will inevitably become more familiar. »

02 Aug 2010

Der Ferne Klang, Bard College

Franz Schreker, born in 1878, was a youth in the age in which psychoanalysis first bloomed. In music, far from coincidentally, it was the post-Wagnerian era when western tonality had been liberated from traditional rules but was uncertain which new path to take.  »

01 Aug 2010

Maria di Rohan at Caramoor

Maria di Rohan was Donizetti’s penultimate opera, composed in Italian for Vienna in 1843, with revisions to appeal to the taste of Paris and Milan following.  »

26 Jul 2010

Santa Fe’s Mixed Dreams

Fairy Tales are often short on character, motivation and development. The stock figures are either good or bad, they are usually archetypal, and stand not only for themselves but larger dimensions of humanity.  »