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Elsewhere

Jac van Steen in Conversation

Last year’s Strauss anniversary year — 150 years since his birth — offered, at least in the United Kingdom, a typical number of opportunities and frustrations.

Donizetti Poliuto, Glyndebourne

Donizetti Poliuto at Glyndebourne could well become one of of the great Glyndebourne classics. It makes a powerful case for the opera, and also for Glyndebourne's artistic vision. Poliuto isn't standard repertoire - it's nothing like L'elisir d'amore - but this brilliant production and performances show what a powerful work it is

Jonathan Dove’s Flight, Opera Holland Park

On 6 June, Jonathan Dove’s Flight touches down in Kensington, west London. Opera Holland Park is to stage the first London production of Dove’s operatic presentation of the real-life story of Mehran Karimi Nasseri, the Iranian exile who, lacking residency rights or refugee status, was forced to live in the departure lounge of Terminal One at Charles de Gaulle Airport for 18 years.

Pacific Opera Project Presents Ariadne auf Naxos

Pacific Opera Project, a small Los Angeles company, presented a production of Richard Strauss's Ariadne auf Naxos at the Ebell Club with an excellent group of young singers at the beginning of what should be good careers.

Varispeed pushes the possibilities of opera forward with Robert Ashley’s Crash

Six people, dressed in ordinary clothing, sitting in a row at desks adorned only with microphones and glasses of water, and talking for ninety minutes: is it opera?

Rising Stars in Concert, Lyric Opera of Chicago

The spring concert of Rising Stars in Concert, sponsored by and featuring current members of the Patrick G. and Shirley W. Ryan Opera Center at Lyric Opera of Chicago, showcased a number of talents that will no doubt continue to grace the stages of the world’s operatic theaters.

The Singers Sparkle in New York Opera Exchange’s Carmen

New York Opera Exchange’s production of Carmen from May 8th to 10th highlighted that which opera devotees have been saying for years: Opera, far from being dead, is vibrant and evolving.

‘Where’er You Walk’: Handel’s Favourite Tenor

I have sometimes lamented the preference of Ian Page’s Classical Opera for concert performances and recordings over staged productions, albeit that their renditions of eighteenth-century operas and vocal works are unfailingly stylish, illuminating and supported by worthy research.

The Pirates of Penzance, ENO

Topsy Turvy, Mike Leigh’s 1999 film starring Timothy Spall and Jim Broadbent, dramatized the fraught working relationship of William Gilbert and Arthur Sullivan; it won four Oscar nominations (garnering two Academy Awards, for costume and make-up) and is a wonderful exploration of the creative process of bringing a theatrical work to life.

Manitoba Opera: Turandot

There’s little doubt that Puccini’s Turandot is a flawed, illogical fairytale. Yet it continues to resonate today with its undying “love shall conquer all” ethos, where even the most heinous crimes may be forgiven by that which makes the world go ‘round.

Mariachi Opera El Pasado Nunca se Termina Comes to San Diego

On April 25, 2015, San Diego Opera presented it’s second Mariachi opera: El Pasado Nunca se Termina (The Past is Never Finished) by Jose “Pepe” Martinez, Leonard Foglia and Mariachi Vargas de Tecalitlán.

Antonio Pappano: Royal Opera House Orchestral Concerts

Ambition achieved! Antonio Pappano brought the Orchestra of the Royal Opera House out of the pit and onto the stage, the centre of attention in their own right.

Bedřich Smetana: Dalibor, Barbican Hall

Jiří Bělohlávek’s annual Czech opera series at the Barbican, London, with the BBC SO continued with Bedřich Smetana’s Dalibor.

Orlando Explores Art Without Boundaries

R.B. Schlather’s production of Handel’s Orlando asks the enigmatic question: Where do the boundaries of performance art begin, and where do they end?

The Virtues of Things

A good number of recent shorter operas, particularly those performed in this country, made a stronger impression with their libretti than their scores.

Król Roger, Royal Opera

It has taken almost 89 years for Karol Szymanowski’s Król Roger to reach the stage of Covent Garden.

San Diego Opera Celebrates 50 Years of Great Singing

San Diego Opera, the company that General Manager Ian Campbell had scheduled for demolition, proved that it is alive and singing as beautifully as ever. Its 2015 season was cut back slightly and management has become a bit leaner, but the company celebrated its fiftieth season in fine style with a concert that included many of the greatest arias ever written.

Hercules vs Vampires: Film Becomes Opera!

In the early sixties, Italian film director Mario Bava was making pictures with male body builders whose well oiled physiques appeared spectacular on the screen.

Kathleen Ferrier Awards, Wigmore Hall

Kathleen Ferrier may have been one of the world’s finest contraltos but this year’s Kathleen Ferrier Awards Final, held at the Wigmore Hall, was all about lyric sopranos.

Green: Mélodies françaises sur des poèmes de Verlaine

Philippe Jaroussky lends poetry and poise to the sounds of nineteenth- and twentieth-century France


OPERA TODAY ARCHIVES »

Performances

22 May 2015

Donizetti Poliuto, Glyndebourne

Donizetti Poliuto at Glyndebourne could well become one of of the great Glyndebourne classics. It makes a powerful case for the opera, and also for Glyndebourne's artistic vision. Poliuto isn't standard repertoire - it's nothing like L'elisir d'amore - but this brilliant production and performances show what a powerful work it is »

Recently in Performances

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15 Oct 2009

Aida at the MET

Noblesse oblige: The Met feels it must present Aida — and Tosca — and La Bohème — and certain other gaudy spectacles — because it’s the Met and everyone expects the grandest of the grand.  »

13 Oct 2009

Abduction from the Seraglio in San Francisco

Some of the more memorable achievements of San Francisco Opera occurred in the brief life-span of its Spring Opera season, 1961-1981. »

13 Oct 2009

Turandot at ENO

A writer goes to dine in an urban Chinese restaurant, where his eye is caught by a distressed young woman among the crowd of diners.  »

13 Oct 2009

‘10 for 10’ recital gets 10 out of 10 for performance and audience

The Wigmore Hall never stands still: not content with having increased its audience by 300% over the past year, it now seeks both to reward its loyal patrons for their support in acquiring the Lease, and to bring in new audience members, with an innovative series of ten concerts where all the seats are priced at £10. »

13 Oct 2009

Il Barbiere di Siviglia at the MET

Bartlett Sher’s production of Il Barbiere di Siviglia has proved one of the more admired stagings of the Peter Gelb regime, but I’ve avoided it due to a surfeit of Barbieres and to fond memories of the John Cox production on Robin Wagner’s delicious turntable set, about as ideal a Barbiere as could be imagined.  »

11 Oct 2009

Wozzeck in designer khaki : Salonen and Keenlyside in London

In the opera house, stagings can impress by gorgeous sets and costumes. But in semi-staged performances, there's no where to hide behind. Semi-staging tests whether a director understands the music and what its dramatic soul might be. In dramaturgy, less is more.  »

11 Oct 2009

Don Carlo at Covent Garden

The full five-act version of Verdi’s historical epic, Don Carlo, makes for a long evening, but thanks to some fine singing and to the driving sweep of the baton of Semyon Bychkov this four-and-a-half hour performance raced by.  »

11 Oct 2009

Rigoletto at ENO

There is something quote refreshing about the fact that a staging as characterful as Jonathan Miller's 27-year-old “New York Mafia” Rigoletto is the nearest thing to a warhorse that ENO has in its repertoire.  »

11 Oct 2009

Il trittico in San Francisco

In the otherwise silent sixteen years between La fanciulla del west (1910) and Turandot (1926) Puccini had a flirtation with operetta, La rondine (1917) and with the quick and easy drama of the short story in his three one-acts, Il trittico (1918), composed as a one-evening cycle. »

11 Oct 2009

Orfeo at La Scala

Robert Wilson staged Salome at La Scala in 1987, installing a troop of student actors on the stage to enact some sort of abstract action flow that had no discernible relationship to the Salome libretto, meanwhile sung by concert dressed opera stars huddled on a corner of the stage.  »

11 Oct 2009

Los Angeles “Ring” continues to amaze

It’s three down and one to go in the first-ever staging of Richard Wagner’s Ring des Nibelungen at Los Angeles Opera. Following the premiere of Siegfried, the third installment of this epic work of music theater, it’s clear that director/designer Achim Freyer is a hands-down winner. »

09 Oct 2009

Tosca at the MET

In the end the performance does not rescue the dreary new production — still, the reason to visit the Met’s new Tosca is Karita Mattila’s bravura if wrongheaded interpretation of the title role. »

06 Oct 2009

Imogen Cooper's Birthday at the Wigmore Hall

This wasn't an ordinary concert but something very special. The Wigmore Hall was honouring Imogen Cooper on her 60th birthday. She is greatly loved here, both as soloist and as partner in song recitals. The atmosphere was electric. The house was packed, with many famous pianists and singers in the audience. It was a historic occasion, but it felt like a party among friends. »

04 Oct 2009

Il trovatore in San Francisco

SFO general director David Gockley has a mania for developing new audiences — last year The Bonesetter’s Daughter was aimed at enticing the Asian American community into the opera house, and Porgy and Bess encouraged the African American community to cross the threshold.  »

03 Oct 2009

Tristan und Isolde more rooted in tradition than meets the eye

Over 100 years ago, Adolphe Appia sketched designs for Tristan und Isolde that have influenced theatre design from Alfred Roller to Wieland Wagner. Appia's vision came to life on stage at the Royal Opera House this week. This new production has far deeper roots in tradition than its detractors realize.  »

30 Sep 2009

San Francisco Opera: Puccini's Il Trittico and Verdi's Il Trovatore

The complexity of staging Puccini's evening of three one-act operas, Il Trittico, has kept this masterpiece from appearing on opera stages as frequently as, say, Turandot or Tosca.  »

24 Sep 2009

Incomparable Schubert — Goerne at the Wigmore Hall Part 2

This programme of mostly solemn, elevated music based around songs on such themes as Evening, Death and Immutability was part of Matthias Goerne’s ‘Journey with Schubert’ during which he is recording the songs on eleven CDs and presenting the series in recitals all over the world. If the singing on this occasion is anything to go by, these recordings are set to become the standard to which other singers should aspire. »

20 Sep 2009

Goerne sings Schubert at the Wigmore Hall

When Matthias Goerne sings, it’s never superficial. Lieder is a genre that needs almost as much engagement from listeners as from performers. “It's like a church in there”, someone said to me about the Wigmore Hall. “They’re really listening”.  »

20 Sep 2009

Die schöne Müllerin by Mark Padmore, Wigmore Hall

Schubert’s first song-cycle is a perfect choice with which to open a new concert season, and the Wigmore Hall was packed on Friday evening in anticipation of this recital by tenor Mark Padmore, much admired for the focus and concentration of his ‘story-telling’, and Paul Lewis, one of the most expressive and poetic of pianists today. »

20 Sep 2009

Haydn’s Le pescatrici at Bampton Classical Opera

Bampton Classical Opera have two areas of specialism: little-known gems of the late eighteenth-century and ‘opera in adversity’.  »

20 Sep 2009

Humour and horror — Ligeti's Le Grand Macabre at the ENO, London

A massive female figure fills the whole stage at the ENO for Ligeti's Le Grand Macabre, in this amazing production from La Fura del Bas. (Alex Ollé). This production is so inherently dramatic that it brings Ligeti's "anti-opera" onto a new level as theatre.art. .  »

15 Sep 2009

Return to the Origins — Chamber Opera in Crisis Times

Chamber opera is coming back after a period when it appeared to be confined to experimental works.  »

15 Sep 2009

Wigmore Hall Song Competition

‘It’s a personal choice’ / ‘Of course he won - he was the only one who sang songs’ / ‘I’ll be happy if anyone but the first one wins’ (he won) / ‘There’s only one possible choice - the third one’ (he came second) »

06 Sep 2009

Christof Loy speaks about the new Tristan und Isolde at the Royal Opera House, London.

“Opera has so much to give” says Christof Loy, whose new production of Tristan und Isoldeopens at the Royal Opera House on 29th September. This opera is so familiar that everyone assumes they know it. But Loy’s approach involves going straight back to the score, and to the inherent drama in the music. “I don’t like superficial distractions". »

06 Sep 2009

Aspen stages a Don to die for

“Can it be?”“It can’t!”“But it is; he looks just like him…” »

06 Sep 2009

Mahler and Ligeti at the Proms?

On the surface, the theme of this Prom seemed to be Sci Fi movies at the Proms. Both Ligeti's Atmosphères and Richard Strauss's Also sprach Zarathustra became huge hits when Stanley Kubrick used them in 2001 : A Space Odyssey. So how did Mahler's *Kindertotenlieder* fit in ?  »

06 Sep 2009

Bayreuth: Multi-layered, Profound "Parsifal"

The Wagner Festspiel loves to provoke. »

06 Sep 2009

Seattle humanizes Wagner’s Ring

In 2001, when Seattle Opera completed its current production of Wagner’s Ring des Nibelungen, it seemed the company had taken a step backward. In appearance the new Ring — the third full SO staging since Glynn Ross set out to make the city the American counterpart to Germany’s Bayreuth — was traditional.  »

06 Sep 2009

The Dream of Gerontius: Grant Park Music Festival, Chicago

For the eighteenth program of its seventy-fifth anniversary season the Grant Park Music Festival under the direction of its principal conductor Carlos Kalmar gave two performances of Sir Edward Elgar’s monumental oratorio for soloists, chorus, and orchestra, The Dream of Gerontius.  »

30 Aug 2009

Central City Opera 2009

Central City stages luminous Lucia There’s the sextet, the greatest “hit” in all of opera when Caruso was in the cast, and there’s the “Mad Scene,” that exercise in vocal acrobatics that brought new glory to bel canto when the opera was new in Naples in 1835.  »

30 Aug 2009

Fidelio at the Proms

Fidelio is not just any opera. But then, Beethoven is not just any composer. His only opera — unless one counts Leonore as a work in itself — confounds bureaucratic expectations.  »

30 Aug 2009

Manon Lescaut at the Festival Puccini di Torre del Lago

Each year, the tiny Tuscan village Torre del Lago hosts a festival dedicated to its favorite son, Giacomo Puccini. This year’s Puccini Festival (10 July - 30 August) featured a “new” Manon Lescaut (a co-production with Opera del Nice Theater), its premiere garnering standing ovations for Marcello Giordani and Martina Serafin and accolades for Alberto Veronesi, the artistic director of the Festival.  »

30 Aug 2009

Louis Andriessen De Staat at the Proms

De Staat is a seminally important work. So much modern music stems from it, not only “serious” classical music but progressive popular music too. It “is” music theatre, for it’s designed to be experienced live, the visual effect part of the action. »

23 Aug 2009

Zelmira in Pesaro

August is when Italians immerse themselves in the primal soup of all life. Hordes swarm to the Mediterranean shores and multitudes arrive in Pesaro on the Adriatic, where just then crowds of Rossinians from around the world arrive to partake of their primal operatic soup.  »

23 Aug 2009

Stars Shine at Glimmerglass

Everyone once in a while, we veteran opera-goers are privileged to see a promising artist give a break-out performance that announces a giant step forward into major stardom.  »

17 Aug 2009

Mozart and Gluck — Mixed Results at Santa Fe

It is never easy to revive a success. Audiences will remember the first run of a show and consciously or not, compare a revival with earlier favorable impressions.  »

17 Aug 2009

Sir Harrison Birtwistle: Mask of Orpheus at the Proms

What drives Harrison Birtwistle to Greek myth? Orpheus is a primal archetype. When he played his lyre he tamed wild beasts and made mountains move. But he suffered. He journeyed into Hades but could not bring Eurydice, his beloved, back to life. In some versions of the myth, his talent enraged the jealous who tore him apart. Yet even then, his head remained intact, still singing. He symbolizes the power of music, and the fate of an artist.  »