Subscribe to
Opera Today

Receive articles and news via RSS feeds or email subscription.


facebook-icon.png


twitter_logo[1].gif



Plumbago_9780993198359_1.png

9780521746472.png

0810888688.gif

0810882728.gif

Elsewhere

Médée in Salzburg

Though Luigi Cherubini long outlived the carnage of the French Revolution his 1797 opéra comique [with spoken dialogue] Médée fell well within the “horror opera” genre that responded to the spirit of its time. These days however Médée is but an esoteric and extremely challenging late addition to the international repertory.

Queen: A Royal Jewel at Glimmerglass

Tchaikovsky’s grand opera The Queen of Spades might seem an unlikely fit for the multi-purpose room of the Pavilion on the Glimmerglass campus but that qualm would fail to reckon with the superior creative gifts of the production team at this prestigious festival.

Blue Diversifies Glimmerglass Fare

Glimmerglass Festival has commendably taken on a potent social theme in producing the World Premiere of composer Jeanine Tesori and librettist Tazewell Thompson’s Blue.

Vibrant Versailles Dazzles In Upstate New York

From the shimmering first sounds and alluring opening visual effects of Glimmerglass Festival’s The Ghosts of Versailles, it was apparent that we were in for an evening of aural and theatrical splendors worthy of its namesake palace.

Gilda: “G for glorious”

For months we were threatened with a “feminist take” on Verdi’s boiling 1851 melodrama; the program essay was a classic mashup of contemporary psychobabble perfectly captured in its all-caps headline: DESTRUCTIVE PARENTS, TOXIC MASCULINITY, AND BAD DECISIONS.

Simon Boccanegra in Salzburg

It’s an inescapable reference. Among the myriad "Viva Genova!" tweets the Genovese populace shared celebrating its new doge, the pirate Simon Boccanegra, one stood out — “Make Genoa Great Again!” A hell of a mess ensued for years and years and the drinking water was poisonous as well.

Rigoletto at Macerata Opera Festival

In this era of operatic globalization, I don’t recall ever attending a summer opera festival where no one around me uttered a single word of spoken English all night. Yet I recently had this experience at the Macerata Opera Festival. This festival is not only a pure Italian experience, in the best sense, but one of the undiscovered gems of the European summer season.

BBC Prom 37: A transcendent L’enfance du Christ at the Albert Hall

Notwithstanding the cancellation of Dame Sarah Connolly and Sir Mark Elder, due to ill health, and an inconsiderate audience in moments of heightened emotion, this performance was an unequivocal joy, wonderfully paced and marked by first class accounts from four soloists and orchestral playing from the Hallé that was the last word in refinement.

Tannhäuser at Bayreuth

Stage director Tobias Kratzer sorely tempts destruction in his Bayreuth deconstruction of Wagner’s delicate Tannhäuser, though he was soundly thwarted at the third performance by conductor Christian Thielemann pinch hitting for Valery Gergiev.

Opera in the Quarry: Die Zauberflöte at St Margarethen near Eisenstadt, Austria

Oper im Steinbruch (Opera in the Quarry) presents opera in the 2000 quarry at St Margarethen near Eisenstadt in Austria. Opera has been performed there since the late 1990s, but there was no opera last year and this year is the first under the new artistic director Daniel Serafin, himself a former singer but with a degree in business administration and something of a minor Austrian celebrity as he has been on the country's equivalent of Strictly Come Dancing twice.

BBC Prom 39: Sea Pictures from the BBC National Orchestra of Wales

Sea Pictures: both the name of Elgar’s five-song cycle for contralto and orchestra, performed at this BBC Prom by Catriona Morison, winner of the Cardiff Singer of the World Main Prize in 2017, and a fitting title for this whole concert by the BBC National Orchestra of Wales conducted by Elim Chan, which juxtaposed a first half of songs of the sea, fair and fraught, with, post-interval, compositions inspired by paintings.

Odyssey Opera Resurrects Henry VIII

BOSTON, MA (For Release 07.18.19) — One of the nation’s most adventurous opera companies, Odyssey Opera, begins its seventh season with a concert performance of Henry VIII (1883) by French composer Camille Saint-Saëns based on El cisma en Inglaterra (The schism in England) by Pedro Calderón de la Barca.

BBC Prom 32: DiDonato spellbinds in Berlioz and the NYO of the USA magnificently scales Strauss

As much as the Proms strives to stand above the events of its time, that doesn’t mean the musicians, conductors or composers who perform there should necessarily do so.

Get Into Opera with this charming, rural L'elisir

Site-specific operas are commonplace these days, but at The Octagon Barn in Norwich, Genevieve Raghu, founder and Artistic Director of Into Opera, contrived to make a site persuasively opera-specific.

A disappointing Prom from Nathalie Stutzmann and BBCNOW

Nathalie Stutzmann really is an impressive conductor. The sheer elegance she brings to her formidable technique, the effortless drive towards making much of the music she conducts sound so passionate and the ability to shock us into hearing something quite new in music we think we know is really rather refreshing. Why then did this Prom sometimes feel weary, even disappointing at times?

Sandrine Piau: Si j’ai aimé

Sandrine Piau and Le Concert de la Loge (Julien Chauvin), Si j’ai aimé, an eclectic collection of mélodies demonstrating the riches of French orchestral song. Berlioz, Duparc and Massenet are included, but also Saint-Saëns, Charles Bordes, Gabriel Pierné, Théodore Dubois, Louis Vierne and Benjamin Godard.

Merola’s Striking If I Were You

Jake Heggie and Gene Scheer have become an indispensable presence in the contemporary opera world, and their latest premiere, If I Were You, found the duo at the very top of their game.

The Thirteenth Child: When She Was Good…

Santa Fe Opera continues its remarkable record for producing World (and American) Premieres with The Thirteenth Child, music by Poul Ruders, libretto by Becky and David Starobin.

The Sopranos at Tanglewood

Among classical music lovers, Wagner inspires equal measures of devotion and disdain. Some travel far and sit for hours to hear his operas live. Others eschew them completely.

Agrippina at the Bavarian State Opera

And still they come. The opera world’s obsession with Handel’s operas shows no sign of abating. The Bavarian State Opera has, since Peter Jonas’s Intendancy, stood at the forefront of Handel staging; this new production of Agrippina was dedicated to him. As ever, I was pleased to see one of these operas for the first time in the theatre – how could I not be pleased to see almost anything in Munich’s wonderful Prinzregententheater – but again, as ever, I was left unable ever quite to put to one side the dramaturgical difficulties/problems/flaws/inadequacies. (Call them what you will.)


OPERA TODAY ARCHIVES »

Performances

Elena Stikhina as Médée [All photos copyright Salzburger Festspiele / Thomas Aurin]
20 Aug 2019

Médée in Salzburg

Though Luigi Cherubini long outlived the carnage of the French Revolution his 1797 opéra comique [with spoken dialogue] Médée fell well within the “horror opera” genre that responded to the spirit of its time. These days however Médée is but an esoteric and extremely challenging late addition to the international repertory.  »

Recently in Performances

All Pages |  1  |  2  |  3  |  4  |  5  |  6  |  7  |  8  |  9  |  10  |  11  |  12  |  13  |  14  |  15  |  16  |  17  |  18  |  19  |  20  |  21  |  22  |  23  |  24  |  25  |  26  |  27  |  28  |  29  |  30  |  31  |  32  |  33  |  34  |  35  |  36  |  37  |  38  |  39  |  40  |  41  |  42  |  43  |  44  |  45  |  46  |  47  |  48  |  49  |  50  |  51  |  52  |  53  |  54  |  55  |  56  |  57  |  58  |  59  |  60  |  61  |  62  |  63  |  64  |  65  |  66  |  67  |  68  |  69  |  70  |  71  |  72  |  73  |  74  |  75  |  76  |  77  |  78  |  79  |  80  |  81  |  82  |  83  |  84  |  85 
13 Jul 2008

A Brescian Butterfly and a bewildering Hoffman at Opera Theatre of Saint Louis

The disastrous 1904 La Scala premiere of Giacomo Puccini’s Madame Butterfly is one of those famous annals of opera which tend to leave today’s audiences perplexed about all the uproar. »

13 Jul 2008

Grant Park Music Festival: “20th-Century Masters.”

The concert “20th-Century Masters,” presented by the Grant Park Music Festival, Chicago on 27 and 28 June 2008 featured several pieces performed for the first time under the auspices of the Festival. »

06 Jul 2008

San Francisco Opera summer season, 2008

David Gockley heard the cries of many an opera fan that Pamela Rosenberg had denied them their 'stars,' so for his summer season, 2008, he brought them Natalie Dessay, Susan Graham, Ruth Ann Swenson, and Stefan Margita. »

06 Jul 2008

Unusual Fare at Opera Festival of St. Louis

My visit to two rarely mounted pieces at the Opera Festival of St. Louis brought to mind the little girl with the curl, for when it was good, it was very very good and when it was bad, it was, um. . .er. . . »

23 Jun 2008

Don Carlo at Royal Opera House

In the latter part of last year, the casting for Nicholas Hytner’s new production of Don Carlo — in the five-act Italian version — looked to be on shaky ground. »

23 Jun 2008

Don Giovanni. No, the other one

No one has ever called Gazzaniga’s Don Giovanni an overlooked masterpiece. »

22 Jun 2008

A rare treasure in Saint Louis. . .

Pink flamingos, sheep on wheels, and a queen crowned with giant antlers all inhabit the zany world of Opera Theatre of Saint Louis’s Una cosa rara, where the artificial 18th century pastoral commingles with cutesy country colors and 1950s yard art. »

15 Jun 2008

Plácido Domingo’s miraculous autumn

On the barren stage: a few chairs, a dark-gold hectoplasm projected on the wood panels of the acoustic chamber - nothing more. »

15 Jun 2008

See Venice and then die

For the belated Spanish premiere of Britten’s Death in Venice, 35 years after its creation in Aldeburgh, Barcelona seems a felicitous choice. »

09 Jun 2008

Star Power in Paris “Capuleti”

For Bellini’s “I Capuleti e i Montecchi,” Paris Opera peopled its revival with plenty of star power. »

09 Jun 2008

Opera with a human heart

When the Ringling Brothers folded their tents, opera took over. Aïda with elephants, and Walküre with real horses. »

09 Jun 2008

St. Francis in Amsterdam

It is a bit hard to know what to make of Olivier Messiaen’s colossal piece “Saint François d’Assise,” beautifully mounted by Netherlands Opera. »

08 Jun 2008

Zurich Has Malibran to Thank

If you are going to produce Jacques Fromental Halevy’s forgotten opera “Clari,” I urge you to first make sure you have a signature on the contact from a superstar with the firepower of Cecilia Bartoli. »

04 Jun 2008

Der Rosenkavalier at ENO

It is worth remembering that prior to the première of Strauss’s opera in 1911, the working title was ‘Ochs auf Lerchenau’. »

04 Jun 2008

Il Matrimonio Segreto in Brooklyn

Opera producers in quest of headlines, unable to make them from the limited number of Mozart operas available (all of them far too familiar) but equipped with the flood of attractive young singers trained to sing Mozart in conservatories (because singing Mozart does not harm young voices, and singing Verdi and Wagner before 30 — better yet, 40 — often will), sometimes turn to Mozart’s contemporary, Cimarosa, and his Il Matrimonio Segreto, to get attention. »

04 Jun 2008

Handel's Rodrigo — Ensemble San Felice, St John’s Smith Square, London

Handel’s Rodrigo, subtitled ‘Vincer se stesso è la maggior vittoria’ (Self-conquest is the greater victory) is one of the composer’s earliest operatic works, and rarely heard. »

28 May 2008

Tree-mendous in Chicago

Chicago Opera Theater scored a resounding success with its area premiere of John Adams’ newest stage piece, “A Flowering Tree.” »

28 May 2008

Revised Amistad makes its mark

Upon its premiere at Chicago’s Lyric Opera in 1997 Anthony Davis’ Amistad found little critical favor. Its undisciplined excesses led one writer to compare it to a high-school pageant. »

27 May 2008

Merry Widow at ENO

In these days of 'concept' productions, it is rare that the curtain goes up on the first act of an opera and it looks exactly as one might reasonably expect it to. »

27 May 2008

Masterpiece Masterfully Rendered in Toronto

I can still remember my first ever “Pelleas et Melisande” in my first ever outing at San Francisco Opera during my first ever visit to that beautiful town. »

25 May 2008

A Berlin Sampler

A recent visit to Berlin’s three opera houses yielded decidedly, nay wildly varying outcomes. »

15 May 2008

Gotham Chamber Opera: Ariadne Unhinged

The Gotham Chamber Opera has been delighting opera fans on the Lower East Side for seven years now, one small audience at a time. »

13 May 2008

Les Troyens in Boston

Thirty-six years after Sarah Caldwell and the Opera Company of Boston presented the first complete staged performances in the United States, Hector Berlioz’ Les Troyens returned to Boston in triumph in a series of concert performances presented by the Boston Symphony Orchestra under the baton of James Levine to close the BSO’s 2007-2008 season. »

13 May 2008

Ponnelle Clemenza remains a masterpiece

Opera companies should practice historic preservation, keeping certain productions forever in the repertory because of their quality and aesthetic value. »

13 May 2008

Nono's Prometeo at Royal Festival Hall

Prometeo is so radically different that it’s almost incomprehensible heard from preconceived assumptions of what music “ought” to be. »

12 May 2008

John Brown lives again in Kansas City

John Brown might have been a’mouldering in his grave since he was hanged in 1859, but he was resurrected — in body and spirit — on May 3, when the Lyric Opera of Kansas City staged the world premiere of Kirke Mechem’s John Brown. »

09 May 2008

Canada’s Brueggergosman makes the most of Mozart

When Toronto’s Opera Atelier asked her to sing Elettra in Mozart’s Idomeneo Measha Brueggergosman hesitated. »

09 May 2008

Fort Worth Opera Festival features “Angels in America”

In 2007 it was an experiment; now it’s a new summer festival firmly rooted in fertile Texas turf with a bright view of its second season and of the more distant future as well. »

07 May 2008

Die Entführung aus dem Serail

Die Entführung aus dem Serail is too light to be a grand opera, but it makes rather grander demands of its singers than operetta could possibly bear. »

06 May 2008

Punch & Judy at ENO

English National Opera’s production of Harrison Birtwistle’s ‘Punch and Judy’ is the company’s second collaboration with the Young Vic Theatre — following the premiere of Neuwirth’s ‘Lost Highway’ a few weeks earlier — and remarkably, also the second London production of this early Birtwistle work within a month, the previous one having been at the Linbury Studio Theatre, a collaboration between Music Theatre Wales and the Royal Opera. »

06 May 2008

The Collegiate Chorale: Jupiter in Argos

Over the years, one tried and true method of packing audiences in to the concerts of Robert Bass’s Collegiate Chorale has been to present concert opera with impressive soloists. »

04 May 2008

Ned Rorem's Our Town

Martha Graham used to say, “In order for there to be dance, there must be something that needs to be danced.” »

04 May 2008

La Fille du Régiment at the Met

When the Met presented La Fille du Régiment for Lily Pons during World War II, she sought permission to wave the Cross of Lorraine, symbol of Charles de Gaulle’s Free French, during the Salut à la France in Act II. »

04 May 2008

Minnesota Opera makes strong case for Rusalka’s greatness

Why does one so seldom encounter Dvořák’s Rusalka on stage? »

25 Apr 2008

Satyagraha at the MET

Satyagraha is an odd duck to encounter if you are seeking a traditional opera-going experience or anything like it. »

23 Apr 2008

Sarasota rises above the regional

Victor DeRenzi is a man of convictions — and of courage. Given his commitment to tradition, you might call DeRenzi, artistic director of Sarasota Opera since 1982, conservative. »

22 Apr 2008

A Cut Too Far…..the new Giulio Cesare in Lausanne

With what might (if one were risking facetiousness) be termed a “false-set” of four countertenors in the cast, this was always going to be an intriguing production of Handel’s Giulio Cesare for aficionados of a voice type which has revolutionised the perception (and popularity) of baroque opera over the past 15 years. »

21 Apr 2008

The Minotaur — Royal Opera, Covent Garden

Harrison Birtwistle’s new full-scale opera, commissioned by the Royal Opera House, Covent Garden, is a study of isolation and imprisonment. »

21 Apr 2008

OONY Performs Puccini's Edgar

It was one of Queler’s good nights. »

21 Apr 2008

Berlin’s “other” opera often stellar

It is, you might say, the little opera that can. True, if it’s size of the budget, the price of tickets and the number of seats that concerns you, the Komische Oper is clearly the third of Berlin’s opera houses. »

21 Apr 2008

(Mostly) Pretty Poison

What to make of "Lucrezia Borgia"? I have always felt that, some lovely arias notwithstanding, this Donizetti work never really gets going until the slam-bang soprano-baritone duet in Act II. »

09 Apr 2008

Prokofiev's The Gambler at the MET

That Fed Dostoevsky – sure plays a mean pinball! »

08 Apr 2008

Frankurt Opera — The Rape of Lucretia

Plainly put, Frankfurt Opera’s “The Rape of Lucretia” could be offered as a textbook example of just how great a performance can be when everything goes right. »

07 Apr 2008

Barenboim and Berlin — beauty and brilliance

BERLIN — Which car-rental agency was it that was once No. 2 and “trying harder?” »

06 Apr 2008

ANNA BOLENA – English Touring Opera

In a climate in which bel canto opera seems to be enjoying a steady and welcome revival, ETO opened their current season with a welcome production of Donizetti's historically dubious account of the latter days of Anne Boleyn. The company's... »

06 Apr 2008

SUSANNAH – English Touring Opera

The most interesting opera on ETO's Spring 2008 tour was Carlisle Floyd's 1950s tale of religious hypocrisy in the rural Deep South, based on the Apocryphal tale of Susannah and the Elders. »

06 Apr 2008

DON GIOVANNI – English Touring Opera

The last of the three operas on ETO's Spring 2008 tour was sung in English, and updated to a Spain of the mid-twentieth century under Franco. »

06 Apr 2008

San Diego Opera: Cavalleria Rusticana & Pagliacci

Opera companies often tout new productions as a major attraction of their seasons. »

23 Mar 2008

Lalo's Fiesque — University College Opera

UC Opera's reputation for showcasing rare large-scale works has been boosted this year with the UK premiere of this 1846 opera by Edouard Lalo after a Schiller play. »

17 Mar 2008

Frankfurt's Ship of Fools

As Anna Russell might say: "The three operas of Puccini's 'Il Trittico' take place on a luxury cruise liner. . . . . On it." »

17 Mar 2008

Heggie's "Last Acts"

Let me say up front that I like Jake Heggie's work. I feel he has a true gift for soaring and meaningful melody, a great ear for orchestral effects, a talent for picking good source material, and a knack for crafting affecting melodrama (in the best sense of that word) that can move an audience to tears. »