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Elsewhere

Jenůfa, ENO

The sharp angles and oddly tilting perspectives of Charles Edwards’ set for David Alden’s production of Jenůfa at ENO suggest a community resting precariously on the security and certainty of its customs, soon to slide from this precipice into social and moral anarchy.

The “Other” Marriage of Figaro in a West Village Townhouse

Last week an audience of 50 assembled in the kitchen of a luxurious West Village townhouse for a performance of Marriage of Figaro.

West Wind: A new song-cycle by Sally Beamish

In a recent article in BBC Music Magazine tenor James Gilchrist reflected on the reason why early-nineteenth-century England produced no corpus of art song to match the German lieder of Schumann, Schubert and others, despite the great flowering of English Romantic poetry during this period.

Interview with Star of Florencia en el Amazonas, Elizabeth Caballero

Lyric soprano Elizabeth Caballero’s signature role is Violetta in La traviata, which she portrays with a compelling interpretation, focused sound, and elegant coloratura that floats through the opera house as naturally as waves on the ocean.

Florencia en el Amazonas, NYCO

With the New York Premiere of Florencia en el Amazonas, the New York City Opera Steps Out of the Shadows of the Past

Idomeneo, re di Creta, Garsington

Opportunities to see Idomeneo are not so frequent as they might be, certainly not so frequent as they should be.

Don Carlo in San Francisco

Not merely Don Carlo, but the five-act Don Carlo in the 1886 Modena version! The welcomed esotericism of San Francisco Opera’s extraordinary spring season.

Jenůfa in San Francisco

The early summer San Francisco Opera season has the feel of a classy festival. There is an introduction of Spanish director Calixto Bieito to American audiences, a five-act Don Carlo and two awaited, inevitable role debuts, Karita Mattila as Kostelnička and Malin Bystrom as Janacek's Jenůfa.

Musings on the “American Ring

Now that the curtain has long fallen on the third and last performance of the Ring cycle at the Washington National Opera (WNO), it is safe to say that the long-anticipated production has been an unqualified success for the company, director Francesca Zambello, and conductor Philippe Auguin.

Nabucco, Covent Garden

Most of the attention during this revival of Daniele Abbado’s 2013 production of Nabucco has been directed at Plácido Domingo’s reprise of the title role, with the critical reception somewhat mixed.

Tristan, English National Opera

My first Tristan, indeed my first Wagner, in the theatre was ENO’s previous staging of the work, twenty years ago, in 1996. The experience, as it should, as it must, although this is alas far from a given, quite overwhelmed me.

The Cunning Little Vixen, Glyndebourne

Four years ago, almost to the day (13th to 12th), I saw Melly Still’s production of The Cunning Little Vixen during its first Glyndebourne run. I found myself surprised how much more warmly I responded to it this time.

London: A 90th birthday tribute to Horovitz

This recital celebrated both the work of the Park Lane Group, which has been supporting the careers of outstanding young artists for 60 years, and the 90th birthday of Joseph Horovitz, who was born in Vienna in 1926 and emigrated to England aged 12.

Opera Las Vegas: A Blazing Carmen in the Desert

Headed by General Director Luana DeVol, a world-renowned dramatic soprano, Opera Las Vegas is a relatively new company that presents opera with first-rate casts at the University of Las Vegas’s Judy Bayley Theater. In 2014 they presented Rossini’s The Barber of Seville and in 2015, Puccini’s Madama Butterfly. This year they offered a blazing rendition of Georges Bizet’s Carmen.

La bohème, Opera Holland Park

Ever since a friend was reported as having said he would like something in return for modern-dress Shakespeare (how quaint that term seems now, as if anyone would bat an eyelid!), namely an Elizabethan-dress staging of Look Back in Anger, I have been curious about the possibilities of ‘down-dating’, as I suppose we might call it. Rarely, if ever, do we see it, though.

Holland Festival: Alban Berg’s Wozzeck, Amsterdam

Leading a very muscular Dutch Radio Philharmonic, Principal Conductor Markus Stenz brilliantly delivered Alban Berg’s Wozzeck with a superb Florian Boesch in the lead and a mesmerising Asmik Grigorian as Marie his wife.

A Chat With Baritone Brian Mulligan

Maria Nockin interviews baritone Brian Mulligan.

Lalo: Complete Songs

Edouard Lalo (1823-92) is best known today for his instrumental works: the Symphonie espagnole (which is, despite the title, a five-movement violin concerto), the Symphony in G Minor, and perhaps some movements from his ballet Namouna, a scintillating work that the young Debussy adored.

Pietro Mascagni: Iris

There can’t be that many operas that start with an extended solo for double bass. At Holland Park, the eerie, angular melody for lone bass player which opens Pietro Mascagni’s Iris immediately unsettled the relaxed mood of the summer evening.

L’italiana in Algeri, Garsington Opera

George Souglides’ set for Will Tuckett’s new production of Rossini’s L’italiana in Algeri at Garsington would surely have delighted Liberace.


OPERA TODAY ARCHIVES »

Performances

27 Jun 2016

Jenůfa, ENO

The sharp angles and oddly tilting perspectives of Charles Edwards’ set for David Alden’s production of Jenůfa at ENO suggest a community resting precariously on the security and certainty of its customs, soon to slide from this precipice into social and moral anarchy.  »

Recently in Performances

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16 Aug 2007

Haydn’s L’Anima del Filosofo (Orfeo ed Eurydice) — A rare performance at Glimmerglass this summer, as part of their “Orpheus” 2007 Festival Season

On a cold winter’s day in Vienna, just before Christmas 1790, Mr. Haydn dined with Mr. Mozart for the last time. »

16 Aug 2007

Michael Maniaci Flies High as Orphée at Glimmerglass

The legend of Orpheus and Eurydice has come down through the centuries to us, on the way inspiring some sixty-four other known operas. »

16 Aug 2007

Monteverdi’s “L’Orfeo”, Glimmerglass 2007 — Slattery rises to Alden’s challenging concept

The first masterpiece in the history of opera. That’s a tall order to live up to for any company and for any band of singers, especially those at the beginning of their careers. »

13 Aug 2007

Così fan tutte Deconstructed

W. A. Mozart’s Così fan tutte, heard on a stormy night July 11, proved a sorry exercise in deconstruction, something I never expected to endure at Santa Fe Opera. »

12 Aug 2007

Bieito Does La Fanciulla del West at Staatsoper Stuttgart

Staatsoper Stuttgart presented its new production of The Girl of the Golden West, directed by Calixto Bieito. And, well, it began with an added dialogue scene to establish the “concept.” »

07 Jul 2007

Love and death among battlements

In 2003, at Cagli’s Accademia del Teatro, Elisabetta Courir directed a compelling Così fan tutte, minimalist, sophisticated and low-budget; quite unlike Daniele Abbado, whose Lohengrin for Bologna’s Teatro Comunale integrated “hard” scenery, video projections and historically informed costumes into a dream-like pageant. »

25 Jun 2007

San Francisco underscores complexity of “Rosenkavalier”

Just whose opera is “Der Rosenkavalier” anyway? The title — to begin with the obvious — says it’s youthful Octavian, pinpointing his role as the bearer of the rose that is to seal the marriage contract of Ochs and child-like Sophie. »

21 Jun 2007

Lully’s Psyché at Boston Early Music Festival

There’s not much point in presenting Lully’s Psyché (in its North American premiere no less) unless you’re going to give it something vaguely like the grandeur Louis XIV could command in 1678. »

19 Jun 2007

La Clemenza di Tito – English National Opera

An increasing lack of substance and imagination behind ENO’s season scheduling means that a revival of a theatrically impressive recent production of a repertoire piece is to be welcomed, especially when that production comes with a cast of superior calibre. »

18 Jun 2007

Leipzig Bachfest explores early opera

When opera is the subject, there’s an uneasy embarrassment at Leipzig’s annual 10-day Bach Festival, for opera is a genre that the city’s most famous musical son never embraced. »

17 Jun 2007

BRITTEN: Death in Venice

Two productions of Death in Venice within a month : one high budget and glamorous at the ENO and the other at Aldeburgh with a much more humble pedigree. »

11 Jun 2007

Italiana restored: Rossini’s afterthougts staged in Vicenza

Vicenza’s Teatro Olimpico, a jewel of Renaissance architecture inaugurated in 1585 and seating around 500, hosted in early June a run of three performances of Rossini’s Italiana in Algeri. »

05 Jun 2007

Pasatieri’s return to opera impressive

The June 2 world premiere of “Frau Margot” at the Fort Worth Opera might be regarded as “an historic return,” for this is Thomas Pasitieri’s first opera in 18 years. »

04 Jun 2007

“La Traviata” from the Volksoper Wien

In Verdi’s beloved opera, love does not conquer all but the sweet-taste of what “might have been” lingers on our lips forever when we think of the beautiful Violetta. »

03 Jun 2007

Arizona Opera's Susannah — A Naive Story Dilutes an Impressive Production

Arizona Opera ended its 2006/07 season with a tightly-knit, well-tuned presentation of Carlisle Floyd's Susannah, his best known opera that has enjoyed numerous productions since its New York City Opera debut in 1956. »

31 May 2007

Death in Venice at ENO

Deborah Warner’s new production of Death in Venice is ravishingly beautiful, with stunning lighting designs by Jean Kalman who manages to capture the spirit of every facet of Venice and of the drama’s more general themes, from the misty eeriness of Aschenbach’s first gondola ride through to ominous darkening skies and blazing sunsets. »

30 May 2007

Die Zauberflöte at the Volksoper

Serpents, abduction, magic flutes, a sacred priesthood and, of course….love, are a few of the elements Mozart used to comprise his mason-influenced collaboration with Emanuel von Schikaneder. »

25 May 2007

Virginia Arts Festival celebrates “Pocahontas”

Norfork - It’s America’s biggest birthday since the 1976 bicentennial celebration of the Declaration of Independence: »

20 May 2007

Simon Boccanegra — Opéra national de Paris

Chief attraction of the Paris Opera’s new production of Simon Boccanegra was Dmitri Hvorostovsky in the title role. »

09 May 2007

Porgy and Bess at Los Angeles Opera

Premiered at Washington National Opera, director Francesca Zambello’s Porgy and Bess arrived in Los Angeles May 4th, for a run of 12 performances in just 17 days. »

09 May 2007

On The Town – English National Opera

In a season that will conclude with a new production of Kismet, ENO has once again come under criticism for the number of non-operatic works on the bill. »

02 May 2007

Delightful Organ at St Margaret’s Palm Desert

Who says an organ recital cannot be jolly good fun? »

01 May 2007

Miami “Karenina” a dream come true

Colin Graham’s dream of an opera based on Tolstoi’s “Anna Karenina” extends far into the past. »

01 May 2007

In Barcelona, a Wagner debut without scandals for Àlex Rigola, the rising star in the Catalan school of direction

At Barcelona’s Gran Teatre del Liceu, a sold-out house marked, for two nights in a row, the weekend introducing la diada de Sant Jordi, the big fiesta celebrated on April 23 in honor of the city’s patron St George. »

01 May 2007

Tristan und Isolde: Total Immersion

The Los Angeles Philharmonic in April and May brought back its Tristan Project for the benefit of audiences in California and New York City. »

25 Apr 2007

Handel Singing Competition Final – London April 23rd

Once again, George Frederick Handel’s old stamping ground of St. George’s Hanover Square, London, resounded last night to the sound of his music as aspiring young singers from all over the world fought out the Final of the London Handel Singing Competition. »

23 Apr 2007

Wozzeck at San Diego Opera

“What drives a man to insanity and murder?” asks the poster for San Diego Opera’s new production of Wozzeck, which closed this Sunday after a run of four performances. »

22 Apr 2007

Satyagraha at ENO

Philip Glass’s 1980 work, new to the London stage, gives an illustrated account of Mahatma Gandhi’s early years in South Africa, viewed through the eyes of his satyagraha philosophy of peaceful resistance. »

16 Apr 2007

City Opera Presents La Donna del Lago

The New York City Opera continued its tradition of championing works that are less frequently performed with this season’s production of La Donna del Lago. »

15 Apr 2007

Handel's Flavio at NYCO

Incongruity was the rule of the day in the New York City Opera’s production of Handel’s Flavio, which opened on Wednesday, April 4. »

12 Apr 2007

Passion, pain paired in Berlin

It was, of course, a coincidence; on the other hand, on Berlin’s vital, vibrant and all-encompassing arts scene one is continually overwhelmed by new perspectives on the creative process and its product. »

07 Apr 2007

A bride for sale at the Baltimore Lyric

The latest offering from the Baltimore Lyric Opera was Bedrich Smetana’s sparkling comedy Prodana Nevesta (“Bartered Bride”), a little gem of Czech Romantic nationalism that one does not see live very often these days. »

02 Apr 2007

San Diego Opera — Il Trovatore

Verdi's magnificent melodrama Il Trovatore may be the most masculine of his creations, but the production that San Diego Opera presented as the third opera of its 2007 season was a triumph for the ladies. »

30 Mar 2007

HANDEL: Poro, Re dell’Indie

Let’s face it, Handel’s “Poro, Re dell’Indie” (in English “Porus, King of India”) isn’t exactly a household name in any but the most dedicated baroque opera circles. »

28 Mar 2007

Camacho’s Wedding (Die Hochzeit des Camacho)

UC Opera now have a half-century’s reputation to live up to; they were responsible for the UK premieres of such works as Das Liebesverbot, The Maid of Orleans, Alzira, Oberto and the 1847 version of Macbeth. »

25 Mar 2007

MOZART: Die Entführung aus dem Serail

With the trials and tribulations of a multicultural society currently at the forefront of the British media, Gavin Quinn’s production placed a light-hearted focus on the bizarreness of a group of foreigners being thrown together in an unfamiliar situation. »

25 Mar 2007

Eugene Onegin — English Touring Opera

London is fortunate to have played host to several productions of Tchaikovsky’s best-known opera in the last three years alone, most recently British Youth Opera’s heartbreakingly fresh account last September – so it was a risky decision on ETO’s part to stage yet another. »

20 Mar 2007

Teseo — Handel by the Sea

Nice Opera, on the French Cote d’Azur, seemed a most suitable place for this early work by Handel. »

19 Mar 2007

Angela Gheorghiu, Los Angeles

A near-capacity audience, expectant and enthusiastic, streamed into the Dorothy Chandler for an old-fashioned evening of operatic glamour, as Angela Gheorghiu, with the Los Angeles Opera Orchestra in support, flew into town for a one night concert. »

19 Mar 2007

The Tempest at Covent Garden

This year is Thomas Adés’ annus mirabilis. He’s the subject of a major, six-week retrospective at the Barbican, and, of course, will be a major presence at the Aldeburgh Festival. »

13 Mar 2007

The Gondoliers — English National Opera

Speaking to a trusted chorus-member friend after this performance, I was told that I had benefited from not having seen this production when new three months ago. »

13 Mar 2007

LA Opera “Recovered Voices”

Just about halfway though his first season as music director of Los Angeles Opera, James Conlon has already made himself an endearing and appreciated figure. »

13 Mar 2007

Native-American Drama at Opera Omaha

Perhaps the gestation period for “Wakonda’s Dream,” premiered by Opera Omaha on March 7, was too long. »

08 Mar 2007

Berlin “Ring” remains a sterling achievement

It was in the “Orwell year” 1984 that Götz Friedrich, general manager — Intendant — of the Deutsche Oper Berlin (DOB) from 1983 until his death in 2000, staged the first half of Wagner’s “Ring des Nibelungen” in the 1900-seat house on Berlin’s Bismarckstrasse. »

06 Mar 2007

OONY Performs Cilèa’s L’Arlesiana

It is well known that the Opera Orchestra of New York’s performances are required events for opera aficionados to hear the the most exciting performances of the season. »

06 Mar 2007

Adams/Sellars “Tree” blossoms sublimely at SFS

Compared with Pamina and Tamino, Kumudha and her Prince, the central figures in “A Flowering Tree,” the John Adams and Peter Sellars collaboration given its American premiere on March 1 by the San Francisco Symphony, walk a rock-strewn road. »

28 Feb 2007

La Bohème – English National Opera

The death this month of director Stephen Pimlott could have cast a shadow over this revival of his 1993 production, but a hugely affectionate pre-show tribute by colleague Nicholas Hytner ensured that the performance only served to do great honour to the memory of a man who was clearly loved and cherished by many. »

28 Feb 2007

Nicole Cabell, St John’s Smith Square, London

The Rosenblatt Recital Series, which presents concerts around London from artists ranging from the well-known to the brand-new, last week showcased Nicole Cabell, the glamorous 29-year-old winner of the 2005 Cardiff Singer of the World competition. »