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Elsewhere

The Sixteen: Music for Reflection, live from Kings Place

For this week’s Live from London vocal recital we moved from the home of VOCES8, St Anne and St Agnes in the City of London, to Kings Place, where The Sixteen - who have been associate artists at the venue for some time - presented a programme of music and words bound together by the theme of ‘reflection’.

Bampton Classical Opera 2020: Gluck's The Crown at St John's Smith Square

Bampton Classical Opera returns to the Baroque splendour of London’s St John’s Smith Square on November 6 with a concert performance of Gluck’s one-act opera The Crown, the first in the UK since 1987. The performance will also be filmed and available to watch on demand on the Bampton website from 9 November.

Iestyn Davies and Elizabeth Kenny explore Dowland's directness and darkness at Hatfield House

'Such is your divine Disposation that both you excellently understand, and royally entertaine the Exercise of Musicke.’

A new opera written during lockdown with three different endings to choose from to premiere this October as part of Wexford Festival Opera

While many of us spent lockdown at home taking it a little easier, composer Andrew Synnott wrote an opera.

Grange Park Opera presents Britten’s Owen Wingrave, filmed on location in haunted houses in Surrey and London

Owen Wingrave is part of the new Interim Season of 19 brand new events, all free to view online between September and December 2020.

Ádám Fischer’s 1991 MahlerFest Kassel ‘Resurrection’ issued for the first time

Amongst an avalanche of new Mahler recordings appearing at the moment (Das Lied von der Erde seems to be the most favoured, with three) this 1991 Mahler Second from the 2nd Kassel MahlerFest is one of the more interesting releases.

Paradise Lost: Tête-à-Tête 2020

‘And there was war in heaven: Michael and his angels fought against the dragon; and the dragon fought and his angels, And prevailed not; neither was their place found any more in heaven … that old serpent … Satan, which deceiveth the whole world: he was cast out into the earth, and his angels were cast out with him.’

Max Lorenz: Tristan und Isolde, Hamburg 1949

If there is one myth, it seems believed by some people today, that probably needs shattering it is that post-war recordings or performances of Wagner operas were always of exceptional quality. This 1949 Hamburg Tristan und Isolde is one of those recordings - though quite who is to blame for its many problems takes quite some unearthing.

Music and Theatre For All launches three major new projects supported by The Arts Council

The Arts Council has awarded innovative UK charity Music and Theatre For All (MTFA) a major new grant to develop three ambitious new projects in the wake of Covid 19.

Joyce DiDonato: Met Stars Live in Concert

There was never any doubt that the fifth of the twelve Met Stars Live in Concert broadcasts was going to be a palpably intense and vivid event, as well as a musically stunning and theatrically enervating experience.

English National Opera to reopen the London Coliseum with performances of Mozart’s Requiem

English National Opera (ENO) will reopen the London Coliseum to socially distanced audiences on 6 and 7 November for special performances of Mozart’s Requiem. These will provide audiences with an opportunity to reflect upon and to commemorate the difficulties the nation has faced during the pandemic.

‘Where All Roses Go’: Apollo5, Live from London

‘Love’ was the theme for this Live from London performance by Apollo5. Given the complexity and diversity of that human emotion, and Apollo5’s reputation for versatility and diverse repertoire, ranging from Renaissance choral music to jazz, from contemporary classical works to popular song, it was no surprise that their programme spanned 500 years and several musical styles.

The Academy of St Martin in the Fields 're-connect'

The Academy of St Martin in the Fields have titled their autumn series of eight concerts - which are taking place at 5pm and 7.30pm on two Saturdays each month at their home venue in Trafalgar Square, and being filmed for streaming the following Thursday - ‘re:connect’.

The Royal Opera House launches autumn digital programme with a new series of Friday Premieres and screenings on Sky Arts

The Royal Opera House is proud to continue its curated #OurHouseToYourHouse programme into the autumn, bringing audiences the best of the ROH through a new series of Friday Premieres and cultural highlights.

Lucy Crowe and Allan Clayton join Sir Simon Rattle and the LSO at St Luke's

The London Symphony Orchestra opened their Autumn 2020 season with a homage to Oliver Knussen, who died at the age of 66 in July 2018. The programme traced a national musical lineage through the twentieth century, from Britten to Knussen, on to Mark-Anthony Turnage, and entwining the LSO and Rattle too.

Choral Dances: VOCES8, Live from London

With the Live from London digital vocal festival entering the second half of the series, the festival’s host, VOCES8, returned to their home at St Annes and St Agnes in the City of London to present a sequence of ‘Choral Dances’ - vocal music inspired by dance, embracing diverse genres from the Renaissance madrigal to swing jazz.

Royal Opera House Gala Concert

Just a few unison string wriggles from the opening of Mozart’s overture to Le nozze di Figaro are enough to make any opera-lover perch on the edge of their seat, in excited anticipation of the drama in music to come, so there could be no other curtain-raiser for this Gala Concert at the Royal Opera House, the latest instalment from ‘their House’ to ‘our houses’.

Take a Bow: Royal Opera House opens its doors for the first time in six months as part of Open House London

After six months of closure, the Royal Opera House is thrilled to be opening its doors to the public as part of Open House London weekend, giving visitors a taste of one of the world’s most famous theatres for free.

Academy of St Martin in the Fields presents re:connect - a series of autumn concerts at St. Martin-in-the-Fields

The Academy of St Martin in the Fields is thrilled to announce re:connect - an eight concert series with live socially distanced audiences at its namesake church, St. Martin-in-the-Fields. The autumn concerts will take place at 5pm & 7:30pm on two Saturdays per month with guest artists including baritone Roderick Williams, soprano Carolyn Sampson and composer-conductor-pianist Ryan Wigglesworth performing a wide range of repertoire.

Connections Across Time: The Oxford Lieder Festival, 10-17 October 2020

Music and poetry unite and collide across centuries, from the Medieval to the Enlightenment to the present day. This year, the Oxford Lieder Festival will present a thrilling and innovative programme comprising more than forty events streamed over eight days.


OPERA TODAY ARCHIVES »

Performances

21 Sep 2020

The Sixteen: Music for Reflection, live from Kings Place

For this week’s Live from London vocal recital we moved from the home of VOCES8, St Anne and St Agnes in the City of London, to Kings Place, where The Sixteen - who have been associate artists at the venue for some time - presented a programme of music and words bound together by the theme of ‘reflection’. »

Recently in Performances

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23 Jun 2014

Madama Butterfly in San Francisco

Gesamtkunstwerk, synthesis of fable, sound, shape and color in art, may have been made famous by Richard Wagner, and perhaps never more perfectly realized than just now by San Francisco Opera. »

23 Jun 2014

Luca Francesconi : Quartett, Linbury Studio Theatre, London

Luca Francesconi is well-respected in the avant garde. His music has been championed by the Arditti Quartett and features regularly in new music festivals. His opera Quartett has at last reached London after well-received performances in Milan and Amsterdam.  »

19 Jun 2014

Puccini Manon Lescaut, Royal Opera House, London

Manon Lescaut at the Royal Opera House, London, brings out the humanity which lies beneath Puccini's music. The composer was drawn to what we'd now called "outsiders. In Manon Lescaut, Puccini describes his anti-heroine with unsentimental honesty. His lush harmonies describe the way she abandons herself to luxury, but he doesn't lose sight of the moral toughness at the heart of Abbé Prévost's story, Manon is sensual but, like her brother, fatally obssessed with material things. Only when she has lost everything else does she find true values through love..  »

18 Jun 2014

The Pearl Fishers, ENO

Writing in a programme article to accompany this first revival of her 2010 production of Bizet’s The Pearl Fishers, director Penny Woolcock remarks upon the opera’s ‘plethora of beautiful arias, duets, choral and orchestral music … and catchy tunes that spawn earworms’.  »

16 Jun 2014

Britten: Owen Wingrave, Aldeburgh Music Festival

An ideal choice for this year's Aldeburgh Music Festival, Britten's Owen Wingrave. From a very early age, Britten was incensed by bullying and repression.  »

13 Jun 2014

Show Boat in San Francisco

To be uncomplimentary about the current production of Show Boat at San Francisco Opera will surely provoke a summons to appear before the House Un-American Activities Commission. »

12 Jun 2014

La Traviata in San Francisco

La Traviata has hit the stage at San Francisco Opera every three to five years (even annually in some periods) since 1924. Surprises have been rare. »

11 Jun 2014

Opera Las Vegas Presents Stellar Barber of Seville

On June 6, 2014, Opera Las Vegas presented Gioachino Rossini’s The Barber of Seville with a cast drawn from the Metropolitan Opera and other major companies.  »

11 Jun 2014

Il barbiere di Siviglia, Holland Park

The geographical and chronological transportation of Rossini’s famous factotum from 18th-century Seville to 19th-century London is director Oliver Platt’s most radical notion in this satisfying, if somewhat straightforward, new production of Il barbiere di Siviglia for Opera Holland Park.  »

11 Jun 2014

Rising Stars at Lyric Opera of Chicago

In its annual concert devoted to performances by current members of the Patrick G. and Shirley W. Ryan Opera Center, Lyric Opera of Chicago showcased a roster of talented singers who will doubtless add greatly to operatic and concert stages of the immediate future.  »

10 Jun 2014

Don Giovanni, Glyndebourne

Having become so jaded with indifferent — or, sadly, far worse than merely indifferent — stagings of an opera I love more than words can tell, it proved a relief and indeed a joy for me to attend this first revival of Jonathan Kent’s 2010 Glyndebourne production, especially its first act.  »

10 Jun 2014

Offenbach’s Vert-Vert at Garsington Opera

Is Garsington the new Glyndebourne, a Glyndebourne for the 21st Century? »

06 Jun 2014

Hector Berlioz: Benvenuto Cellini

First, a sigh of relief: in almost every respect, this new ENO staging of Benvenuto Cellini marks a significant improvement  »

06 Jun 2014

Giacomo Puccini: La fanciulla del West

‘I like the atmosphere of the West’, Puccini wrote after seeing three of David Belasco’s plays performed on Broadway in 1907, ‘but in all the “pièces” I have seen, I have found only a few scenes here and there.  »

03 Jun 2014

Così fan tutte at the Los Angeles Philharmonic

On May 23rd the Los Angeles Philharmonic premiered its production of Così fan tutte, the third and last of the Mozart/Daponte opera series it inaugurated in 2012. »

02 Jun 2014

Sir Harrison Birtwistle — Yan Tan Tethera: A Mechanical Pastoral

A month in which London, or indeed anywhere else, saw one performances of a Birtwistle drama would be something.  »

02 Jun 2014

Gerald Finley, Wigmore Hall

For the final recital in his three-concert residency at the Wigmore Hall, Canadian bass-baritone Gerald Finley offered the familiar and the new in striking juxtaposition, Franz Schubert’s posthumously published Schwanengesang enclosing Einojuhani Rautavaara’s Rubáiyát, which was written specially for Finley.  »

02 Jun 2014

Dialogues des Carmélites, Royal Opera

A black bare stage heaving with a rebellious revolutionary throng; they stare with still hostility directly at the audience, stark light streaming from above.  »

29 May 2014

Dmitri Hvorostovsky in Los Angeles

Siberian born baritone, Dmitri Hvorostovsky returned to Dorothy Chandler Hall on May 22nd with a unique all Russian song recital which included songs composed to Pushkin’s poetry and Dmitri Shostakovich’s Suite on Verses of Michelangelo Buonarroti. »

27 May 2014

Schubert Liederabende, Wigmore Hall

In this Schubert Liederabende — the second in Ian Bostridge and Julius Drake’s planned series of four recitals at the Wigmore Hall — dark, sombre worlds evoking the romantic turbulence of Death and the Maiden were only briefly alleviated by radiance and light.  »

22 May 2014

LA Opera: The Monk vs. The Courtesan

As Athanaël, Placido Domingo created a realistic monk who was ostensibly tempted to disregard his vows. The audience knew that had the courtesan Thaïs lived longer, he would have thrown his immortal soul into the wind. »

22 May 2014

LA Opera Presents Powerful Streetcar Named Desire

As Blanche, Renée Fleming sang her role with a sultry air. Her smooth, creamy tones revealed her character’s ultra-refined dream world as she told of having once been married to a gay man. The moment when Blanche met Stanley was electric. From that first second, the audience knew he hated everything she valued.  »

22 May 2014

English Concert, Wigmore Hall

With the FIFA World Cup just three weeks away perhaps it is permissible to use a sporting metaphor, for this performance by The English Concert at the Wigmore Hall — part of the ensemble’s 40th anniversary celebrations — really was a game of two halves.  »

19 May 2014

The Met’s ‘La Cenerentola’ a winning ensemble of music and comedy

The company bids a smiling farewell to its 2013-14 HD simulcast season with Rossini’s comic masterpiece  »

19 May 2014

Così fan tutte at ENO

It must be the sea air. In Thomas Hardy’s vignette ‘The History of the Hardcomes’, two young women — quiet, gentle Emily Darth, and the more lively, rumbustious Olive Pawle — are betrothed to two cousins, James and Stephen Hardcome; but the quartet decide that they are paired up wrongly, and so ‘swap’ suitors, submitting to a moment of irrational infatuation.  »

19 May 2014

Verdi’s Macbeth of the Living Dead

If it is supposed to bring bad luck to even whisper the name of the “Scottish Play” out loud, someone must have screamed Macbeth deafeningly before the performance at Saarbrücken’s State Opera House. »

19 May 2014

Birtwistle at 80 — Gawain

This was a truly outstanding performance, thoroughly worthy of its standing ovation. The only problem now will be of upholding such standards throughout the Barbican’s Birtwistle at 80 series.  »

18 May 2014

Strauss: Der Rosenkavalier, Glyndebourne 2014

Der Rosenkavalier opened Glyndebourne’s 80th anniversary season, dedicated to the memory of George Christie, who created country house opera as we know it today. »

13 May 2014

La clemenza di Tito at Lyric Opera of Chicago

For its final production of the 2013-14 season Lyric Opera of Chicago featured Mozart’s La clemenza di Tito in a staging originating at the Festival d’Aix-en-Provence, in co-production with the Théatre du Capitole de Toulouse and l’Opéra de Marseille.  »

08 May 2014

Baden-Baden: Proficient Puccini as Easter Treat

Baden’s Easter Festival centerpiece was a solid production of Manon Lescaut that was well-intended, well-designed, and well-performed. »

08 May 2014

Amsterdam: Arabella’s New Water in Old Glasses

What a difference a venue and a cast can make!  »

07 May 2014

The Marriage of Figaro, Royal Opera

“Oh! Woman! Woman! Woman!” So, cries Beaumarchais’s Figaro, in his angry, self-chastising, at times self-pitying diatribe against the injustices of ‘life’. “Oh, servants, servants, servants!” might be the Count’s complaint in David McVicar’s production of Le Nozze di Figaro, revived here for the sixth time.  »

06 May 2014

Stéphane Degout, Wigmore Hall, London

Excellent Wigmore Hall recital with Stéphane Degout and Simon Lepper. Degout is one of the great names in French repertoire and in French baroque in particular.  »

05 May 2014

Thebans: World Premiere at ENO

Julian Anderson’s Thebans at the Coliseum, London, absolutely justifies the ENO's mission: opera, in English, and of national significance. Anderson is one of the most influential figures in modern British music.  »

30 Apr 2014

Les Mamelles de Tirésias in San Francisco

Poulenc’s racy little 1947 confection took stage within Kurt Weill’s peculiar little 1927 singspiel Mahagonny all framed within the current California drought and doomsday predictions of impending global aridity.  »

26 Apr 2014

A Coffin in Egypt: A Tour-de-Force for von Stade

Librettist Leonard Foglia based his elegant and literate text on the late Horton Foote’s play, A Coffin in Egypt, and the opera has the original play’s dramatic punch.  »

25 Apr 2014

Songlives: Henri Duparc

The latest recital in the Songlives series at the Wigmore Hall turned the spotlight on a figure whose short compositional career and small oeuvre might have been expected to confine him to the margins of musical history, but whose name has in fact become almost synonymous with a whole genre of song: mélodie. »

23 Apr 2014

La Bohème, Manitoba

Manitoba Opera’s first production in nine years of Giacomo Puccini’s La Bohème still stirs the heart and inspires tears with its tragic tale of bohemian artists living — and loving — in 1840s Paris.  »

23 Apr 2014

Arizona Opera Presents Don Pasquale in Tucson

On April 12, 2014, Arizona Opera opened its series of performances of Donizetti's Don Pasquale in Tucson. Chuck Hudson’s production of this opera combined Commedia dell’arte with Hollywood movie history.  »

15 Apr 2014

Will Don Quichotte Be the Last Production at San Diego Opera?

This quotation from Cervantes was displayed before the opening of the opera’s final scene:“The greatest madness a man can commit in this life is to let himself die, just like that, without anybody killing him or any other hands ending his life except those of melancholy.” »

13 Apr 2014

Gound Faust - Calleja and Terfel, Royal Opera House London

Gounod's Faust makes a much welcomed return to the Royal Opera House. With each new cast, the dynamic changes as the balance between singers shifts and brings out new insights. In that sense, every revival is an opportunity to revisit from new perspectives. This time Bryn Terfel sang Méphistophélès, with Joseph Calleja as Faust - stars whose allure certainly helped fill the hall to capacity. And the audience enjoyed a very good show. »

10 Apr 2014

Syracuse Opera’s Porgy and Bess
Got Plenty O’ Plenty

The company ends its 2013-14 season on a high note with a staged performance of Gershwin’s theatrical masterpiece »

10 Apr 2014

A New Rusalka in Chicago

Lyric Opera of Chicago’s new production of Antonin Dvorak’s Rusalka is visually impressive and fulfills all possible expectations musically with unquestioned excitement.  »

10 Apr 2014

Karlsruhe’s Mixed Blessing Ballo

The reliable Badisches Staatstheater has assembled plenty of talent for its new Un Ballo in Maschera. »