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Elsewhere

Il barbiere di Siviglia, Royal Opera

Bold, bright and brash, Moshe Leiser and Patrice Caurier’s Il barbiere di Siviglia tells its story clearly in complementary primary colours.

Gluck and Bertoni at Bampton

Bampton Classical Opera’s 2014 double bill neatly balanced drollery and gravity. Rectifying the apparent prevailing indifference to the 300th centenary of Christoph Willibald Gluck birth, Bampton offered a sharp, witty production of the composer’s Il Parnaso confuso, pairing this ‘festa teatrale’ with Ferdinando Bertoni’s more sombre Orfeo.

Purcell: A Retrospective

Harry Christophers and The Sixteen Choir and Orchestra launched the Wigmore Hall’s two-year series, ‘Purcell: A Retrospective’, in splendid style. Flexibility, buoyancy and transparency were the watchwords.

Mahler: Symphony no.3 — Prom 73

It would be unfair, but one could summarise this concert with the words, ‘Senator, you’re no Leonard Bernstein.’

Los Angeles Opera Opens with La traviata

On September 13, Los Angeles Opera opened its 2014-2015 season with a revival of Marta Domingo’s updated, Art Deco staging of Giuseppe Verdi’s La traviata. It starred Nino Machaidze as Violetta, Arturo Chácon-Cruz as Alfredo, and Plácido Domingo as Giorgio Germont. The conductor was Music Director James Conlon.

Stars of Lyric Opera at Millennium Park, 2014

In its annual concert previewing the forthcoming season Lyric Opera of Chicago presented its “Stars of Lyric Opera at Millennium Park” during the past weekend to a large audience of enthusiastic listeners.

Susannah in San Francisco

Come to think of it the 1950‘s were operatically rich years in America compared to other decades in the recent past. Just now the San Francisco Opera laid bare an example, Carlisle Floyd’s Susannah.

Xerxes, ENO

Nicholas Hytner’s production of Handel’s Xerxes (Serse) at English National Opera (ENO) is nearly 30 years old, and is the oldest production in ENO’s stable.

San Diego Opera Opens 2014-2015 Season

On Friday evening September 5, 2014, tenor Stephen Costello and soprano Ailyn Pérez gave a recital to open the San Diego Opera season. After all the threats to close the company down, it was a great joy to great San Diego Opera in its new vibrant, if slightly slimmed down form.

Otello at ENO

English National Opera’s 2014-15 season kicked off with an ear-piercing orchestral thunderbolt. Brilliant lightning spears sliced through the thick black night, fitfully illuminating the Mediterranean garret-town square where an expectant crowd gather to welcome home their conquering hero.

Anna Nicole, back with a bang!

It is now three and a half years since Anna Nicole was unleashed on the world at the Royal Opera House, Covent Garden.

Norma in San Francisco

It was a Druid orgy that overtook the War Memorial. Magnificent singing, revelatory conducting, off-the-wall staging (a compliment, sort of).

Joyce DiDonato starts Wigmore Hall new season

There was a quasi-party atmosphere at the Wigmore Hall on Monday evening, when Joyce DiDonato and Antonio Pappano reprised the recital that had kicked off the Hall’s 2014-15 season with reported panache and vim two nights previously. It was standing room only, and although this was a repeat performance there certainly was no lack of freshness and spontaneity: both the American mezzo-soprano and her accompanist know how to communicate and entertain.

Aida at Aspendos Opera and Ballet Festival

In strict architectural terms, the stupendous 2nd century Roman theatre of Aspendos near Antalya in southern Turkey is not an arena or amphitheatre at all, so there are not nearly as many ghosts of gored gladiators or dismembered Christians to disturb the contemporary feng shui as in other ancient loci of Imperial amusement.

St Matthew Passion, Prom 66

Simon Rattle and the Berlin Philharmonic Orchestra brought their staging of Bach's St Matthew Passion to the BBC Proms at the Royal Albert Hall on Saturday, 6 September 2014.

Glimmerglass: Butterfly Leads the Pack

Every so often an opera fan is treated to a minor miracle, a revelatory performance of a familiar favorite that immediately sweeps all other versions before it.

Operalia, the World Opera Competition, Showcases 2014 Winners

On August 30, Los Angeles Opera presented the finals concert of Plácido Domingo’s Operalia, the world opera competition. Founded in 1993, the contest endeavors to discover and help launch the careers of the most promising young opera singers of today. Thousands of applicants send in recordings from which forty singers are chosen to perform live in the city where the contest is being held. Last year it was Verona, Italy, this year Los Angeles, next year London.

Elektra at Prom 59

The second day of the Richard Strauss weekend at the BBC Proms saw Richard Strauss's Elektra performed at the Royal Albert Hall on 31 August 2014 by the BBC Symphony Orchestra, conducted by Semyon Bychkov, with Christine Goerke in the title role.

Powerful Mahler Symphony no 2 Harding, BBC Proms London

Triumphant! An exceptionally stimulating Mahler Symphony No 2 from Daniel Harding and the Swedish Radio Symphony Orchestra, BBC Prom 57 at the Royal Albert Hall. Harding's Mahler Tenth performances (especially with the Berliner Philharmoniker) are pretty much the benchmark by which all other performances are assessed. Harding's Mahler Second is informed by such an intuitive insight into the whole traverse of the composer's work that, should he get around to doing all ten together, he'll fulfil the long-held dream of "One Grand Symphony", all ten symphonies understood as a coherent progression of developing ideas.

Nina Stemme's stunning Strauss Salome, BBC Proms London

The BBC Proms continued its Richard Strauss celebrations with a performance of his first major operatic success Salome. Nina Stemme led forces from the Deutsche Oper, Berlin,at the Royal Albert Hall on Saturday 30 August 2014,the first of a remarkable pair of Proms which sees Salome and Elektra performed on successive evenings


OPERA TODAY ARCHIVES »

Performances

Michele Angelini as Count Almaviva and Serena Malfi as Rosina © ROH [Photo by Tristram Kenton]
29 Sep 2014

Il barbiere di Siviglia, Royal Opera

Bold, bright and brash, Moshe Leiser and Patrice Caurier’s Il barbiere di Siviglia tells its story clearly in complementary primary colours. »

Recently in Performances

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29 Mar 2011

Il ritorno d’Ulisse in patria, ENO

Benedict Andrews’ thought-provoking new production of Claudio Monteverdi’s Il ritorno d’Ulisse in patria, the latest of English National Opera’s innovative stagings at the Young Vic, juxtaposes images of unremitting modernity with a tapestry of archaic aural colours, all placed within an antique frame which resonates with universal emotions. »

28 Mar 2011

Le Comte Ory, Metropolitan Opera

Rossini’s penultimate stage work, Le Comte Ory, belongs to the tradition of sexy scoundrel operas, along with such works as Don Giovanni, Zampa, Fra Diavolo, Barbe-Bleu, Les Brigands and Threepenny Opera.  »

27 Mar 2011

Orlando Furioso, London

Adapting an extended literary work for the stage remains a challenge today and was no less so in the baroque era. Ariosto’s enormously long poem Orlando Furioso was extremely popular and inevitably his highly coloured characters found their way onto the operatic stage. »

24 Mar 2011

Sarasota Opera Winter Festival 2011

Opera is alive and well in Sarasota. “It feels like it did before,” says Communications Officer for Sarasota Opera Patricia Horwell. »

23 Mar 2011

The Turn of the Screw at LA Opera

An operatic work by an esteemed composer, with a libretto adapted from a great author’s story, staged in an intelligent and well-designed production, featuring singers of the top caliber and a conductor with a deep commitment to the composer’s music, leading a chamber-sized group of his orchestra’s best players — magic in the opera house, right?  »

23 Mar 2011

Machover, Death and the Powers

This is an opera written with a cannon and a feather. There is sensory overload—an overload of sensory overload: lights that shine into your face in the manner of an ophthalmologist scanning your retina; eerie, too-loud sounds that invade you from every direction; dancing patterns of light that may resolve into huge words or huge faces; a great chandelier-harp that sometimes descends to be played, a strumming like the sounds of the sirens in Plato’s parable of the concentric crystalline spheres. »

18 Mar 2011

Roméo et Juliette, New York

Is Guy Joosten’s staging of Roméo et Juliette the best-looking production in the Met’s current repertory or what?  »

16 Mar 2011

Magnificent Mahler by Shanghai Symphony

It was, of course, only a coincidence, but a week of ideal spring weather — no rain and low humidity — found Shanghai in a perfect mood for an all-Mahler program by the Shanghai Symphony Orchestra on March 12.  »

15 Mar 2011

The Queen of Spades, New York

Tchaikovsky’s Pikovaia Dama (The Queen of Spades) is the longest Mad Scene in opera. Ghermann is already half nuts when we meet him in the park in St. Petersburg on a windy day, and he gets crazier from scene to scene.  »

15 Mar 2011

Aida, London

Strict courtly hierarchies and the repressed formality of ritual juxtaposed with violent sexual jealousy and lurid erotic excess … a stage-world more suited to the Straussian insalubrity of Salomé than to the epic grandeur of Verdi’s Aida, perhaps?  »

15 Mar 2011

Lucia, New York

It costs a lot to look cheap. And it takes a village to raise a child. In the case of the Metropolitan Opera’s current revival of Donizetti’s Lucia di Lammermoor, it takes a lot of talent to produce underwhelming opera.  »

10 Mar 2011

La Traviata, Phoenix

Francesco Maria Piave’s Italian libretto for Giuseppe Verdi’s opera La Traviata is based on the French play La Dame aux Camélias.  »

10 Mar 2011

Two Troubled Girls in Paris

Commanding soprano performances of put-upon heroines securely anchored two recent evenings at the Bastille Opera House.  »

09 Mar 2011

Luca Pisaroni at the Wigmore Hall, London

After hearing his stunning Leporello at Glyndebourne and his Figaro at Salzburg, there was no way I was going to miss Luca Pisaroni’s concert with Wolfram Rieger at the Wigmore Hall, London. But I was delighted by how wonderful he sounded close up in recital. »

06 Mar 2011

Dialogues des Carmélites, Guildhall, London

Francis Poulenc’s Dialogues des Carmélites is an unusual opera, but much sensitive musical thinking has gone into this production at the Guildhall School of Music and Drama, London. »

06 Mar 2011

L’Africaine, OONY

Eugène Scribe and Giacomo Meyerbeer were in the business of creating proto-cinematic spectacles of drama and music, the formula being to take a historical incident in some exotic country or era, put in a tormented love story to hold our attention, and resolve the whole in catastrophe. »

06 Mar 2011

Gilbert & Sullivan: The Mikado

The front leg of the grand piano may rest at a rather precarious angle, and the out-sized martini glass lean a trifle askew, but Jonathan Miller’s 1986 production of Gilbert & Sullivan’s The Mikado wears its twenty-five years lightly — as do Stefanos Lazaridis’ eye-wateringly white, gleaming sets.  »

06 Mar 2011

Roderick Williams, Wigmore Hall

Relaxed, confident and composed, baritone Roderick Williams, accompanied by pianist Helmut Deutsch, gave a polished and performance before a warmly appreciative Wigmore Hall audience, performing an interesting selection of songs by Wolf, Korngold, Mahler and Schumann. »

06 Mar 2011

Così fan tutte, Palm Beach

Little is known about the extent to which Mozart and Da Ponte collaborated on the libretto for Così fan tutte.  »

06 Mar 2011

Schubert Transcribed, Wigmore Hall

Schubert, but not quite as we know him. You can always rely on the Wigmore Hall to promote adventurous recitals.  »

05 Mar 2011

Roméo et Juliette, Philadelphia

Neither the music nor the libretto of Charles Gounod’s Roméo et Juliette is quite compelling enough to have made it a popular standard. »

27 Feb 2011

Iphigénie en Tauride, New York

Gluck’s operas are part of a continuum, a tradition of French vocal declamation (as opposed to the Italian school of flights of elegant, open-throated vocal fantasy) that can be traced to him from Lully and Rameau, and then from Gluck through certain works of Mozart and Gluck’s pupil, Salieri to the operas of Spontini, Berlioz and Wagner. »

23 Feb 2011

György Kurtág Kafka Fragments, Banse and Keller

György Kurtág's Kafka Fragments, op 24, is a masterpiece, one of the seminal works of the late 20th century. »

22 Feb 2011

The Bartered Bride, New York

In the mid-nineteenth century, every nationality that did not possess a national state felt a need to prove itself, to square its shoulders and claim nationhood with all the identifying marks of a nation: a language with a literature, a tricolor flag, a national anthem extolling the people’s stalwart character and the country’s landscape (inevitably the loveliest in the world), a national theater and a national opera to be performed there. »

20 Feb 2011

Thomas Arne, Bampton Classical Opera

The first performance of Thomas Arne’s masque Alfred took place at Clivedon House on the Thames near Maidenhead, in August 1740. »

20 Feb 2011

Parsifal, ENO

This production retains a special place in my heart: its first outing in 1999 was my first Parsifal in the theatre. Saving up my student pennies, I made the journey not once but twice from Cambridge to London, was mightily impressed the first time and a little irritated the second.  »

18 Feb 2011

Anna Nicole, London

From the sublime (Parsifal, the night before) to the not-even-ridiculous.  »

17 Feb 2011

Opera Colorado’s ‘mermaid’ tremendous

The story is ages old, and every culture has a version of it: the mythic princess of an underwater realm longs for the love of a mortal man. »

15 Feb 2011

The Chill of Grace: A Winter Weekend at COC

At the moment, it seems inevitable that John Adams’ 1987 opera Nixon in China will become a fixture in the repertoire.  »

11 Feb 2011

Egyptian Queen in Parisian Rubble

Although Paris Opéra's Dream Team of soprano Natalie Dessay and director Laurent Pelly promised much for the SRO run of Giulio Cesare in Egitto, for the moment we will have to keep dreaming of what might have been.  »

08 Feb 2011

Don Pasquale, New York

Witty and airy as an after-dinner anecdote over biscuits and cognac, Don Pasquale (1844) is, unlikely as it may seem, almost the last opera Donizetti completed before his descent into the madness of tertiary syphilis. »

07 Feb 2011

Turandot, Florida Grand Opera

In 2010, Florida Grand Opera held a gala to honor Robert Heuer on his 25th anniversary as general director. »

07 Feb 2011

Nixon in China, New York

Preparing for the Met premier of Nixon in China, I resolved to forget—or place on hold—everything I remembered, or thought I remembered, about the real persons who are characters in this opera,  »

07 Feb 2011

Turandot, San Diego

The original story that formed the basis for the libretto of Puccini’s opera Turandot told of a Mongolian princess who insisted that any prospective husband endeavor to win a wrestling match with her.  »

06 Feb 2011

Magdalena Kozená, Wigmore Hall

It’s a rare recital that can be at one and the same time intensely intimate and extravagantly exuberant, but that’s just what Magdalena Kozená and the eight-piece Austrian ensemble Private Musicke achieved in this fascinating and exhilarating concert, which brought a thrill of passion, spontaneity and excitement to the usually more restrained and rarified atmosphere of the Wigmore Hall. »

06 Feb 2011

Les Contes d’Hoffmann, Florida Grand Opera

If you are ever lucky enough to have the opportunity to catch a great exponent of just one of two major roles — the heroines or villains — in Offenbach’s Les Contes d’Hoffmann, you should secure a seat maintenant.  »

06 Feb 2011

Randy Rossini Romp in Z-Town

If proof were needed, the Swiss capital’s heady new Le Comte Ory cements the notion that super-star Cecelia Bartoli certainly seems to have found an ideal home at Zurich Opera. »

06 Feb 2011

Jurowski, Das klagende Lied

Vladimir Jurowski and the London Philharmonic have repeated their success with Mahler’s Das klagende Lied at the Royal Festival Hall.  »

06 Feb 2011

Die Zauberflöte, Covent Garden

Premiered in 2003, and aired again in 2005 and 2008, this current revival of David McVicar’s Die Zauberflöte brings many ‘old hands’ back together to re-visit oft-frequented roles on familiar ground. »

06 Feb 2011

Heggie’s Dead Man Walking triumphs at HGO

The production of Jake Heggie’s Dead Man Walking currently on stage at the Houston Grand Opera is marvelously celebratory in its success. »

04 Feb 2011

Lucrezia Borgia, ENO

Donizetti’s Lucrezia Borgia at the English National Opera, London, is an interesting hybrid. The opera is performed “straight” so to speak, but encased in a frame of short filmed passages that add background and depth. These films don’t intrude, but enhance. »

03 Feb 2011

Mosheh, a VideOpera

Yoav Gal, an Israeli-born composer-in-residence at the HERE arts complex in Manhattan’s South Village, calls Mosheh a “VideOpera,” rightly giving as much place to what is seen (electronic projections) as to what is heard (from four sopranos playing the women in the prophet’s life and an orchestra of nine musicians). »

02 Feb 2011

Bérénice, Carnegie Hall

Albéric Magnard, inspired to abandon the law for music by a visit to Bayreuth in 1886, was wealthy enough to ignore the public and go off on his own to compose.  »

02 Feb 2011

Jurowski conducts Zemlinsky

This looked an enticing programme before Vladimir Jurowski, in conversation with the Southbank Centre’s Head of Music, Marshall Marcus, divulged its secrets.  »

02 Feb 2011

La Fanciulla in its Anniversary at Lyric Opera of Chicago

In its current production of Giacomo Puccini’s La fanciulla del West Lyric Opera of Chicago celebrates the centenary of the first performances of the opera.  »