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Elsewhere

Modernity vanquished? Verdi Un ballo in maschera, Royal Opera House, London

Verdi Un ballo in maschera at the Royal Opera House - a masked ball in every sense, where nothing is quite what it seems. On the surface, this new production appears quaint and undemanding. It uses painted flats, for example, pulled back and forth across, as in toy theatre. The scenes painted on them are vaguely generic, depicting neither Boston nor Stockholm, where the tale supposedly takes place. Instead, we focus on Verdi, and on theatre practices of the past. In other words, opera as the art of illusion, not an attempt to replicate reality. Take this production too literally and you'll miss the wit and intelligence behind it.

La Traviata in Ljubljana Slovenia

Small country, small opera house — big ensemble spirit. Internationally acclaimed soprano Natalia Ushakova steps in for indisposed local Violetta with mixed results.

Otello in Bucharest — Moor’s the pity

Bulgarian director Vera Nemirova’s production of Otello for the Romanian National Opera in Bucharest was certainly full of new ideas — unfortunately all bad.

Il trovatore at Lyric Opera of Chicago

For its current revival of the 2006-2007 production of Giuseppe Verdi’s Il trovatore by Sir David McVicar Lyric Opera has assembled a talented quintet of principal singers whose strengths match this conception of the opera.

Schubert’s Winterreise by Matthias Goerne

This Winterreise is the final instalment of Matthias Goerne’s series of Schubert lieder for Harmonia Mundi and it brings the Matthias Goerne Schubert Edition, begun in 2008, to a dark, harrowing close.

Mary, Queen of Heaven, Wigmore Hall

O Maria Deo grata — ‘O Mary, pleasing to God’: so begins Robert Fayrfax’s antiphon, one of several supplications to the Virgin Mary presented in this thought-provoking concert by The Cardinall’s Musick at the Wigmore Hall.

Analyzed not demonized — Tristan und Isolde, Royal Opera House

Wagner’s Tristan und Isolde at the Royal Opera House, first revival of the 2009 production, one of the first to attract widespread hostility even before the curtain rose on the first night.

Florencia in el Amazonas Makes Triumphant Return to LA

On November 22, 2014, Los Angeles Opera staged Francesca Zambello’s updated version of Florencia in el Amazonas.

John Adams: The Gospel According to the Other Mary

John Adams and his long-standing collaborator Peter Sellars have described The Gospel According to the Other Mary as a ‘Passion oratorio’.

A new Yevgeny Onegin in Zagreb — Prince Gremin’s Fabulous Pool Party

Superb conducting from veteran Croatian maestro Nikša Bareza makes up for an absurd waterlogged new production of Tchaikovsky’s masterpiece.

Nabucco in Novi Sad

After the horrors of Jagoš Marković’s production of Le Nozze di Figaro in Belgrade, I was apprehensive lest Nabucco in Serbia’s second city of Novi Sad on 27th October would be transplanted from 6th century BC Babylon to post-Saddam Hussein Tikrit or some bombed-out kibbutz in Beersheba.

La Bohème in San Francisco

First Toronto, then Houston and now San Francisco, the third stop of a new production of Puccini's La bohème by Canadian born, British nurtured theater director John Caird.

Radvanovsky Sings Recital in Los Angeles

Every once in a while Los Angeles Opera presents an important recital in the three thousand seat Dorothy Chandler Pavilion.

L’elisir d’amore, Royal Opera

This third revival of Laurent Pelly’s production of Donizetti’s L’elisir d’amore needed a bit of a pep up to get moving but once it had been given a shot of ‘medicinal’ tincture things spiced up nicely.

Samling Showcase, Wigmore Hall

Founded in 1996, Samling describes itself as a charity which ‘inspires musical excellence in young people’.

La cenerentola in San Francisco

The good news is that you don’t have to go all the way to Pesaro for great Rossini.

Rameau: Maître à danser — William Christie, Barbican London

Maître à danser: William Christie and Les Arts Florissants at the Barbican, London, presented a defining moment in Rameau performance practice, choreographed with a team of dancers.

Le Nozze di Figaro — or Sex on the Beach?

The most memorable thing (and definitely not in a good way) about this performance of Le Nozze di Figaro at the Serbian National Theatre in Belgrade was the self-serving, infantile, offensive and just plain wrong production by celebrated Serbian theatre director Jagoš Marković.

The Met mounts a well sung but dramatically unconvincing ‘Carmen’

Should looks matter when casting the role of the iconic temptress for HD simulcast?

Maurice Greene’s Jephtha

Maurice Greene (1696-1755) had a highly successful musical career. Organist of St. Paul’s Cathedral, a position to which he was elected when he was just 22 years-old, he later became organist of the Chapel Royal, Professor of Music at the University of Cambridge and, from 1735, Master of the King’s Music.


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Performances

19 Dec 2014

Modernity vanquished? Verdi Un ballo in maschera, Royal Opera House, London

Verdi Un ballo in maschera at the Royal Opera House - a masked ball in every sense, where nothing is quite what it seems. On the surface, this new production appears quaint and undemanding. It uses painted flats, for example, pulled back and forth across, as in toy theatre. The scenes painted on them are vaguely generic, depicting neither Boston nor Stockholm, where the tale supposedly takes place. Instead, we focus on Verdi, and on theatre practices of the past. In other words, opera as the art of illusion, not an attempt to replicate reality. Take this production too literally and you'll miss the wit and intelligence behind it.  »

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27 Nov 2011

Tosca, ENO

The swift return to the Coliseum of Catherine Malfitano’s production of Tosca, premiered in 2010, contrasts strongly with the increasingly disposable nature of many recent ENO productions.  »

25 Nov 2011

Saul, Barbican Hall

Handel’s oratorio Saul was the first dramatic oratorio that he wrote with a strong libretto.  »

25 Nov 2011

Xerxes in San Francisco

No cuts, not a single one, nearly four hours of non-stop arias, and its only hit tune happens within the first five minutes. »

23 Nov 2011

The Queen of Spades, Opera North

Opera North holds a special place in my affections: my first full opera in the theatre was the company’s Wozzeck, which I saw as a schoolboy at the Lyceum Theatre in Sheffield.  »

22 Nov 2011

Hugh the Drover Over the Pub

Imagine a tuneful eighteenth-century “ballad opera” of country life, say Stephen Storace’s enduringly popular No Song No Supper, cross it with Cavalleria Rusticana, throw in a bit of Rocky for good measure, and you have some idea of Ralph Vaughan Williams’s first opera, Hugh the Drover, a “Romantic Ballad Opera.” »

20 Nov 2011

Turandot in San Francisco

The magnificent David Hockney Turandot production burst again onto the War Memorial stage with a new cast and conductor that recaptured its potential to make this fairytale into great opera. »

18 Nov 2011

Lucia di Lammermoor, Chicago

Lyric Opera of Chicago staged Gaetano Donizetti’s Lucia di Lammermoor as its second production of the current season with Susanna Phillips taking on the role of the heroine torn between romantic love and familial pressures.  »

17 Nov 2011

Tricks and Treats, New World Symphony

If this generation were to stake a claim to its own classical vocal music “Golden Age,” Christine Brewer presents a strong case.  »

15 Nov 2011

Eugene Onegin, ENO

Deborah Warner’s new production of Tchaikovsky’s Eugene Onegin is an evocative and lyrical depiction of elegiac passion.  »

14 Nov 2011

Dark Sisters, New York

They’re no longer just door-to-door missionaries with a science fiction theology and strange underwear! What with a presidential candidacy and a hit Broadway musical, the Mormons are having their breakout season in New York.  »

14 Nov 2011

Carmen in San Francisco

Déja vu. Well, sort of. Last time around (2006) there was a Carmen and then another who canceled leaving San Francisco Opera in the lurch.  »

13 Nov 2011

Adriana Lecouvreur, Carnegie Hall

What could be more appropriate for the Samhain season than a return from near-death?  »

09 Nov 2011

Tales of Hoffmann, Chicago

For its first production of the new season, Jacques Offenbach’s Les Contes d’Hoffmann, Lyric Opera of Chicago assembled a distinguished roster of soloists with the Lyric Opera Orchestra under the direction of Emmanuel Villaume.  »

09 Nov 2011

Roméo et Juliette, LA

Love and gloom at the Los Angeles Opera.  »

05 Nov 2011

La sonnambula, Royal Opera

Bellini’s La sonnambula does not have the most gripping or convincing of opera plots: a young girl sleepwalks into a stranger’s room, where she is discovered by her fiancé; disbelieving her pleas of innocence, he jilts her and plans to wed another; but, she is vindicated when she is spied on a nocturnal wander, and the lovers are reconciled.  »

05 Nov 2011

Bluebeard’s Castle, Royal Festival Hall

Bartók’s only opera, a masterpiece to rank with other sole works in the genre such as Fidelio and Pelléas et Mélisande, was chosen for the climax of the Philharmonia’s year-long series, ‘Infernal Dance: Inside the World of Béla Bartók’.  »

05 Nov 2011

Wily Wexford Stays the Course

Wexford Festival Opera made a boldly calculated choice sixty years ago when it eschewed bread-and-butter titles, and instead raided the dusty closet where forgotten pieces by some famous (and mostly non-) composers were (at best) consigned to history. »

04 Nov 2011

Heart of Darkness, Royal Opera

There are some literary texts which, by dint of their intense compression of incident, their creators’ firm control of structure, and the precision of linguistic nuance, do not naturally seem to lend themselves to operatic treatment.  »

01 Nov 2011

Anna Bolena, Metropolitan Opera

It’s very unusual for the Met these days—or any major opera house, in any era—to present a glossy new production with two different stars in the leading role.  »

01 Nov 2011

Castor & Pollux, ENO

Daring dramas which probe dark psychological depths; music that embodies visceral emotional conflicts, and stirs heated, often contradictory, passions; the text and score shaped into radical musico-dramatic structures, employing shockingly inventive harmonic language and orchestral timbres.  »

27 Oct 2011

Béatrice et Bénédict, Opera Boston

How is one to write a Romantic opera?  »

26 Oct 2011

Don Giovanni, Metropolitan Opera

According to legend, when composing Don Giovanni, Mozart completed the overture last. It was written the night before the opera’s premiere, while his wife Constanze, a fervent taskmaster, plied him with food and drink to make sure he stayed awake.  »

26 Oct 2011

A Portrait of Manon — Young Artrists at the Royal Opera House

Without young artists, no art form will thrive or grow. The Royal Opera House’s Jette Parker Young Artists scheme nurtures the best from its young artists that their performances attract thoughtful audiences.  »

26 Oct 2011

Don Giovanni in San Francisco

Ossia Maestro Watching in Fog City. Ten years ago it was German provincialism, now it is the Italian sort wanting to take root in the War Memorial Opera House.  »

24 Oct 2011

Der fliegende Holländer, Royal Opera

Wagner’s Flying Dutchman returns to the Royal Opera House, London. »

23 Oct 2011

Renata Pokupić, Wigmore Hall

In this appealing lunchtime recital programme, Croatian soprano Renata Pokupić demonstrated a rich, varied tonal palette and strong communicative skills as she spanned one hundred years of European song.  »

23 Oct 2011

Intertwining facets of Italian High Baroque

‘Erotic oratorio’ is the odd-sounding definition devised by modern scholars, such as Howard E. Smither, for those pious music dramas employing sex-laden plots from the Bible, the Apocrypha or the lives of Saints in order to give the audience moral instruction in a quasi-operatic, if generally unstaged, form.  »

12 Oct 2011

Britten’s War Requiem, London

‘Requiescant in pace. Amen.’  »

12 Oct 2011

Threepenny Opera, Brooklyn

Should I wait until the end of this review to tell you how much fun, how much of a theatrical whoopee cushion Robert Wilson’s production of Die Dreigroschenoper has been at BAM last week?  »

12 Oct 2011

La Traviata and the Credit Crunch

One way of thinking about La Traviata is to consider it as a portrayal of bubble wealth that makes artistic capital from the shimmering, rainbow hues of the surface rather than showing any interest in what sustains the bubble.  »

12 Oct 2011

Mahler 8, Royal Festival Hall

Following Lorin Maazel’s lifeless first movement from Mahler’s Tenth Symphony  »

10 Oct 2011

Così fan tutte, Los Angeles

The Los Angeles Opera Company’s charmingly understated new production of Così fan tutte will please your eyes and delight your ears, but its story might grieve your romantic soul. »

07 Oct 2011

Carmen, Philadelphia

There are two ways to sing the role of Carmen: as a “grand opera” heroine and as a character from opéra-comique.  »

03 Oct 2011

The Inaugural Cambridge Handel Festival: a rosy dawn?

The haughty beauties that are the ancient colleges of Cambridge were definitely feeling the heat this past weekend, and not even the cooling streams of the Cam and its tributaries could assuage the heat of an Indian summer in the Fens of Eastern England.  »

02 Oct 2011

Eugene Onegin, Los Angeles

Kudos to the Los Angeles Opera Company for expanding its heretofore limited Russian repertoire and opening its 26th season with Tchaikovsky’s Eugene Onegin. The romantic work based on the novel in verse of the same name by Alexander Pushkin, is likely everyone’s favorite Tchaikovsky opera. »

30 Sep 2011

Mahler, Royal Festival Hall

My response to much of this and last year’s Mahler anniversary bonanza has been to stay away: certainly not out of antipathy, nor out of boredom, nor on account of any other negative reaction to the music of a composer whom I admire as greatly as ever, but simply because there are too many unnecessary performances of that music on offer.  »

28 Sep 2011

Faust, Royal Opera House

When the Royal Opera House London does things well, it does them very well indeed. This Gounod’s Faust was a sizzler!  »

28 Sep 2011

Lucrezia Borgia in San Francisco

Bad news travels fast. Though you are about to read another version of how American diva Renée Fleming failed to bring Lucrezia Borgia alive, let us begin by discussing a few other things you already know. »

28 Sep 2011

Atys, Brooklyn Academy of Music

In 1989, William Christie’s ten-year-old Paris-based baroque troupe, Les Arts Florissants, brought a staged production to the Brooklyn Academy of Music for the first time, Lully’s Atys.  »

26 Sep 2011

Christian Gerhaher, Wigmore Hall

Christian Gerhaher and Gerold Huber presented Schubert’s song cycles at the Wigmore Hall, London.  »

23 Sep 2011

Lawrence Zazzo, Wigmore Hall

Lawrence Zazzo’s last visit to the Wigmore Hall, in April earlier this year, saw him present an intriguing sequence of American song from the twentieth and twenty-first centuries.  »

22 Sep 2011

The Passenger, ENO, London

The circumstances behind Mieczysław Weinberg’s The Passenger at the ENO, London, are extraordinary.  »

21 Sep 2011

Stars of Lyric Opera at Millennium Park, Chicago

In a program of Italian and French arias and duets Lyric Opera gave to Chicago audiences a preview of the first operas in its forthcoming season and an opportunity to hear familiar voices as well as those soon destined to grace the operatic stages of the world.  »

21 Sep 2011

Turandot in San Francisco

Los Angeles has been good to Turandot. The gritty 1984 Andre Serban production inaugurated an opera company in Los Angeles where a mere eight years later L.A. Opera bestowed the splendid Luciano Berio ending upon the world in an uber-pompous Gian-Carlo del Monaco production. »

21 Sep 2011

La tragedia di Tosca at the Washington National Opera

Whether or not one agrees with Joseph Kerman’s immortal definition of Tosca as a “shabby little shocker,” Puccini’s melodramma, the inaugural production of the Washington National Opera’s 2011-12 season, is intense, “blood-and-guts” kind of entertainment.  »

21 Sep 2011

Il Trittico, Covent Garden

What do a ferociously violent melodrama, an ecstatic spiritual revelation and an ironic black farce have in common?  »

21 Sep 2011

The Elixir of Love, ENO

It’s easy to dismiss the undoubted charms of Donizetti’s The Elixir of Love with a wry smile and a dash of condescension.  »

21 Sep 2011

The Italian Girl in London, Bampton Classical Opera

As one of the most successful Italian opera composers of the late-eighteenth century, Domenico Cimarosa’s reputation lasted well into the following century during which his operas were staple repertoire in all the major European opera houses.  »

21 Sep 2011

Paris: A Thrilling Leap and Then a Stumble

Stylish, spirited vocalism that rang convincingly through the Palais Garnier was the hallmark of Paris Opera’s thrilling revival of one of Mozart's least appreciated mature operas.  »

21 Sep 2011

Schiller: Ein Leben in Liedern, Wigmore Hall

While the music industry seems to be spiralling dementedly downmarket, the Wigmore Hall keeps standards extremely high.  »

19 Sep 2011

Wigmore Hall International Song Competition 2011

The Wigmore Hall is the most respected centre of art song excellence in Britain and its Song Competition attracts interest from all over the world.  »