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Elsewhere

Kurt Weill’s Street Scene

Kurt Weill’s “American opera,” Street Scene debuted this past weekend in the Kay Theatre at the Clarice Smith Performing Arts Center, with a diverse young cast comprised of students and alumni of the Maryland Opera Studio (MOS).

Handel's Brockes-Passion: The Academy of Ancient Music at the Barbican Hall

Perhaps it is too fanciful to suggest that the German poet Barthold Heinrich Brockes (1680-1747) was the Metastasio of Hamburg?

POP Butterfly: Oooh, Cho-Cho San!

I was decidedly not the only one who thought I was witnessing the birth of a new star, as cover artist Janet Todd stepped in to make a triumphant appearance in the title role of Pacific Opera Project’s absorbing Madama Butterfly.

The Maryland Opera Studio Defies Genre with Fascinating Double-Bill

This past weekend, the Maryland Opera Studio (MOS) presented a double-billed performance of two of Kurt Weill’s less familiar staged works: Zaubernacht (1922) and Mahagonny-Songspiel (1927).

Daniel Kramer to step down as English National Opera’s Artistic Director

Daniel Kramer is to step down as ENO’s Artistic Director at the end of July 2019 in order to focus on directing more opera and theatre full time.

Wexford Festival Opera's award-winning Il bravo to be streamed on ARTE.tv

From 7 pm (CEST), this Sunday 21 April, ARTE, the European public service broadcaster, will stream one of last year’s Wexford Festival Opera productions, Saverio Mercadante’s Il bravo, which was recently named ‘Best Opera Production’ at The Irish Times Irish Theatre Awards. Il bravo will be freely available worldwide on ARTE’s digital on-demand culture channel, Arte Concert, as part of ARTE’s 2019 Opera Season, a special online service for lovers of classical music. The opera will subtitled in English, German and French.

Nash Ensemble at Wigmore Hall: Focus on Sir Harrison Birtwistle

The Nash Ensemble’s annual contemporary music showcase focused on the work of Sir Harrison Birtwistle, a composer with whom the group has enjoyed a long and close association. Three of the six works by Birtwistle performed here were commissioned by the Nash Ensemble, as was Elliott Carter’s Mosaic which, alongside Oliver Knussen’s Study for ‘Metamorphosis’ for solo bassoon, completed a programme was intimate and intricate, somehow both elusive in spirit and richly communicative.

Bampton Classical Opera 2019: Stephen Storace - Bride & Gloom (Gli sposi malcontenti)

Newly-wed Casimiro and Eginia hardly seem to be enjoying a state of marital bliss. Why does Eginia sleep on her own, and why is her ex, Artidoro, still hanging around? He now seems to have an eye for the undoubted charms of Casimiro’s sister, Enrichetta - but she’s also attracted the lustful interest of dull and dusty Dr Valente, a man likely to turn nasty if thwarted …

McVicar's Faust returns to the ROH

To lose one Marguerite may be regarded as a misfortune; to lose two looks like carelessness. But, with the ROH Gounod’s Faust seemingly heading for ruin, salvation came in the form of an eleventh-hour arrival of a redeeming ‘angel’.

The Nibelungen-Myth. As Sketch for a Drama

From the womb of Night and Death was spawned a race that dwells in Nibelheim (Nebelheim), i.e. in gloomy subterranean clefts and caverns: Nibelungen are they called; with restless nimbleness they burrow through the bowels of the earth, like worms in a dead body; they smelt and smith hard metals.

Transylvanian-born mezzo-soprano Eszter Balogh wins the 2019 Handel Singing Competition

Following the final on Saturday 6 April, the Handel Singing Competition announced mezzo-soprano Eszter Balogh as the 2019 winner. Alongside Eszter, the finalists were Patrick Terry (countertenor), David de Winter (tenor) and William Thomas (bass) and the final took place at St George’s, Hanover Square in London in front of a live audience.

English National Opera announces 2019/20 Season

ENO’s 2019/20 season features seven new productions and three revivals, the greatest number of new productions for five years.

A superb Semele from the English Concert at the Barbican Hall

It’s good to aim high … but be careful what you wish for. Clichéd idioms perhaps, but also wise words which Semele would have been wise to heed.

A performance of Vivaldi's La Senna festeggiante by Arcangelo

In 1726 on 25 August, Jacques-Vincent Languet, Comte de Gergy, the new French ambassador to the Venetian Republic held a celebration for the name day of King Louis XV of France. There was a new piece of music performed in the loggia at the foot of Languet's garden with an audience of diplomats and, watching from gondolas, Venetian nobles.

Matthew Rose and Tom Poster at Wigmore Hall

An interesting and thoughtfully-composed programme this, presented at Wigmore Hall by bass Matthew Rose and pianist Tom Poster, and one in which music for solo piano ensured that the diverse programme cohered.

Ekaterina Semenchuk sings Glinka and Tchaikovsky

To the Wigmore Hall for an evening of magnificently old-school vocal performance from Ekaterina Semenchuk. It was very much her evening, rather than that of her pianist, Semyon Skigin, though he had his moments, especially earlier on.

Hubert Parry's Judith at the Royal Festival Hall

Caravaggio’s depiction (1598-99) of the climactic moment when the young, beautiful, physically weak Judith seizes the head of Holofernes by the enemy general’s hair and, flinching with distaste, cleaves the neck of the occupying Assyrian with his own sword, evokes Holofernes’ terror with visceral precision - eyes and screaming mouth are wide open - and is shockingly theatrical, the starkly lit figures embraced by blackness.

La Pietà in Rome

Say "La Pietà" and you think immediately of Michelangelo’s Rome Pietà. Just now Roman Oscar-winning film composer Nicola Piovani has asked us to contemplate two additional Pietà’s in Rome, a mother whose son is dead by overdose, and a mother whose son starved to death.

Matthias Goerne: Schumann – Liederkreis, op 24 & Kernerlieder

New from Harmonia Mundi, Matthias Goerne and Lief Ove Andsnes: Robert Schumann – Liederkreis, op 24 and Kernerlieder. Goerne and Andsnes have a partnership based on many years of working together, which makes this new release, originally recorded in late 2018, well worth hearing.

Orfeo ed Euridice in Rome

No wrecked motorcycle (director Harry Kupfer’s 1987 Berlin Orfeo), no wrecked Citroen and black hearse (David Alagna’s 2008 Montpellier Orfée [yes! tenorissimo Roberto Alagna was the Orfée]), no famed ballet company (the Joffrey Ballet) starring in L.A. Opera’s 2018 Orpheus and Eurydice).


OPERA TODAY ARCHIVES »

Performances

21 Apr 2019

Kurt Weill’s Street Scene

Kurt Weill’s “American opera,” Street Scene debuted this past weekend in the Kay Theatre at the Clarice Smith Performing Arts Center, with a diverse young cast comprised of students and alumni of the Maryland Opera Studio (MOS).  »

Recently in Performances

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08 Feb 2007

Houston takes fresh approach to Cenerentola

In opera, Rossini, born in 1892- the year after Mozart died, is the successor of the great master and, when performed as perceptively as in the “Cenerentola” that debuted at the Houston Grand Opera on January 27, his rightful heir. »

06 Feb 2007

SHOSTAKOVICH: Lady Macbeth of Mtensk District (Kirov Opera)

The Kirov Opera and Orchestra concluded their annual residency at the Kennedy Center in Washington DC last week with a Sunday matinee concert performance of Dmitri Shostakovich’s 1932 Lady Macbeth of Mtsensk District. »

28 Jan 2007

ROSSINI: Il Viaggio a Reims

Rossini’s last Italian opera, staged in 1825 as a part of Charles X’s coronation festivities, is a bizarre creation — a sassy little farce capped with a coronation cantata in the best traditions of staged court entertainment, from 16th-century Italian intermedi through their Baroque and Classic operatic progeny. »

23 Jan 2007

OONY Gives Rare Performance of Rossini's Otello

There are three reasons often cited for the paucity of performances of Rossini’s Otello: the horrible hack job of the Shakespearean drama by librettist Francesco Maria Berio, the difficulties in casting an opera requiring at least three top-rate tenor voices, and comparisons with Verdi’s popular opera of the same title. »

17 Jan 2007

SILVER: The Thief of Love

If the audience for new American art music seems small and is (supposedly) shrinking, then the audience for new American operas is even more exclusive. »

12 Jan 2007

WAGNER: The Ring Cycle

It is a mystery as complex as the Kirov’s Ring Cycle staging and equally inexplicable. »

28 Dec 2006

BARBATO: O Cientista (The Scientist)

Rio de Janeiro, as the capital of the Empire and later the Republic of Brazil, had an extensive history of opera during the 19th century, well-documented by newspapers and magazines of the day, which included the conducting debut of Arturo Toscanini in a local performance of Aida in 1888, described in the memoirs of Brazilian composer and entrepreneur Artur Napoleão. »

06 Dec 2006

“Poppea” - Heartless in L.A.

After the successful première of Monteverdi’s “L’Incoronazione di Poppea” (Saturday, November 25th) at the Dorothy Chandler Pavilion, Los Angeles, General Director Placido Domingo spoke warmly and cogently about this early Italian masterpiece, about its free-flowing music and the perfect relevance of the text to today’s world with all its greed, ambition and self-seeking. »

05 Dec 2006

Houston “rescues” Hansel and Gretel

HOUSTON — “Hansel and Gretel” has taken a beating in recent seasons, as over-zealous directors — aping the excesses of Eurotrash Regieoper — have made Humperdink’s largely innocent retelling of the Grimms’ tale the victim of hyper-active imaginations. »

15 Nov 2006

Handel Unwrapped by Scottish Opera: “Tamerlano” at tea-time

On a cold, wet and dark Glasgow evening in November, some 500 brave souls received what was possibly their first taste of baroque opera. »

11 Nov 2006

Triumph over Adversity

LONDON – the fledgling Independent Opera Company takes on Orlando. »

28 Oct 2006

Brewer makes Isolde hers in stage debut

SAN FRANCISCO — Christine Brewer took her time mastering Isolde before making her stage debut in the role with the San Francisco Opera in October. »

19 Oct 2006

Rossini By The Sea 2006 Enjoying The Unexpected

The Rossini Opera Festival in Pesaro, Italy, had as many surprises on the stage inside as the weather had outside. »

19 Sep 2006

Old Music In a New Home — WNO stages a brand new production of Monteverdi’s “Ulysses”

In his introduction to the Welsh National Opera’s celebratory 60th anniversary season programme Carlo Rizzi, their Music Director, declares that “we are bringing the best of Wales to the rest of the world — and the best of the world to Wales”. »

09 Aug 2006

SANTA FE OPERA: Golden Oldies

Carmen and The Magic Flute have finally made it onto my calendar, a nice way to end the summer opera festival at Santa Fe. »

31 Jul 2006

Strong Tempest at Santa Fe

The news from Santa Fe Opera last week-end is good, unexpectedly so. The British composer Thomas Ades’ new (2004) opera, a riff on Shakespeare’s The Tempest, has been rumored hard to perform and harder to hear. »

24 Jul 2006

SHORT ON SALOME

Richard Strauss’ 1905 neurotic shocker Salome has long been a favorite Santa Fe Opera repertory piece, having enjoyed ten productions over the years. »

18 Jul 2006

CINDERELLA GLITTERS

JULES MASSENET'S 'BROADWAY HIT,' the 1899 Cendrillon, billed as Cinderella but sung in French, was given top notch treatment at its Santa Fe Opera debut Saturday night (July 15). »

24 Jun 2006

Vier letzte Lieder in Sofia and Varna

On June 9th in Sofia and 16th at the Varna Summer Festival, celebrated soprano Krassimira Stoyanova made her Richard Strauss debut in Vier letzte Lieder in her native Bulgaria. »

25 May 2006

Flights of Madness — Munich’s New “Orlando”

Returning from Munich’s new production of Handel’s “Orlando” at thirty thousand feet above clouds which might have done service as props for that opera when first staged in 1733, it occurred that the great man himself could have had things to say about what might be director David Alden’s valedictory baroque piece for the Bayerische Staatsoper. »

24 May 2006

Turn of the Screw at Kennedy Center

On May 22, the Kennedy Center's Fortas Chamber Music Series and the Chateauville Foundation co-presented a fully staged production of Benjamin Britten's haunting chamber opera The Turn of the Screw, conducted by Lorin Maazel. Here are three reviews: »

22 May 2006

Glyndebourne opens with Così fan tutte

Glyndebourne opened this year's festival with "a new production of Mozart’s Così fan tutte, subtitled ‘The school for lovers’, will open the 2006 Festival. This masterpiece includes some of Mozart’s most exquisite music, and Così’s now established popularity, following comparative neglect in the 19th century, is partly due to Glyndebourne’s championing of the work since the opening of the Festival in 1934." Here are some initial reviews: »

09 May 2006

MONTEMEZZI: L’amore dei tre re

What happened to Italo Montemezzi’s L’amore dei tre re? After the opera’s triumphant premiere at La Scala in 1913, Montemezzi was vaulted into the international limelight, and his creation enjoyed regular performances throughout the world until his death in 1952. »

29 Apr 2006

World Premiere of Miss Lonelyhearts at Juilliard

On 26 April, The Juilliard Opera Center gave the world premiere of Miss Lonelyhearts by Lowell Liebermann. Commissioned by the Centennial Commission of The Juilliard School with the support of the Trust of Francis Goelet, the production of Miss Lonelyhearts “has been developed cooperatively among The Juilliard School, the Thornton School of Music at the University of Southern California and the College-Conservatory of Music of the University of Cincinnati.” Here are two reviews. »

24 Apr 2006

Deborah Voigt as Tosca

Tosca "is based on a play by Sardou, which was written for the famous actress Sarah Bernhardt. Sardou crafted melodrama rather well, and Puccini’s librettists distilled the play’s main attributes of action, sex, love, lust, politics, art and religion into one of the most popular operas of the verismo style." Tosca is now playing at the Met with Deborah Voigt in the title role. Here are two reviews. »

18 Apr 2006

The Rake's Progress at Opera Australia

In March the Glyndebourne Opera production of Jonathan Dove’s Flight played at the 2006 Adelaide Festival. Barely a week later a second Glyndebourne production presented by Opera Australia opened at the Sydney Opera House with further performances in Melbourne at the State Theatre. »

18 Apr 2006

Acis and Galatea at NYCO

This season, the New York City Opera presents Handel's Acis and Galatea. "When it comes to Handel, he not only lives but thrives at City Opera. Here Ovid’s Metamorphoses is both the source and the inspiration for Acis and Galatea, one of Handel’s most elegant and sensual works." Here are two reviews. »

13 Apr 2006

Andreas Scholl at Zankel Hall

On 11 April 2006, Andreas Scholl appeared at Zankel Hall, one of the performance venues in New York's famous Carnegie Hall. According to Carnegie Hall: "On this program, we span a wonderfully diverse variety of music from a variety of places, sung by one of the world’s leading countertenors. »

04 Apr 2006

Alice Coote Sings Mahler and Schubert

The British mezzo, Alice Coote, will make her Met Opera debut as Cherubino in Le nozze di Figaro later this month. On the first of April, she gave a recital of Mahler and Schubert lieder, accompanied by Julius Drake. Here are two reviews. »

03 Apr 2006

Don Pasquale at the Met

Don Pasquale is generally considered one of Donizetti's greatest works. Yet, "[o]f the three Donizetti operas being performed at The Met this season, the comedy Don Pasquale has been out of the repertoire for the longest time." This season the opera returns with bass Simone Alaimo (Don Pasquale), soprano Anna Netrebko (Norina) and tenor Juan Diego Flórez (Ernesto). Here are four reviews. »

30 Mar 2006

Darkling by American Opera Projects

The East Thirteenth Street Theatre is so unprepossessing that it would be easy to miss it altogether. From the street the entrance looks like an ice cream shop more so than a theatre. The crowded foyer has chairs around little tables and a food service counter. »

29 Mar 2006

Hit and miss in Amsterdam’s Cavalleria and Pagliacci

Guy Joosten, who recently directed the Met’s new Roméo et Juliette, reworked an attempt of Cav and Pag presented at the Essen Opera for the Nederlandse Opera in Amsterdam. I cannot say he succeeded or to put it more plainly: Cav was bad and Pagliacci suffered too. »

28 Mar 2006

"Lysistrata, Or the Nude Goddess" at NYC Opera

Having missed the first 10 minutes of Lysistrata, Or the Nude Goddess, I foolishly crept into my seat where I saw what appeared to be four raging Lainie Kazan’s protesting war by Athenian ruins. »

21 Mar 2006

City Opera’s Production of The Most Happy Fella

The New York City Opera opened its spring 2006 season with a new production of Frank Loesser’s The Most Happy Fella, which premiered on Broadway fifty years ago in 1956. »

17 Mar 2006

Hercules at the Barbican — Five Reviews

Hercules (HWV 60) was first performed on 5 January 1745 at King's Theatre, Haymarket, London. Categorized as a drama, it traditionally has been performed in the oratorio style (i.e., a concert performance). Following its performance as an opera at the Brooklyn Academy of Music, this production by William Christie now appears at the Barbican in London. "This extraordinary opera recounts the tragic tale of a hero literally poisoned by the jealousy of his misguided wife. In this modern-dress production, punctuated by Greek references, the action takes place on a sand-covered, amphitheatre-style arena where the chorus is used as Handel originally intended, to embody the people of Trachis and comment on the action." Here are five reviews. »

14 Mar 2006

HIGH RISK “ORFEO” FROM CHICAGO LYRIC

Producer Robert Carsen, together with his set designer Tobias Hoheisel, is taking a big risk with their new production of Glück’s 1762 version for alto of “Orfeo ed Euridice” at Chicago Lyric Opera. »

09 Mar 2006

DOVE: Flight

For most of its 40 plus years the Adelaide Festival of Arts has had as its central attraction the Australian premieres of a landmark European opera like Wozzeck, Lady Macbeth of Mtsensk, The Fiery Angel or landmark contemporary works like Death in Venice, Nixon in China or El Nino presented within a few years of their world premieres. »

28 Feb 2006

Les Violons du Roy and Magdalena Kožená at Carnegie Hall

On Sunday, 28 February 2006, Carnegie Hall presented Les Violons du Roy, Bernard Labadie, Music Director and Conductor, with Magdalena Kožená, Mezzo-Soprano, featuring works by Rameau and Gluck. Here are two reviews. »