Performances

05 Oct 2020

ETO Autumn 2020 Season Announcement: Lyric Solitude

English Touring Opera are delighted to announce a season of lyric monodramas to tour nationally from October to December. The season features music for solo singer and piano by Argento, Britten, Tippett and Shostakovich with a bold and inventive approach to making opera during social distancing. »

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23 Feb 2020

Seventeenth-century rhetoric from The Sixteen at Wigmore Hall

‘Yes, in my opinion no rhetoric more persuadeth or hath greater power over the mind; hath not Musicke her figures, the same which Rhetorique? What is a but her Antistrophe? her reports, but sweet Anaphora's? her counterchange of points, Antimetabole's? her passionate Aires but Prosopopoea's? with infinite other of the same nature.’ »

23 Feb 2020

Hrůša’s Mahler: A Resurrection from the Golden Age

Jakub Hrůša has an unusual gift for a conductor and that is to make the mightiest symphony sound uncommonly intimate. There were many moments during this performance of Mahler’s Resurrection Symphony where he grappled with its monumental scale while reducing sections of it to chamber music; times when the power of his vision might crack the heavens apart and times when a velvet glove imposed the solitude of prayer. »

20 Feb 2020

Full-Throated Troubador Serenades San José

Verdi’s sublimely memorable melodies inform and redeem his setting of the dramatically muddled Il Trovatore, the most challenging piece to stage of his middle-period successes. »

19 Feb 2020

Opera North deliver a chilling Turn of the Screw

Storm Dennis posed no disruption to this revival of Britten’s The Turn of the Screw, first unveiled at Leeds Grand Theatre in 2010, but there was plenty of emotional turbulence.  »

16 Feb 2020

Luisa Miller at English National Opera

Verdi's Luisa Miller occupies an important position in the composer's operatic output. Written for Naples in 1849, the work's genesis was complex owing to problems with the theatre and the Neapolitan censors. »

16 Feb 2020

Eugène Onéguine in Marseille

A splendid 1997 provincial production of Tchaikovsky’s take on Pushkin’s Bryonic hero found its way onto a major Provençal stage just now. The historic Opéra Municipal de Marseille possesses a remarkable acoustic that allowed the Pushkin verses to flow magically through Tchaikovsky’s ebullient score. »

12 Feb 2020

Opera Undone: Tosca and La bohème

If opera can sometimes seem unyieldingly conservative, even reactionary, it made quite the change to spend an evening hearing and seeing something which was so radically done. »

12 Feb 2020

A refined Acis and Galatea at Cadogan Hall

The first performance of Handel's two-act Acis and Galatea - variously described as a masque, serenata, pastoral or ‘little opera’ - took place in the summer of 1718 at Cannons, the elegant residence of James Brydges, Earl of Carnavon and later Duke of Chandos. »

11 Feb 2020

Lise Davidsen: A superlative journey through the art of song

Are critics capable of humility? The answer should always be yes, yet I’m often surprised how rare it seems to be. It took the film critic of The Sunday Times, Dilys Powell, several decades to admit she had been wrong about Michael Powell’s Peeping Tom, a film excoriated on its release in 1960. It’s taken me considerably less time - and largely because of this astounding recital - to realise I was very wrong about Lise Davidsen.  »

07 Feb 2020

Parsifal in Toulouse

Aurélien Bory, director of a small, avant garde theater company in Toulouse, staged a spellbinding Parsifal at the Théâtre du Capitole, Toulouse’s famed Orchestre National du Capitole in the pit — FYI the Capitole is Toulouse’s city hall, the opera house is a part of it. »

04 Feb 2020

An Evening with Rosina Storchio: Ermonela Jaho at Wigmore Hall

‘The world’s most acclaimed Soprano’: the programme booklet produced for Ermonela Jaho’s Wigmore Hall debut was keen to emphasise the Albanian soprano’s prestigious status, as judged by The Economist, and it was standing-room only at the Hall which was full to capacity with Jaho’s fervent fans and opera-lovers. »

03 Feb 2020

Parsifal in Palermo

Richard Wagner chose to finish his Good Friday opera while residing in Sicily’s Palermo, partaking of the natural splendors of its famed verdant basin, the Conca d’Oro, and reveling in the golden light of its surreal Monreale cathedral. »

03 Feb 2020

Vladimir Jurowski conducts a magnificent Siegfried

“Siegfried is the Man of the Future, the man we wish, the man we will, but cannot make, and the man who must create himself through our annihilation.” This was Richard Wagner, writing in 1854, his thoughts on Siegfried. The hero of Wagner’s Siegfried, however, has quite some journey to travel before he gets to the vision the composer described in that letter to August Roeckel. Watching Torsten Kerl’s Siegfried in this - largely magnificent - concert performance one really wondered how tortuous a journey this would be.  »

03 Feb 2020

I Capuleti e i Montecchi in Rome

Shakespearean sentiments may gracefully enrich Gounod’s Romeo et Juliet, but powerful Baroque tensions enthrall us in the bel canto complexities of Vincenzo Bellini’s I Capuleti e i Montecchi. Conductor Daniele Gatti’s offered a truly fine bel canto evening at Rome’s Teatro dell’Opera introducing a trio of fine young artists.  »

01 Feb 2020

Santtu-Matias Rouvali makes versatile debut with the Royal Concertgebouw Orchestra

Finnish conductor Santtu-Matias Rouvali has been making waves internationally for some time. The chief conductor of the Gothenburg Symphony Orchestra is set to take over from Esa-Pekka Salonen as principal conductor of the Philharmonia Orchestra in 2021.  »

01 Feb 2020

Tristan und Isolde in Bologna

East German stage director Ralf Pleger promised us a Tristan unlike anything we had ever seen. It was indeed. And Slovakian conductor Jura Valčuha gave us a Tristan as never before heard. All of this just now in the most Wagnerian of all Italian cities — Bologna!
 »

31 Jan 2020

Seductively morbid – The Fall of the House of Usher in The Hague

What does it feel like to be depressed? “It’s like water seeping into my heart” is how one young sufferer put it.  »

31 Jan 2020

Daring Pairing Doubles the Fun by Pacific Opera Project

Puccini’s only comedy, the one act Gianni Schicchi is most often programmed with a second short piece of tragic fare, but the adventurous Pacific Opera Project has banked on a fanciful Ravel opus to sustain the mood and send the audience home with tickled ribs and gladdened hearts. »

30 Jan 2020

Bieito's Carmen returns to English National Opera

‘Men Behaving Badly’ wouldn’t be a bad subtitle for Calixto Bieito’s production of Carmen, currently being revived at ENO. »

26 Jan 2020

Twilight People: Andreas Scholl and Tamar Halperin at Wigmore Hall

Twilight people: existing betwixt and between states, slipping the bounds of categorisation, on the edge of the norm. »

25 Jan 2020

A French Affair: La Nuova Musica at Wigmore Hall

A French Affair, as this programme was called, was a promising concept on paper, but despite handsomely sung contributions from the featured soloists and much energetic direction from David Bates, it never quite translated into a wholly satisfying evening’s performance.  »

19 Jan 2020

Eugene Onegin at Seattle

Passion! Pain! Poetry! (but hold the irony . . .) »

17 Jan 2020

Pow! Zap! Zowie! Wowie! -or- Arthur, King of Long Beach

If you might have thought a late 17thcentury semi-opera about a somewhat precious fairy tale monarch might not be your cup of twee, Long Beach Opera cogently challenges you to think again. »

17 Jan 2020

Philippe Jaroussky and Jérôme Ducros perform Schubert at Wigmore Hall

How do you like your Schubert? Let me count the ways … »

16 Jan 2020

Crebassa and Say: Impressionism and Power at Wigmore Hall

On paper this seemed a fascinating recital, but as I was traveling to the Wigmore Hall it occurred to me this might be a clash of two great artists. Both Marianne Crebassa and Fazil Say can be mercurial performers and both can bring such unique creativity to what they do one thought they might simply diverge. In the event, what happened was quite remarkable. »

14 Jan 2020

'Songs of Longing and Exile': Stile Antico at LSO St Luke's

Baroque at the Edge describes itself as the ‘no rules’ Baroque festival. It invites ‘leading musicians from all backgrounds to take the music of the Baroque and see where it leads them’.  »

11 Jan 2020

Richard Jones' La bohème returns to Covent Garden

Richard Jones' production of Puccini's La bohème is back at the Royal Opera House, Covent Garden after its debut in 2017/18. The opening night, 10th January 2020, featured the first of two casts though soprano Sonya Yoncheva, who was due to sing Mimì, had to drop out owing to illness, and was replaced at short notice by Simona Mihai who had sung the role in the original run and is due to sing Musetta later in this run.  »

05 Jan 2020

Don Giovanni at Lyric Opera of Chicago

Mozart’s Don Giovanni returned to Lyric Opera of Chicago in the Robert Falls updating of the opera to the 1930s. The universality of Mozart’s score proves its adaptability to manifold settings, and this production featured several outstanding, individual performances. »

05 Jan 2020

Britten and Dowland: lutes, losses and laments at Wigmore Hall

'Of chord and cassiawood is the lute compounded;/ Within it lie ancient melodies'. »

31 Dec 2019

Tara Erraught sings Loewe, Mahler and Hamilton Harty at Wigmore Hall

During those ‘in-between’ days following Christmas and before New Year, the capital’s cultural institutions continue to offer fare both festive and more formal. »

22 Dec 2019

Prayer of the Heart: Gesualdo Six and the Brodsky Quartet

Robust carol-singing, reindeer-related muzak tinkling through department stores, and light-hearted festive-fare offered by the nation’s choral societies may dominate the musical agenda during the month of December, but at Kings Place on Friday evening Gesualdo Six and the Brodsky Quartet eschewed babes-in-mangers and ding-donging carillons for an altogether more sedate and spiritual ninety minutes of reflection and ‘musical prayer’. »

20 Dec 2019

The New Season at the New National Theatre, Tokyo

Professional opera in Japan is roughly a century old. When the Italian director and choreographer Giovanni Vittorio Rosi (1867-1940) mounted a production of Cavalleria Rusticana in Italian in Tokyo in 1917, with Japanese singers, he brought a period of timid experimentation and occasional student performances to an end. »

19 Dec 2019

Handel's Messiah at the Royal Albert Hall

For those of us who live in a metropolitan bubble, where performances of Handel's Messiah by small professional ensembles are common, it is easy to forget that for many people, Handel's masterpiece remains a large-scale choral work. My own experiences of Messiah include singing the work in a choir of 150 at the Royal Albert Hall, and the venue's tradition of performing the work annually dates back to the 19th century. »

19 Dec 2019

What to Make of Tosca at La Scala

La Scala’s season opened last week with Tosca. This was perhaps the preeminent event in Italian cultural and social life: paparazzi swarmed politicians, industrialists, celebrities and personalities, while almost three million Italians watched a live broadcast on RAI 1. Milan was still buzzing nine days later, when I attended the third performance of the run. »

19 Dec 2019

La traviata at Covent Garden: Bassenz’s triumphant Violetta in Eyre’s timeless production

There is a very good reason why Covent Garden has stuck with Richard Eyre’s 25-year old production of La traviata. Like Zeffirelli’s Tosca, it comes across as timeless whilst being precisely of its time; a quarter of a century has hardly faded its allure, nor dented its narrative clarity. All it really needs is a Violetta to sweep us off our feet, and that we got with Hrachuhi Bassenz.  »

17 Dec 2019

'Aspects of Love': Jakub Józef Orliński at Wigmore Hall

Boretti, Predieri, Conti, Matteis, Orlandini, Mattheson: masters of the Baroque? Yes, if this recital by Polish countertenor Jakub Józef Orliński is anything by which to judge. »