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Elsewhere

Daniel Michieletto's Cav and Pag returns to Covent Garden

It felt rather decadent to be sitting in an opera house at 12pm. Even more so given the passion-fuelled excesses of Pietro Mascagni’s Cavalleria Rusticana and Ruggero Leoncavallo’s Pagliacci, which might seem rather too sensual and savage for mid-day consumption.

Manitoba Opera: Madama Butterfly

Manitoba Opera opened its 45th season with Puccini’s Madama Butterfly proving that the aching heart as expressed through art knows no racial or cultural divide, with the Italian composer’s self-avowed favourite opera still able to spread its poetic wings across time and space since its Milan premiere in 1904.

Ian Bostridge and Julius Drake celebrate 25 years of music-making

In 1992, concert promoter Heinz Liebrecht introduced pianist Julius Drake to tenor Ian Bostridge and an acclaimed, inspiring musical partnership was born. On Wenlock Edge formed part of their first programme, at Holkham Hall in Norfolk; and, so, in this recital at Middle Temple Hall, celebrating their 25 years of music-making, the duo included Vaughan Williams’ Housman settings for tenor, piano and string quartet alongside works with a seventeenth-century origin or flavour.

Girls of the Golden West in San Francisco

Not many (maybe any) of the new operas presented by San Francisco Opera over the past 10 years would lure me to the War Memorial Opera House a second time around. But for Girls of the Golden West just now I would be there again tomorrow night and the next, and I am eagerly awaiting all future productions.

DiDonato is superb in Semiramide at Covent Garden

It’s taken a while for Rossini’s Semiramide to reach the Covent Garden stage. The last of the operas which Rossini composed for Italian theatres between 1810-1823, Semiramide has had only one outing at the Royal Opera House since 1887, and that was a concert version in 1986.

Hans Werner Henze Choral Music

Hans Werner Henze works for mixed voice and chamber orchestra with SWR Vokalensemble and Ensemble Modern, conducted by Marcus Creed. Welcome new recordings of important pieces like Lieder von einer Insel (1964), Orpheus Behind the Wire (1984) plus Fünf Madrigale (1947).

Philippe Jaroussky and Ensemble Artaserse at the Wigmore Hall

‘His master’s masterpiece, the work of heaven’: ‘a common fountain’ from which flow ‘pure silver drops’. At the risk of effulgent hyperbole, I’d suggest that Antonio’s image of the blessed governance and purifying power of the French court - in the opening scene of Webster’s The Duchess of Malfi - is also a perfect metaphor for the voice of French countertenor Philippe Jaroussky, as it slips through Handel’s roulades like a silken ribbon.

La Rondine Takes Flight in San Jose

Kudos to San Jose Opera for offering up a wholly winning, consistently captivating new production of Puccini’s seldom performed La Rondine.

Bettina Smith, Norwegian Mezzo, in Songs by Fauré and Debussy

Here are five complete song sets by two of the greatest masters of French song. The performers are highly competent. I should have known, given the rave reviews that their 2015 recording of modern Norwegian songs received.

Clonter Opera Gala

Clonter’s Opera Gala in the breath-taking beautiful ball-room at the Lansdowne Club in Mayfair was a glamorously glittering smattering of opera – which made me want to run out to every opera in town.  

Étienne-Nicolas Méhul: Uthal

The opera world barely knows how to handle works that have significant amounts of spoken dialogue. Conductors and stage directors will often trim the dialogue to a bare minimum (Magic Flute), have it rendered as sung recitative (Carmen), or have it spoken in the vernacular though the sung numbers may often be performed in the original language (Die Fledermaus).

A New Anna Moffo?: The Debut Disc of Aida Garifullina

Here is the latest CD from a major label promoting a major new soprano. Aida Garifullina is utterly remarkable: a lyric soprano who also can handle coloratura with ease. Her tone has a constant shimmer, with a touch of quick, narrow vibrato even on short notes.

A New Die Walküre at Lyric Opera of Chicago

From the start of Lyric Opera of Chicago’s splendid, new production of Richard Wagner’s Die Walküre conflict and resolution are portrayed throughout with moving intensity. The central character Brünnhilde is sung by Christine Goerke and her father Wotan by Eric Owens.

As One a Haunting Success in San Diego

San Diego Opera has mined solid gold with its mesmerizing and affecting production of As One, a part of their innovative ‘Detour Series.’

OLF: Songs by Tchaikovsky, Anton Rubinstein, Rachmaninov and Georgy Sviridov

Compared to the oft-explored world of German lieder and French chansons, the songs of Russia are unfairly neglected in recordings and in the concert hall. The raw emotion and expansive lyricism present in much of this repertoire was clearly in evidence at the Holywell Music Room for the penultimate day of the celebrated Oxford Lieder Festival.

Stockhausen’s STIMMUNG and COSMIC PULSES at the Barbican.

This concert was an event on several levels - marking a decade since the death of Stockhausen, the fortieth anniversary (almost to the day) since Singcircle first performed STIMMUNG (at the Round House), and their final public performance of the piece. It was also a rare opportunity to hear (and see) Stockhausen’s last completed purely electronic work, COSMIC PULSES - an overwhelming visual and aural experience that anyone who was at this concert will long remember.

Bampton Classical Opera Young Singers’ Competition 2017 - Winner Announced

Bampton Classical Opera is pleased to announce that the winner of the 2017 Young Singers’ Competition is mezzo-soprano Emma Stannard and the runner-up is tenor Wagner Moreira. The winner of the accompanists’ prize, a new category this year, is Keval Shah.

Il sogno di Scipione: a new recording from Classical Opera

With this recording of Mozart’s 1771 opera, Il sogno di Scipione (Sicpio’s Dream), Classical Opera continue their progress through the adolescent composer’s precocious achievements and take another step towards the fulfilment of their complete Mozart opera series for Signum Classics.

Nico Muhly's Marnie at ENO

Winston Graham’s 1961 novel Marnie was bold for its time. Its themes of sexual repression, psychological suspense and criminality set within the dark social fabric of contemporary Britain are but outlier themes of the anti-heroine’s own narrative of deceit, guilt, multiple identities and blackmail.

TOSCA: A Dramatic Sing-Fest

On November 12, 2017, Arizona Opera presented Giacomo Puccini’s verismo opera, Tosca, in a dramatic production directed by Tara Faircloth. Her production utilized realistic scenery from Seattle Opera and detailed costumes from the New York City Opera. Gregory Allen Hirsch’s lighting made the set look like the church of St. Andrea as some of us may have remembered it from time gone by.


OPERA TODAY ARCHIVES »

Performances

<em>Cavalleria Rusticana</em> and <em>Pagliacci</em> at Covent Garden
08 Dec 2017

Daniel Michieletto's Cav and Pag returns to Covent Garden

It felt rather decadent to be sitting in an opera house at 12pm. Even more so given the passion-fuelled excesses of Pietro Mascagni’s Cavalleria Rusticana and Ruggero Leoncavallo’s Pagliacci, which might seem rather too sensual and savage for mid-day consumption. »

Recently in Performances

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04 Feb 2008

Awesome Angelika Again

While I eagerly seized upon an opportunity to hear Angelika Kirschlager live for the first time, having written in very recent weeks about not one but two of the star mezzo’s current CD releases, I ventured to Frankfurt’s Alte Oper feeling a little bit like her stalker. »

03 Feb 2008

Karita Mattila Performs Manon Lescaut

When I worked in the Archives of the Met, I was custodian of several hundred costumes, many from the days when divas traveled with steamer trunks full of things run up just for them, by the finest designers, with the most glamorous materials, in the colors and styles that suited the ladies themselves. »

03 Feb 2008

Verdi's Falstaff at Chicago

There is nothing redeeming about Sir John Falstaff, one of Shakespeare’s most lively comic characters and the subject of Verdi’s final opera, and yet, inexplicably, we love him. »

28 Jan 2008

Two Queens in Full Cry

What constitutes an “international opera star” these days, anyway? »

20 Jan 2008

Die Walküre at the Met

The Metropolitan Opera audience loves its Wagner, and the management for the last several decades has, alas, made sure we aren’t spoiled: it’s a rare season that gets more than two production revivals of Wagner, and some years there have been none. »

20 Jan 2008

Deborah Voigt in Concert with the San Francisco Symphony

With her performance of the “Four Last Songs,” ably partnered by Michael Tilson Thomas and his San Francisco Symphony, Deborah Voigt emphatically confirmed her place as one of the glories of the current roster of Strauss interpreters. »

20 Jan 2008

John Adams' Doctor Atomic in Chicago

John Adams, whose opera Nixon in China set the bar for post-minimalism in the lyric theatre, has once again scored a success with his latest work. »

16 Jan 2008

A New Hansel und Gretel at the Met

Wagner’s all-conquering chic made apocalyptic music-dramas drawn from folklore the ideal of the nationalistic era; every serious opera composer of the time felt obliged to attempt something in that line. »

03 Jan 2008

Oppenheimer opera charts new course in music

In this country art and politics are rarely bedfellows — strange or otherwise; indeed, it’s seldom that the two meet under the same roof. »

30 Dec 2007

Iphigénie en Tauride at the Met

Regarded, until the modern vogue for earlier masters, as the senior surviving grand master of opera, Gluck never quite becomes fashionable and never quite vanishes. »

30 Dec 2007

Prokofiev's War and Peace at the Met

There is no middle ground in War and Peace — or, rather, it’s all middle ground, like a battlefield, and you may feel as if every soldier in Russia (and in France) has marched over you. »

30 Dec 2007

Cinderella and her Cinderfella

Once upon a time, we used to only dream about a stellar pairing like Barcelona’s Gran Teatre del Liceu has fielded for their current offering on display: “La Cenerentola.” »

30 Dec 2007

¡Viva Valencia!

Enough ink was spilled last year gushing over Valencia’s new Calatrava-designed opera house and Arts and Science park that I had been chomping at the bit for the opportunity to take in a performance there as soon as my availability and, more important, the availability of a still-very-hard-to-find ticket coincided. »

30 Dec 2007

Chicago stages fantastic “Frau” --- Another View

Do we too easily take Richard Strauss for granted? The question is prompted by the superlative production of “Frau ohne Schatten” that was the highlight of the fall season at the Chicago Lyric Opera. »

27 Dec 2007

“Your Queen is trumped”: Queen of Spades by the Kirov

Watching The Queen of Spades staged by a Russian company is often an unforgettable experience. »

18 Dec 2007

Belfast welcomes a first-rate Messiah

If Belfast in Northern Ireland isn’t a city that immediately springs to mind as a centre of musical excellence then it’s not for want of talent, initiative and professionalism within its cultural community. »

16 Dec 2007

OONY Performs Verdi's I Due Foscari

After the triumph of his fifth opera, Ernani, Verdi could have gone on writing howling melodramas and made a mint. »

11 Dec 2007

The Turn of the Screw at ENO

Not long ago, English National Opera declared an intention to capitalise on its name and history by placing greater emphasis on English works. »

11 Dec 2007

Otello — Kirov Opera

Despite 19th-century Russia’s reputation as an Italian opera haven, Verdi’s late masterpiece Otello found acceptance there only with great difficulty, even though in its 1889 premiere the title role acquired a great local interpreter in the Mariinsky Theater primo uomo, Nikolai Figner. »

04 Dec 2007

Beyond The Media Avatar

Imagine a mild December night, with some three hundred people queueing for a concert ticket on Siena’s horseshoe-shaped Piazza del Campo. »

04 Dec 2007

Giulio Cesare in Chicago

Peter Schickele, channeling P.D.Q. Bach, was wont to say, “Most classical scholars were unaware Iphigenia was ever in Brooklyn … and I think the cantata, Iphigenia in Brooklyn, does for Iphigenia what the Vinland Map did for Leif Ericsson.” »

04 Dec 2007

Bolcom’s ”View” brilliant at WNO

The American Dream and the tragic vision of ancient Greece are miles and millennia apart; yet they merge seamlessly in William Bolcom’s “View from the Bridge,” on stage in November at the Washington National Opera. »

04 Dec 2007

Die Frau ohne Schatten in Chicago

Die Frau ohne Schatten is the story of a being of purely sensual spirit who defies the temptation to do evil, thereby demonstrating a moral soul and achieving humanity. »

28 Nov 2007

Thanksgiving in San Francisco

San Francisco Opera makes it possible for opera-lovers who have stuffed themselves with turkey on the fourth Thursday of November to indulge in a feast of opera on the following three days. »

19 Nov 2007

Verismo Rarities, Teatro Grattacielo

Part of the fun of visiting the many companies that specialize in unearthing forgotten operas lies precisely in not knowing what you’re going to get. »

19 Nov 2007

Norma returns to the Met

The bel canto era, insofar as the contemporary public considers it at all, is usually thought of as the golden age of vocal beauty for its own sake. »

19 Nov 2007

Pascoe comes to grips with the Don

Mozart made it easy for the Philistines. They see Don Giovanni thrown into the flaming jaws of Hell and hiss: “Two thousand women seduced and abandoned! “ »

18 Nov 2007

Karlsruhe‘s Don Gets Down

The Badisches Staatstheater seems to have borrowed with a vengeance the catch-phrase from John Waters’ recent “A Dirty Shame,” namely: “Let’s go sexin’!” I can’t recall ever seeing a “Don Giovanni” with more lip-locks, grinding torsos, leg-wraps, and groping embraces. »

14 Nov 2007

Aida at ENO

After the marketing gimmickry of Sally Potter’s production of Carmen, and a dance-based Poppea set at the bottom of the sea, it did not bode well when the advertising for ENO’s latest production included an interactive dress-up doll circulated by email. »

14 Nov 2007

Macbeth in Istanbul

Attending the opera may not be the first thing you think of when visiting Istanbul, but opera is to be found (if less well advertised than the local Bach Festival) at the Ataturk Cultural Center on Taksim Square, the heart of modern Istanbul. »

14 Nov 2007

“The Sacrifice” – Welsh National World Premiere Tour

Welsh National Opera’s new opera “The Sacrifice”, composed by James MacMillan with libretto by Michael Symmons Roberts, and directed by Katie Mitchell, is an emotionally raw and compelling study of the nature of conflict, and how humans are changed by it. »

13 Nov 2007

Macbeth at the Met

Verdi, a born skeptic where the supernatural is concerned, did not seem to know quite what to do with the witches in Macbeth and was far too loyal to Shakespeare to reduce their role – he knew how closely the play was bound to them, famous for them. »

12 Nov 2007

Le Nozze di Figaro – Metropolitan Opera

Le Nozze di Figaro, in 1786, was the longest and most elaborate opera buffa ever composed and (though it is seldom given complete) is still the longest you are likely to see in the regular repertory. »

11 Nov 2007

Houston pays homage to opera’s living legends

Although seriously ill, Beverly Sills and Luciano Pavarotti were still very much alive when general director Anthony Freud in his second year in this position planned the 53rd season of the Houston Grand Opera. »

11 Nov 2007

Verdiland Revisited

Since his appointment as general manager of Parma’s Teatro Regio in August 2005, Mauro Meli didn’t conceal his ambitious plans for growth. »

11 Nov 2007

Preparing G.B. Pergolesi’s tercentenary — with a fair advance

A notice for organizers: it’s relatively easy to produce a vocal recital and sell out a large house for two nights in a row. »

11 Nov 2007

This “Swallow” Makes November Summery

It’s somewhat of a mystery why Puccini’s 1917 “La Rondine” is such a neglected, rarely-performed opera. »

31 Oct 2007

The 17th Bienal of Contemporary Brazilian Music

The 17th Bienal of Contemporary Brazilian Music [XVII Bienal de Música Brasileira Contemporânea] began on Sunday, Oct. 21, 2007 at the Sala Cecilia Meireles, Rio's leading concert hall, with a lengthy program divided between six orchestral works, entrusted to the National Symphony Orchestra of the Universidade Federal Fluminense, based in Niteroi, RJ and three works for percussion, interpreted by the Dynamo Percussion Quartet. »

30 Oct 2007

Hamburg's Tales Told

I recently made a special trip to Hamburg with one real goal in mind: to hear one of my most favorite young singers, bass Kyle Ketelsen in the Staatsoper’s new production of “Tales of Hoffmann.” »

28 Oct 2007

The Magic Flute — English National Opera

Despite rumours to the contrary, English National Opera’s advertising material claims that this 12th revival of Nicholas Hytner’s popular production of ‘ The Magic Flute’ will be the last. Though it’s arguably better to get rid of a production in... »

28 Oct 2007

“Apollo e Dafne” — the English Concert at St. Georges, Bristol.

Someone once called Handel’s Italian cantata Apollo e Dafne a “proto-opera” and it’s easy to see why. »

28 Oct 2007

The Coronation of Poppea — English National Opera

For some seasons now, ENO has expressed a commitment to reinforce the role of dance within opera. »

24 Oct 2007

Der Freischütz at Oper Köln

Do you remember a moment when a piece, new to you, so engaged you that you immediately wanted to know more. . .or all about it? »

22 Oct 2007

Biondi’s Labors Won, or Unearthing The Lost Vivaldi

An expedition against the famed warring women, the Amazons, ranking as Hercules’ ninth labor out the canonic twelve, provided the subject for the libretto by Antonio Salvi (not Giacomo Francesco Bussani, as hitherto misattributed) that Vivaldi set to music in 1723 as his own sixteenth operatic labor. »

22 Oct 2007

Opera at the BBC Proms 2007

Glyndebourne Festival Opera’s guest appearance is an annual fixture at the Proms, and this year the work of choice was Verdi’s Macbeth, in a semi-staged performance on July 24th based on Richard Jones’s new production for this year’s Festival. »

16 Oct 2007

San Francisco stages triumphant Tannhäuser

At this point in his career David Gockley has no need to prove himself. He did that with awesome success as general director of Houston Grand Opera for 33 years, during which he made that company a front runner both on the American and international opera scenes. »

15 Oct 2007

Philip Glass celebrates 70th with compelling new opera

SAN FRANCISCO — “My subject is war and the pity of war, and the poetry is in the pity.” »