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Elsewhere

On The Death of Klinghoffer

This is a revised version of my review of the Sept 5th 1991American premiere of The Death of Klinghoffer, at the Brooklyn Academy of Music. The opera was first performed at Brussels’ La Monnaie the previous spring.

Anna Netrebko, now a dramatic soprano, shines in the Met’s dark and murky ‘Macbeth’

The former lyric soprano holds up well — and survives the intrusive close-up camerawork of the ‘Live in HD’ transmission

Arizona Opera Presents First Mariachi Opera

Houston Grand Opera commissioned Cruzar la Cara de la Luna from composer José “Pepe” Martínez, music director of Mariachi Vargas de Tecalitlán, who wrote the text together with Broadway and opera director Leonard Foglia. The work had its world premier in 2010. Since then, it has traveled to several cities including Paris, Chicago, and San Diego.

Plácido Domingo: I due Foscari, London

“Why should I go to hear Plácido Domingo” someone said when Verdi’s I due Foscari was announced by the Royal Opera House. There are very good reasons for doing so.

Philip Glass’s The Trial

Music Theatre Wales presented the world premiere of Philip Glass’s The Trial (Kafka) last night at the Linbury, Royal Opera House. Music Theatre Wales started doing Glass in 1989. Their production of Glass’s In the Penal Colony in 2010 was such a success that Glass conceived The Trial specially for the company.

Joyce DiDonato: Alcina, Barbican, London

To say that the English Concert’s performance of Handel’s Alcina at the Barbican on 10 October 2014 was hotly anticipated would be an understatement. Sold out for weeks, the performance capitalised on the draw of its two principals Joyce DiDonato and Alice Coote and generated the sort of buzz which the work did at its premiere.

Un ballo in maschera in San Francisco

The subject is regicide, a hot topic during the Italian risorgimento when the Italian peninsula was in the grip of the Hapsburgs, the Bourbons, the House of Savoy and the Pontiff of the Catholic Church.

A New Don Giovanni and Anniversary at Lyric Opera of Chicago

Lyric Opera of Chicago opened its sixtieth anniversary season with a new production of Mozart’s Don Giovanni directed by Artistic Director of the Goodman Theater, Robert Falls.

Grande messe des morts, LSO

It was a little over two years ago that I heard Sir Colin Davis conduct the Berlioz Requiem in St Paul’s Cathedral; it was the last time I heard — or indeed saw — him conduct his beloved and loving London Symphony Orchestra.

Guillaume Tell, Welsh National Opera

Part of their Liberty or Death season along with Rossini’s Mose in Egitto and Bizet’s Carmen, Welsh National Opera performed David Pountney’s new production of Rossini’s Guillaume Tell (seen 4 October 2014).

Mose in Egitto, Welsh National Opera

Welsh National Opera’s production of Rossini’s Mose in Egitto was the second of two Rossini operas (the other is Guillaume Tell) performed in tandem for their autumn tour.

L’incoronazione di Poppea, Barbican Hall

In Monteverdi’s first Venetian opera, Il Ritorno d’Ulisse (1641), Penelope’s patient devotion as she waits for the return of her beloved Ulysses culminates in the triumph of love and faithfulness; in contrast, in L’incoronazione di Poppea it is the eponymous Queen’s lust, passion and ambition that prevail.

Rameau’s Les Paladins, Wigmore Hall

After the triumphs of love, the surprises: Les Paladins, under their director Jérôme Correas, and soprano Sandrine Piau are following their tour of material from their 2011 CD, ‘Le Triomphe de L’amour’, with a new amatory arrangement.

Puccini : The Girl of the Golden West, ENO London

At the ENO, Puccini's La fanciulla del West becomes The Girl of the Golden West. Hearing this opera in English instead of Italian has its advantages, While we can still hear the exotic, Italianate Madama Butterfly fantasies in the orchestra, in English, we're closer to the original pot-boiler melodrama. Madama Biutterfly is premier cru: The Girl of the Golden West veers closer, at times, to hokum. The new ENO production gets round the implausibility of the plot by engaging with its natural innocence.

Anna Caterina Antonacci, Wigmore Hall, London

Presenting a well-structured and characterful programme, Italian soprano Anna Caterina Antonacci demonstrated her prowess in both soprano and mezzo repertoire in this Wigmore Hall recital, performing European works from the early years of the twentieth century. Assuredly accompanied by her regular pianist Donald Sulzen, Antonacci was self-composed and calm of manner, but also evinced a warmly engaging stage presence throughout.

Il barbiere di Siviglia, Royal Opera

Bold, bright and brash, Moshe Leiser and Patrice Caurier’s Il barbiere di Siviglia tells its story clearly in complementary primary colours.

Gluck and Bertoni at Bampton

Bampton Classical Opera’s 2014 double bill neatly balanced drollery and gravity. Rectifying the apparent prevailing indifference to the 300th centenary of Christoph Willibald Gluck birth, Bampton offered a sharp, witty production of the composer’s Il Parnaso confuso, pairing this ‘festa teatrale’ with Ferdinando Bertoni’s more sombre Orfeo.

Purcell: A Retrospective

Harry Christophers and The Sixteen Choir and Orchestra launched the Wigmore Hall’s two-year series, ‘Purcell: A Retrospective’, in splendid style. Flexibility, buoyancy and transparency were the watchwords.

Mahler: Symphony no.3 — Prom 73

It would be unfair, but one could summarise this concert with the words, ‘Senator, you’re no Leonard Bernstein.’

Los Angeles Opera Opens with La traviata

On September 13, Los Angeles Opera opened its 2014-2015 season with a revival of Marta Domingo’s updated, Art Deco staging of Giuseppe Verdi’s La traviata. It starred Nino Machaidze as Violetta, Arturo Chácon-Cruz as Alfredo, and Plácido Domingo as Giorgio Germont. The conductor was Music Director James Conlon.


OPERA TODAY ARCHIVES »

Performances

Anna Netrebko as Lady Macbeth and Željko Lučić in the title role of Verdi's Macbeth [Photo by Marty Sohl/Metropolitan Opera]
18 Oct 2014

Anna Netrebko, now a dramatic soprano, shines in the Met’s dark and murky ‘Macbeth’

The former lyric soprano holds up well — and survives the intrusive close-up camerawork of the ‘Live in HD’ transmission »

Recently in Performances

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27 Nov 2004

LA Opera Presents Vanessa

A fully American grand opera Los Angeles Opera stages the seldom-produced "Vanessa" By John Farrell Special to U-Entertainment Thursday, November 25, 2004 - Los Angeles Opera has been steering its productions the last few months right down the middle of... »

27 Nov 2004

Eugene Onegin at SFO

Soaring Opera hits new heights in Tchaikovsky's 'Eugene Onegin' Joshua Kosman, Chronicle Music Critic Friday, November 26, 2004 Tchaikovsky's "Eugene Onegin" is a story of strong emotion accommodating itself, painfully but with resigned acceptance, to external reality. Dreams of romantic... »

24 Nov 2004

OONY Presents La Fanciulla del West

Superb, if mixed, Fanciulla at OONY Last night's La Fanciulla del West at Carnegie Hall was the classic case of the whole being much better than the sum of its parts. It was a thrilling performance of Puccini's score and... »

23 Nov 2004

Performance Note: Helikon Opera of Moscow Performs Nabucco at Dijon

The Helikon Opera of Moscow is in residence for three weeks at Dijon. Its first production was Verdi's Nabucco. In ResMusica.com, Edouard Bailly reviews this production with lavish praise for its costumes and sets, as well as, for the most... »

22 Nov 2004

Verdi's Macbeth at Madrid

Macbeth and the darkness Madrid Teatro Real 11/10/2004 - Giuseppe Verdi: Macbeth Carlos álvarez (Macbeth), Paoletta Marrocu (Lady Macbeth), Aquiles Machado (Macduff), Guillermo Orozco (Malcolm), Carlo Colombara (Banquo). Orchestra and Chorus of the Teatro Real, Jesus Lopez Cobos (Musical Conductor),... »

19 Nov 2004

Handel's Semele at the ENO

Semele Robert Thicknesse at the Coliseum [Times Online, 20 November 2004] IT HAS to be the Prince of Wales's favourite opera. "Nature to each allots his proper sphere," avers Congreve's coolly brilliant libretto, and proceeds to itemise the results of... »

19 Nov 2004

Tosca at Graz

Boris Trajanov, Evan Bowers and Marquita Lister Opernhaus Graz's new production of Tosca is a hit. According to Larry Lash of the Financial Times, A stage direction in my score of Tosca has Scarpia making a cup of coffee... »

19 Nov 2004

The Cunning Little Vixen at the Chicago Lyric

If 'Vixen' can find its balance, it'll be a charmer November 19, 2004 BY WYNNE DELACOMA Classical Music Critic Somewhere amid the nonstop bustle onstage and the flood of highly colored orchestral music from the pit, a charming production of... »

18 Nov 2004

Le Monde Reviews La Traviata at La Fenice: High Praise for Cast — Carsen's Production a Cliché

La Fenice refaite à neuf lance sa saison avec une "Traviata" façon années 1970 LE MONDE | 17.11.04 | 18h19 Le théâtre vénitien, rénové après l'incendie de 1996, présente l'œuvre de Verdi dans sa version originale de 1853, transformée en... »

17 Nov 2004

WSJ Reviews Le Grande Macabre and The Flying Dutchman at the SFO

Waiting for the End of the World By HEIDI WALESON [WSJ] November 17, 2004 San Francisco Many listeners know Gyorgy Ligeti from the creepily futuristic orchestral music in the soundtrack of the 1968 movie “2001: A Space Odyssey.” His opera “Le Grand Macabre” (1978, revised in 1996), given its American premiere this month by the San Francisco Opera, is a thoroughly different creature, yet it is just as much an artifact of its time. Though carefully crafted and full of compositional references, the score is mostly an elbow-in-the-ribs accompaniment to a nihilistic black comedy. Beginning with an opening fanfare for car horns that sounds like Harpo Marx multiplied and continuing with a parody of the “Dies Irae,” the prophecy of the Day of Judgment, the opera is a soulless and often scatological joke. »

16 Nov 2004

I Puritani at Baltimore Opera

More than meeting Bellini's demands Baltimore company sings 'I Puritani' with polish, precision and control By Tim Smith Sun Music Critic November 15, 2004 Bel canto - "beautiful singing." It's more common to hear that term spoken of than to... »

15 Nov 2004

Le Figaro Reviews La Traviata at La Fenice: Praises Ciofi, But Not Much Else

Verdi à Las Vegas Venise : de notre envoyé spécial Jacques Doucelin [15 novembre 2004] Un de ces chats comme Venise en a le secret, trone impérial et méprisant au beau milieu d'une place ensoleillée, manteau mité, mais noeud papillon... »

15 Nov 2004

A Review of Martin

MARTIN... »

14 Nov 2004

SFO Presents The Flying Dutchman

With a ghoulishly murky 'Dutchman,' Opera puts on a truly grim production Joshua Kosman, Chronicle Music Critic Friday, November 12, 2004 It was, yes, a dark and stormy night as the San Francisco Opera unveiled its new production of "The... »

04 Nov 2004

FT Reviews Kát'a Kabanová

Kát'a Kabanová, Paris Opéra (Garnier) By Francis Carlin Published: November 4 2004 02:00 | Last updated: November 4 2004 02:00 After Salzburg, Brussels, Barcelona, Toulouse and several showings on TV, Christophe Marthaler's Kát'a Kabanova has at last turned up in... »

02 Nov 2004

Le Figaro Reviews Don Carlos at Wiener Staatsoper

Hommage à l'opéra français Christian Merlin [02 novembre 2004] Merci à l'Opéra de Vienne d'avoir osé ce à quoi Paris ne s'est pas encore risqué : ressusciter Don Carlos dans sa version originale archicomplète, en cinq actes et en français.... »

01 Nov 2004

FT Reviews Handel's Guilio Cesare in Egitto

Guilio Cesare in Egitto, Boston Baroque By George Loomis Published: November 1 2004 02:00 | Last updated: November 1 2004 02:00 One of the many virtues of Handel's Guilio Cesare in Egitto is that the roles of Caesar and Cleopatra... »

31 Oct 2004

Mefistofele in Amsterdam

by Jan Neckers Let's start with the main assets of the new Mefistofele in Amsterdam: the singers. Gidon Saks has one of the biggest booming bass voices that ever sounded in an opera house (yes, I heard Ghiaurov but Saks... »

28 Oct 2004

L'Incoronazione di Poppea at the Barbican

L'Incoronazione di Poppea Barbican Hall, London By David Murray Published: October 28 2004 03:00 | Last updated: October 28 2004 03:00 This was the third glorious concert-performance of a Monteverdi opera at the Barbican - his 1643 Coronation of Poppea... »

25 Oct 2004

FT Reviews Mercadante's La vestale

La vestale, Wexford Festival By Andrew Clark Published: October 25 2004 03:00 | Last updated: October 25 2004 03:00 The compacting of operatic history into a performable repertoire leads us to make all kinds of false assumptions. One is that... »

22 Oct 2004

FT Reviews Don Carlos at the Vienna State Opera

Don Carlos, Vienna State Opera By Larry L Lash Published: October 22 2004 03:00 | Last updated: October 22 2004 03:00 Despite character motivation and plot development of revelatory clarity and depth, top-notch singing, gorgeous orchestral playing and insightful conducting,... »

22 Oct 2004

Four Reviews of Die Zauberflöte at the Met

Julie Taymor -- and Mozart Too By HEIDI WALESON [Wall Street Journal] October 14, 2004; Page D7 New York The Metropolitan Opera usually showcases singers, not star directors, but the Met's newest production is most definitely the "Julie Taymor 'Zauberflote'"... »

15 Oct 2004

Two Reviews of "The Dialogues of the Carmelites"

Unbearably Good Classical Music BY JAY NORDLINGER [New York Sun] October 14, 2004 Is there any opera more shattering than "The Dialogues of the Carmelites," when it's done well? On Tuesday night, City Opera did it well. It was... »

15 Oct 2004

FT Reviews L'Incoronazione di Poppeia

L'Incoronazione di Poppeia, Théâtre des Champs Elysées, Paris By Francis Carlin [Financial Times] Published: October 15 2004 03:00 | Last updated: October 15 2004 03:00 If you liked David McVicar's staging of Agrippina, you may like his new Poppeia. Or... »

14 Oct 2004

A Review of Pelléas et Mélisande at Berlin

Pelléas et Mélisande, Deutsche Oper, Berlin By Shirley Apthorp [Financial Times] Published: October 14 2004 03:00 | Last updated: October 14 2004 03:00 Yniold wants to know why these sheep huddle together and why they are so silent. We know... »

14 Oct 2004

Two Reviews of Rolando Villazón's New York Recital Debut

An Introduction in 5 Languages By ANNE MIDGETTE [New York Times] The powers that be in the opera world are desperate to discover the next hot male phenomenon. On Monday, at the Metropolitan Museum of Art's Temple of Dendur, Rolando... »

12 Oct 2004

FT Reviews Elektra At Frankfurt Opera

Elektra, Frankfurt Opera By Shirley Apthorp Published: October 12 2004 03:00 | Last updated: October 12 2004 03:00 "Everywhere, in all the courts, there are dead bodies, all who are alive are smeared with blood, yet all are smiling," sings... »

11 Oct 2004

FT Reviews La Grande Duchesse de Gérolstein

La Grande Duchesse de Gérolstein, Châtelet, Paris By Francis Carlin Published: October 11 2004 03:00 | Last updated: October 11 2004 03:00 Were the Brits in the audience the only ones to get the allusion? Felicity Lott's Grand Duchess is... »

10 Oct 2004

Cecilia Bartoli at Théâtre des Champs-Élysées, Paris

La réhabilitation pour Salieri Au TCE, Cecilia Bartoli se fait l'éblouissante avocate d'un musicien dont la postérité retiendra avant tout les soupçons d'empoisonnement sur la personne de Mozart : Antonio Salieri. Elle consacre l'intégralité d'un récital à celui que Gluck... »

10 Oct 2004

Le Monde Reviews Messiaen's "Saint François d'Assise"

La mise en apesanteur divine de "Saint François d'Assise", SDF de la foi LE MONDE | 08.10.04 | 15h02 A l'Opéra Bastille, les tableaux franciscains d'Olivier Messiaen par Stanislas Nordey. Avec cette nouvelle production du Saint-François d'Assise de Messiaen -... »

09 Oct 2004

"La Voix Humaine" at Vremena Goda Festival

Voznesenskaya - only too human by Neil McGowan La Voix Humaine (concert performance) Vremena Goda Festival Vremena Goda Orchestra/Bulakhov 29 September 2004 Bringing down the curtain on the Vremena Goda Festival this year was the Festival's first-ever operatic offering -... »

08 Oct 2004

Moscow Times: Entering the Ring

George Loomis reports on Wagner opera, Russian-style. By George Loomis Published: October 8, 2004 Last spring the Metropolitan Opera gave three complete cycles of Richard Wagner's four-opera saga, "Der Ring des Nibelungen" (The Ring of the Nibelung). It was business... »

06 Oct 2004

FT Reviews Tamerlano

Tamerlano, Opéra de Lille By Francis Carlin Published: October 6 2004 03:00 | Last updated: October 6 2004 03:00 There should be a golden rule for producers: don't make life difficult for yourself and the audience. In Lille's magnificently restored... »

30 Sep 2004

Le Figaro on Charpentier Festival

FESTIVAL Marc-Antoine Charpentier à Ambronay Triomphe de la jeunesse Gérard Corneloup [30 septembre 2004] En cette année du bicentenaire de la mort de Marc-Antoine Charpentier, occasion unique de le sortir de l'ombre que lui fait encore Lully, le festival d'Ambronay... »

30 Sep 2004

FROSCH at Innsbruck

Die Frau ohne Schatten, Tiroler Landstheater, Innsbruck By Larry L Lash Published: September 29 2004 03:00 | Last updated: September 29 2004 03:00 It was a strange match: Richard Strauss's hugest, most difficult opera - with one of the largest... »

28 Sep 2004

Die Walküre at the Met

Die Walküre, Metropolitan Opera, New York By Martin Bernheimer Published: September 28 2004 03:00 | Last updated: September 28 2004 03:00 For the past couple of decades at the Metropolitan Opera, Die Walküre was the exclusive property of James Levine,... »

27 Sep 2004

FT Reviews La Rondine

La Rondine, New York City Opera By Martin Bernheimer Published: September 27 2004 03:00 | Last updated: September 27 2004 03:00 La Rondine certainly isn't Puccini's easiest or most successful opera. Completed in 1917, it flutters - sometimes elegantly, sometimes... »

21 Sep 2004

Andrew Patner Reviews Don Giovanni at the Lyric Opera

Don Giovanni, Lyric Opera, Chicago By Andrew Patner Published: September 21 2004 03:00 | Last updated: September 21 2004 03:00 A half century ago, a trio of twentysomething operaphiles offered Chicago what they dubbed a "calling card" production of Mozart's... »