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Elsewhere

Stéphanie D’Oustrac: Sirènes

After D’Oustrac’s striking success as Cassandre in Berlioz Les Troyens, this will reach audiences less familiar with her core repertoire in the baroque and grand opéra. Berlioz’s Les nuits d’été and La mort d’Ophélie, Wagner’s Wesendonck Lieder and the Lieder of Franz Liszt are very well known, but the finesse of D’Oustrac’s timbre lends a lucid gloss which makes them feel fresh and pure.

Faust in Marseille

We sat, bewildered, all of us, watching (enduring) Gounod’s sweet little tear jerker as a nasty drug trip. Except for the Australian Marguerite it was an all French cast and they all gamely played along, the sophisticated verse of Offenbach’s librettists Jules Barbier and Michel Carré clearly sailing out over an abrasive pit.

Down in flames: Les Troyens, Opéra de Paris

Hector Berlioz’s Les Troyens with Philippe Jordan conducting the Opéra National de Paris. Since Les Troyens headlined the inauguration of Opéra Bastille 30 years ago, we might have expected something special of this new production. It should have been a triumph, with such a good conductor and some of the best singers in the business. But it wasn't.

Luminous Mahler Symphony no.3: François-Xavier Roth, Gürzenich-Orchester Köln

Gustav Mahler’s Symphony No.3 with François-Xavier Roth and the Gürzenich-Orchester Köln, now at last on CD, released by Harmonia Mundi, after the highly acclaimed live performance streamed a few months ago.

Andrew Davis conducts Berlioz’s L’enfance du Christ at Hoddinott Hall

A weekend commemorating the 150th anniversary of the death of Hector Berlioz (1803-1869) entitled Berlioz: The Ultimate Romantic was launched in style from Cardiff’s Hoddinott Hall with a magnificent account of L’enfance du Christ (Childhood of Christ). The emotional impact of this ‘sacred trilogy’ seemed to gain further weight for its performance midway between Christmas and Easter, neatly encapsulating Christ’s journey from birth to death.

Love Songs: Temple Song Series

In contrast to the ‘single-shaming’ advertisement - “To the 12,750 people who ordered a single takeaway on Valentine’s Day. You ok, hun?” - for which the financial services company, Revolut, were taken to task, this Temple Music recital programme on 14th February put the emphasis firmly on partnerships: intimate, impassioned and impetuous.

Philip Glass: Akhnaten – English National Opera

There is a famous story that when Philip Glass first met Nadia Boulanger she pointed to a single bar of one of his early pieces and said: “There, that was written by a real composer”. Glass recalls that it was the only positive thing she ever said about him

Rachvelishvili excels in ROH Orchestra's Russian programme

Cardboard buds flaming into magic orchids. The frenzied whizz of a Catherine Wheel as it pushes forth its fiery petals. A harvest sky threshed and glittering with golden grain.

Independent Opera & Britten Sinfonia celebrate bicentenary of Queen Victoria & Prince Albert's births

To celebrate the bicentenary of Queen Victoria and Prince Albert’s births in 2019, Independent Opera (IO) and Britten Sinfonia present the first public performance of Joby Talbot’s new cantata A Sheen of Dew on Flowers on Thursday 11 April at the Barbican.

English National Opera to reprise its 5* production of Paul Bunyan at the historic Alexandra Palace Theatre

Following its sell-out success at Wilton’s Music Hall in September 2018, English National Opera’s acclaimed production of Benjamin Britten’s Paul Bunyan will be revived in May at the equally historically remarkable venue of Alexandra Palace Theatre.

Glyndebourne celebrates 25 years of its award-winning opera house in 2019

Unveiled in 1994, the new auditorium increased capacity by 50% to 1,200 seats and significantly improved backstage facilities. This allowed more people to enjoy world-class opera at Glyndebourne and enabled the company to stage bigger and more ambitious productions in the years that followed.

Lucrèce Borgia in Toulouse

This famed murderess worked her magic on Toulouse’s Théâtre du Capitole stage, six dead including her beloved long lost son. It was Victor Hugo’s carefully crafted 1833 thriller recrafted by Italian librettist Felice Romano that became Donizetti’s fragile Lucrezia Borgia.

Amanda Majeski makes a stunning debut at Covent Garden in Richard Jones's new production of Kát’a Kabanová

How important is ‘context’, in opera? Or, ‘symbol’? How does one balance the realism of a broad social milieu with the expressionistic intensity of an individual’s psychological torment and fracture?

Returning to heaven: The Cardinall's Musick at Wigmore Hall

The Cardinall’s Musick invited us for a second time to join them in ‘the company of heaven’ at Wigmore Hall, in a recital that was framed by musical devotions to St Mary Magdalene and the Virgin Mary.

Diana Damrau’s Richard Strauss Residency at the Barbican: The first two concerts

Listening to these two concerts - largely devoted to the music of Richard Strauss, and given by the soprano Diana Damrau, and the superlative Bavarian Radio Symphony Orchestra in the second - I was reminded of Wilhelm Furtwängler’s observation that German music would be unthinkable without him.

De la Maison des Morts in Lyon

The obsessive Russian Dostoevsky’s novel cruelly objectified into music by Czech composer Leos Janacek brutalized into action by Polish director Krzysztof Warlikowski beatified by Argentine conductor Alejo Pérez.

A First-Ever Recording: Benjamin Godard’s 1890 Opera on Dante and Beatrice

The composer Benjamin Godard (1849–95) is today largely unknown to most music lovers. Specialist collectors, though, have been enjoying his songs (described as “imaginative and delightful” by Robert Moore in American Record Guide), his Concerto Romantique for violin (either in its entirety or just the dancelike Canzonetta, which David Oistrakh recorded winningly decades ago), and some substantial chamber and orchestral works that have received first recordings in recent years.

La Nuova Musica perform Handel's Alcina at St John's Smith Square

There was a full house at St John’s Smith Square for La Nuova Musica’s presentation of Handel’s Alcina.

Ermonela Jaho is an emotively powerful Violetta in ROH's La traviata

Perhaps it was the ‘Blue Monday’ effect, but the first Act of this revival of Richard Eyre’s 1994 production of La Traviata seemed strangely ‘consumptive’, its energy dissipating, its ‘breathing’ rather laboured.

Garsington Opera’s 30th anniversary season: four new productions including an Offenbach premiere

Garsington Opera’s 30th anniversary season will feature four new productions - the UK stage premiere of Offenbach’s Fantasio, Smetana’s The Bartered Bride, Mozart’s Don Giovanni and finally Britten’s The Turn of the Screw.


OPERA TODAY ARCHIVES »

Performances

19 Feb 2019

Faust in Marseille

We sat, bewildered, all of us, watching (enduring) Gounod’s sweet little tear jerker as a nasty drug trip. Except for the Australian Marguerite it was an all French cast and they all gamely played along, the sophisticated verse of Offenbach’s librettists Jules Barbier and Michel Carré clearly sailing out over an abrasive pit. »

Recently in Performances

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05 Oct 2012

Blaise le savetier and L’amant jaloux by Bampton Classical Opera

“Two classic French comedies, one wardrobe…” was Bampton Classical Opera’s billing for this amusing double bill and, with typically wry wit, director Jeremy Gray duly placed a shabby-chic armoire centre-stage and made it the location of some Cherubino-Countess-style confusions and Goldoni-esque farce. »

05 Oct 2012

Frank Bridge Song Focus

Frank Bridge (1879-1941) was a professional violinist and violist, a talented conductor, a versatile composer and skilled teacher; yet he remains something of an enigma and his music relatively unknown. »

05 Oct 2012

“Dreamers of Dreams”

During the years from 1890 to 1940, the so-called ‘land without music’ witnessed a remarkable outpouring of chamber and instrumental music.  »

05 Oct 2012

Mozart’s Ghost finds its Way through Das Labyrinth

W.A. Mozart, despite a historically antagonistic relationship with his city of birth, retains an omnipresence in Salzburg that emerges in full force with each iteration of the illustrious summer festival.  »

05 Oct 2012

Cecilia Bartoli Comes, Divides and Conquers

Cleopatra, one of few female seductresses in operatic history to emerge not only alive but empowered in the final act, is a fitting role for Cecilia Bartoli in her first season as artistic director of the Salzburg Whitsun Festival.  »

04 Oct 2012

Dmitri Hvorostovsky, Wigmore Hall

The Wigmore Hall 2012-3 season (see link below) started with a gala of glamour. Dmitri Hvorostovsky attracts patrons in jewels and designer gowns.  »

04 Oct 2012

Martinů : Julietta, ENO

The ENO gave the British premiere of Bohuslav Martinů's Julietta many years ago, so this new production was eagerly awaited. But what will audiences new to Martinů get from this production? It's a myth that the English language makes opera more accessible. That just means audiences focus on words, rather than really listening or understanding.  »

02 Oct 2012

Handel Jephtha, Welsh National Opera

Welsh National Opera have revived Katie Mitchell’s 2003 production of Handel’s Jephtha, with Robert Murray in the title role and a new focus for the drama.  »

28 Sep 2012

Nixon in China at the BBC Proms

John Adams’s Nixon in China has become one of the most successful operas in the late 20th/early 21st century wave of post-modernist attempts to revitalise the operatic tradition. It has even started its own sub-genre, the so-called CNN opera.  »

28 Sep 2012

Marriage of Figaro at the BBC Proms

Glyndebourne Festival Opera’s visit to the Proms has become a much anticipated annual event. This year on 28 August, they brought Michael Grandage’s new production of Mozart’s The Marriage of Figaro, with the Orchestra of the Age of Enlightenment conducted by Robin Ticciati, who takes over as musical director at Glyndebourne in 2014. »

28 Sep 2012

Peter Grimes BBC Prom 55

The ghost of Peter Pears may no longer hover in the wings, but in an age when ‘defining’ interpretations by the likes of Jon Vickers and Philip Langridge still linger powerfully in collective audience memories, Stuart Skelton’s interpretation of Crabbe’s problematic fisherman is assuming a striking individuality and impact.  »

27 Sep 2012

Santa Fe 2012

The venerable Santa Fe Opera served up a richly eclectic mix of high-caliber offerings that surely is one of their best festivals in recent seasons.  »

28 Aug 2012

La bohème at the Salzburg Festival

It is difficult to speak with excessive enthusiasm of the programming of a Salzburg Festival that included both Carmen and La bohème, though it would subsequently be redeemed in part by a staging of Die Soldaten.  »

24 Aug 2012

James MacMillan’s “Since it was the day of Preparation…” Premieres at Edinburgh International Festival

It was fitting that in this Year of Creative Scotland, the Edinburgh International Festival should honour James MacMillan’s contribution to Scottish musical life with the premiere of a new work. »

20 Aug 2012

Glimmerglass Gambles and Wins

Impresaria Francesca Zambello kept up her seemingly tireless process of rejuvenating the Glimmerglass Opera Festival with an ambitious, nay downright risky repertoire choice.  »

20 Aug 2012

Ariadne auf Naxos, Salzburg Festspiele

When announced in November, this was trailed as the original version of Ariadne auf Naxos, a rare treat indeed.  »

20 Aug 2012

Berlioz and Liszt at the Salzburg Festival

At the Salzburg Festival, Riccardo Muiti conducted Liszt’s Von der Wiege bis zum Grabe and Berlioz’s Messe solonnelle. »

14 Aug 2012

Schoenberg’s Gurrelieder — BBC Proms 2012

Arnold Schoenberg’s Gurrelieder is conceived as cosmic panorama. King Waldemar curses God and is himself cursed, doomed to ride the skies forever, inspiring awe and horror.  »

13 Aug 2012

Berlioz’s Requiem (Grande messe des morts) — BBC Prom 39

The massed forces of the 600+ singers and players assembled for this exciting performance of Berlioz’s gargantuan Requiem (Grande messe des morts) made for an impressive visual spectacle in the vast high Victorian Royal Albert Hall.  »

12 Aug 2012

The Makropulos Case at Edinburgh International Festival

The Edinburgh International Festival, in partnership with Opera North, presented Janáček’s The Makropulos Case at the Edinburgh Festival Theatre. »

11 Aug 2012

Edinburgh International Festival - Delius, A Mass of Life

The Edinburgh International Festival got off to a rousing start with Frederick Delius, A Mass of Life, rarely heard because it's scored for huge forces.  »

05 Aug 2012

Glyndebourne : Ravel Double Bill L'enfant et les sortilèges, L'heure espagnole

Surrealist fantasy with wit and style! L'heure espagnole and L'enfant et les sortilèges, the Ravel Double Bill at Glyndebourne, mixes charm, intelligence and nightmare. »

03 Aug 2012

Bach Mass in B minor, BBC Prom 26

Bach probably never intended the full Mass in B Minor to be performed, so it is tricky to talk about what forces he meant it to be performed by. But the Kyrie and Gloria certainly were sent by Bach to the Royal Court at Dresden (which was Roman Catholic), and these movements could be used in the Lutheran Church as well.  »

02 Aug 2012

Tippett : A Child of Our Time BBC Prom 25

In November 1938 a young Polish Jew, Herschel Grynsban, driven to desperation and despair by the Nazi persecution of his mother, shot a minor German diplomat in Paris. The Nazis retaliated with one of the most savage, vicious pogroms experienced up to that time. A Child of our Time, composed during 1938-41, was Michael Tippett’s musical response to this contemporary tragedy and his attempt to comprehend its universal and eternal relevance.  »

02 Aug 2012

Santa Fe Opera convinces : Rossini Maometto II

Santa Fe, NM : It is not unusual for Santa Fe Opera to produce little known or rarely heard operas in their enduring devotion to both unusual and ‘lost’ repertory, as well as commissioned and contemporary works. But is it unusual - very - for two such mountings in one season to be smash hits. Santa Fe lately enjoyed two such successes, graced by elevated musical and performance quality, and strong audience acceptance.  »

02 Aug 2012

Santa Fe Opera, Karol Szymanowski : King Roger

The gifted Polish composer Karol Szymanowski wrote his three-act King Roger, in the 1920's. It is an allegorical tale of honor vs. pleasure set to quite beautiful music, especially in the orchestral writing, which Santa Fe chose to play in the same season as the Rossini in a wide tip of the hat to unknown but worthy repertory.  »

01 Aug 2012

Tchaikovsky: Eugene Onegin, Opera Holland Park, London

This was unquestionably the best all-round performance I have yet seen from Opera Holland Park, staging and musical performances alike often putting august metropolitan houses from around the world to shame.  »

30 Jul 2012

Exquisite Juxtapositions : Ian Bostridge, Wigmore Hall

Although John Cage’s Seven Haiku for piano are all about chance and accident, this final concert in Ian Bostridge’s Ancient and Modern series was a masterpiece of meticulous planning and execution. »

30 Jul 2012

Beethoven Ninth Symphony, Daniel Barenboim, BBC Prom 18

Few composers seem as remote and yet as necessary to our age as Beethoven, and perhaps the symphonic Beethoven in particular. Irony is a foreign word to him; blazing affirmation and indeed intensity of struggle seem too much for us.  »

27 Jul 2012

Pierre Boulez : Le marteau sans maître BBC Proms

Pierre Boulez Le marteau sans maître is important as Stravinsky's Rite of Spring and Schoenberg's Pierrot Lunaire, says conductor François-Xavier Roth, who conducted it with members of the West-Eastern Divan Orchestra in BBC Prom 17.  »

23 Jul 2012

Hector Berlioz, Les Troyens (concert performance, BBC Proms)

Hearing The Trojans in concert at the Royal Albert Hall as part of the Proms was, for me at least, a much happier experience than when it laboured under the crowd-pleasing would-be-musical-comedy served up by David McVicar’s production for the Royal Opera. »

22 Jul 2012

Verdi Falstaff Opera Holland Park

“It is as sunny as the composer’s garden at Busetto, clear as crystal in construction, tender and explosive by turns, humorous and witty without a touch of extravagance or a note of vulgarity.” So wrote Charles Stanford on the occasion of the first performance of Verdi’s final opera, in 1893. »

20 Jul 2012

Rossini Il viaggio a Reims, Royal Opera House

The Royal Opera House’s Jette Parker Young Artists programme is celebrating the 10th anniversary of their annual Summer Performance.  »

18 Jul 2012

Christoph Prégardien, Wigmore Hall

Seriousness, elegance and insight characterised this recital of nineteenth-century German song in which Christoph Prégardien and his accompanist, Julius Drake, conducted a moving musical dialogue, perfectly matching each other in the depiction of unbending obsession and unfulfilled aspiration. »

17 Jul 2012

BBC Prom 3: Pelléas et Mélisande

21st-century opera played on period instruments; a ‘drama-less’ opera; a Dali-esque crimson chaise longue, stranded on the platform of the Royal Albert Hall.  »

15 Jul 2012

Otello, Royal Opera

Elijah Moshinsky’s Otello, first seen at Covent Garden in 1987, and revived numerous times with a range of stellar casts, may be traditional and conservative, even — excepting the thunderous opening storm scene — somewhat uninventive;  »

11 Jul 2012

Triple Delights in the City of Light

Paris Opéra seems to have saved the best for last as they wind up the current season with a trio of diverse and well-judged productions. »

09 Jul 2012

Written on Skin at the Aix Festival

Not about tattoo art, not an evocation of the Holocast, and let us not even try to put our finger on what it is about. »

09 Jul 2012

‘Ancient & Modern’ with Angelika Kirchschlager and Ian Bostridge

Ian Bostridge’s thought-provoking ‘Ancient and Modern’ project at the Wigmore Hall is drawing to a close and this penultimate instalment brought together Renaissance sensuality and Neo-classical restraint in a meticulously executed performance.  »

02 Jul 2012

Susan Graham, Wigmore Hall

Embodying a range of iconic female characters from history, literature and song — both the ‘good’ and the ‘not-so-good’ — Susan Graham delivered a wonderfully suave and entertaining performance before a delighted Wigmore Hall audience. »

02 Jul 2012

The Marriage of Figaro in Montpellier

Perfection. A seldom used term in critiques of opera performances. There it was, almost (and will be, maybe). »

27 Jun 2012

St. Louis in Fine Festival Form

Forget about picking a desert island opera, I want Opera Theatre of St. Louis as my desert island opera company.  »

27 Jun 2012

Les Troyens, Royal Opera House London

A sensational Les Troyens at the Royal Opera House, London. Berlioz, who understood theatrical gestures so well, builds his opera around the most audacious dramatic device in ancient history: the Trojan Horse.  »