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Elsewhere

Christine Goerke - Strauss Elektra BBC Proms London

The second day of the Richard Strauss weekend at the BBC Proms saw Richard Strauss's Elektra performed at the Royal Albert Hall on 31 August 2014 by the BBC Symphony Orchestra, conducted by Semyon Bychkov, with Christine Goerke in the title role. Felicity Palmer was Clytemnestra, Gun-Brit Barkmin was Chrysothemis, Robert Kunzli was Aegisthus and Johan Reuter was Orestes. The concert staging was by Justin Way.

Christine Goerke - Strauss Elektra BBC Proms London

The second day of the Richard Strauss weekend at the BBC Proms saw Richard Strauss's Elektra performed at the Royal Albert Hall on 31 August 2014 by the BBC Symphony Orchestra, conducted by Semyon Bychkov, with Christine Goerke in the title role. Felicity Palmer was Clytemnestra, Gun-Brit Barkmin was Chrysothemis, Robert Kunzli was Aegisthus and Johan Reuter was Orestes. The concert staging was by Justin Way.

Powerful Mahler Symphony no 2 Harding, BBC Proms London

Triumphant! An exceptionally stimulating Mahler Symphony No 2 from Daniel Harding and the Swedish Radio Symphony Orchestra, BBC Prom 57 at the Royal Albert Hall. Harding's Mahler Tenth performances (especially with the Berliner Philharmoniker) are pretty much the benchmark by which all other performances are assessed. Harding's Mahler Second is informed by such an intuitive insight into the whole traverse of the composer's work that, should he get around to doing all ten together, he'll fulfil the long-held dream of "One Grand Symphony", all ten symphonies understood as a coherent progression of developing ideas.

Nina Stemme's stunning Strauss Salome, BBC Proms London

The BBC Proms continued its Richard Strauss celebrations with a performance of his first major operatic success Salome. Nina Stemme led forces from the Deutsche Oper, Berlin,at the Royal Albert Hall on Saturday 30 August 2014,the first of a remarkable pair of Proms which sees Salome and Elektra performed on successive evenings

Santa Fe Opera Presents Updated, at One Point Up-ended, Don Pasquale

On August 9, 2014, Santa Fe Opera presented a new updated production of Don Pasquale that set the action in the 1950s. Chantal Thomas’s Act I scenery showed the Don’s furnishing as somewhat worn and decidedly dowdy. Later, she literally turned the Don’s home upside down!

Dolora Zajick about her Institute for Young Dramatic Voices

"Although there are now more people on this planet than there have ever been before, there are fewer dramatic voices. Something is wrong with that equation. I thought there needs to be some sort of helping hand so that dramatic voices don’t fall through the cracks in the system as they advance through their various stages of development."

Dolora Zajick Premieres Composition

At a concert in the Cathedral of Saint Joseph in San Jose, California, on August 22, 2014, a few selections preceded the piece the audience had been waiting for: the world premiere of Dolora Zajick’s brand new composition, an opera scene entitled Roads to Zion.

Gluck: Orfeo ed Euridice

This elegant, smartly-paced film turns Gluck’s Orfeo into a Dostoevskian study of a guilt-wracked misanthrope, portrayed by American countertenor Bejun Mehta.

Aureliano in Palmira in Pesaro

Ossia Il barbiere di Siviglia. Why waste a good tune.

Santa Fe Opera Presents Huang Ruo's Sun Yat-sen

By emphasizing the love between Sun Yat-sen and Soong Ching-ling, Ruo showed us the human side of this universally revered modern Chinese leader. Writer Lindsley Miyoshi has quoted the composer as saying that the opera is “about four kinds of love.” It speaks of affection between friends, between parents and children, between lovers, and between patriots and their country.

Britten War Requiem - Andris Nelsons, CBSO, BBC Prom 47

In light of the 2012 half-centenary of the premiere in the newly re-built Coventry Cathedral of Benjamin Britten’s War Requiem, the 2013 centennial celebrations of the composer’s own birth, and this year’s commemorations of the commencement of WW1, it is perhaps not surprising that the War Requiem - a work which was long in gestation and which might be seen as a summation of the composer’s musical, political and personal concerns - has been fairly frequently programmed of late. And, given the large, multifarious forces required, the potent juxtaposition of searing English poetry and liturgical Latin, and the profound resonances of the circumstances of the work’s commission and premiere, it would be hard to find a performance, as William Mann declared following the premiere, which was not a ‘momentous occasion’.

Il barbiere di Siviglia in Pesaro

Both by default and by merit Il barbiere di Siviglia is the hit of the thirty-fifth Rossini Opera Festival. But did anyone really want, and did the world really need yet another production of this old warhorse?

Armida in Pesaro

Armida (1817) is the third of Rossini’s nine operas for the Teatro San Carlo in Naples, all serious. The first was Elisabetta, regina di Inghilterra (1815), the second was Otello (1816), the last was Zelmira (1822).

Santa Fe Opera Presents an Imaginative Carmen

Santa Fe opera has presented Carmen in various productions since 1961. This year’s version by Stephen Lawless takes place during the recent past in Northern Mexico near the United States border. The performance on August 6, 2014, featured Ana Maria Martinez as a monumentally sexy Gypsy who was part of a drug smuggling group.

Elgar Sea Pictures : Alice Coote, Mark Elder Prom 31

Sir Mark Elder and the Hallé Orchestra persuasively balanced passion and poetry in this absorbing Promenade concert. Elder’s tempi were fairly relaxed but the result was spaciousness rather than ponderousness, with phrases given breadth and substance, and rich orchestral colours permitted to make startling dramatic impact.

Berio Sinfonia, Shostakovich, BBC Proms

Although far from perfect, the performance of Berio’s Sinfonia in the first half of this concert was certainly its high-point; indeed, I rather wish that I had left at the interval, given the tedium induced by Shostakovich’s interminable Fourth Symphony. Still, such was the programme Semyon Bychkov had been intended to conduct. Alas, illness had forced him to withdraw, to be replaced at short notice by Vasily Petrenko.

Four countertenors : Handel Rinaldo Glyndebourne

Handel's Rinaldo was first performed in 1711 at London's King's Theatre. Handel's first opera for London was designed to delight and entertain, combining good tunes, great singing with a rollicking good story. Robert Carsen's 2011 production of the opera for Glyndebourne reflected this with its tongue-in-cheek Harry Potter meets St Trinian's staging.

Santa Fe Opera Presents The Impresario and Le Rossignol

On August 7, 2014, the Santa Fe Opera presented a double bill of Wolfgang Amadeus Mozart’s The Impresario and Igor Stravinsky’s Le Rossignol (The Nightingale). The Impresario deals with the casting of an opera and Le Rossignol tells the well-known fairy tale about the plain gray bird with an exquisite song.

Barber in the Beehive State

Utah Festival Opera and Musical Theatre has gifted opera enthusiasts with a thrilling Barber, and I don’t mean . . . of Seville.

Stravinsky : Oedipus Rex, BBC Proms

In typical Proms fashion, BBC Prom 28 saw Stravinsky's Oedipus Rex performed in an eclectic programme which started with Beethoven's Egmont Overture and also featured Electric Preludes by the contemporary Australian composer Brett Dean. Sakari Oramo,was making the first of his Proms appearances this year, conducting the BBC Symphony Orchestra, BBC Singers and BBC Symphony Chorus.


OPERA TODAY ARCHIVES »

Performances

01 Sep 2014

Christine Goerke - Strauss Elektra BBC Proms London

The second day of the Richard Strauss weekend at the BBC Proms saw Richard Strauss's Elektra performed at the Royal Albert Hall on 31 August 2014 by the BBC Symphony Orchestra, conducted by Semyon Bychkov, with Christine Goerke in the title role. Felicity Palmer was Clytemnestra, Gun-Brit Barkmin was Chrysothemis, Robert Kunzli was Aegisthus and Johan Reuter was Orestes. The concert staging was by Justin Way. »

Recently in Performances

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09 May 2007

Porgy and Bess at Los Angeles Opera

Premiered at Washington National Opera, director Francesca Zambello’s Porgy and Bess arrived in Los Angeles May 4th, for a run of 12 performances in just 17 days. »

09 May 2007

On The Town – English National Opera

In a season that will conclude with a new production of Kismet, ENO has once again come under criticism for the number of non-operatic works on the bill. »

02 May 2007

Delightful Organ at St Margaret’s Palm Desert

Who says an organ recital cannot be jolly good fun? »

01 May 2007

Miami “Karenina” a dream come true

Colin Graham’s dream of an opera based on Tolstoi’s “Anna Karenina” extends far into the past. »

01 May 2007

In Barcelona, a Wagner debut without scandals for Àlex Rigola, the rising star in the Catalan school of direction

At Barcelona’s Gran Teatre del Liceu, a sold-out house marked, for two nights in a row, the weekend introducing la diada de Sant Jordi, the big fiesta celebrated on April 23 in honor of the city’s patron St George. »

01 May 2007

Tristan und Isolde: Total Immersion

The Los Angeles Philharmonic in April and May brought back its Tristan Project for the benefit of audiences in California and New York City. »

25 Apr 2007

Handel Singing Competition Final – London April 23rd

Once again, George Frederick Handel’s old stamping ground of St. George’s Hanover Square, London, resounded last night to the sound of his music as aspiring young singers from all over the world fought out the Final of the London Handel Singing Competition. »

23 Apr 2007

Wozzeck at San Diego Opera

“What drives a man to insanity and murder?” asks the poster for San Diego Opera’s new production of Wozzeck, which closed this Sunday after a run of four performances. »

22 Apr 2007

Satyagraha at ENO

Philip Glass’s 1980 work, new to the London stage, gives an illustrated account of Mahatma Gandhi’s early years in South Africa, viewed through the eyes of his satyagraha philosophy of peaceful resistance. »

16 Apr 2007

City Opera Presents La Donna del Lago

The New York City Opera continued its tradition of championing works that are less frequently performed with this season’s production of La Donna del Lago. »

15 Apr 2007

Handel's Flavio at NYCO

Incongruity was the rule of the day in the New York City Opera’s production of Handel’s Flavio, which opened on Wednesday, April 4. »

12 Apr 2007

Passion, pain paired in Berlin

It was, of course, a coincidence; on the other hand, on Berlin’s vital, vibrant and all-encompassing arts scene one is continually overwhelmed by new perspectives on the creative process and its product. »

07 Apr 2007

A bride for sale at the Baltimore Lyric

The latest offering from the Baltimore Lyric Opera was Bedrich Smetana’s sparkling comedy Prodana Nevesta (“Bartered Bride”), a little gem of Czech Romantic nationalism that one does not see live very often these days. »

02 Apr 2007

San Diego Opera — Il Trovatore

Verdi's magnificent melodrama Il Trovatore may be the most masculine of his creations, but the production that San Diego Opera presented as the third opera of its 2007 season was a triumph for the ladies. »

30 Mar 2007

HANDEL: Poro, Re dell’Indie

Let’s face it, Handel’s “Poro, Re dell’Indie” (in English “Porus, King of India”) isn’t exactly a household name in any but the most dedicated baroque opera circles. »

28 Mar 2007

Camacho’s Wedding (Die Hochzeit des Camacho)

UC Opera now have a half-century’s reputation to live up to; they were responsible for the UK premieres of such works as Das Liebesverbot, The Maid of Orleans, Alzira, Oberto and the 1847 version of Macbeth. »

25 Mar 2007

MOZART: Die Entführung aus dem Serail

With the trials and tribulations of a multicultural society currently at the forefront of the British media, Gavin Quinn’s production placed a light-hearted focus on the bizarreness of a group of foreigners being thrown together in an unfamiliar situation. »

25 Mar 2007

Eugene Onegin — English Touring Opera

London is fortunate to have played host to several productions of Tchaikovsky’s best-known opera in the last three years alone, most recently British Youth Opera’s heartbreakingly fresh account last September – so it was a risky decision on ETO’s part to stage yet another. »

20 Mar 2007

Teseo — Handel by the Sea

Nice Opera, on the French Cote d’Azur, seemed a most suitable place for this early work by Handel. »

19 Mar 2007

Angela Gheorghiu, Los Angeles

A near-capacity audience, expectant and enthusiastic, streamed into the Dorothy Chandler for an old-fashioned evening of operatic glamour, as Angela Gheorghiu, with the Los Angeles Opera Orchestra in support, flew into town for a one night concert. »

19 Mar 2007

The Tempest at Covent Garden

This year is Thomas Adés’ annus mirabilis. He’s the subject of a major, six-week retrospective at the Barbican, and, of course, will be a major presence at the Aldeburgh Festival. »

13 Mar 2007

The Gondoliers — English National Opera

Speaking to a trusted chorus-member friend after this performance, I was told that I had benefited from not having seen this production when new three months ago. »

13 Mar 2007

LA Opera “Recovered Voices”

Just about halfway though his first season as music director of Los Angeles Opera, James Conlon has already made himself an endearing and appreciated figure. »

13 Mar 2007

Native-American Drama at Opera Omaha

Perhaps the gestation period for “Wakonda’s Dream,” premiered by Opera Omaha on March 7, was too long. »

08 Mar 2007

Berlin “Ring” remains a sterling achievement

It was in the “Orwell year” 1984 that Götz Friedrich, general manager — Intendant — of the Deutsche Oper Berlin (DOB) from 1983 until his death in 2000, staged the first half of Wagner’s “Ring des Nibelungen” in the 1900-seat house on Berlin’s Bismarckstrasse. »

06 Mar 2007

OONY Performs Cilèa’s L’Arlesiana

It is well known that the Opera Orchestra of New York’s performances are required events for opera aficionados to hear the the most exciting performances of the season. »

06 Mar 2007

Adams/Sellars “Tree” blossoms sublimely at SFS

Compared with Pamina and Tamino, Kumudha and her Prince, the central figures in “A Flowering Tree,” the John Adams and Peter Sellars collaboration given its American premiere on March 1 by the San Francisco Symphony, walk a rock-strewn road. »

28 Feb 2007

La Bohème – English National Opera

The death this month of director Stephen Pimlott could have cast a shadow over this revival of his 1993 production, but a hugely affectionate pre-show tribute by colleague Nicholas Hytner ensured that the performance only served to do great honour to the memory of a man who was clearly loved and cherished by many. »

28 Feb 2007

Nicole Cabell, St John’s Smith Square, London

The Rosenblatt Recital Series, which presents concerts around London from artists ranging from the well-known to the brand-new, last week showcased Nicole Cabell, the glamorous 29-year-old winner of the 2005 Cardiff Singer of the World competition. »

27 Feb 2007

Matthias Goerne at the Wigmore Hall

This wasn’t an “easy” program for dilettantes. »

22 Feb 2007

MUSSORGSKY: Khovanshchina

At the curtain call for the first night of WNO’s new production of the infrequently performed Khovanshchina director David Pountney wore a simple Russian shirt. »

18 Feb 2007

Opera North: Breathing new life into “Orfeo”

Friday night in Leeds, in the North of England, at the city’s marvellously restored Grand Theatre, with the pavements outside shining wet and a tidal wave of umbrellas surging past, was an exciting place to be. »

16 Feb 2007

Jean-Baptiste Lully, Armide (Opera Lafayette)

The Opera Lafayette of Washington DC has been engaged in a new project this season – the Armide Project, as the group dubbed its ambitious plan, in collaboration with the University of Maryland Opera Studio, to present two great operas set to the same celebrated Philippe Quinault libretto. »

13 Feb 2007

Dust-bowl opera overwhelming at Minnesota premiere

The great American opera? Ricky Ian Gordon’s “Grapes of Wrath” might be it. »

09 Feb 2007

HANDEL: Agrippina

An expressionist portrait of the Roman she-wolf was the first, striking image of this production, originally devised for Théâtre Royal de la Monnaie, by the fashionable British director David McVicar. »

08 Feb 2007

Houston stages a provocative “Faust”

A literary critic once recalled the day when a German could not clear his throat “without finding pithy precedent in Goethe.” »

08 Feb 2007

Houston takes fresh approach to Cenerentola

In opera, Rossini, born in 1892- the year after Mozart died, is the successor of the great master and, when performed as perceptively as in the “Cenerentola” that debuted at the Houston Grand Opera on January 27, his rightful heir. »

06 Feb 2007

SHOSTAKOVICH: Lady Macbeth of Mtensk District (Kirov Opera)

The Kirov Opera and Orchestra concluded their annual residency at the Kennedy Center in Washington DC last week with a Sunday matinee concert performance of Dmitri Shostakovich’s 1932 Lady Macbeth of Mtsensk District. »

28 Jan 2007

ROSSINI: Il Viaggio a Reims

Rossini’s last Italian opera, staged in 1825 as a part of Charles X’s coronation festivities, is a bizarre creation — a sassy little farce capped with a coronation cantata in the best traditions of staged court entertainment, from 16th-century Italian intermedi through their Baroque and Classic operatic progeny. »

23 Jan 2007

OONY Gives Rare Performance of Rossini's Otello

There are three reasons often cited for the paucity of performances of Rossini’s Otello: the horrible hack job of the Shakespearean drama by librettist Francesco Maria Berio, the difficulties in casting an opera requiring at least three top-rate tenor voices, and comparisons with Verdi’s popular opera of the same title. »

17 Jan 2007

SILVER: The Thief of Love

If the audience for new American art music seems small and is (supposedly) shrinking, then the audience for new American operas is even more exclusive. »

12 Jan 2007

WAGNER: The Ring Cycle

It is a mystery as complex as the Kirov’s Ring Cycle staging and equally inexplicable. »

28 Dec 2006

BARBATO: O Cientista (The Scientist)

Rio de Janeiro, as the capital of the Empire and later the Republic of Brazil, had an extensive history of opera during the 19th century, well-documented by newspapers and magazines of the day, which included the conducting debut of Arturo Toscanini in a local performance of Aida in 1888, described in the memoirs of Brazilian composer and entrepreneur Artur Napoleão. »

06 Dec 2006

“Poppea” - Heartless in L.A.

After the successful première of Monteverdi’s “L’Incoronazione di Poppea” (Saturday, November 25th) at the Dorothy Chandler Pavilion, Los Angeles, General Director Placido Domingo spoke warmly and cogently about this early Italian masterpiece, about its free-flowing music and the perfect relevance of the text to today’s world with all its greed, ambition and self-seeking. »

05 Dec 2006

Houston “rescues” Hansel and Gretel

HOUSTON — “Hansel and Gretel” has taken a beating in recent seasons, as over-zealous directors — aping the excesses of Eurotrash Regieoper — have made Humperdink’s largely innocent retelling of the Grimms’ tale the victim of hyper-active imaginations. »

15 Nov 2006

Handel Unwrapped by Scottish Opera: “Tamerlano” at tea-time

On a cold, wet and dark Glasgow evening in November, some 500 brave souls received what was possibly their first taste of baroque opera. »

11 Nov 2006

Triumph over Adversity

LONDON – the fledgling Independent Opera Company takes on Orlando. »

28 Oct 2006

Brewer makes Isolde hers in stage debut

SAN FRANCISCO — Christine Brewer took her time mastering Isolde before making her stage debut in the role with the San Francisco Opera in October. »