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Elsewhere

Il turco in Italia at the Aix Festival

Twenty years ago stage director Christopher Alden introduced Rossini’s then forgotten comedy to Southern California audiences in a production that is still remembered. In Aix Alden has revisited this complex work that many critics now consider Rossini’s greatest comedy.

First Night of the BBC Proms : Elgar The Kingdom

The BBC Proms 2014 season began with Sir Edward Elgars The Kingdom (1903-6). It was a good start to the season,which commemorates the start of the First World War. From that perspective Sir Andrew Davis's The Kingdom moved me deeply.

Le nozze di Figaro, Munich

One is unlikely to come across a cast of Figaro principals much better than this today, and the virtues of this performance indeed proved to be primarily vocal.

Winterreise and Trauernacht at the Aix Festival

That’s A Winter’s Journey and A Night of Mourning for metteurs-en-scène William Kentridge (South Africa) and Katie Mitchell (Great Britain), completing the clean sweep of English language stage directors for the Aix Festival productions this year.

James Gilchrist at Wigmore Hall

Assured elegance, care and thoughtfulness characterised tenor James Gilchrist’s performance of Schubert’s Schwanengesang at the Wigmore Hall, the cycles’ two poets framing a compelling interpretation of Beethoven’s An die ferne Geliebte.

Music for a While: Improvisations on Henry Purcell

‘Music for a while shall all your cares beguile.’ Dryden’s words have never seemed as apt as at the conclusion of this wonderful sequence of improvisations on Purcell’s songs and arias, interspersed with instrumental chaconnes and toccatas, by L’Arpeggiata.

Nabucco at Orange

The acoustic of the gigantic Théâtre Antique Romain at Orange cannot but astonish its nine thousand spectators, the nearly one hundred meter breadth of the its proscenium inspires awe. There was excited anticipation for this performance of Verdi’s first masterpiece.

Richard Strauss: Notturno

Richard Strauss may be most closely associated with the soprano voice but this recording of a selection of the composer’s lieder by baritone Thomas Hampson is a welcome reminder that the rapt lyricism of Strauss’s settings can be rendered with equal beauty and character by the low male voice.

Saint Louis: A Hit is a Hit is a Hit

Opera Theatre of Saint Louis has once again staked claim to being the summer festival “of choice” in the US, not least of all for having mounted another superlative world premiere.

La Flûte Enchantée (2e Acte)
at the Aix Festival

In past years the operas of the Aix Festival that took place in the Grand Théâtre de Provence began at 8 pm. The Magic Flute began at 7 pm, or would have had not the infamous intermittents (seasonal theatrical employees) demanded to speak to the audience.

Ariodante at the Aix Festival

High drama in Aix. Three scenarios in conflict — those of G.F. Handel, Richard Jones and the intermittents (disgruntled seasonal theatrical employees). Make that four — mother nature.

Lucy Crowe, Wigmore Hall

The programme declared that ‘music, water and night’ was the connecting thread running through this diverse collection of songs, performed by soprano Lucy Crowe and pianist Anna Tilbrook, but in fact there was little need to seek a unifying element for these eclectic works allowed Crowe to demonstrate her expressive range — and offered the audience the opportunity to hear some interesting rarities.

The Turn of the Screw, Holland Park

‘Only make the reader’s general vision of evil intense enough … and his own experience, his own imagination, his own sympathy … will supply him quite sufficiently with all the particulars.

Plenty of Va-Va-Vroom: La Fille du Regiment, Iford

It is not often that concept, mood, music and place coincide perfectly. On the first night of Opera della Luna’s La Fille du Regiment at Iford Opera in Wiltshire, England we arrived with doubts (rather large doubts it should be admitted)as to whether Donizetti’s “naive and vulgar” romp of militarism and proto-feminism, peopled with hordes of gun-toting soldiers and praying peasants, could hardly be contained, surely, inside Iford’s tiny cloister?

La finta giardiniera, Glyndebourne

‘Lovers and madmen have such seething brains,/ Such shaping fantasies, that apprehend/ More than cool reason ever comprehends.’

Sophie Karthäuser, Wigmore Hall

Belgian soprano Sophie Karthäuser has a rich range of vocal resources upon which to draw: she has power and also precision; her top is bright and glinting and it is complemented by a surprisingly full and rich lower register; she can charm with a flowing lyrical line, but is also willing to take musical risks to convey emotion and embody character.

Ariadne auf Naxos, Royal Opera

‘When two men like us set out to produce a “trifle”, it has to become a very serious trifle’, wrote Hofmannsthal to Strauss during the gestation of their opera about opera.

Leoš Janáček : The Cunning Little Vixen, Garsington Opera at Wormsley

Janáček started The Cunning Little Vixen on the cusp of old age in 1922 and there is something deeply elegiac about it.

La Traviata in Marseille

It took only a couple of years for Il trovatore and Rigoletto to make it from Italy to the Opéra de Marseille, but it took La traviata (Venice, 1853) sixteen years (Marseille, 1869).

Madama Butterfly in San Francisco

Gesamtkunstwerk, synthesis of fable, sound, shape and color in art, may have been made famous by Richard Wagner, and perhaps never more perfectly realized than just now by San Francisco Opera.


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Performances

22 Jul 2014

Il turco in Italia at the Aix Festival

Twenty years ago stage director Christopher Alden introduced Rossini’s then forgotten comedy to Southern California audiences in a production that is still remembered. In Aix Alden has revisited this complex work that many critics now consider Rossini’s greatest comedy. »

Recently in Performances

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17 Feb 2012

The Charterhouse of Parma in Marseille

Henri Sauguet is not entirely unknown in opera circles — divas Regine Crespin, Felicity Lott, Nathalie Dessay and Leontyne Price have included his arias in their solo albums. Plus there is a recording of his 1954 opera-comique Les Caprices de Marianne. »

17 Feb 2012

Verdi’s Aida at Lyric Opera, Chicago

In its current revival of Giuseppe Verdi’s Aida Lyric Opera of Chicago approaches the challenges of the ambitious score with a cast well suited to the music and to the drama.  »

16 Feb 2012

The Barber of Seville, Metropolitan Opera

It was a performance of Rossini’s The Barber of Seville in the late 90’s that marked my first visit to the Met.  »

15 Feb 2012

Le nozze di Figaro, Royal Opera

David McVicar’s production of The Marriage of Figaro, previously staged in 2006 (twice), »

13 Feb 2012

Ernani, Metropolitan Opera

Ernani accosts us with the charm and the gaucherie of a provincial youth without much experience as the host of a classy party.  »

11 Feb 2012

The Tales of Hoffmann, ENO

In many respects, The Tales of Hoffmann and Richard Jones would seem a good fit.  »

10 Feb 2012

Dido and Aeneas, Manitoba

Winnipeg music lovers were willingly transported back several centuries as Daniel Taylor and Montreal-based Theatre of Early Music graced Westminster United Church with a program of infrequently heard music.  »

08 Feb 2012

Dvořák’s The Jacobin, London

In advance of the new Rusalka at the Royal Opera House, the Barbican and the BBC Symphony Orchestra brought an electrifying performance of Dvořák's The Jacobin to London.  »

08 Feb 2012

Der Rosenkavalier, ENO

English National Opera’s revival of Richard Strauss’s fin de siècle Figaro is a heart-warming treat for a cold winter’s night. »

08 Feb 2012

Weill: Die sieben Todsünden

I failed to discern any rationale behind programming the Brecht-Weill ballet chanté with various works by Debussy, one orchestrated by Robin Holloway.  »

06 Feb 2012

L’Enfant et les Sortilèges and La Navarraise in Monte-Carlo

The magic was in the pit, not that all Monaco was not magical — on January 25 a yellow Lamborghini, a red Ferrari, a vintage Jaguar among other magnificent machines stood before the entrance to Monte-Carlo’s resplendent Casino cum transplendent 500-seat opera house. »

03 Feb 2012

Werner Güra Sings Schubert, Wigmore Hall

Each year, the Wigmore Hall commemorates Franz Schubert’s birthday with a high profile recital. This year, Werner Güra and Roger Vignoles presented a recital which was a timely reminder of what Lieder performance should be. »

02 Feb 2012

Salome, San Diego

The San Diego Opera Company opened its 47th season on Saturday, January 26th with Richard Strauss’ Salome, a work that has something in it for everyone: lust, love, lasciviousness, homosexuality, heterosexuality, homicide, suicide, a voluptuous dance and quickie nudity.  »

02 Feb 2012

Mozart’s Die Zauberflöte at Lyric Opera of Chicago

Lyric Opera of Chicago’s recent revival of Mozart’s Die Zauberflöte offered a production with vocal pairs carefully matched and dramatic representation expressing the varying shades of Mozart’s score. »

02 Feb 2012

Jonathan Harvey’s Wagner Dream

British composer Jonathan Harvey’s Wagner Dream came to London four years after its premieres at the Holland Festival and in Luxembourg.  »

31 Jan 2012

Rienzi, OONY

For the first hour or so of the latest Opera Orchestra of New York venture, a concert performance of Wagner’s Rienzi, I often said to myself, This…isn’t so terrible.  »

31 Jan 2012

Così fan tutte, Royal Opera

Repeatedly revived since its final appearance in 1995, Jonathan Miller’s Così fan tutte returned yet again to the Covent Garden stage as the second part of the ‘Olympic’ cycle of Mozart-Da Ponte collaborations. »

31 Jan 2012

Le Roi et le Fermier

A year or two back, Opera Lafayette, the Washington-based company that specializes in eighteenth-century obscurités françaises, presented Pierre-Alexandre Monsigny’s Le Magnifique, an opéra-comique about a race horse.  »

27 Jan 2012

Don Giovanni, Royal Opera

Introducing the winter-spring season, ROH Chief Executive Tony Hall explains the (perhaps a tad spurious) Olympic ‘concept’ which has inspired the season’s programming, the five interlocking rings of the Olympic insignia motivating the performance of a series of works staged in ‘cycle form’. »

27 Jan 2012

Basel Chamber Orchestra, Wigmore Hall

Founded in 1984, the Basel Chamber Orchestra has developed a penchant for programmes which combine the modern and unfamiliar with the traditional and renowned. »

27 Jan 2012

La Bohème in Toulon, Marseille and Genoa

Three La Bohèmes in ten days, a critic’s nightmare that was more fun than a barrel of monkeys. »

25 Jan 2012

The Enchanted Island, Metropolitan Opera

This year is a big year for the Met. Of the seven new productions on the roster, two are the last two installments of a much-anticipated Robert Lepage Ring.  »

25 Jan 2012

Haydn’s The Seasons at Barbican Hall

This buoyant, refreshing performance of Haydn’s late oratorio, The Seasons, by Paul McCreesh’s superb Gabrieli Consort and Players conjured a calendric kaleidoscope of seasonal climes, from the warm bucolic breezes of spring to summer’s fierce suns and flashing storms, from autumnal harvests and hunts to the frozen mists and fiery hearth-sides of winter.  »

25 Jan 2012

Charpentier and Purcell by Early Opera Company

Composed during the spring hunting season of 1684, for a patron and performance venue unknown, Marc-Antoine Charpentier’s brief six-scene Opera de Chasse (‘Hunting Opera’), Actéon, has remained seldom performed and something of a mystery.  »

25 Jan 2012

Prégardien at the Wigmore Hall

Hugo Wolf is a hard sell. Technical expertise isn't enough. The secret to singing Wolf is expressing the unique personality in each song. Wolf, perhaps more than any other composer, creates miniatures that open out into mini-operas when performed well.  »

23 Jan 2012

A Noteworthy Ariadne auf Naxos, Chicago

Richard Strauss’s opera Ariadne auf Naxos presents challenges in casting not only because of the vocal line and identity associated with individual characters but also because of its nature as a self-comment on the musical stage and the requisite dramatic skills thus needed.  »

23 Jan 2012

Five Boroughs Songbook

What does it say about New York that, in the songs of the city commissioned by the Five Boroughs Music Festival and given performances in Brooklyn, Queens and, now, Manhattan, the poets (often the composers themselves) rarely refer to life in that central part of the city, Rodgers and Hart’s “isle of joy”?  »

05 Jan 2012

La Traviata: The 454th Performance at the Royal Opera House

This performance of La Traviata was the 454th at the Royal Opera House, and the first performance in the 3rd revival this season of Richard Eyre’s production.  »

23 Dec 2011

Die Meistersinger von Nürnberg, Royal Opera House

Perhaps it’s no accident that Graham Vick’s Die Meistersinger von Nürnberg returns to the Royal Opera House for the Christmas season. Red, green, gold, sumptuous colours that warm a long, grey evening. »

23 Dec 2011

The Bostridge Project: ‘Ancient and Modern’

This latest instalment of Ian Bostridge’s ‘Ancient and Modern’ series juxtaposed the tender melancholy of the Elizabethan age with the modernist anxieties of the early twentieth century, revealing both a sensitivity to textual nuance and profound human sensibilities which transcend temporal epochs. »

22 Dec 2011

Jonathan McGovern, Wigmore Hall

2011 has been a good year for baritone Jonathan McGovern: 2nd prize at the Kathleen Ferrier Awards, the Karaviotis Prise at the Les Azuriales Ozone Young Artists Competition, and the John Meikle Duo Prize at the Wigmore Hall/Kohn Foundation International Song Competition are just some of the awards he has garnered.  »

16 Dec 2011

Bernarda Fink, Wigmore Hall

The Wigmore Hall marks the 75th anniversary of the death of Maurice Ravel with a series of concerts that run through to June 2012. »

16 Dec 2011

Anne Schwanewilms, Wigmore Hall

Combining innate musicianship and superb technique, Anne Schwanewilms showed once again that she can run the emotional gamut from light-hearted joy to deep anguish in this flawless performance with pianist, Charles Spencer. »

16 Dec 2011

Karita Mattila at Carnegie Hall

In 1983, Karita Mattila was the first singer to win the Cardiff Singer of the World competition.  »

13 Dec 2011

Kurt Weill’s Magical Night, Linbury Studio Theatre, London

Buzz Lightyear Meets Hansel and Gretel! Most children who have grown up in the Toy Story era know that toys come alive when left to their own devices.  »

13 Dec 2011

Belshazzar’s Feast, London

The English Oratorio season at the Barbican Hall, London continued with Gerald Finley and two very different approaches to Belshazzar’s Feast — William Walton and Jean Sibelius.  »

13 Dec 2011

Drapes ‘n’ Drops in Paris Forza

Paris Opera has lavished quite a monumental staging on Verdi’s musically rich (and Piave’s dramatically vapid) La Forza del Destino. »

13 Dec 2011

Colossal Hercules in Essen

Apparently the Aalto Theater didn’t get the memo that oratorios often make weak theatre pieces, since the company presented such a gripping dramatic case for Handel’s Hercules.  »

13 Dec 2011

Amsterdam’s Adventurous Idomeneo

Straight to the point: Netherlands Opera has mounted as luminous and emotionally engaging an Idomeneo as is imaginable. »

13 Dec 2011

Grand Don Giovanni, La Scala, Milan

More than a gala for Milan and for Italy, this wonderful Don Giovanni at Teatro alla Scala, Milan, was a gala for all the world, broadcast live internationally. »

09 Dec 2011

Berlioz: L’Enfance du Christ, London

I have somehow managed to miss Sir Colin Davis’s London performances of L’Enfance du Christ, making it one of the final major Berlioz works I have heard in the flesh.  »

06 Dec 2011

Silent Night, Minnesota Opera

At the November 12, 2011 world premiere of Silent Night at the Ordway Theatre in St. Paul, a buzz of energy filled the audience.  »

02 Dec 2011

Faust, Metropolitan Opera

At one point in The Met’s history, Faust was performed so frequently that one critic in mocking reference to Wagner’s opera house at Bayreuth coined the theater Faustophilhaus.  »

02 Dec 2011

Antwerp’s Puzzling Tchaikovsky Rarity

From the moment the curtain rose to reveal a loony bin instead of the 15th Century Inn of the libretto, it seemed likely the Flemish Opera was going to raise more questions than it answered about Tchaikovsky’s rarely performed The Enchantress.  »

02 Dec 2011

Perceptive La Traviata, Royal Opera House

Richard Eyre’s 1994 staging of Verdi’s La Traviata may have been revived many times, but this production reveals striking new depths of interpretation.  »

01 Dec 2011

Salome, Manitoba Opera

Opera has never been an art form to hold anything back. But even within the genre itself, Salome is — literally — one tough, depraved act to follow. »

28 Nov 2011

François Couperin by Florilegium, Wigmore Hall

Although François Couperin won his reputation as an esteemed composer at the ostentatious and vainglorious court of Versailles, under the patronage of Louis XIV, the ‘Sun King’, his work is often surprisingly discreet and intimate.  »

27 Nov 2011

Tosca, ENO

The swift return to the Coliseum of Catherine Malfitano’s production of Tosca, premiered in 2010, contrasts strongly with the increasingly disposable nature of many recent ENO productions.  »

25 Nov 2011

Saul, Barbican Hall

Handel’s oratorio Saul was the first dramatic oratorio that he wrote with a strong libretto.  »

25 Nov 2011

Xerxes in San Francisco

No cuts, not a single one, nearly four hours of non-stop arias, and its only hit tune happens within the first five minutes. »