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Elsewhere

San Diego Opera Opens 2014-2015 Season

On Friday evening September 5, 2014, tenor Stephen Costello and soprano Ailyn Pérez gave a recital to open the San Diego Opera season. After all the threats to close the company down, it was a great joy to great San Diego Opera in its new vibrant, if slightly slimmed down form.

Otello at ENO

English National Opera’s 2014-15 season kicked off with an ear-piercing orchestral thunderbolt. Brilliant lightning spears sliced through the thick black night, fitfully illuminating the Mediterranean garret-town square where an expectant crowd gather to welcome home their conquering hero.

Anna Nicole, back with a bang!

It is now three and a half years since Anna Nicole was unleashed on the world at the Royal Opera House, Covent Garden.

Norma in San Francisco

It was a Druid orgy that overtook the War Memorial. Magnificent singing, revelatory conducting, off-the-wall staging (a compliment, sort of).

Joyce DiDonato starts Wigmore Hall new season

There was a quasi-party atmosphere at the Wigmore Hall on Monday evening, when Joyce DiDonato and Antonio Pappano reprised the recital that had kicked off the Hall’s 2014-15 season with reported panache and vim two nights previously. It was standing room only, and although this was a repeat performance there certainly was no lack of freshness and spontaneity: both the American mezzo-soprano and her accompanist know how to communicate and entertain.

Aida at Aspendos Opera and Ballet Festival

In strict architectural terms, the stupendous 2nd century Roman theatre of Aspendos near Antalya in southern Turkey is not an arena or amphitheatre at all, so there are not nearly as many ghosts of gored gladiators or dismembered Christians to disturb the contemporary feng shui as in other ancient loci of Imperial amusement.

St Matthew Passion, Prom 66

Simon Rattle and the Berlin Philharmonic Orchestra brought their staging of Bach's St Matthew Passion to the BBC Proms at the Royal Albert Hall on Saturday, 6 September 2014.

Glimmerglass: Butterfly Leads the Pack

Every so often an opera fan is treated to a minor miracle, a revelatory performance of a familiar favorite that immediately sweeps all other versions before it.

Operalia, the World Opera Competition, Showcases 2014 Winners

On August 30, Los Angeles Opera presented the finals concert of Plácido Domingo’s Operalia, the world opera competition. Founded in 1993, the contest endeavors to discover and help launch the careers of the most promising young opera singers of today. Thousands of applicants send in recordings from which forty singers are chosen to perform live in the city where the contest is being held. Last year it was Verona, Italy, this year Los Angeles, next year London.

Elektra at Prom 59

The second day of the Richard Strauss weekend at the BBC Proms saw Richard Strauss's Elektra performed at the Royal Albert Hall on 31 August 2014 by the BBC Symphony Orchestra, conducted by Semyon Bychkov, with Christine Goerke in the title role.

Powerful Mahler Symphony no 2 Harding, BBC Proms London

Triumphant! An exceptionally stimulating Mahler Symphony No 2 from Daniel Harding and the Swedish Radio Symphony Orchestra, BBC Prom 57 at the Royal Albert Hall. Harding's Mahler Tenth performances (especially with the Berliner Philharmoniker) are pretty much the benchmark by which all other performances are assessed. Harding's Mahler Second is informed by such an intuitive insight into the whole traverse of the composer's work that, should he get around to doing all ten together, he'll fulfil the long-held dream of "One Grand Symphony", all ten symphonies understood as a coherent progression of developing ideas.

Nina Stemme's stunning Strauss Salome, BBC Proms London

The BBC Proms continued its Richard Strauss celebrations with a performance of his first major operatic success Salome. Nina Stemme led forces from the Deutsche Oper, Berlin,at the Royal Albert Hall on Saturday 30 August 2014,the first of a remarkable pair of Proms which sees Salome and Elektra performed on successive evenings

Santa Fe Opera Presents Updated, at One Point Up-ended, Don Pasquale

On August 9, 2014, Santa Fe Opera presented a new updated production of Don Pasquale that set the action in the 1950s. Chantal Thomas’s Act I scenery showed the Don’s furnishing as somewhat worn and decidedly dowdy. Later, she literally turned the Don’s home upside down!

Dolora Zajick about her Institute for Young Dramatic Voices

"Although there are now more people on this planet than there have ever been before, there are fewer dramatic voices. Something is wrong with that equation. I thought there needs to be some sort of helping hand so that dramatic voices don’t fall through the cracks in the system as they advance through their various stages of development."

Dolora Zajick Premieres Composition

At a concert in the Cathedral of Saint Joseph in San Jose, California, on August 22, 2014, a few selections preceded the piece the audience had been waiting for: the world premiere of Dolora Zajick’s brand new composition, an opera scene entitled Roads to Zion.

Gluck: Orfeo ed Euridice

This elegant, smartly-paced film turns Gluck’s Orfeo into a Dostoevskian study of a guilt-wracked misanthrope, portrayed by American countertenor Bejun Mehta.

Aureliano in Palmira in Pesaro

Ossia Il barbiere di Siviglia. Why waste a good tune.

Santa Fe Opera Presents Huang Ruo's Sun Yat-sen

By emphasizing the love between Sun Yat-sen and Soong Ching-ling, Ruo showed us the human side of this universally revered modern Chinese leader. Writer Lindsley Miyoshi has quoted the composer as saying that the opera is “about four kinds of love.” It speaks of affection between friends, between parents and children, between lovers, and between patriots and their country.

Britten War Requiem - Andris Nelsons, CBSO, BBC Prom 47

In light of the 2012 half-centenary of the premiere in the newly re-built Coventry Cathedral of Benjamin Britten’s War Requiem, the 2013 centennial celebrations of the composer’s own birth, and this year’s commemorations of the commencement of WW1, it is perhaps not surprising that the War Requiem - a work which was long in gestation and which might be seen as a summation of the composer’s musical, political and personal concerns - has been fairly frequently programmed of late. And, given the large, multifarious forces required, the potent juxtaposition of searing English poetry and liturgical Latin, and the profound resonances of the circumstances of the work’s commission and premiere, it would be hard to find a performance, as William Mann declared following the premiere, which was not a ‘momentous occasion’.

Il barbiere di Siviglia in Pesaro

Both by default and by merit Il barbiere di Siviglia is the hit of the thirty-fifth Rossini Opera Festival. But did anyone really want, and did the world really need yet another production of this old warhorse?


OPERA TODAY ARCHIVES »

Performances

Ailyn Pérez and Stephen Costello [Photo courtesy of Warner Classics]
15 Sep 2014

San Diego Opera Opens 2014-2015 Season

On Friday evening September 5, 2014, tenor Stephen Costello and soprano Ailyn Pérez gave a recital to open the San Diego Opera season. After all the threats to close the company down, it was a great joy to great San Diego Opera in its new vibrant, if slightly slimmed down form.  »

Recently in Performances

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29 Dec 2004

Moskva, Cheryomushki at Lyon

Moskva, Cheryomushki, Opéra de Lyon, France By Francis Carlin Published: December 29 2004 02:00 | Last updated: December 29 2004 02:00 Wanted: a warm-up guy for chronically frigid audience. The first-nighters sat on their hands throughout Shostakovitch's easy-listening operetta (1959),... »

29 Dec 2004

Acis and Galatea at Teatro Marrucino di Chieti

Haendel in salsa mozartiana Acis and Galatea Pastorale in 2 atti di Georg Friedrich Haendel. (orchestrazione W. A. Mozart, K566) libretto di John Gay dalle Metamorfosi di Ovidio edizione Edizioni Barenreiter, Kassel (in Italia casa Musicale Sonzogno di Piero Ostali)... »

28 Dec 2004

Die Presse Reviews Das Rheingold at Covent Garden

Covent Garden: über 193 Stufen nach Walhall VON PETRA HAIDERER Mit "Rheingold" begann der neue "Ring"-Zyklus in Londons Covent Garden Opera - Bryn Terfel sang erstmals den Wotan. This is Covent Garden!", sagt die me lodische Frauenstimme in der Londoner... »

28 Dec 2004

Schnittke's Gesualdo — Another View

Staatsoper: Neuer Versuch mit dem Kindsmord VON WILHELM SINKOVICZ Alfred Schnittkes "Gesualdo" wieder auf dem Spielplan: exzellent besetzt, aber nach wie vor problematisch. Das Stück wird nicht besser, wenn man es bis in die kleinsten Rollen mit edelsten Stimmen besetzt,... »

27 Dec 2004

Schnittke's Gesualdo at the Wiener Staatsoper

Gesualdo Vienna State Opera By Larry L Lash Published: December 27 2004 02:00 | Last updated: December 27 2004 02:00 In a house where world premieres are rare and successful ones even rarer, I suspect the Vienna State Opera feels... »

27 Dec 2004

Il trovatore at Munich

Gefahr für die Luftröhre Staatsoper: Neu besetzter "Troubadour" Eine Produktion mit Hustenreiz-Garantie. Denn wenn sich der Vorhang zum hochgradig verstaubten Staatsopern-"Troubadour" öffnet, dann sträuben sich in der Luftröhre die Flimmerhärchen. Für Stars auf der Durchreise taugt das müde Arrangement allemal:... »

26 Dec 2004

Hoffmann at Marseille

Tales of Hoffmann, Opéra de Marseille By Francis Carlin Published: December 23 2004 02:00 | Last updated: December 23 2004 02:00 We have surely not heard the last word on Offenbach's attempt to get back into the world of grand... »

24 Dec 2004

Haydn's The Creation at The Sage, Gateshead

Haydn’s Creation couldn’t have been a more appropriate choice for the opening concert at The Sage Gateshead complex, although it must have felt more like “paradise found” for the Northern Sinfonia than Paradise Lost, the Milton poem on which the oratorio is based. In the performances of the uninhibited soloists – Geraldine McGreevy, Thomas Walker and Michael George (placed, perhaps unwisely, behind the orchestra) – there was a sense of the architectural accomplishment and, more obviously, the human joy contained in Haydn’s great work. The one artistic achievement matched the other splendidly. »

23 Dec 2004

Shostakovich's The Nose at Théâtre Graslin, Nantes

The Nose/Angers-Nantes Opéra, Théâtre Graslin, Nantes By Francis Carlin Published: December 22 2004 13:05 | Last updated: December 22 2004 13:05 Now merged with nearby Angers, Nantes is still flying the flag of artistic courage and digging out overlooked jewels.... »

21 Dec 2004

Carmen at De Vlaamse Opera

The sigh of relief was almost audible during the short love duet after “La fleur que tu m’avais jetée”. Carmen started to strip down, fumbled a little bit with José’s pants and both started their love making. So after all, Bieito’s signature tune was being played. In reality apart from the many lewd gestures, both singers remained firmly and fully clothed. The only full nude was a male dancer during the prelude to the third act and even he was lighted in clair-obscur. Another Bieito-feature, horrible violence, was also somewhat muted. Granted, José gutted Carmen in the finale of the opera in plain sight and in the well-known way Islamists treat those poor people they can lay their hands on and therefore it was a bloody affair but still everybody knows “this is theatre”. »

20 Dec 2004

Kata Kabanova at the Met

Janacek’s Kata Kabanova began this year’s run at the Met on Friday night with a very new cast including two important and highly successful debuts. This is Janacek late in his career, writing on a Russian subject by the playwright Ostrovsky. His admiration for Russian culture and literature may also have led him to follow Anton Chekhov’s example — Kata moves swiftly with the sense that any extraneous word or note has been rigorously pruned away — it is an opera that speaks directly and powerfully to its audience. Last night’s audience — the Met was at least 90% full — reacted with enthusiasm that bordered on delirium when the final curtain rose again for beloved Finnish soprano Karita Mattila’s pride-of-place first solo bow. »

20 Dec 2004

Das Rheingold at Covent Garden

THE slightly unsettling fervour of Wagner adepts as they look forward to the start of another Ring cycle is matched by a religious hush as we sit in the dark waiting — for a good 30 seconds — for the thing to begin. And then it does, soft, impossibly deep rumblings emerging from the void to become the longest E flat chord in history, and a single light lost in the blackness of the stage. You think: this better be good. »

19 Dec 2004

Carmen at Semperoper

Kein Urweib, keine femme fatale – eine “ganzheitliche” Frau mit einem unbändigen Freiheitsdrang soll diese Carmen sein. So stellt sie sich Regisseurin Konstanze Lauterbach laut Programmheft vor. Was man auf der Bühne von Peter Schubert sieht, sind Genreszenen in einem faschistischen Land. Das Eröffnungsbild schon zeigt einen Marktplatz, auf dem es vor lungernden Soldaten nur so wimmelt. Kinder sitzen in dem lindgrün-ockerfarbenen Geviert auf dem terrakotta-farbenen Steinfußboden für ihren Auftritt bereit. Gruppen von schwarz gekleideten Lorca-Frauen huschen über die Bühne. »

18 Dec 2004

Man and Boy: Dada

Schwitters Agonistes: Opera Takes on a Radical By ANNE MIDGETTE Kurt Schwitters. Merz Picture 32A (The Cherry Picture). 1921. Cloth, wood, metal, fabric, cut-and-pasted papers, cork, gouache, oil, and ink on cardboard, 36 1/8 × 27 3/4" (91.8 × 70.5... »

17 Dec 2004

Andromeda liberata in London

Andromeda liberata, Barbican Hall, London By Richard Fairman Published: December 16 2004 02:00 | Last updated: December 16 2004 02:00 In his prolific career Vivaldi wrote about 38 solo cantatas, 20 motets and 45 operas, of which 21 survive more... »

16 Dec 2004

Rodelinda at the Met

Brilliant, Starlit Night Metropolitan Opera's 'Rodelinda' grants Handel his due By JAMES JORDEN The Metropolitan Opera can be a pretty dreary place when presenting an under-cast and under-rehearsed revival. But their new production of Handel's "Rodelinda" on December 6 was... »

16 Dec 2004

Il ritorno di Ulisse in patria a Brescia

Una spiaggia di sabbia, due muri ai lati, l'ingresso monumentale alla reggia di Itaca sul fondo. E' incredibile come questa scena fissa semplicissima sia riuscita a reggere per le tre ore e mezza di spettacolo, ma non solo, a renderlo... »

15 Dec 2004

Hercules in Paris

Hard luck trails Hercules By David Stevens International Herald Tribune Wednesday, December 15, 2004 Handel opera falls short in Paris From left: Toby Spence, Joyce DiDonato and Malena Ernman in ''Hercules.'' (Eric Mahoudeau) PARIS Hercules had a lot of bad... »

15 Dec 2004

Another View of A Wedding

Bolcom's music humanizes Altman's sardonic 'Wedding' Movie-turned-opera by U-M composer William Bolcom opens in Chicago. By Lawrence B. Johnson / Detroit News Music Critic Image CHICAGO -- Think of the human condition as images in a funhouse -- where individual... »

14 Dec 2004

Falstaff at Strasbourg

Falstaff, Opéra du Rhin, Strasbourg By Francis Carlin Published: December 14 2004 15:54 | Last updated: December 14 2004 15:54 The posters dotted around Strasbourg showed a figure trussed up in pillows and mattresses, to add more protuberance to waist... »

14 Dec 2004

Die tote Stadt at the Wiener Staatsoper

Kritik Staatsoper: Sie war doch nur scheintot VON WILHELM SINKOVICZ Wie Erich Wolfgang Korngolds einstiger Sensationserfolg "Die tote Stadt" zum Repertoirestück wird. Wiederbelebungsversuche startet man seit geraumer Zeit mit vie len Werken, die unter der ära des Nationalsozialismus als "entartet"... »

14 Dec 2004

Rossini's La Pietra del Paragone at Opéra de Fribourg

LA PIETRA DEL PARAGONE (La pierre de touche) Melodramma giocoso en deux actes de Gioacchino Rossini Livret de Luigi Romanelli (1751-1839) Créé à la Scala de Milan le 26 septembre 1812 Le comte Asdrubal est entouré de trois femmes qui... »

14 Dec 2004

Kurt Weill's One Touch of Venus

One Touch of Venus, Grand Theatre, Leeds By Richard Fairman [Financial Times] Published: December 13 2004 02:00 | Last updated: December 13 2004 02:00 It is no surprise that Kurt Weill's One Touch of Venus was one of his bigger... »

14 Dec 2004

Le Monde Reviews First Encounter

Sélection CD L'osmose de deux timbres rares LE MONDE | 13.12.04 | 15h33 First Encounter: Angelika Kirchschlager & Barbara Bonney Classique "Il y a très longtemps, raconte Barbara Bonney, que je fis connaissance avec Angelika Kirchschlager. Ce fut un dimanche... »

13 Dec 2004

Elektra at the Oper Duisburg

Elektra in der Oper Duisburg: Ein Leben für den Tod Rheinoper: In Duisburg zeigen Stein Winge und Johannes Schütz Richard Strauss` "Elektra" in einer Welt, die Kopf steht. Duisburg. Alles ist erfüllt von den Abwesenden. An die Wände hängt Elektra,... »

13 Dec 2004

Lavinia fuggita at Modena

Lavinia la turca Lavinia fuggita Opera da camera in un atto di Matteo D'Amico libretto di Sandro Cappelletto, liberamente tratto dall'omonimo racconto di Anna Banti prima rappresentazione: Modena, Teatro Comunale 12 dicembre 2004 Teatro Comunale via del Teatro 8 Modena... »

13 Dec 2004

A Wedding in Chicago: Two Reviews

Altman opera a fitting renovation By Bill Gowen Daily Herald Classical Music Critic Posted Monday, December 13, 2004 It's rare that a film director has an opportunity for a do-over. But Robert Altman is no ordinary director, having created several... »

13 Dec 2004

Rossini's La Cenerentola at Dallas

Singer is entrancing in a demanding role By Wayne Lee Gay Star-Telegram Classical Music Critic After a weak start with Bizet's Carmen and a strong comeback with Janacek's Jenufa, Dallas Opera was on track for Rossini's La Cenerentola, or Cinderella,... »

12 Dec 2004

Anna Netrebko in Leipzig

Anna Netrebko: Vom Aschenputtel zur Operndiva VON Tobias D. Höhn, 10.12.04, 12:30h Leipzig - Für viele ist sie die zweite Maria Callas. Wenn die russische Opernsängerin Anna Netrebko wie eine Ballerina über die Bühne schwebt, mit einem Lächeln und glockenheller... »

12 Dec 2004

Das Weihnachtsoratorium in der Thomaskirche

Alle Jahre wieder - Das Weihnachtsoratorium in der Thomaskirche, mit den Thomaner, dem Gewandhausorchester und Gästen Weihnachtsoratorien sind auch eine Jahrgangsfrage: Frei von der Diskussion um die Herrlichkeit Bachscher Noten, fixiert auf die individuelle Interpretation. Insofern ist Thomaskantor Georg Christoph... »

12 Dec 2004

Don Carlo a Firenze

Firenze, teatro Comunale. Si rappresenta il Don Carlo nell'edizione in cinque atti, con la ricostruzione dello storico allestimento di Luchino Visconti. A metà del secondo atto il sipario si chiude per il cambio di scena. Mezze luci in sala, Zubin... »

10 Dec 2004

Don Carlo at Teatro del Maggio Musicale Fiorentino

With all of the festivities surrounding the reopening of La Scala, the production of Don Carlo at Teatro del Maggio Musicale Fiorentino was left in the shadows. The company is producing both the four-act and five-act editions, the latter being... »

10 Dec 2004

Vita con un idiota at Russkij Festival, Rome

Altro che idiota! Vita con un idiota opera in due atti di Alfred Schinittke libretto di Viktor Erofeev Russkij Festival Auditorium Parco della Musica - Sala Petrassi Viale Pietro De Coubertin Roma 0680241281 10 dicembre 2004 Non è solo un... »

10 Dec 2004

A Month in the Country

We previously reported on the Manhattan School of Music production of Lee Hoiby's A Month in the Country. Here is Anne Midgette's review. A Russian Play, Reimagined by an American Composer By ANNE MIDGETTE "We've lost a few people," said... »