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Elsewhere

Green: Mélodies françaises sur des poèmes de Verlaine

Philippe Jaroussky lends poetry and poise to the sounds of nineteenth- and twentieth-century France

J. C. Bach: Adriano in Siria

At this start of the year, Classical Opera embarked upon an ambitious project. MOZART 250 will see the company devote part of its programme each season during the next 27 years to exploring the music by Mozart and his contemporaries which was being written and performed exactly 250 years previously.

Bethan Langford, Wigmore Hall

The Concordia Foundation was founded in the early 1990s by international singer and broadcaster Gillian Humphreys, out of her ‘real concern for building bridges of friendship and excellence through music and the arts’.

Tansy Davies: Between Worlds (world premiere)

An opera dealing with — or at least claiming to deal with — the events of 11 September 2001? I suppose it had to come, but that does not necessarily make it any more necessary.

Arizona Opera Ends Season in Fine Style with Fille du Régiment

On April 10, 2015, Arizona Opera ended its season with La Fille du Régiment at Phoenix Symphony Hall. A passionate Marie, Susannah Biller was a veritable energizer bunny onstage. Her voice is bright and flexible with a good bloom on top and a tiny bit of steel in it. Having created an exciting character, she sang with agility as well as passion.

Il turco in Italia, Royal Opera

This second revival of Patrice Caurier and Moshe Leiser’s 2005 production of Rossini’s Il Turco in Italia seems to have every going for it: excellent principals comprising experienced old-hands and exciting new voices, infinite gags and japes, and the visual éclat of Agostino Cavalca’s colour-bursting costumes and Christian Fenouillat’s sunny sets which evoke the style, glamour and ease of La Dolce Vita.

The Siege of Calais
——
The Wild Man of the West Indies

English Touring Opera’s 2015 Spring Tour is audacious and thought-provoking. Alongside La Bohème the company have programmed a revival of their acclaimed 2013 production of Donizetti’s The Siege of Calais (L’assedio di Calais) and the composer’s equally rare The Wild Man of the West Indies (Il furioso all’isola di San Domingo).

The Met’s Lucia di Lammermoor

Mary Zimmerman’s still-fresh production is made fresher still by Shagimuratova’s glimmering voice, but the acting disappoints

Voices, voices in space, and spaces: Thoughts on 50 years of Meredith Monk

When WNYC’s John Schaefer introduced Meredith Monk’s beloved Panda Chant II, which concluded the four-and-a-half hour Meredith Monk & Friends celebration at Carnegie’s Zankel Hall, he described it as “an expression of joy and musicality” before lamenting the fact that playing it on his radio show could never quite compete with a live performance.

St. John Passion by Soli Deo Gloria, Chicago

This year’s concert of the Chicago Bach Project, under the aegis of the Soli Deo Gloria Music Foundation, was a presentation of the St. John Passion (BWV 245) at the Harris Theater in Millennium Park.

Fedora in Genoa

It is not an everyday opera. It is an opera that illuminates a larger verismo history.

The Marriage of Figaro, LA Opera

On March 26, 2015, Los Angeles Opera presented Mozart’s Le nozze di Figaro (The Marriage of Figaro). The Ian Judge production featured jewel-colored box sets by Tim Goodchild that threw the voices out into the hall. Only for the finale did the set open up on to a garden that filled the whole stage and at the very end featured actual fireworks.

The Tempest Songbook, Gotham Chamber Opera

Gotham Chamber Opera’s latest project, The Tempest Songbook, continues to explore the possibilities of unconventional spaces and unconventional programs that the company has made its hallmark. The results were musically and theatrically thought-provoking, and left me wanting more.

San Diego Opera presents Adams’ Riveting Nixon in China

Nixon in China is a three-act opera with a libretto by Alice Goodman and music by John Adams that was first seen at the Houston Grand Opera on October 22, 1987. It was the first of a notable line of operas by the composer.

Ars Minerva presents Castrovillari’s La Cleopatra in San Francisco

It is thanks to Céline Ricci, mezzo-soprano and director of Ars Minerva, that we have been able to again hear Daniele Castrovillari’s exquisite melodies because she is the musician who has brought his 1662 opera La Cleopatra to life.

World Premiere of Jennifer Higdon’s opera Cold Mountain at Santa Fe Opera this August

East Coast Premiere at Opera Philadelphia next season. Performances from Cold Mountain at the Guggenheim in New York this Monday, March 30.

An Ideal Cast in Chicago’s Tannhäuser

Lyric Opera of Chicago, in association with the Royal Opera House, Covent Garden, has staged a production of Richard Wagner’s Tannhäuser with an estimable cast.

Winners of the Metropolitan Opera National Council Auditions Announced

Five Young Singers Named Winners of the 2015 Met National Council Auditions, America’s Most Prestigious Vocal Competition

A Chat with Julia Noulin-Mérat

Julia Noulin-Mérat is the principal designer for the Noulin-Merat Studio, an intrepid New York City production design firm that works in theater, film, and television, but emphasizes opera and immersive site-specific theatre.

Madame Butterfly, Royal Opera

Puccini and his fellow verismo-ists are commonly associated with explosions of unbridled human passion and raw, violent pain, but in this revival (by Justin Way) of Moshe Leiser’s and Patrice Caurier’s 2003 production of Madame Butterfly, directorial understatement together with ravishing scenic beauty are shown to be more potent ways of enabling the sung voice to reveal the emotional depths of human tragedy.


OPERA TODAY ARCHIVES »

Performances

Rowan Hellier [Photo by andystaplesphotography.com courtesy of Rayfield Allied]
16 Apr 2015

J. C. Bach: Adriano in Siria

At this start of the year, Classical Opera embarked upon an ambitious project. MOZART 250 will see the company devote part of its programme each season during the next 27 years to exploring the music by Mozart and his contemporaries which was being written and performed exactly 250 years previously.  »

Recently in Performances

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23 Jul 2013

Prom 14: Das Rheingold

For me, this is almost to have come full circle — though as anyone with even the slightest acquaintance with the Ring will tell you, the so-called ‘cycle’ does not end where it began, its world having been changed forever.  »

22 Jul 2013

A Music Of One’s Own: From The Diary of Virginia Woolf

The final concert in pianist Julius Drake’s Perspectives series united song, literature and biography through the prism of Dominick Argento’s Pulitzer Prize-winning song-cycle, From the Diary of Virginia Woolf. »

20 Jul 2013

Stockhausen at the BBC Proms

The Royal Albert Hall was made for Karl-Heinz Stockhausen. BBC Prom 11 2013 featured Gesang der Jünglinge and Welt-Parliament from Mittwoch from Licht. »

20 Jul 2013

Capriccio, Royal Opera

‘Wort oder Ton?’ may be the Countess’s question, but it is far from the only question asked in, let alone by, Capriccio.  »

19 Jul 2013

Glimmerglass premiere of ‘Camelot’ chivalrous, but hardly a knight to remember

David Pittsinger, as King Arthur, provided most of the magic in this pleasant but unspectacular production of the Lerner and Loewe musical »

19 Jul 2013

Don Pasquale, Glyndebourne

Donizetti’s late comedy Don Pasquale debuted in Paris in 1843 and has been popular ever since. It was produced at the Glyndebourne Festival in 1938 but, rather surprisingly, Mariame Clement’s 2013 production, refreshingly set in the 18th century rather than being update, was the first festival production since 1938.  »

19 Jul 2013

Prom 8: Adès’ Totentanz

This remarkably cohesive programme of works by Britten, Lutoslawski and Adès was underpinned by a dark intensity; tragic realism interwoven with transient intimations of hope. »

17 Jul 2013

Cléopâtre and Les Troyens in Marseille

There are forces to be reckoned with at l’Opéra de Marseille — a first class orchestra, a first class chorus, first class casts (with notable exception, see below) who inhabit an extraordinarily fine old opera house. »

17 Jul 2013

L’elisir d’amore, Opera Holland Park

Pia Furtado’s production of Donizetti’s gentle rom-com, L’elisir d’amore, opens in the greenhouse-laboratory of a sunflower factory — all steel trolleys and agronomic apparatus.  »

17 Jul 2013

Glimmerglass Festival’s ‘The Flying Dutchman’ a voyage to remember

Excellent staging and strong vocal efforts put wind in the sails of this legendary ghost ship »

13 Jul 2013

Ermonela Jaho — Singing and Character

Ermonela Jaho caused a sensation at Covent Garden in London five years ago, when she took over Violetta at short notice from Anna Netrebko.  »

11 Jul 2013

Britten: The Canticles

First performed at this year’s Brighton Festival and originally designed for the Theatre Royal Brighton, this multi-media staging of Benjamin Britten’s five Canticles by long-standing collaborators Neil Bartlett and Paule Constable, also had an outing at Snape Maltings Aldeburgh in May this year, and has now arrived on the austere stage of the Linbury Studio at the Royal Opera House. »

10 Jul 2013

Central City Opera: Rocky Mountain High

Central City Opera’s meticulous staging of Our Town makes as good a case as is likely possible for Ned Rorem’s operatic version of that classic play.  »

10 Jul 2013

Macbeth, Blackheath Halls

Since its inception in 2006, the annual community opera at Blackheath Halls has become a favourite fixture in the local summer calendar.  »

08 Jul 2013

Britten’s Curlew River and The Prodigal Son

Poised between ritual and drama, between East and West, between Zen-Buddhist symbolism and Christian medieval morality play, Britten’s three church parables pose some tricky problems — including a deliberately objectivised framing device which can distance the work from the audience, and, unusually for Britten, some less than effective musico-dramatic pacing.  »

08 Jul 2013

Musical Fireworks in Iowa

‘Tis the season for aerial starbursts, and for my money more than a few rockets could be sent up to laud Des Moines Metro Opera.  »

07 Jul 2013

La Rondine, Royal Opera House

La Rondine isn’t Puccini’s finest moment. As drama it’s a retread of La Bohème. The music resembles out-takes from Madama Butterfly. What holds it together is Magda. »

02 Jul 2013

Rameau Hippolyte et Aricie, Glyndebourne

Glyndebourne revitalizes Rameau's Hippolyte et Aricie. Baroque tastes were extravagant. Louis XIV, Le Roi Soleil, and his successor Louis XV, epitomized the aesthetic: audacity, not gentility, vigour, not timidity.  »

30 Jun 2013

Bizet : Pearl Fishers, Opera Holland Park London

Bizet’s The Pearl Fishers confirms the composer’s deftness in penning a good tune and spinning a faux-Oriental orchestral fabric. But, opera is more than simply a catchy melody or two, and if it wasn’t for the tenor-baritone friendship duet ‘Au Fond du Temple Saint’, the opera’s one-dimensional characters and dramatic stiltedness would probably see it consigned to the drawer marked ‘lesser-known, justly neglected’. »

29 Jun 2013

Thomas Hampson Simon Boccanegra, Royal Opera House London

Thomas Hampson's first Simon Boccanegra at the Royal Opera House makes this revival of Verdi's great opera worthwhile. It's a role which suits a singer of Hampson's intelligence.  »

28 Jun 2013

Händel’s First Opera at the Boston Early Music Festival

We’ll never know exactly how Handel’s first opera, Almira, Königin von Castilien, appeared at its 1705 premiere in Hamburg. »

24 Jun 2013

Hänsel und Gretel - Garsington Opera at Wormsley

Engelbert Humperdinck and his sister Adelheid Wette rather softened the story when they came to write the opera Hansel und Gretel, though sufficient undercurrents remain to allow a director scope for exploration of the more psychological aspects of the story.  »

22 Jun 2013

Britten’s Gloriana, Covent Garden

A glance at the ROH programme which accompanies this new production of Benjamin Britten’s Gloriana reveals a striking number of ‘role débuts’; evidence that, since its Coronation-commissioned revelation in 1953, this opera has had a relatively quiet 60 years - hyperbolically announced as ‘one of the great disasters of operatic history’ at its troubled opening.  »

20 Jun 2013

St. Louis: Winner and Still Champion

With the world premiere of Champion, the enterprising Opera Theatre of Saint Louis set the bar very high indeed for the summer festival season. »

18 Jun 2013

The Importance of Being Earnest, Covent Garden

The Importance of Being Earnest , Gerald Barry’s fifth opera, was commissioned by the Los Angeles Philharmonic Orchestra and the Barbican, and was first performed in concert, Thomas Adès conducting the London premiere. »

17 Jun 2013

Death in Venice by ENO

‘Beauty is the one form of spirituality that we experience through the senses.’ In Thomas Mann’s, Death in Venice, Plato’s axiom stirs the hopes of the aging, intellectually stale poet, Gustav von Aschenbach, that he may rekindle his creativity.  »

14 Jun 2013

Madama Butterfly, Opera Holland Park

There is a sense in which it all began in London, Puccini having been seized in 1900 with the idea of an opera on this subject after watching David Belasco’s play here.  »

13 Jun 2013

An Evening of Zarzuela and Latin American Music at Los Angeles Opera

The tenor that the audience most wanted to hear, Plácido Domingo, opened the vocal program with “Junto al puente de la peña” (Next to the rock bridge) from La Canción del Olvido (The song of Oblivion) by José Serrano. He sounded rested and his voice soared majestically over the orchestra. »

12 Jun 2013

Così fan tutte in San Francisco

Tucked away somewhere in the San Francisco Opera warehouse was an old John Cox production of Così fan tutte from Monte Carlo. Well, not that old by current standards at San Francisco Opera.  »

12 Jun 2013

Rossini Maometto Secondo Garsington Opera at Wormsley

Rossini's Maometto Secondo is a major coup for Garsington Opera at Wormsley, confirming its status as the leading specialist Rossini house in Britain. Maometto Secondo is a masterpiece, yet rarely performed because it's formidably difficult to sing. It's a saga with some of the most intense music Rossini ever wrote, expressing a drama so powerful that one can understand why early audiences needed "happy endings" to water down its impact »

11 Jun 2013

Peter Grimes in Concert

I suppose it was inevitable that, in this Britten Centenary year, the 66th Aldeburgh Festival would open with Peter Grimes.  »

10 Jun 2013

Die Entführung aus dem Serail, Garsington Opera at Wormsley

Die Entführung aus dem Serail at Garsington Opera at Wormsley isn’t Mozart as you’d expect but it’s true to the spirit of Mozart who loved witty, madcap japes. »

09 Jun 2013

Le nozze di Figaro, Glyndebourne

What a pity! On a glorious — well, by recent English standards — summer’s day, there can be few more beautiful English countryside settings than Glyndebourne, with the added bonus, as alas much of the audience appears to understand it, of an opera house attached.  »

09 Jun 2013

Queens, Heroines and Ladykillers

Described by one critic as “cosmically gifted”, during her tragically short career, American mezzo-soprano Lorraine Hunt Lieberson amazed and delighted audiences with the spellbinding beauty of her singing and the astonishing honesty of her performances.  »

09 Jun 2013

Alzira by Chelsea Opera Group

“I wrote it almost without noticing.” So Verdi declared when reminded of his eighth — and perhaps least frequently performed, opera, Alzira. One might say that, since he composed the work, no-one else has much noticed either.  »

09 Jun 2013

Les Contes d’Hoffmann in San Francisco

Just when you thought the protagonist was Hoffmann! Who, rather what stole the show? »

05 Jun 2013

La Tosca in Los Angeles

When is verismo verily veristic? Or what is a virginal girl dressed in communion white doing in the two murderous acts of the Los Angeles Opera’s current production of Tosca? And why does she sing the shepherd's song? »

03 Jun 2013

Lohengrin, Welsh National Opera

Wagner’s Lohengrin is not an unfamiliar visitor to the UK thanks, in the main, to Elijah Moshinsky’s perennial production at Covent Garden. »

02 Jun 2013

Philip Glass: The Perfect American

Philip Glass's The Perfect American at the ENO in London is a visual treat, but the libretto is mind-numbingly anodyne.  »

30 May 2013

Jonathan Dove’s Mansfield Park

Jonathan Dove's Mansfield Park, with libretto by his regular collaborator Alasdair Middleton, has the remarkable distinction of being the first completed operatic adaptation of any Jane Austen novel to be staged. »

30 May 2013

Wagner 200th Anniversary Concert

London’s two principal opera companies have offered a baffling near-silence as their response to Wagner’s two-hundredth anniversary.  »

30 May 2013

Toronto’s Triple Success

If a recent trio of musically superlative performances at Canadian Opera Company is indicative of their norm, the casting director should get a hefty bonus. »

30 May 2013

Alessandro Scarlatti’s Il Trionfo dell’Onore

Just when you imagine you’ve got the operatic time-line fixed in your mind in a clean sweep of what goes where and when and how, you hear another work from another forgotten corner of the repertory that upends one’s conclusions. »

30 May 2013

Handel’s Rodrigo by Operamission

Nothing inspires fable quite like defeat. The great riddle of Spanish history is how the Christian Visigoths managed to lose the Iberian peninsula to the Moors in one small battle in 711 and took eight hundred years to get it back.  »

30 May 2013

“Marriage” at the Los Angeles Philharmonic

Take a pair of peripatetic, sharp witted, libidinous dramatists with deeply humanist hearts, add a brilliant, fun loving young composer, who believed in forgiveness, and you end up with The Marriage of Figaro, a comic, always relevant opera, which the Los Angeles Philharmonic Orchestra presented in Disney Hall, as part of its Mozart/DaPonte series. »