Subscribe to
Opera Today

Receive articles and news via RSS feeds or email subscription.


twitter_logo[1].gif



9780521746472.png

0810888688.gif

0810882728.gif

Elsewhere

La Bohème, Manitoba

Manitoba Opera’s first production in nine years of Giacomo Puccini’s La Bohème still stirs the heart and inspires tears with its tragic tale of bohemian artists living — and loving — in 1840s Paris.

Arizona Opera Presents Don Pasquale in Tucson

On April 12, 2014, Arizona Opera opened its series of performances of Donizetti's Don Pasquale in Tucson. Chuck Hudson’s production of this opera combined Commedia dell’arte with Hollywood movie history.

Will Don Quichotte Be the Last Production at San Diego Opera?

This quotation from Cervantes was displayed before the opening of the opera’s final scene:

“The greatest madness a man can commit in this life is to let himself die, just like that, without anybody killing him or any other hands ending his life except those of melancholy.”

Gound Faust - Calleja and Terfel, Royal Opera House London

Gounod's Faust makes a much welcomed return to the Royal Opera House. With each new cast, the dynamic changes as the balance between singers shifts and brings out new insights. In that sense, every revival is an opportunity to revisit from new perspectives. This time Bryn Terfel sang Méphistophélès, with Joseph Calleja as Faust - stars whose allure certainly helped fill the hall to capacity. And the audience enjoyed a very good show.

Syracuse Opera’s Porgy and Bess
Got Plenty O’ Plenty

The company ends its 2013-14 season on a high note with a staged performance of Gershwin’s theatrical masterpiece

A New Rusalka in Chicago

Lyric Opera of Chicago’s new production of Antonin Dvorak’s Rusalka is visually impressive and fulfills all possible expectations musically with unquestioned excitement.

Karlsruhe’s Mixed Blessing Ballo

The reliable Badisches Staatstheater has assembled plenty of talent for its new Un Ballo in Maschera.

Louise Alder, Wigmore Hall

This varied, demanding programme indisputably marked soprano Louise Alder as a name to watch.

Luke Bedford: Through His Teeth, Linbury, Royal Opera House

Can this be the best British opera in years? Luke Bedford’s Through His Teeth at the Royal Opera House’s Linbury Theatre is exceptional. Drop everything and go.

Powder Her Face, ENO

As one descends the steel steps into the cavernous bunker of Ambika P3, one seems about to enter rather insalubrious realms — just right one might imagine, then, for an opera which delves into the depths of the seedier side of celebrity life.

Iphigénie Fascinates in the Pfalz

Kaiserslautern’s Pfalztheater has produced a tantalizing realization of Gluck’s Iphigénie en Aulide, characterized by intriguing staging, appealing designs, and best of all, superlative musical standards.

ROH presents Cavalli’s L’Ormindo at the Sam Wanamaker Playhouse, London

Never thought I’d say it but......

Harrison Birtwistle, Elliott Carter, Wigmore Hall, London

Celebrating the 80th birthday of one of the UK's greatest composers (if not the greatest), this concert was an intriguing, and not always stimulating, mix. Birtwistle with Carter makes sense, but Birtwistle with Adams does not - or at least only within the remit of the concert series. The concert was actually entitled “Nash Inventions: American and British Masterworks, including an 80th Birthday Tribute to Sir Harrison Birtwistle” and was the final concert in the “Inventions” series.

Requiem for a Lost Opera Company

On Wednesday, March 19, 2014, General Director Ian Campbell of San Diego Opera announced that the company would go out of business at the end of this season. The next day the company performed their long-planned Verdi Requiem with a stellar cast including soprano Krassimira Stoyanova, mezzo-soprano Stephanie Blythe, tenor Piotr Beczala, and bass Ferruccio Furlanetto.

The Met’s Werther a tasty mix of singing, staging, acting and orchestral splendor

Visual elements in Richard Eyre’s striking production offset Massenet’s melodic shortcomings

Chicago’s New Barber of Seville

New productions of repertoire staples such as Gioachino Rossini’s Il Barbiere di Siviglia bear much anticipation for both performers and staging.

Lucia in LA: A Performance to Remember

On March 15, 2014, Los Angeles Opera presented Elkhanah Pulitzer’s production of the opera, which she set in 1885 when women were beginning to be recognized as persons separate from their fathers, brothers and husbands. At that time many European countries were beginning to allow women to own property, obtain higher education, and choose their husbands.

San Diego Opera Presents an All Star Ballo in Maschera

On March 11, 2014, San Diego Opera presented Verdi’s A Masked Ball in a traditional production by Leslie Koenig. Metropolitan Opera star tenor Piotr Beczala was Gustav III, the king of Sweden, and Krassimira Stoyanova gave an insightful portrayal of Amelia, his troubled but innocent love interest.

Anne Schwanewilms, Wigmore Hall

From the moment she walked, resplendent in red, onto the Wigmore Hall platform, Anne Schwanewilms radiated a captivating presence — one that kept the audience enthralled throughout this magnificent programme of Romantic song.

Die Frau ohne Schatten, Royal Opera

Magnificent! Following the first night of this new production of Die Frau ohne Schatten, I quipped that I could forgive an opera house anything for musical performance at this level, whether orchestral, vocal, or, in this case, both.


OPERA TODAY ARCHIVES »

Performances

La Boheme [Image courtesy of Manitoba Opera]
23 Apr 2014

La Bohème, Manitoba

Manitoba Opera’s first production in nine years of Giacomo Puccini’s La Bohème still stirs the heart and inspires tears with its tragic tale of bohemian artists living — and loving — in 1840s Paris.  »

Recently in Performances

All Pages |  1  |  2  |  3  |  4  |  5  |  6  |  7  |  8  |  9  |  10  |  11  |  12  |  13  |  14  |  15  |  16  |  17  |  18  |  19  |  20  |  21  |  22  |  23  |  24  |  25  |  26  |  27  |  28  |  29  |  30  |  31  |  32  |  33  |  34  |  35  |  36  |  37  |  38  |  39  |  40  |  41  |  42  |  43  |  44  |  45  |  46  |  47  |  48  |  49 
09 Jul 2012

‘Ancient & Modern’ with Angelika Kirchschlager and Ian Bostridge

Ian Bostridge’s thought-provoking ‘Ancient and Modern’ project at the Wigmore Hall is drawing to a close and this penultimate instalment brought together Renaissance sensuality and Neo-classical restraint in a meticulously executed performance.  »

02 Jul 2012

Susan Graham, Wigmore Hall

Embodying a range of iconic female characters from history, literature and song — both the ‘good’ and the ‘not-so-good’ — Susan Graham delivered a wonderfully suave and entertaining performance before a delighted Wigmore Hall audience. »

02 Jul 2012

The Marriage of Figaro in Montpellier

Perfection. A seldom used term in critiques of opera performances. There it was, almost (and will be, maybe). »

27 Jun 2012

St. Louis in Fine Festival Form

Forget about picking a desert island opera, I want Opera Theatre of St. Louis as my desert island opera company.  »

27 Jun 2012

Les Troyens, Royal Opera House London

A sensational Les Troyens at the Royal Opera House, London. Berlioz, who understood theatrical gestures so well, builds his opera around the most audacious dramatic device in ancient history: the Trojan Horse.  »

26 Jun 2012

Dr Dee, ENO

First staged at Manchester’s 2011 international festival, Dr Dee is a theatrical work based on the life of Renaissance cosmographer and charlatan, John Dee.  »

26 Jun 2012

Miah Persson, Wigmore Hall

At the Wigmore Hall, there’s long been a tradition of Swedish song. We’ve heard many of the greats, Anne Sofie von Otter, Barbara Bonney and others. Miah Persson and Roger Vignoles are in this constellation.  »

26 Jun 2012

Billy Budd, ENO

Billy Budd, foretopman — and self-styled ‘King of the Birds’ — may yearn for premonition to captain of the mizzen top, but there few spirits that fly afloat or soar in David Alden’s dark, oppressive new production of Benjamin Britten’s Billy Budd. »

15 Jun 2012

The Magic Flute in San Francisco

A feast for the eyes, a feast for the ears, a Flute from America’s heartland that goes directly to your heart. »

15 Jun 2012

Oliver Knussen’s Sendak operas launch the Aldeburgh Music festival

Oliver Knussen’s two operas based on books by Maurice Sendak opened this year’s Aldeburgh Music Festival in exuberant style.  »

13 Jun 2012

Attila in San Francisco

Fanfares that celebrate soldiers with plumed helmets by a composer who donned a helmet (metaphorically) — Verdi the operatic father of the Risorgimento! »

11 Jun 2012

Così fan tutte, Holland Park

Are my expectations too high when it comes to Mozart’s operas in general, and to Così fan tutte in general? Probably. Should they be? Certainly.  »

09 Jun 2012

Nixon in China, San Francisco

John Adams’ Nixon in China is an amazing, riveting piece of music, and compelling theater to boot.  »

09 Jun 2012

L’olimpiade, Venice Baroque Orchestra

Over 60 composers (including Beethoven) wrote music inspired by Metastasio’s L’olimpiade.  »

09 Jun 2012

Don Giovanni, Garsington Opera at Wormsley

The pavilion at Garsington Opera at Wormsley is stunningly beautiful. Just being there is an experience, which is why the social aspect is so rewarding. »

08 Jun 2012

Almira, operamission

There are many different ways to analyze the health of New York City. My personal measurements judge the town thus: How many aspiring artsy kids are forced to share a single apartment in an outer borough while they “find themselves” and how many small but immensely able opera companies are functional at any given time.  »

05 Jun 2012

Bluebeard’s Castle, New World Symphony

“I can guess what you are hiding. Bloodstain on your warrior’s weapons. Blood upon your crown of glory. Red the soil around your flowers. Red the shade your cloud was throwing. Now I know it all, oh, Bluebeard.” »

05 Jun 2012

La Bohème, LA Opera

The Los Angeles opera company ended its 2011-2012 season with Giacomo Puccini’s long-loved La Bohème, in a long-lived production. What is it about this opera that keeps old loves alive?  »

04 Jun 2012

Detlev Glanert’s Caligula, ENO

Detlev Glanert’s Caligula at the ENO shows how powerful modern opera can be. Caligula was a tyrant, but this opera isn’t sensationalist.  »

04 Jun 2012

Don Giovanni, LA Philharmonic

Kudos to the Los Angeles Philharmonic Association and Gustavo Dudamel for their courageous plan to present semi staged performances of the Mozart/Da Ponte trilogy of Italian operas with the assistance of outstanding set and costume designers and directors. »

04 Jun 2012

Salome, Royal Opera

In David McVicar’s staging of Strauss’s disturbing opera, first seen at Covent Garden in 2008 and now enjoying its second revival, Salome’s descent down the Stygian staircase is a literal drop into a subterranean slaughterhouse and an ethical fall into the delights and depravity of her of burgeoning yet deadly sexuality.  »

04 Jun 2012

Maria Padilla: Chelsea Opera Group

Donizetti’s Maria Padilla received a concert performance with the Chelsea Opera Group. »

04 Jun 2012

Handel and the Rival Queens: Lufthansa Baroque Festival

A fascinating evening of arias and readings on the theme of Handel’s “rival queens”, Francesca Cuzzoni and Faustina Bordoni.  »

04 Jun 2012

A Toronto Trilogy

Canadian Opera Company’s diverse May offerings included some superlatively sung Handel, a galvanizing star turn from a rising tenor talent, and a well-matched veristic double bill of tragedy and comedy. »

31 May 2012

Tristan und Isolde, Welsh National Opera

Yannis Kokkos originally directed and designed Tristan und Isolde as a co-production for Welsh National Opera and Scottish Opera nearly 20 years ago. The production’s latest revival, directed by Peter Watson, was premiered at the Wales Millennium Centre on 19 May 2012.  »

30 May 2012

Glyndebourne Janáček The Cunning Little Vixen

Glyndebourne’s 2012 season started in great style with Leoš Janáček’s The Cunning Little Vixen. Its rapturous reception would suggest that this could become a Glyndebourne perennial.  »

22 May 2012

History Repeating

Iestyn Davies’ Wigmore Hall recital, ‘History Repeating’, may have explored various composers’ engagement with, and reinterpretation and reinvigoration of, music of the past, but Davies himself is very much the countertenor of the moment, and undoubtedly an exciting and fulfilling future lies ahead. »

21 May 2012

Semele, Canadian Opera Company

You never can tell. I would never have predicted which opera would be my favourite of the seven operas programmed this season by the Canadian Opera Company.  »

19 May 2012

Billy Budd — Metropolitan Opera

The Met saved the best of the season for the end of it, revivals of their first-rate productions of two twentieth-century masterpieces, Jánaček’s Makropoulos Case and Britten’s Billy Budd.  »

19 May 2012

Damrau Dazzles in Geneva

It is not long into Act One of Mignon at Geneva’s Grand Theatre when Diana Damrau glides on stage as Philine, commands our rapt attention, and sweeps all before her. »

17 May 2012

Véronique Gens, Wigmore Hall, London

Véronique Gens’s recital at the Wigmore Hall, London, was an almost ideal distillation of the belle époque in song. »

12 May 2012

Bartók and Szymanowski, Barbican Hall

In this, the second of two LSO concerts in which Péter Eötvös replaced Pierre Boulez, one continued to feel the loss of the latter in his repertoire, yet one equally continued to value his replacement, very much his own man.  »

09 May 2012

My Big Fat American Moustache: A Wartime Così Fan Tutte

An energetic and exceptionally entertaining production of Così fan tutte sung in English and set during World War II, when the Americans often got the girls. »

09 May 2012

Philip Glass: Einstein on the Beach, Barbican, London

Any performance of Philip Glass’ epic Einstein on the Beach (1976) is a major event. The work’s duration is around five hours and it is directed to be performed without interval (although see below — we had one).  »

07 May 2012

The Barber of Seville, San Diego

Pierre Augustin Caron de Beaumarchais’ classic play The Barber of Seville, set by Rossini to perfectly paced and irresistibly comic music, was first performed in Rome in 1816, and remains one of the world’s favorite operas. »

02 May 2012

La bohème, Royal Opera House, London

A robust Mimì and a self-regarding Rodolfo impart a distinctive flavour to this full-throttled version of John Copley’s evergreen La bohème. »

02 May 2012

The Kathleen Ferrier Awards 2012

This year’s Kathleen Ferrier Awards final was both a competition and a celebration, marking as it did the centenary anniversary of the great singer’s birth. »

01 May 2012

Daughter of the Regiment, Manitoba Opera

Manitoba Opera laid aside all stereotypes about opera being stuffy and inaccessible with its feel-good production of Donizetti’s 1840 comic opera Daughter of the Regiment.  »

01 May 2012

Der fliegende Holländer, ENO

ENO’s peculiar decision not to stage any Wagner during its 2012-13 season, that is the season in which the greater part of Wagner’s bicentenary falls, is at least mitigated by a new production of The Flying Dutchman during this preceding season.  »

01 May 2012

Two from Florence

The double bill of Zemlinsky’s A Florentine Tragedy with Puccini’s Gianni Schicchi, currently being presented by the Canadian Opera Company, is a marriage made in heaven, a pair of complementary opposites who seem to belong together. »

26 Apr 2012

Manon, Metropolitan Opera

Massenet’s Manon succeeds in the theater when the soprano has a real sense of the role and how she wants to present it.  »

26 Apr 2012

Zagreb’s Wagner Casts Its Spell

Croatian National Opera, in collaboration with Würzburg’s (Germany) Mainfranken Theater has made quite a forceful case for Parsifal.  »

26 Apr 2012

Manon Lescaut, Philadelphia

It is Manon month in the Mid-Atlantic states. In New York, the Met is presenting Massanet’s take, while Opera Company of Philadelphia has just opened Puccini’s version: his first successful opera, Manon Lescaut. »

26 Apr 2012

Matthias Goerne, Los Angeles

Los Angeles lieder lovers were treated to two extraordinary Schubertian journeys on April 16th and 18th when bass-baritone Matthias Goerne partnered with Christian Eschenbach performed the song cycles, Die schöne Müllerin and Winterreise, as part of the Los Angeles Philharmonic’s celebration of the composer’s 215th birthday.  »

26 Apr 2012

Der Freischütz, London

The unfashionableness of Der Freischütz in England is a little baffling. In its day, not only was the opera celebrated across Germany, it soon conquered other European stages and indeed theatres worldwide.  »

25 Apr 2012

La Fille du Regiment, Royal Opera

The regiment marches onwards!  »

19 Apr 2012

Show Boat at Lyric Opera of Chicago

Lyric Opera of Chicago has begun with the current season’s production of Show Boat a series of musicals of the American theater to be featured in coming years. »

19 Apr 2012

Wolfgang Rihm’s Jakob Lenz by ENO

When the ENO does really innovative work, it does so with style. Wolfgang Rihm’s Jakob Lenz may have taken 34 years to reach London fully staged, but this ENO production made such a strong impression that it might be years before it will be forgotten.  »

19 Apr 2012

Folk songs that aren’t folk songs

The Wigmore Hall Dvořák series culminated in a concert by Bernarda Fink and Roger Vignoles.  »

19 Apr 2012

Armide, Opera Atelier

I have to rethink my week, because somehow I have to get to see Opera Atelier’s production of Jean-Baptiste Lully’s Armide again.  »

19 Apr 2012

Il Sogno di Scipione

It’s unclear whether Mozart composed this highly undramatic “dramatic action” when he was fifteen, for his kindly master Prince-Archbishop von Schrettenbach of Salzburg, or the following year for the newly-elected successor, Prince-Archbishop Colloredo, who, soon afterwards, had the young man literally kicked out of his service.  »