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The Barber of Seville, ENO London

This may be the twelfth revival of Jonathan Miller’s 1987production of Rossini’s The Barber of Seville for English National Opera, but the ready laughter from the auditorium and the fresh musical and dramatic responses from the stage suggest that it will continue to amuse audiences and serve the house well for some time to come.

Monteverdi: Il ritorno d’Ulisse in patria, Bostridge, Barbican London

The third and final instalment of the Academy of Ancient Music’s survey of Monteverdi’s operas at the Barbican began and ended in darkness; the red glow of the single candle was an apt visual frame for a performance which was dedicated to the memory of the late Andrew Porter, the music critic and writer whose learned, pertinent and eloquent words did so much to restore Monteverdi, Cavalli and other neglected music-dramatists to the operatic stage.

English Touring Opera - Debussy, Massenet and Offenbach

English Touring Opera’s recent programming has been ambitious and inventive, and the results have been rewarding. We had two little-known Donizetti operas, The Siege of Calais and The Wild Man of the West Indies, in spring 2015, while autumn 2014 saw the company stage comedy by Haydn (Il mondo della luna) and romantic history by Handel (Ottone).

Boesch and Martineau Schubert Complete Songs, Wigmore Hall, London

The Wigmore Hall's complete Schubert Songs series of 40 concerts began with a recital by Florian Boesch and Graham Johnson. (Read my review here). If anything, though, the second concert, where Boesch was accompanied by Malcolm Martineau, was even better. The programme was beautifully planned, and the performance exceptional, even by the very high standards of the Wigmore Hall.

Shostakovich Lady Macbeth of Mtsensk - ENO London

It took artistic courage to choose Shostakovich Lady Macbeth of Mtensk to start the ENO's 2015-2016 season. Shostakovich isn't an easy sell, and so full of sex and violence that some minds - like Josef Stalin - would be aghast. But Mark Wigglesworth is passionate about Shostakovich , and as new Music Director of the ENO, he's making a point. Good opera needs artistic vision.

Berg Wozzeck Fabio Luisi Zurich Opera

Zurich Opera brought Alban Berg Wozzeck to the Royal Festival Hall, London . Fabio Luisi conducted Philharmonia Zurich and a very good cast in a concert performance. With all pretence at staging removed (apart from natural good acting) we could focus on the sheer musical audacity of Berg's writing, and pick up on the processes the music employs to create the drama.

“Nessun Dorma — The Puccini Album”

Sounds swirl with an urgent emotionality and meandering virtuosity on Jonas Kaufmann’s new Puccini album—the “real one”, according to Kaufmann, whose works were also released earlier this year on Decca records, allegedly without his approval.

Verismo Double Header in Los Angeles

LA Opera got its season off to an auspicious beginning with starry revivals of Gianni Schicchi and Pagliacci.

Viva Verdi at Opera Las Vegas

On September 9, 2015, Opera Las Vegas presented James Sohre’s production of Viva Verdi at the Smith Center’s Cabaret Jazz. It was a delightful evening of arias, duets and ensembles by Giuseppe Verdi (1813-1901). The program included many of the composer’s blockbuster arias and scenes from famous operas such as Aida, La traviata, and Macbeth.

Barbera Sings a Fascinating Recital in San Diego

On Saturday, September 19, San Diego Opera opened its 2015-2016 season with a recital by tenor René Barbera. This was the first Polly Puterbaugh Emerging Artist Award Recital and no artist could have been more deserving than the immensely talented Barbera.

Sweeney Todd at the San Francisco Opera

Did the iconic “off-beat” and “serious” American musical hold the stage of the War Memorial Opera House? The excited audience (standees three deep) thought so and roared their appreciation.

Sondra Radvanovsky Stars in the Title Role of Anna Bolena

The First of Three Donizetti Queens She Will Sing at the Met This Season

Wigmore Hall Complete Schubert Song Series begins with Boesch and Johnson

The Wigmore Hall, London, has launched Schubert : The Complete Songs, a 40-concert series to run through the 2015 and 2016 seasons. There have been Schubert marathons before, like BBC Radio 3's all-Schubert week and The Oxford Lieder Festival's Schubert series last year, but the Wigmore Hall series will be a major landmark because the Wigmore Hall is the Wigmore Hall, the epitome of excellence.

Honegger: Jeanne d’Arc au bûcher

Marion Cotillard and Marc Soustrot bring the drama to the sweeping score of Arthur Honegger’s Jeanne dArc au bûcher, an adaptation of the Trial of Joan of Arc

Luisa Miller in San Francisco

Luisa Miller sits on the fringes of the repertory, and since its introduction into the modern repertory in the 1970’s it comes around every 15 or so years. Unfortunately this 2015 San Francisco occasion has not bothered to rethink this remarkable opera.

Salieri: La grotta di Trofonio (Trofonio’s Cave)

Demonised by Pushkin and Peter Shaffer, Antonio Salieri lives in the public imagination as the embittered rival of Wolfgang Amadeus Mozart — whose genius he lamented and revered in equal measure, and against whom he schemed and plotted at the Emperor Joseph II’s Viennese court.

Chicago Lyric’s Stars Shine at Millennium Park

The annual concert given by Lyric Opera of Chicago as an outdoor event previewing the forthcoming season took place on 11 September 2015 at Millennium Park.

Far in the Heavens — Choral Music of Stephen Paulus

Stephen Paulus provided the musical world, and particularly the choral world, with music both provocative and pleasing through a combination of lyricism and a modern-Romantic tonal palette.

For Odyssey Opera, No Operatic Challenge is Too Great

For a company founded in 2013, Odyssey Opera has an astounding track record. To take on Korngold’s Die tote Stadt is ambitious enough, but to do so within only a year of the company’s founding seems almost single-minded.

Gluck: Orphée et Eurydice

Orpheus — that Greek hero whose songs could enchant both deities and beasts, whose lyre has become a metaphor for the power of music itself, and whose journey to the Underworld to rescue his wife, Eurydice, kick-started the art of opera in Mantua in 1607 — has been travelling far and wide around the UK in 2015.



05 Oct 2015

The Barber of Seville, ENO London

This may be the twelfth revival of Jonathan Miller’s 1987production of Rossini’s The Barber of Seville for English National Opera, but the ready laughter from the auditorium and the fresh musical and dramatic responses from the stage suggest that it will continue to amuse audiences and serve the house well for some time to come.  »

Recently in Performances

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17 Mar 2008

Heggie faces family dilemma in new work

Do dysfunctional families outnumber the ones that move through life untroubled, or is it — to paraphrase Tolstoy — that every dysfunctional family is dysfunctional in its own way and thus of greater interest to writers and composers? »

16 Mar 2008

Tristan und Isolde — The Metropolitan Opera

I bet this doesn't happen at the movies: »

16 Mar 2008

Peter Grimes at the MET

Let us, for one example among many, take the capstan song in Act I. »

03 Mar 2008

Los Angeles Opera: March 1 & 2, 2008

James Conlon has become the artistic heart and soul of Los Angeles Opera in his second season as music director. »

02 Mar 2008

Cyrano at The Opera Company of Philadelphia

The Opera Company of Philadelphia’s February production is the second staging of David DiChiera’s new opera Cyrano, a co-production with Michigan Opera Theater and Florida Grand Opera. »

02 Mar 2008

Peter Grimes by Opera North

Opera North is one of the most innovative opera companies in Britain. »

02 Mar 2008

Short on the sides and Full On Top

Perhaps the most beloved comic opera, Rossini’s Il barbière di Siviglia has never left the repertoire. »

02 Mar 2008

Mary, Queen of Scots (Maria Stuarda)

San Diego Opera apparently has raided the vaults of Lincoln Center opera companies, circa the 1970s. »

25 Feb 2008

Salome at Covent Garden

The Royal Opera's new Salome is set roughly in the 1930s, in surroundings which refer overtly to Pasolini's Salò or the 120 Days of Sodom, populated by uniformed soldiers and naked whores. »

22 Feb 2008

Carmen, The Metopolitan Opera

Dread and disgruntle are the emotions natural to the fan of any special singer when he arrives at the opera house to learn she has withdrawn from the performance and been replaced by an unknown. »

20 Feb 2008

Anna Christy Triumphs in Lucia di Lammermoor at ENO

ENO doesn’t really go in for bel canto opera. Other than a Maria Stuarda back in the mid 1990s, the only Donizetti opera in the company’s repertoire in the recent past has been the popular L’elisir d’amore. »

17 Feb 2008

ENO's The Mikado

Director Jonathan Miller was there at the curtain call to greet the first night of this latest revival of a production which has now been in ENO's repertoire for twenty years. »

17 Feb 2008

LA Opera: Tristan und Isolde

My Valentine’s Day gift came a bit early courtesy of Los Angeles Opera. Of course, it is to be hoped that your own celebration has a happier outcome than that of opera’s most famous Love Couple, “Tristan und Isolde.” »

17 Feb 2008

Rodelinda at Portland

Valentine’s Day may not quite be in the same major holiday league with the Fourth of July or New Year’s Eve, but you wouldn’t have known it from the fireworks emanating from the stage of Portland Opera, in the form of some dazzling Valentine’s night vocalizing in quite a fine production of Handel’s “Rodelinda.” »

17 Feb 2008

Navajo oratorio a triumph in Phoenix

A sound designer? Isn’t that merely a euphemistic upgrade of “sound engineer?” »

17 Feb 2008

Tosca at COC

An air of anticipation filled the Four Seasons Centre as the announcer walked across the stage to say that soprano Ester Sümegi was ill and would not be performing. »

17 Feb 2008

Tannhäuser at San Diego Opera

To open its 2008 season, San Diego Opera restored the production of Richard Wagner's Tannhäuser that Günther Schneider-Siemsson created for the Metropolitan Opera three decades ago. »

10 Feb 2008

Madam Butterfly at ENO

Anthony Minghella's visually-arresting staging, a co-production with New York's Metropolitan Opera and the Lithuanian National Opera, returned this month to its original home at the London Coliseum after a gap of two years. »

04 Feb 2008

Awesome Angelika Again

While I eagerly seized upon an opportunity to hear Angelika Kirschlager live for the first time, having written in very recent weeks about not one but two of the star mezzo’s current CD releases, I ventured to Frankfurt’s Alte Oper feeling a little bit like her stalker. »

03 Feb 2008

Karita Mattila Performs Manon Lescaut

When I worked in the Archives of the Met, I was custodian of several hundred costumes, many from the days when divas traveled with steamer trunks full of things run up just for them, by the finest designers, with the most glamorous materials, in the colors and styles that suited the ladies themselves. »

03 Feb 2008

Verdi's Falstaff at Chicago

There is nothing redeeming about Sir John Falstaff, one of Shakespeare’s most lively comic characters and the subject of Verdi’s final opera, and yet, inexplicably, we love him. »

28 Jan 2008

Two Queens in Full Cry

What constitutes an “international opera star” these days, anyway? »

20 Jan 2008

Die Walküre at the Met

The Metropolitan Opera audience loves its Wagner, and the management for the last several decades has, alas, made sure we aren’t spoiled: it’s a rare season that gets more than two production revivals of Wagner, and some years there have been none. »

20 Jan 2008

Deborah Voigt in Concert with the San Francisco Symphony

With her performance of the “Four Last Songs,” ably partnered by Michael Tilson Thomas and his San Francisco Symphony, Deborah Voigt emphatically confirmed her place as one of the glories of the current roster of Strauss interpreters. »

20 Jan 2008

John Adams' Doctor Atomic in Chicago

John Adams, whose opera Nixon in China set the bar for post-minimalism in the lyric theatre, has once again scored a success with his latest work. »

16 Jan 2008

A New Hansel und Gretel at the Met

Wagner’s all-conquering chic made apocalyptic music-dramas drawn from folklore the ideal of the nationalistic era; every serious opera composer of the time felt obliged to attempt something in that line. »

03 Jan 2008

Oppenheimer opera charts new course in music

In this country art and politics are rarely bedfellows — strange or otherwise; indeed, it’s seldom that the two meet under the same roof. »

30 Dec 2007

Iphigénie en Tauride at the Met

Regarded, until the modern vogue for earlier masters, as the senior surviving grand master of opera, Gluck never quite becomes fashionable and never quite vanishes. »

30 Dec 2007

Prokofiev's War and Peace at the Met

There is no middle ground in War and Peace — or, rather, it’s all middle ground, like a battlefield, and you may feel as if every soldier in Russia (and in France) has marched over you. »

30 Dec 2007

Cinderella and her Cinderfella

Once upon a time, we used to only dream about a stellar pairing like Barcelona’s Gran Teatre del Liceu has fielded for their current offering on display: “La Cenerentola.” »

30 Dec 2007

¡Viva Valencia!

Enough ink was spilled last year gushing over Valencia’s new Calatrava-designed opera house and Arts and Science park that I had been chomping at the bit for the opportunity to take in a performance there as soon as my availability and, more important, the availability of a still-very-hard-to-find ticket coincided. »

30 Dec 2007

Chicago stages fantastic “Frau” --- Another View

Do we too easily take Richard Strauss for granted? The question is prompted by the superlative production of “Frau ohne Schatten” that was the highlight of the fall season at the Chicago Lyric Opera. »

27 Dec 2007

“Your Queen is trumped”: Queen of Spades by the Kirov

Watching The Queen of Spades staged by a Russian company is often an unforgettable experience. »

18 Dec 2007

Belfast welcomes a first-rate Messiah

If Belfast in Northern Ireland isn’t a city that immediately springs to mind as a centre of musical excellence then it’s not for want of talent, initiative and professionalism within its cultural community. »

16 Dec 2007

OONY Performs Verdi's I Due Foscari

After the triumph of his fifth opera, Ernani, Verdi could have gone on writing howling melodramas and made a mint. »

11 Dec 2007

The Turn of the Screw at ENO

Not long ago, English National Opera declared an intention to capitalise on its name and history by placing greater emphasis on English works. »

11 Dec 2007

Otello — Kirov Opera

Despite 19th-century Russia’s reputation as an Italian opera haven, Verdi’s late masterpiece Otello found acceptance there only with great difficulty, even though in its 1889 premiere the title role acquired a great local interpreter in the Mariinsky Theater primo uomo, Nikolai Figner. »

04 Dec 2007

Beyond The Media Avatar

Imagine a mild December night, with some three hundred people queueing for a concert ticket on Siena’s horseshoe-shaped Piazza del Campo. »

04 Dec 2007

Giulio Cesare in Chicago

Peter Schickele, channeling P.D.Q. Bach, was wont to say, “Most classical scholars were unaware Iphigenia was ever in Brooklyn … and I think the cantata, Iphigenia in Brooklyn, does for Iphigenia what the Vinland Map did for Leif Ericsson.” »

04 Dec 2007

Bolcom’s ”View” brilliant at WNO

The American Dream and the tragic vision of ancient Greece are miles and millennia apart; yet they merge seamlessly in William Bolcom’s “View from the Bridge,” on stage in November at the Washington National Opera. »

04 Dec 2007

Die Frau ohne Schatten in Chicago

Die Frau ohne Schatten is the story of a being of purely sensual spirit who defies the temptation to do evil, thereby demonstrating a moral soul and achieving humanity. »

28 Nov 2007

Thanksgiving in San Francisco

San Francisco Opera makes it possible for opera-lovers who have stuffed themselves with turkey on the fourth Thursday of November to indulge in a feast of opera on the following three days. »

19 Nov 2007

Verismo Rarities, Teatro Grattacielo

Part of the fun of visiting the many companies that specialize in unearthing forgotten operas lies precisely in not knowing what you’re going to get. »

19 Nov 2007

Norma returns to the Met

The bel canto era, insofar as the contemporary public considers it at all, is usually thought of as the golden age of vocal beauty for its own sake. »

19 Nov 2007

Pascoe comes to grips with the Don

Mozart made it easy for the Philistines. They see Don Giovanni thrown into the flaming jaws of Hell and hiss: “Two thousand women seduced and abandoned! “ »

18 Nov 2007

Karlsruhe‘s Don Gets Down

The Badisches Staatstheater seems to have borrowed with a vengeance the catch-phrase from John Waters’ recent “A Dirty Shame,” namely: “Let’s go sexin’!” I can’t recall ever seeing a “Don Giovanni” with more lip-locks, grinding torsos, leg-wraps, and groping embraces. »

14 Nov 2007

Aida at ENO

After the marketing gimmickry of Sally Potter’s production of Carmen, and a dance-based Poppea set at the bottom of the sea, it did not bode well when the advertising for ENO’s latest production included an interactive dress-up doll circulated by email. »

14 Nov 2007

Macbeth in Istanbul

Attending the opera may not be the first thing you think of when visiting Istanbul, but opera is to be found (if less well advertised than the local Bach Festival) at the Ataturk Cultural Center on Taksim Square, the heart of modern Istanbul. »

14 Nov 2007

“The Sacrifice” – Welsh National World Premiere Tour

Welsh National Opera’s new opera “The Sacrifice”, composed by James MacMillan with libretto by Michael Symmons Roberts, and directed by Katie Mitchell, is an emotionally raw and compelling study of the nature of conflict, and how humans are changed by it. »