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Elsewhere

The Marriage of Figaro, LA Opera

On March 26, 2015, Los Angeles Opera presented Mozart’s Le nozze di Figaro (The Marriage of Figaro). The Ian Judge production featured jewel-colored box sets by Tim Goodchild that threw the voices out into the hall. Only for the finale did the set open up on to a garden that filled the whole stage and at the very end featured actual fireworks.

The Tempest Songbook, Gotham Chamber Opera

Gotham Chamber Opera’s latest project, The Tempest Songbook, continues to explore the possibilities of unconventional spaces and unconventional programs that the company has made its hallmark. The results were musically and theatrically thought-provoking, and left me wanting more.

San Diego Opera presents Adams’ Riveting Nixon in China

Nixon in China is a three-act opera with a libretto by Alice Goodman and music by John Adams that was first seen at the Houston Grand Opera on October 22, 1987. It was the first of a notable line of operas by the composer.

Ars Minerva presents Castrovillari’s La Cleopatra in San Francisco

It is thanks to Céline Ricci, mezzo-soprano and director of Ars Minerva, that we have been able to again hear Daniele Castrovillari’s exquisite melodies because she is the musician who has brought his 1662 opera La Cleopatra to life.

World Premiere of Jennifer Higdon’s opera Cold Mountain at Santa Fe Opera this August

East Coast Premiere at Opera Philadelphia next season. Performances from Cold Mountain at the Guggenheim in New York this Monday, March 30.

An Ideal Cast in Chicago’s Tannhäuser

Lyric Opera of Chicago, in association with the Royal Opera House, Covent Garden, has staged a production of Richard Wagner’s Tannhäuser with an estimable cast.

Winners of the Metropolitan Opera National Council Auditions Announced

Five Young Singers Named Winners of the 2015 Met National Council Auditions, America’s Most Prestigious Vocal Competition

A Chat with Julia Noulin-Mérat

Julia Noulin-Mérat is the principal designer for the Noulin-Merat Studio, an intrepid New York City production design firm that works in theater, film, and television, but emphasizes opera and immersive site-specific theatre.

Madame Butterfly, Royal Opera

Puccini and his fellow verismo-ists are commonly associated with explosions of unbridled human passion and raw, violent pain, but in this revival (by Justin Way) of Moshe Leiser’s and Patrice Caurier’s 2003 production of Madame Butterfly, directorial understatement together with ravishing scenic beauty are shown to be more potent ways of enabling the sung voice to reveal the emotional depths of human tragedy.

Tosca in Marseille

Rarely, very rarely does a Tosca come around that you can get excited about. Sure, sometimes there is good singing, less often good conducting but rarely is there a mise en scène that goes beyond stock opera vocabulary.

Poetry beyond words — Nash Ensemble, Wigmore Hall

The Nash Ensemble’s 50th Anniversary Celebrations at the Wigmore Hall were crowned by a recital that typifies the Nash’s visionary mission. Above, the dearly-loved founder, Amelia Freeman, a quietly revolutionary figure in her own way, who has immeasurably enriched the cultural life of this country.

Arizona Opera Presents Magritte Style Magic Flute

On March 7, 2015, Arizona Opera presented Dan Rigazzi’s production of Die Zauberflöte in Tucson. Inspired by the works of René Magritte, designer John Pollard filled the stage with various sizes of picture frames, windows, and portals from which he leads us into Mozart and Schikaneder’s dream world.

Henry Purcell: A Retrospective

There are some concert programmes which are not just wonderful in their execution but also delight and satisfy because of the ‘rightness’ of their composition. This Wigmore Hall recital by soprano Carolyn Sampson and three period-instrument experts of arias and instrumental pieces by Henry Purcell was one such occasion.

Die Meistersinger and The Indian Queen
at the ENO

It has been a cold and gray winter in the south of France (where I live) made splendid by some really good opera, followed just now by splendid sunshine at Trafalgar Square and two exquisite productions at English National Opera.

Rise and Fall of the City of Mahagonny, Royal Opera

At long last, Rise and Fall of the City of Mahagonny has come to the Royal Opera House. Kurt Weill’s teacher, Busoni, remains scandalously ignored, but a season which includes house firsts both of this opera and Szymanowsi’s King Roger, cannot be all bad.

How to Write About Music: The RILM Manual of Style

RILM Abstracts of Music Literature is an international database for musicological and ethnomusicological research, providing abstracts and indexing for users all over the world. As such, RILM’s style guide (How to Write About Music: The RILM Manual of Style) differs fairly significantly from those of more generalized style guides such as MLA or APA.

Unsuk Chin: Alice in Wonderland, Barbican, London

Unsuk Chin’s Alice in Wonderland returned to the Barbican, London, shape-shifted like one of Alice’s adventures. The BBC Symphony Orchestra was assembled en masse, almost teetering off stage, creating a sense of tension. “Eat me, Drink me”. Was Lewis Carroll on hallucinogens or just good at channeling the crazy world of the subconscious?

Welsh National Opera: The Magic Flute and Hansel and Gretel

Dominic Cooke’s 2005 staging of The Magic Flute and Richard Jones’s 1998 production of Hansel and Gretel have been brought together for Welsh National Opera’s spring tour under the unifying moniker, Spellbound.

A worthy tribute for a vocal seductress of the ancient régime

Carolyn Sampson has long avoided the harsh glare of stardom but become a favourite singer for “those in the know” — and if you are not one of those it is about time you were.

Double bill at Guildhall

Gaetano Donizetti and Malcolm Arnold might seem odd operatic bedfellows, but this double bill by the Guildhall School of Music and Drama offered a pair of works characterised by ‘madness, misunderstandings and mistaken identity’ which proved witty, sparkling and imaginatively realised.


OPERA TODAY ARCHIVES »

Performances

All photos courtesy of Teatro San Carlo.
31 Mar 2015

Fedora in Genoa

It is not an everyday opera. It is an opera that illuminates a larger verismo history. »

Recently in Performances

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08 Mar 2007

Berlin “Ring” remains a sterling achievement

It was in the “Orwell year” 1984 that Götz Friedrich, general manager — Intendant — of the Deutsche Oper Berlin (DOB) from 1983 until his death in 2000, staged the first half of Wagner’s “Ring des Nibelungen” in the 1900-seat house on Berlin’s Bismarckstrasse. »

06 Mar 2007

OONY Performs Cilèa’s L’Arlesiana

It is well known that the Opera Orchestra of New York’s performances are required events for opera aficionados to hear the the most exciting performances of the season. »

06 Mar 2007

Adams/Sellars “Tree” blossoms sublimely at SFS

Compared with Pamina and Tamino, Kumudha and her Prince, the central figures in “A Flowering Tree,” the John Adams and Peter Sellars collaboration given its American premiere on March 1 by the San Francisco Symphony, walk a rock-strewn road. »

28 Feb 2007

La Bohème – English National Opera

The death this month of director Stephen Pimlott could have cast a shadow over this revival of his 1993 production, but a hugely affectionate pre-show tribute by colleague Nicholas Hytner ensured that the performance only served to do great honour to the memory of a man who was clearly loved and cherished by many. »

28 Feb 2007

Nicole Cabell, St John’s Smith Square, London

The Rosenblatt Recital Series, which presents concerts around London from artists ranging from the well-known to the brand-new, last week showcased Nicole Cabell, the glamorous 29-year-old winner of the 2005 Cardiff Singer of the World competition. »

27 Feb 2007

Matthias Goerne at the Wigmore Hall

This wasn’t an “easy” program for dilettantes. »

22 Feb 2007

MUSSORGSKY: Khovanshchina

At the curtain call for the first night of WNO’s new production of the infrequently performed Khovanshchina director David Pountney wore a simple Russian shirt. »

18 Feb 2007

Opera North: Breathing new life into “Orfeo”

Friday night in Leeds, in the North of England, at the city’s marvellously restored Grand Theatre, with the pavements outside shining wet and a tidal wave of umbrellas surging past, was an exciting place to be. »

16 Feb 2007

Jean-Baptiste Lully, Armide (Opera Lafayette)

The Opera Lafayette of Washington DC has been engaged in a new project this season – the Armide Project, as the group dubbed its ambitious plan, in collaboration with the University of Maryland Opera Studio, to present two great operas set to the same celebrated Philippe Quinault libretto. »

13 Feb 2007

Dust-bowl opera overwhelming at Minnesota premiere

The great American opera? Ricky Ian Gordon’s “Grapes of Wrath” might be it. »

09 Feb 2007

HANDEL: Agrippina

An expressionist portrait of the Roman she-wolf was the first, striking image of this production, originally devised for Théâtre Royal de la Monnaie, by the fashionable British director David McVicar. »

08 Feb 2007

Houston stages a provocative “Faust”

A literary critic once recalled the day when a German could not clear his throat “without finding pithy precedent in Goethe.” »

08 Feb 2007

Houston takes fresh approach to Cenerentola

In opera, Rossini, born in 1892- the year after Mozart died, is the successor of the great master and, when performed as perceptively as in the “Cenerentola” that debuted at the Houston Grand Opera on January 27, his rightful heir. »

06 Feb 2007

SHOSTAKOVICH: Lady Macbeth of Mtensk District (Kirov Opera)

The Kirov Opera and Orchestra concluded their annual residency at the Kennedy Center in Washington DC last week with a Sunday matinee concert performance of Dmitri Shostakovich’s 1932 Lady Macbeth of Mtsensk District. »

28 Jan 2007

ROSSINI: Il Viaggio a Reims

Rossini’s last Italian opera, staged in 1825 as a part of Charles X’s coronation festivities, is a bizarre creation — a sassy little farce capped with a coronation cantata in the best traditions of staged court entertainment, from 16th-century Italian intermedi through their Baroque and Classic operatic progeny. »

23 Jan 2007

OONY Gives Rare Performance of Rossini's Otello

There are three reasons often cited for the paucity of performances of Rossini’s Otello: the horrible hack job of the Shakespearean drama by librettist Francesco Maria Berio, the difficulties in casting an opera requiring at least three top-rate tenor voices, and comparisons with Verdi’s popular opera of the same title. »

17 Jan 2007

SILVER: The Thief of Love

If the audience for new American art music seems small and is (supposedly) shrinking, then the audience for new American operas is even more exclusive. »

12 Jan 2007

WAGNER: The Ring Cycle

It is a mystery as complex as the Kirov’s Ring Cycle staging and equally inexplicable. »

28 Dec 2006

BARBATO: O Cientista (The Scientist)

Rio de Janeiro, as the capital of the Empire and later the Republic of Brazil, had an extensive history of opera during the 19th century, well-documented by newspapers and magazines of the day, which included the conducting debut of Arturo Toscanini in a local performance of Aida in 1888, described in the memoirs of Brazilian composer and entrepreneur Artur Napoleão. »

06 Dec 2006

“Poppea” - Heartless in L.A.

After the successful première of Monteverdi’s “L’Incoronazione di Poppea” (Saturday, November 25th) at the Dorothy Chandler Pavilion, Los Angeles, General Director Placido Domingo spoke warmly and cogently about this early Italian masterpiece, about its free-flowing music and the perfect relevance of the text to today’s world with all its greed, ambition and self-seeking. »

05 Dec 2006

Houston “rescues” Hansel and Gretel

HOUSTON — “Hansel and Gretel” has taken a beating in recent seasons, as over-zealous directors — aping the excesses of Eurotrash Regieoper — have made Humperdink’s largely innocent retelling of the Grimms’ tale the victim of hyper-active imaginations. »

15 Nov 2006

Handel Unwrapped by Scottish Opera: “Tamerlano” at tea-time

On a cold, wet and dark Glasgow evening in November, some 500 brave souls received what was possibly their first taste of baroque opera. »

11 Nov 2006

Triumph over Adversity

LONDON – the fledgling Independent Opera Company takes on Orlando. »

28 Oct 2006

Brewer makes Isolde hers in stage debut

SAN FRANCISCO — Christine Brewer took her time mastering Isolde before making her stage debut in the role with the San Francisco Opera in October. »

19 Oct 2006

Rossini By The Sea 2006 Enjoying The Unexpected

The Rossini Opera Festival in Pesaro, Italy, had as many surprises on the stage inside as the weather had outside. »

19 Sep 2006

Old Music In a New Home — WNO stages a brand new production of Monteverdi’s “Ulysses”

In his introduction to the Welsh National Opera’s celebratory 60th anniversary season programme Carlo Rizzi, their Music Director, declares that “we are bringing the best of Wales to the rest of the world — and the best of the world to Wales”. »

09 Aug 2006

SANTA FE OPERA: Golden Oldies

Carmen and The Magic Flute have finally made it onto my calendar, a nice way to end the summer opera festival at Santa Fe. »

31 Jul 2006

Strong Tempest at Santa Fe

The news from Santa Fe Opera last week-end is good, unexpectedly so. The British composer Thomas Ades’ new (2004) opera, a riff on Shakespeare’s The Tempest, has been rumored hard to perform and harder to hear. »

24 Jul 2006

SHORT ON SALOME

Richard Strauss’ 1905 neurotic shocker Salome has long been a favorite Santa Fe Opera repertory piece, having enjoyed ten productions over the years. »

18 Jul 2006

CINDERELLA GLITTERS

JULES MASSENET'S 'BROADWAY HIT,' the 1899 Cendrillon, billed as Cinderella but sung in French, was given top notch treatment at its Santa Fe Opera debut Saturday night (July 15). »

24 Jun 2006

Vier letzte Lieder in Sofia and Varna

On June 9th in Sofia and 16th at the Varna Summer Festival, celebrated soprano Krassimira Stoyanova made her Richard Strauss debut in Vier letzte Lieder in her native Bulgaria. »

25 May 2006

Flights of Madness — Munich’s New “Orlando”

Returning from Munich’s new production of Handel’s “Orlando” at thirty thousand feet above clouds which might have done service as props for that opera when first staged in 1733, it occurred that the great man himself could have had things to say about what might be director David Alden’s valedictory baroque piece for the Bayerische Staatsoper. »

24 May 2006

Turn of the Screw at Kennedy Center

On May 22, the Kennedy Center's Fortas Chamber Music Series and the Chateauville Foundation co-presented a fully staged production of Benjamin Britten's haunting chamber opera The Turn of the Screw, conducted by Lorin Maazel. Here are three reviews: »

22 May 2006

Glyndebourne opens with Così fan tutte

Glyndebourne opened this year's festival with "a new production of Mozart’s Così fan tutte, subtitled ‘The school for lovers’, will open the 2006 Festival. This masterpiece includes some of Mozart’s most exquisite music, and Così’s now established popularity, following comparative neglect in the 19th century, is partly due to Glyndebourne’s championing of the work since the opening of the Festival in 1934." Here are some initial reviews: »

09 May 2006

MONTEMEZZI: L’amore dei tre re

What happened to Italo Montemezzi’s L’amore dei tre re? After the opera’s triumphant premiere at La Scala in 1913, Montemezzi was vaulted into the international limelight, and his creation enjoyed regular performances throughout the world until his death in 1952. »

29 Apr 2006

World Premiere of Miss Lonelyhearts at Juilliard

On 26 April, The Juilliard Opera Center gave the world premiere of Miss Lonelyhearts by Lowell Liebermann. Commissioned by the Centennial Commission of The Juilliard School with the support of the Trust of Francis Goelet, the production of Miss Lonelyhearts “has been developed cooperatively among The Juilliard School, the Thornton School of Music at the University of Southern California and the College-Conservatory of Music of the University of Cincinnati.” Here are two reviews. »

24 Apr 2006

Deborah Voigt as Tosca

Tosca "is based on a play by Sardou, which was written for the famous actress Sarah Bernhardt. Sardou crafted melodrama rather well, and Puccini’s librettists distilled the play’s main attributes of action, sex, love, lust, politics, art and religion into one of the most popular operas of the verismo style." Tosca is now playing at the Met with Deborah Voigt in the title role. Here are two reviews. »

18 Apr 2006

The Rake's Progress at Opera Australia

In March the Glyndebourne Opera production of Jonathan Dove’s Flight played at the 2006 Adelaide Festival. Barely a week later a second Glyndebourne production presented by Opera Australia opened at the Sydney Opera House with further performances in Melbourne at the State Theatre. »

18 Apr 2006

Acis and Galatea at NYCO

This season, the New York City Opera presents Handel's Acis and Galatea. "When it comes to Handel, he not only lives but thrives at City Opera. Here Ovid’s Metamorphoses is both the source and the inspiration for Acis and Galatea, one of Handel’s most elegant and sensual works." Here are two reviews. »

13 Apr 2006

Andreas Scholl at Zankel Hall

On 11 April 2006, Andreas Scholl appeared at Zankel Hall, one of the performance venues in New York's famous Carnegie Hall. According to Carnegie Hall: "On this program, we span a wonderfully diverse variety of music from a variety of places, sung by one of the world’s leading countertenors. »

04 Apr 2006

Alice Coote Sings Mahler and Schubert

The British mezzo, Alice Coote, will make her Met Opera debut as Cherubino in Le nozze di Figaro later this month. On the first of April, she gave a recital of Mahler and Schubert lieder, accompanied by Julius Drake. Here are two reviews. »