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Elsewhere

The Met’s ‘Le Nozze di Figaro’ a happy marriage of ensemble singing and acting

The cast of supporting roles was especially strong in the company’s new production of Mozart’s matchless masterpiece

Syracuse Opera’s ‘Die Fledermaus’ bubbles over with fun, laughter and irresistible music

The company uncorks its 40th Anniversary season with a visually and musically satisfying production of Johann Strauss Jr.’s farcical operetta

Capriccio at Lyric Opera of Chicago

Although performances of Richard Strauss’s last opera Capriccio have increased in recent time, Lyric Opera of Chicago has not experienced the “Konversationsstück für Musik” during the past twenty odd years.

On The Death of Klinghoffer

This is a revised version of my review of the Sept 5th 1991American premiere of The Death of Klinghoffer, at the Brooklyn Academy of Music. The opera was first performed at Brussels’ La Monnaie the previous spring.

Anna Netrebko, now a dramatic soprano, shines in the Met’s dark and murky ‘Macbeth’

The former lyric soprano holds up well — and survives the intrusive close-up camerawork of the ‘Live in HD’ transmission

Arizona Opera Presents First Mariachi Opera

Houston Grand Opera commissioned Cruzar la Cara de la Luna from composer José “Pepe” Martínez, music director of Mariachi Vargas de Tecalitlán, who wrote the text together with Broadway and opera director Leonard Foglia. The work had its world premier in 2010. Since then, it has traveled to several cities including Paris, Chicago, and San Diego.

Plácido Domingo: I due Foscari, London

“Why should I go to hear Plácido Domingo” someone said when Verdi’s I due Foscari was announced by the Royal Opera House. There are very good reasons for doing so.

Philip Glass’s The Trial

Music Theatre Wales presented the world premiere of Philip Glass’s The Trial (Kafka) last night at the Linbury, Royal Opera House. Music Theatre Wales started doing Glass in 1989. Their production of Glass’s In the Penal Colony in 2010 was such a success that Glass conceived The Trial specially for the company.

Joyce DiDonato: Alcina, Barbican, London

To say that the English Concert’s performance of Handel’s Alcina at the Barbican on 10 October 2014 was hotly anticipated would be an understatement. Sold out for weeks, the performance capitalised on the draw of its two principals Joyce DiDonato and Alice Coote and generated the sort of buzz which the work did at its premiere.

Un ballo in maschera in San Francisco

The subject is regicide, a hot topic during the Italian risorgimento when the Italian peninsula was in the grip of the Hapsburgs, the Bourbons, the House of Savoy and the Pontiff of the Catholic Church.

A New Don Giovanni and Anniversary at Lyric Opera of Chicago

Lyric Opera of Chicago opened its sixtieth anniversary season with a new production of Mozart’s Don Giovanni directed by Artistic Director of the Goodman Theater, Robert Falls.

Grande messe des morts, LSO

It was a little over two years ago that I heard Sir Colin Davis conduct the Berlioz Requiem in St Paul’s Cathedral; it was the last time I heard — or indeed saw — him conduct his beloved and loving London Symphony Orchestra.

Guillaume Tell, Welsh National Opera

Part of their Liberty or Death season along with Rossini’s Mose in Egitto and Bizet’s Carmen, Welsh National Opera performed David Pountney’s new production of Rossini’s Guillaume Tell (seen 4 October 2014).

Mose in Egitto, Welsh National Opera

Welsh National Opera’s production of Rossini’s Mose in Egitto was the second of two Rossini operas (the other is Guillaume Tell) performed in tandem for their autumn tour.

L’incoronazione di Poppea, Barbican Hall

In Monteverdi’s first Venetian opera, Il Ritorno d’Ulisse (1641), Penelope’s patient devotion as she waits for the return of her beloved Ulysses culminates in the triumph of love and faithfulness; in contrast, in L’incoronazione di Poppea it is the eponymous Queen’s lust, passion and ambition that prevail.

Rameau’s Les Paladins, Wigmore Hall

After the triumphs of love, the surprises: Les Paladins, under their director Jérôme Correas, and soprano Sandrine Piau are following their tour of material from their 2011 CD, ‘Le Triomphe de L’amour’, with a new amatory arrangement.

Puccini : The Girl of the Golden West, ENO London

At the ENO, Puccini's La fanciulla del West becomes The Girl of the Golden West. Hearing this opera in English instead of Italian has its advantages, While we can still hear the exotic, Italianate Madama Butterfly fantasies in the orchestra, in English, we're closer to the original pot-boiler melodrama. Madama Biutterfly is premier cru: The Girl of the Golden West veers closer, at times, to hokum. The new ENO production gets round the implausibility of the plot by engaging with its natural innocence.

Anna Caterina Antonacci, Wigmore Hall, London

Presenting a well-structured and characterful programme, Italian soprano Anna Caterina Antonacci demonstrated her prowess in both soprano and mezzo repertoire in this Wigmore Hall recital, performing European works from the early years of the twentieth century. Assuredly accompanied by her regular pianist Donald Sulzen, Antonacci was self-composed and calm of manner, but also evinced a warmly engaging stage presence throughout.

Il barbiere di Siviglia, Royal Opera

Bold, bright and brash, Moshe Leiser and Patrice Caurier’s Il barbiere di Siviglia tells its story clearly in complementary primary colours.

Gluck and Bertoni at Bampton

Bampton Classical Opera’s 2014 double bill neatly balanced drollery and gravity. Rectifying the apparent prevailing indifference to the 300th centenary of Christoph Willibald Gluck birth, Bampton offered a sharp, witty production of the composer’s Il Parnaso confuso, pairing this ‘festa teatrale’ with Ferdinando Bertoni’s more sombre Orfeo.


OPERA TODAY ARCHIVES »

Performances

Amanda Majeski as Countess Almaviva, Marlis Petersen as Susanna, Ildar Abdrazakov as Figaro, and Peter Mattei as Count Almaviva [Photo by Ken Howard/Metropolitan Opera]
28 Oct 2014

The Met’s ‘Le Nozze di Figaro’ a happy marriage of ensemble singing and acting

The cast of supporting roles was especially strong in the company’s new production of Mozart’s matchless masterpiece »

Recently in Performances

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20 Dec 2004

Das Rheingold at Covent Garden

THE slightly unsettling fervour of Wagner adepts as they look forward to the start of another Ring cycle is matched by a religious hush as we sit in the dark waiting — for a good 30 seconds — for the thing to begin. And then it does, soft, impossibly deep rumblings emerging from the void to become the longest E flat chord in history, and a single light lost in the blackness of the stage. You think: this better be good. »

19 Dec 2004

Carmen at Semperoper

Kein Urweib, keine femme fatale – eine “ganzheitliche” Frau mit einem unbändigen Freiheitsdrang soll diese Carmen sein. So stellt sie sich Regisseurin Konstanze Lauterbach laut Programmheft vor. Was man auf der Bühne von Peter Schubert sieht, sind Genreszenen in einem faschistischen Land. Das Eröffnungsbild schon zeigt einen Marktplatz, auf dem es vor lungernden Soldaten nur so wimmelt. Kinder sitzen in dem lindgrün-ockerfarbenen Geviert auf dem terrakotta-farbenen Steinfußboden für ihren Auftritt bereit. Gruppen von schwarz gekleideten Lorca-Frauen huschen über die Bühne. »

18 Dec 2004

Man and Boy: Dada

Schwitters Agonistes: Opera Takes on a Radical By ANNE MIDGETTE Kurt Schwitters. Merz Picture 32A (The Cherry Picture). 1921. Cloth, wood, metal, fabric, cut-and-pasted papers, cork, gouache, oil, and ink on cardboard, 36 1/8 × 27 3/4" (91.8 × 70.5... »

17 Dec 2004

Andromeda liberata in London

Andromeda liberata, Barbican Hall, London By Richard Fairman Published: December 16 2004 02:00 | Last updated: December 16 2004 02:00 In his prolific career Vivaldi wrote about 38 solo cantatas, 20 motets and 45 operas, of which 21 survive more... »

16 Dec 2004

Rodelinda at the Met

Brilliant, Starlit Night Metropolitan Opera's 'Rodelinda' grants Handel his due By JAMES JORDEN The Metropolitan Opera can be a pretty dreary place when presenting an under-cast and under-rehearsed revival. But their new production of Handel's "Rodelinda" on December 6 was... »

16 Dec 2004

Il ritorno di Ulisse in patria a Brescia

Una spiaggia di sabbia, due muri ai lati, l'ingresso monumentale alla reggia di Itaca sul fondo. E' incredibile come questa scena fissa semplicissima sia riuscita a reggere per le tre ore e mezza di spettacolo, ma non solo, a renderlo... »

15 Dec 2004

Hercules in Paris

Hard luck trails Hercules By David Stevens International Herald Tribune Wednesday, December 15, 2004 Handel opera falls short in Paris From left: Toby Spence, Joyce DiDonato and Malena Ernman in ''Hercules.'' (Eric Mahoudeau) PARIS Hercules had a lot of bad... »

15 Dec 2004

Another View of A Wedding

Bolcom's music humanizes Altman's sardonic 'Wedding' Movie-turned-opera by U-M composer William Bolcom opens in Chicago. By Lawrence B. Johnson / Detroit News Music Critic Image CHICAGO -- Think of the human condition as images in a funhouse -- where individual... »

14 Dec 2004

Falstaff at Strasbourg

Falstaff, Opéra du Rhin, Strasbourg By Francis Carlin Published: December 14 2004 15:54 | Last updated: December 14 2004 15:54 The posters dotted around Strasbourg showed a figure trussed up in pillows and mattresses, to add more protuberance to waist... »

14 Dec 2004

Die tote Stadt at the Wiener Staatsoper

Kritik Staatsoper: Sie war doch nur scheintot VON WILHELM SINKOVICZ Wie Erich Wolfgang Korngolds einstiger Sensationserfolg "Die tote Stadt" zum Repertoirestück wird. Wiederbelebungsversuche startet man seit geraumer Zeit mit vie len Werken, die unter der ära des Nationalsozialismus als "entartet"... »

14 Dec 2004

Rossini's La Pietra del Paragone at Opéra de Fribourg

LA PIETRA DEL PARAGONE (La pierre de touche) Melodramma giocoso en deux actes de Gioacchino Rossini Livret de Luigi Romanelli (1751-1839) Créé à la Scala de Milan le 26 septembre 1812 Le comte Asdrubal est entouré de trois femmes qui... »

14 Dec 2004

Kurt Weill's One Touch of Venus

One Touch of Venus, Grand Theatre, Leeds By Richard Fairman [Financial Times] Published: December 13 2004 02:00 | Last updated: December 13 2004 02:00 It is no surprise that Kurt Weill's One Touch of Venus was one of his bigger... »

14 Dec 2004

Le Monde Reviews First Encounter

Sélection CD L'osmose de deux timbres rares LE MONDE | 13.12.04 | 15h33 First Encounter: Angelika Kirchschlager & Barbara Bonney Classique "Il y a très longtemps, raconte Barbara Bonney, que je fis connaissance avec Angelika Kirchschlager. Ce fut un dimanche... »

13 Dec 2004

Elektra at the Oper Duisburg

Elektra in der Oper Duisburg: Ein Leben für den Tod Rheinoper: In Duisburg zeigen Stein Winge und Johannes Schütz Richard Strauss` "Elektra" in einer Welt, die Kopf steht. Duisburg. Alles ist erfüllt von den Abwesenden. An die Wände hängt Elektra,... »

13 Dec 2004

Lavinia fuggita at Modena

Lavinia la turca Lavinia fuggita Opera da camera in un atto di Matteo D'Amico libretto di Sandro Cappelletto, liberamente tratto dall'omonimo racconto di Anna Banti prima rappresentazione: Modena, Teatro Comunale 12 dicembre 2004 Teatro Comunale via del Teatro 8 Modena... »

13 Dec 2004

A Wedding in Chicago: Two Reviews

Altman opera a fitting renovation By Bill Gowen Daily Herald Classical Music Critic Posted Monday, December 13, 2004 It's rare that a film director has an opportunity for a do-over. But Robert Altman is no ordinary director, having created several... »

13 Dec 2004

Rossini's La Cenerentola at Dallas

Singer is entrancing in a demanding role By Wayne Lee Gay Star-Telegram Classical Music Critic After a weak start with Bizet's Carmen and a strong comeback with Janacek's Jenufa, Dallas Opera was on track for Rossini's La Cenerentola, or Cinderella,... »

12 Dec 2004

Anna Netrebko in Leipzig

Anna Netrebko: Vom Aschenputtel zur Operndiva VON Tobias D. Höhn, 10.12.04, 12:30h Leipzig - Für viele ist sie die zweite Maria Callas. Wenn die russische Opernsängerin Anna Netrebko wie eine Ballerina über die Bühne schwebt, mit einem Lächeln und glockenheller... »

12 Dec 2004

Das Weihnachtsoratorium in der Thomaskirche

Alle Jahre wieder - Das Weihnachtsoratorium in der Thomaskirche, mit den Thomaner, dem Gewandhausorchester und Gästen Weihnachtsoratorien sind auch eine Jahrgangsfrage: Frei von der Diskussion um die Herrlichkeit Bachscher Noten, fixiert auf die individuelle Interpretation. Insofern ist Thomaskantor Georg Christoph... »

12 Dec 2004

Don Carlo a Firenze

Firenze, teatro Comunale. Si rappresenta il Don Carlo nell'edizione in cinque atti, con la ricostruzione dello storico allestimento di Luchino Visconti. A metà del secondo atto il sipario si chiude per il cambio di scena. Mezze luci in sala, Zubin... »

10 Dec 2004

Don Carlo at Teatro del Maggio Musicale Fiorentino

With all of the festivities surrounding the reopening of La Scala, the production of Don Carlo at Teatro del Maggio Musicale Fiorentino was left in the shadows. The company is producing both the four-act and five-act editions, the latter being... »

10 Dec 2004

Vita con un idiota at Russkij Festival, Rome

Altro che idiota! Vita con un idiota opera in due atti di Alfred Schinittke libretto di Viktor Erofeev Russkij Festival Auditorium Parco della Musica - Sala Petrassi Viale Pietro De Coubertin Roma 0680241281 10 dicembre 2004 Non è solo un... »

10 Dec 2004

A Month in the Country

We previously reported on the Manhattan School of Music production of Lee Hoiby's A Month in the Country. Here is Anne Midgette's review. A Russian Play, Reimagined by an American Composer By ANNE MIDGETTE "We've lost a few people," said... »

10 Dec 2004

A Double Bill at Juilliard

Prodigal Son and a Brat, a Whimsical Pairing By BERNARD HOLLAND The Juilliard Opera Center's double bill on Wednesday made more nonmusical than musical sense. "L'Enfant Prodigue" by Debussy and "L'Enfant et les Sortilèges" by Ravel fit nicely into an... »

10 Dec 2004

Salieri's Europa Riconosciuta A Wise Choice

Salieri promu chantre de l'Europe [09 décembre 2004] Le Napolitain Riccardo Muti a fait le bon choix avec cette Europa Riconosciuta de Salieri pour rouvrir le théâtre dont il est directeur musical depuis le départ d'Abbado en 1986. L'ouvrage avait,... »

08 Dec 2004

Handel in Paris: A Review of Hercules

Paris Palais Garnier 12/04/2004 - et 6, 8, 11, 14, 16, 19, 22, 27 décembre 2004 Georg Friedrich Haendel : Hercules Joyce DiDonato (Dejanira), William Shimell (Hercules), Malena Ernman (Lichas), Toby Spence (Hyllus), Indela Bohlin (Iole), Simon Kirkbridge (Pretre de... »

08 Dec 2004

Der Rosenkavalier at Helsinki

A triumphant 'Rosenkavalier' By George Loomis International Herald Tribune Wednesday, December 8, 2004 HELSINKI Far be it from me to foment rivalry between sopranos, but Finland has another who is fully worthy of the international acclaim already lavished on the... »

07 Dec 2004

Rigoletto at Amsterdam (and an appraisal of tenor Joseph Calleja)

How does it come about that "modern" productions date so quickly while "traditional" ones can go on for ages ? Probably, because ideas that once were fresh and innovative are immediately picked up by everybody in the business, copied (sometimes... »

06 Dec 2004

Los Angeles Philharmonic Tristan Project

I spent a spectacular three days in Walt Disney Concert Hall taking in the magnificent music of Richard Wagner in what has been entitled The Tristan Project. At first, when this three day event was announced as part of... »

04 Dec 2004

Berlioz in Boston

Not strictly opera, but so full of the usual suspects . . . My experience of Berlioz's Dramatic Symphony Romeo et Juliette (R&J) came full circle last night at Boston's Symphony Hall. I had first heard the work live in... »

03 Dec 2004

Anne Sofie von Otter at Théâtre du Châtelet, Paris

Troubadour des temps modernes Avec toujours un meme gout pour l'éloquente clarté, Anne Sofie von Otter sait tout faire. Bete de scène inespérée, elle est récitaliste sans appret ni pose. Ballades ou mélodies, Lieder et songs, l'éclectisme du programme n'est... »

03 Dec 2004

Praises for Rodelinda at the Met

Review: 'Rodelinda' at Met Is Masterpiece MIKE SILVERMAN Associated Press NEW YORK - George Frideric Handel's "Rodelinda" was a huge success at its London premiere in 1725, but it soon vanished from the stage and - like the composer's three... »

01 Dec 2004

Who Said Wagner Didn't Have a Sense of Humor?

Australia forges a 'Ring' with confidence By Shirley Apthorp Published: November 30 2004 Where do the Valkyries meet between battles? At the Wunder Bar, of course. Schwertleite, Grimgerde and sisters are leather-clad punks with a crass sense of humour,... »

30 Nov 2004

Pierre Jourdan Resurrects Haÿdée at Compiègne

OPéRA "Hayedée" à Compiègne Auber sort de l'oubli Jacques Doucelin [Le Figaro] [30 novembre 2004] Et de cinq ! Après Manon Lescaut, Gustave III, Le Domino noir et Les Diamants de la couronne entre 1990 et 1999, Pierre Jourdan vient... »

30 Nov 2004

Opera North Presents Kurt Weill's One Touch of Venus

On the Weill side of Venus Robert Thicknesse Opera North is reviving a "lost" work by the composer THINK of Kurt Weill and what do you get? Cigarettes, dim lights, fishnets; Lotte Lenya or Ute Lemper; Berlin, Brecht, Communism, cabaret... »

29 Nov 2004

Izvestia Reviews

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29 Nov 2004

Neue Zürcher Zeitung Reviews Angels in America

Eine neue Oper von Peter Eötvös in Paris uraufgeführt Peter Eötvös, der ungarische Komponist und Dirigent, heuer sechzig geworden, fühlt sich schon seit je zum Theater hingezogen. Seine Musik hat dieses narrative, körperlich-gestische Element, das Bildhafte und Kommunikative, das guter... »

29 Nov 2004

Don Pasquale at Covent Garden

Opera: Don Pasquale Robert Thicknesse at Covent Garden JONATHAN MILLER certainly has it in for Covent Garden. A few weeks ago he hilariously described the crowd here as "Harrods Food Hall gives up its dead", and to continue the metaphor... »

27 Nov 2004

Angels in America at Theatre du Chatelet, Paris

Clipping the wings of an apocalyptic epic (Filed: 27/11/2004) Rupert Christiansen reviews Angels in America at Theatre du Chatelet, Paris There are plenty of wonderful operas taken from good plays, and a few (Otello and Wozzeck, for example) taken from... »