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Elsewhere

LA Opera: Barber of Seville

Saturday, February 28, 2015, was the first night for Los Angeles Opera’s revival of its 2009 presentation of The Barber of Seville, a production by Emilio Sagi, which comes originally from Teatro Real in Madrid in cooperation with Lisbon’s Teatro San Carlos. Sagi and onsite director, Trevor Ross, made comedy the focus of their production and provided myriad sight gags which kept the audience laughing.

Mirabai: New opera, holograms and eternal love

A brand new opera — especially one that is groundbreaking— can really put an opera company on the map. British composer Barry Seaman’s stunning new work, Mirabai, which explores the story of the free thinking, mystic 16th century Hindu princess, Mira, is ambitious on many levels — artistically, technically and creatively.

Bampton Classical Opera Young Singers’ Competition 2015

Bampton Classical Opera has announced that applications are now open for the company’s Young Singers’ Competition 2015. This biennial competition was first launched in 2013 to celebrate Bampton Classical Opera’s 20th birthday, and is aimed at identifying the finest emerging young opera singers currently working in the UK.

Marie-Nicole Lemieux, Wigmore Hall

Commenting on her recent, highly acclaimed CD release of late-nineteenth-century song, Chansons Perpétuelles (Naive: V5355), Canadian contralto Marie-Nicole Lemieux remarked ‘it’s that intimate side that interests me … I wanted to emphasise the genuinely embodied, physical side of the sensuality [in Fauré]’.

Eine florentinische Tragödie and I pagliacci in Monte-Carlo

An evening of strange-bedfellow one-acts in high-concept stagings, mindbogglingly delightful.

Carmen, Pacific Symphony

On February 19, 2015, Pacific Symphony presented its annual performance of a semi-staged opera. This year’s presentation at the Segerstrom Center for the Arts in Costa Mesa, California, featured Georges Bizet’s Carmen. Director Dean Anthony used the front of the stage and a few solid set pieces by Scenic Designer Matt Scarpino to depict the opera’s various scenes.

The Mastersingers of Nuremberg, ENO

Although the English National Opera has been decidedly sparing with its Wagner for quite some time now, its recent track record, leaving aside a disastrous Ring, has perhaps been better than that at Covent Garden.

San Diego Opera presents an excellent Don Giovanni

On Friday February 20, 2015, San Diego Opera presented Mozart’s Don Giovanni in a production by Nicholas Muni originally seen at Cincinnati Opera.

Tosca at Chicago Lyric

In a production first seen in Houston several years ago, and now revised by its director John Caird, Puccini’s Tosca has returned to Lyric Opera of Chicago with two casts, partially different, scheduled into March of the present season.

Henri Dutilleux: Correspondances

Henri Dutilleux’s music has its devotees. I am yet to join their ranks, but had no reason to think this was not an admirable performance of his song-cycle Correspondances.

LA Opera Revives The Ghosts of Versailles

In 1980, the Metropolitan Opera commissioned composer John Corigliano to write an opera celebrating the company’s one-hundredth anniversary. It was to be ready in 1983.

La Traviata, ENO

English National Opera’s revival of Peter Konwitschny’s production of Verdi’s La Traviata had many elements in common with the production’s original outing in 2013 (The production was a co-production with Opera Graz, where it had debuted in 2011).

Idomeneo in Lyon

You might believe you could go to an opera and take in what you see at face value. But if you did that just now in Lyon you would have had no idea what was going on.

Der fliegende Holländer, Royal Opera

I wonder whether we need a new way of thinking — and talking — about operatic ‘revivals’. Perhaps the term is more meaningful when it comes to works that have been dead and buried for years, before being rediscovered by subsequent generations.

Iphigénie en Tauride in Geneva

Hopefully this brilliant new production of Iphigénie en Tauride from the Grand Théâtre de Genève will find its way to the new world now that Gluck’s masterpiece has been introduced to American audiences.

Tristan et Isolde in Toulouse

Tristan first appeared on the stage of the Théâtre du Capitole in 1928, sung in French, the same language that served its 1942 production even with Wehrmacht tanks parked in front of the opera house.

Arizona Opera presents Tchaikovsky’s Eugene Onegin

Arizona Opera presented Eugene Onegin during and 1999-2000 season and again on February 1 of this year as part of the 2014-2015 season. In this country Onegin is not a crowd pleaser like La Bohème or Carmen, but its story is believable and its music melodic and memorable. Just hum the beginning of the “Polonaise” and your friends will know the music, if not where it comes from.

A Chat with Anita Rachvelishvili

Anita Rachvelishvili recently performed the title role in Carmen broadcast by The Metropolitan Opera Live in HD. Here she drops by for a little chat with our Maria Nockin.

Ernst Krenek: Reisebuch aus den österreichischen Alpen, Florian Boesch, Wigmore Hall

Florian Boesch and Roger Vignoles at the Wigmore Hall in Ernst Krenek’s Reisebuch aus den österreichischen Alpen. Matthias Goerne has called Hanns Eisler’s Hollywooder Liederbuch the Winterreise of the 20th century. Boesch and Vignoles showed how Krenek’s Reisebuch is a journey of discovery into identity at an era of extreme social change. It is a parable, indeed, of modern times.

Anna Bolena at Lyric Opera of Chicago

Lyric Opera of Chicago’s new Anna Bolena, a production shared with Minnesota Opera, features a distinguished cast including several notable premieres.


OPERA TODAY ARCHIVES »

Performances

Elizabeth DeShong as Rosina [Photo by Craig T Matthew]
05 Mar 2015

LA Opera: Barber of Seville

Saturday, February 28, 2015, was the first night for Los Angeles Opera’s revival of its 2009 presentation of The Barber of Seville, a production by Emilio Sagi, which comes originally from Teatro Real in Madrid in cooperation with Lisbon’s Teatro San Carlos. Sagi and onsite director, Trevor Ross, made comedy the focus of their production and provided myriad sight gags which kept the audience laughing.  »

Recently in Performances

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31 Oct 2013

Wexford Festival 2013

At this year’s Wexford Festival — the 62nd operatic gathering in this small south-eastern Irish town - the trio of operas on show present many a wretched battle between duty and desire.  »

29 Oct 2013

Florilegium, Wigmore Hall

At the heart of this Wigmore Hall recital were two sacred vocal works for solo countertenor and small instrumental forces, recently recorded by Florilegium and Robin Blaze to considerable critical acclaim: J.S. Bach’s cantata ‘Vergnügte Ruh, beliebte Seelenlust’ and Giovanni Battista Pergolesi’s ‘Salve Regina’. »

23 Oct 2013

Mark-Anthony Turnage, Greek

After the bitter disappointment of  »

23 Oct 2013

Armide, Amsterdam

There is a cornucopia of ideas on display in Gluck’s Armide at Amsterdam’s Het Muziektheater, but sadly only a few of them seemed to serve the piece.  »

23 Oct 2013

London’s Vespers Ring the Right Bells

Even before it opened, Royal Opera’s Les vêpres siciliennes was the must-see production of the season. »

23 Oct 2013

Verdi’s Otello at Lyric Opera of Chicago

Lyric Opera of Chicago has opened the season with a revival of its 2001 production of Giuseppe Verdi’s Otello.  »

23 Oct 2013

Angel Blue, Wigmore Hall

Having impressed UK audiences in La Boheme (for ENO) and American Lulu (for the Opera Group/Scottish Opera),  »

22 Oct 2013

Madame Butterfly at ENO

First seen in 2005, and since feted in London (several times), New York and Lithuania, Anthony Minghella’s cinematic production of Madame Butterfly remains a breath-taking visual banquet.  »

15 Oct 2013

Fun Loving H.M.S. Pinafore Opens Arizona Opera

The star of the show was the agile Robert Orth as Sir Joseph Porter, the First Lord of the Admiralty. A fine operatic baritone, Orth’s patter was machine gun fast, crisp, and completely understandable.  »

13 Oct 2013

Intriguing Duo in San Francisco

Venerable San Francisco Opera kicked off its fall season with a wholly pleasing revival of a landmark production, complemented by an engrossing world premiere.  »

13 Oct 2013

The Tragedy of Carmen, Syracuse Opera

Carmen Lite: Singing shines in Syracuse Opera’s pocket-sized The Tragedy of Carmen »

13 Oct 2013

Carmen, Yet Again

No matter how or where Carmen is produced, or by whom directed, costumed and performed, its promise of free wheeling sex and exciting rhythmic music, has made it one of the most popular operas in the world. »

13 Oct 2013

L’Arpeggiata: Mediterraneo

What do you get if you cross the sultry folk melodies of Greece, Spain and Italy with the formal repetitions of Baroque instrumental structures, and add a dash of the shady timbres and rhythmic litheness of jazz?  »

13 Oct 2013

Toby Spence, Wigmore Hall

‘All Life death does end and each day dies with sleep.’ The sentiments of the closing lines of Gerald Manley Hopkins’ sonnet, ‘No worst, there is none.  »

13 Oct 2013

Benjamin Britten: War Requiem

Britten’s War Requiem is one of the defining artistic works of the twentieth century. Consummate artwork, religious ritual and prayer, ceremonial commemoration, ideological political statement, public expression of mourning, and private avowal of faith,  »

11 Oct 2013

The Coronation of Poppea, ETO

James Conway’s production of Monteverdi’s final masterpiece, L’incoronazione di Poppea was  »

10 Oct 2013

Eugene Onegin disappoints

The company’s new production of the Tchaikovsky masterpiece is cramped and cheap, leaving the listener longing for a return of the 1997 version »

09 Oct 2013

Falstaff in San Francisco

A rambunctious ensemble on the stage and in the pit. A star conductor. Falstaff showed its stuff as one of the repertory’s greatest masterpieces.  »

09 Oct 2013

Verdi’s Macbeth in Concert at the Chicago Symphony Orchestra

Performances of Verdi’s Macbeth take shape and leave an overall impression from both individual and collective emphases.  »

09 Oct 2013

Robert Schumann: A Life in Song

Miah Persson and Florian Boesch sang Schumann with Malcolm Martineau at the Wigmore Hall for the latest of his Songlives series.  »

07 Oct 2013

Roberto Devereux, WNO

For the final instalment of Welsh National Opera’s Tudor trilogy, Donizetti’s Roberto Devereux, director  »

07 Oct 2013

Maria Stuarda, WNO

The second installment of Welsh National Opera’s Tudor trilogy, Donizetti’s Maria Stuarda saw  »

07 Oct 2013

Giasone, ETO

Once again, one can only applaud English Touring Opera’s sense of adventure — and commitment. Its autumn season comprises three Venetian operas: L’incoronazione di Poppea, Giasone, and Agrippina, all in translation.  »

07 Oct 2013

Die Fledermaus, ENO

‘Chacun à son goût!’ cries the inebriated Prince Orlovsky, invigorated by champagne and high-living. An indifferent ‘each to his own’?  »

06 Oct 2013

Stephen King in San Francisco

Coincidentally last Friday night was the closing night of San Francisco Opera’s Dolores Claiborne and the opening night of Ray of Light Theatre’s Carrie The Musical. »

05 Oct 2013

Fidelio, ENO

More than two centuries on, Fidelio may well remain the most misunderstood opera of all. »

05 Oct 2013

Anna Bolena, Welsh National Opera

Welsh National Opera's new production of Donizetti's Anna Bolena is the first part of their trilogy of Donizetti's Tudor operas, Anna Bolena, Maria Stuarda and Roberto Devereux.  »

30 Sep 2013

Peter Grimes, Vladimir Jurowski

Vladimir Jurowski conducted a fascinating Peter Grimes with the London Philharmonic Orchestra at the Royal Festival Hall. Fascinating, because Jurowski finds things in Britten other conductors don't get in the first place. Jurowski approaches Britten as a composer, without the usual baggage of Britishness and Brittenish.  »

30 Sep 2013

La Traviata, Hamburg

Johannes Erath's production of Verdi's La Traviata opened at the Staatsoper Hamburg in February this year, with Ailyn Perez in the title role. Perez returned with Stephen Costello as Alfredo for three performances in September 2013  »

29 Sep 2013

Elektra, Royal Opera

Charles Edwards’s production of Elektra, first seen in 2003, »

29 Sep 2013

Die Schuldigkeit Des Ersten Gebots

Last week I enjoyed the opportunity to see Bampton Classical Opera’s light-hearted, witty production of Mozart’s earliest opera — La finta semplice — a work which, despite lacking the melodic variety and texture dynamism of the later operas, is still a remarkably accomplished achievement for a boy of merely twelve years of age.  »

29 Sep 2013

Lyric Opera of Chicago Introduces its Season

In its annual concert presented to the city at Millennium Park, Lyric Opera of Chicago introduced its 2013-14 season on a recent weekend evening with a program of selections featuring several present, past, and future stars of the company.  »

28 Sep 2013

Matthias Goerne: Hugo Wolf and Franz Liszt

Matthias Goerne and Andreas Haefliger’s recital at the Wigmore Hall was eagerly anticipated. Goerne and Haefliger are a Dream Team, who have worked together for over 15 years. »

26 Sep 2013

Schubert Songs with Harp: Matthias Goerne, Wigmore Hall

In the first of his two recitals at the Wigmore Hall this week, Matthias Goerne sang Schubert, but Schubert with a difference.  »

26 Sep 2013

Opera Theater Around San Francisco

Opera in San Francisco is what occurs at the War Memorial Opera House. Every so often though you can think outside the box and find some interesting performances nearby. »

24 Sep 2013

Olga Neuwirth, American Lulu

I was a little taken aback by the reaction I received upon mentioning that I was looking forward to seeing American Lulu.  »

22 Sep 2013

Dolores Claiborne in San Francisco

Dolores Claiborne, the heroine of the book Dolores Claiborne (1992), is a figment of the imagination of prolific pulp horror novelist Stephen King.  »

22 Sep 2013

Mefistofele in San Francisco

Here is the exception. The revival of an old opera production need not always be perceived as an expedient (read cheap) solution to getting a season of opera put together, but may pass instead as an artistically thoughtful choice.  »

22 Sep 2013

La finta semplice, Bampton Classical Opera

Mozart cut his operatic teeth on La finta semplice, as a twelve-year-old prodigy being paraded before the Viennese court by his ambitious father, Leopold.  »

19 Sep 2013

Schubert : Ian Bostridge at the Wigmore Hall

Scarcely had Julius Drake seated himself, when the piano’s turbulent stream of relentless semiquavers precipitously announced the opening of Schubert’s ‘Der Strom’ (The river), the opening song in Ian Bostridge’s recital series, Schubert Lieder.  »

18 Sep 2013

Le nozze di Figaro, Royal Opera House

Although this is their fifth outing, Tanya McCallin’s sets for David McVicar’s Le Nozze di Figaro remain a sumptuous feast for the eyes. »

16 Sep 2013

Thomas Hampson: Mahler Songs

Thomas Hampson “lives” Mahler. He's the greatest Mahler singer of our time, and a serious Mahler scholar as well.  »

10 Sep 2013

Turandot, Royal Opera

The Royal Opera's production of Puccini's Turandot is nearly 30 years old. Created for the 1984 Olympics, Andrei Serban's production has been revived 15 times.  »

10 Sep 2013

Wigmore Hall Opening Gala, Terfel and Keenlyside

The Wigmore Hall 2013/14 season started in exuberant style. Simon Keenlyside, Bryn Terfel and Malcolm Martineau devised a programme that was festive and fun. And, this being the Wigmore Hall, the recital was as erudite as it was popular  »

06 Sep 2013

Herheim in Salzburg: Die Meistersinger von Nürnberg

Stefan Herheim’s Die Meistersinger von Nürnberg in Salzburg will transfer to the Met. Will audiences collapse in hysteria?  »

27 Aug 2013

Prom 57: Wagner — Parsifal

Prom 57’s Parsifal (Mark Elder, the Hallé) brought us John Tomlinson, perhaps the greatest Wagnerian bass of our time.  »

22 Aug 2013

Rossini Opera Festival, Pesaro 2013

An overly sophisticated L’italiana in Algeri, a sublime, interminable Guillaume Tell (William Tell), a nostalgic L’occasione fa il ladro. »

22 Aug 2013

Prom 51: Tippett, Britten & Elgar

This programme of twentieth-century British music burst dazzlingly into life with the blazing flourishes of Michael Tippett’s Fanfare No.5, arranged by Meirion Bowen from music drawn from the composer’s oratorio, The Mask of Time. »

19 Aug 2013

Prom 47: Brahms — A German Requiem

In the first of her two visits to the Royal Albert Hall this summer, Marin Alsop led the Orchestra of the Age of Enlightenment and its associated Choir through three nineteenth-century works which are united by their romantic intensity and progression from darkness to light.  »

19 Aug 2013

Grand Duchess of Gerolstein at Santa Fe

On Wednesday August 7, Santa Fe Opera presented an energetic, fun-loving production of Jacques Offenbach, Henri Meilhac and Ludovic Halévy's The Grand Duchess of Gerolstein.  »

19 Aug 2013

Santa Fe Opera Revives The Marriage of Figaro

On Thursday, August 8, Santa Fe Opera revived the Bruce Donnell production of Wolfgang Amadeus Mozart's The Marriage of Figaro.  »

17 Aug 2013

Prom 45: Tiippett’s The Midsummer Marriage

Sir Michael Tippett's The Midsummer Marriage has a lot of things against it, it requires a large cast including dancers and a large chorus and orchestra, the plot with its elements of Jungian analysis is confusing, the composer's libretto with its colloquial elements now sounds rather dated and frankly a bit embarrassing.  »

13 Aug 2013

La Donna del Lago at Santa Fe

Based on Sir Walter Scott’s narrative poem “The Lady of the Lake,” the opera by Rossini and librettist Andrea Leone Tottola was first seen in 1819 at the Teatro San Carlo in Naples. »

13 Aug 2013

Billy Budd at Glyndebourne

In their magnificent Glyndebourne production of Billy Budd, first seen in 2010 and revived here to mark Britten’s centenary anniversary, director Michael Grandage (revival director, Ian Rutherford) and designer Christopher Oram immerse us, quite literally, in the harsh realities of life aboard a late-eighteen-century man-’o-war: the uncompromisingly, and perhaps optimistically, named Indomitable. »