Subscribe to
Opera Today

Receive articles and news via RSS feeds or email subscription.


facebook-icon.png


twitter_logo[1].gif



Plumbago_9780993198359_1.png

9780521746472.png

0810888688.gif

0810882728.gif

Elsewhere

Down in flames: Les Troyens, Opéra de Paris

Hector Berlioz’s Les Troyens with Philippe Jordan conducting the Opéra National de Paris. Since Les Troyens headlined the inauguration of Opéra Bastille 30 years ago, we might have expected something special of this new production. It should have been a triumph, with such a good conductor and some of the best singers in the business. But it wasn't.

Luminous Mahler Symphony no.3: François-Xavier Roth, Gürzenich-Orchester Köln

Gustav Mahler’s Symphony No.3 with François-Xavier Roth and the Gürzenich-Orchester Köln, now at last on CD, released by Harmonia Mundi, after the highly acclaimed live performance streamed a few months ago.

Andrew Davis conducts Berlioz’s L’enfance du Christ at Hoddinott Hall

A weekend commemorating the 150th anniversary of the death of Hector Berlioz (1803-1869) entitled Berlioz: The Ultimate Romantic was launched in style from Cardiff’s Hoddinott Hall with a magnificent account of L’enfance du Christ (Childhood of Christ). The emotional impact of this ‘sacred trilogy’ seemed to gain further weight for its performance midway between Christmas and Easter, neatly encapsulating Christ’s journey from birth to death.

Love Songs: Temple Song Series

In contrast to the ‘single-shaming’ advertisement - “To the 12,750 people who ordered a single takeaway on Valentine’s Day. You ok, hun?” - for which the financial services company, Revolut, were taken to task, this Temple Music recital programme on 14th February put the emphasis firmly on partnerships: intimate, impassioned and impetuous.

Philip Glass: Akhnaten – English National Opera

There is a famous story that when Philip Glass first met Nadia Boulanger she pointed to a single bar of one of his early pieces and said: “There, that was written by a real composer”. Glass recalls that it was the only positive thing she ever said about him

Rachvelishvili excels in ROH Orchestra's Russian programme

Cardboard buds flaming into magic orchids. The frenzied whizz of a Catherine Wheel as it pushes forth its fiery petals. A harvest sky threshed and glittering with golden grain.

Independent Opera & Britten Sinfonia celebrate bicentenary of Queen Victoria & Prince Albert's births

To celebrate the bicentenary of Queen Victoria and Prince Albert’s births in 2019, Independent Opera (IO) and Britten Sinfonia present the first public performance of Joby Talbot’s new cantata A Sheen of Dew on Flowers on Thursday 11 April at the Barbican.

English National Opera to reprise its 5* production of Paul Bunyan at the historic Alexandra Palace Theatre

Following its sell-out success at Wilton’s Music Hall in September 2018, English National Opera’s acclaimed production of Benjamin Britten’s Paul Bunyan will be revived in May at the equally historically remarkable venue of Alexandra Palace Theatre.

Glyndebourne celebrates 25 years of its award-winning opera house in 2019

Unveiled in 1994, the new auditorium increased capacity by 50% to 1,200 seats and significantly improved backstage facilities. This allowed more people to enjoy world-class opera at Glyndebourne and enabled the company to stage bigger and more ambitious productions in the years that followed.

Lucrèce Borgia in Toulouse

This famed murderess worked her magic on Toulouse’s Théâtre du Capitole stage, six dead including her beloved long lost son. It was Victor Hugo’s carefully crafted 1833 thriller recrafted by Italian librettist Felice Romano that became Donizetti’s fragile Lucrezia Borgia.

Amanda Majeski makes a stunning debut at Covent Garden in Richard Jones's new production of Kát’a Kabanová

How important is ‘context’, in opera? Or, ‘symbol’? How does one balance the realism of a broad social milieu with the expressionistic intensity of an individual’s psychological torment and fracture?

Returning to heaven: The Cardinall's Musick at Wigmore Hall

The Cardinall’s Musick invited us for a second time to join them in ‘the company of heaven’ at Wigmore Hall, in a recital that was framed by musical devotions to St Mary Magdalene and the Virgin Mary.

Diana Damrau’s Richard Strauss Residency at the Barbican: The first two concerts

Listening to these two concerts - largely devoted to the music of Richard Strauss, and given by the soprano Diana Damrau, and the superlative Bavarian Radio Symphony Orchestra in the second - I was reminded of Wilhelm Furtwängler’s observation that German music would be unthinkable without him.

De la Maison des Morts in Lyon

The obsessive Russian Dostoevsky’s novel cruelly objectified into music by Czech composer Leos Janacek brutalized into action by Polish director Krzysztof Warlikowski beatified by Argentine conductor Alejo Pérez.

A First-Ever Recording: Benjamin Godard’s 1890 Opera on Dante and Beatrice

The composer Benjamin Godard (1849–95) is today largely unknown to most music lovers. Specialist collectors, though, have been enjoying his songs (described as “imaginative and delightful” by Robert Moore in American Record Guide), his Concerto Romantique for violin (either in its entirety or just the dancelike Canzonetta, which David Oistrakh recorded winningly decades ago), and some substantial chamber and orchestral works that have received first recordings in recent years.

La Nuova Musica perform Handel's Alcina at St John's Smith Square

There was a full house at St John’s Smith Square for La Nuova Musica’s presentation of Handel’s Alcina.

Ermonela Jaho is an emotively powerful Violetta in ROH's La traviata

Perhaps it was the ‘Blue Monday’ effect, but the first Act of this revival of Richard Eyre’s 1994 production of La Traviata seemed strangely ‘consumptive’, its energy dissipating, its ‘breathing’ rather laboured.

Garsington Opera’s 30th anniversary season: four new productions including an Offenbach premiere

Garsington Opera’s 30th anniversary season will feature four new productions - the UK stage premiere of Offenbach’s Fantasio, Smetana’s The Bartered Bride, Mozart’s Don Giovanni and finally Britten’s The Turn of the Screw.

Vivaldi scores intriguing but uneven Dangerous Liaisons in The Hague

“Why should I spend good money on tables when I have men standing idle?” asks a Regency country squire in the British sitcom Blackadder the Third. The Marquise de Merteuil in OPERA2DAY’s Dangerous Liaisons would agree with him. Her servants support her dinner table, groaning with gateaux, on their backs.

Between Mendelssohn and Wagner: Max Bruch’s Die Loreley

Max Bruch Die Loreley recorded live in the Prinzregenstheater, Munich, in 2014, broadcast by BR Klassik and now released in a 3-CD set by CPO. Stefan Blunier conducts the Münchner Rundfunkorchester with Michaela Kaune, Magdalena Hinterdobler, Thomas Mohr and Jan-Hendrick Rootering heading the cast, with the Prager Philharmonischer Chor..


OPERA TODAY ARCHIVES »

Performances

Scene from Les Troyens [Photo © Vincent Pontet / OnP]
18 Feb 2019

Down in flames: Les Troyens, Opéra de Paris

Hector Berlioz’s Les Troyens with Philippe Jordan conducting the Opéra National de Paris. Since Les Troyens headlined the inauguration of Opéra Bastille 30 years ago, we might have expected something special of this new production. It should have been a triumph, with such a good conductor and some of the best singers in the business. But it wasn't.  »

Recently in Performances

All Pages |  1  |  2  |  3  |  4  |  5  |  6  |  7  |  8  |  9  |  10  |  11  |  12  |  13  |  14  |  15  |  16  |  17  |  18  |  19  |  20  |  21  |  22  |  23  |  24  |  25  |  26  |  27  |  28  |  29  |  30  |  31  |  32  |  33  |  34  |  35  |  36  |  37  |  38  |  39  |  40  |  41  |  42  |  43  |  44  |  45  |  46  |  47  |  48  |  49  |  50  |  51  |  52  |  53  |  54  |  55  |  56  |  57  |  58  |  59  |  60  |  61  |  62  |  63  |  64  |  65  |  66  |  67  |  68  |  69  |  70  |  71  |  72  |  73  |  74  |  75  |  76  |  77  |  78  |  79  |  80  |  81 
31 Aug 2018

Prom 62: Petrenko and the Royal Liverpool Philharmonic - one concert, two stellar sopranos

A concert programme that offers a ‘Concerto for coloratura soprano’ and four of Richard Strauss’s orchestral songs promises to tick every box on a lover of the soprano voice’s wish-list. »

27 Aug 2018

A brilliant celebration of Bernstein & co. from Wallis Giunta at Cadogan Hall

At the 2018 International Opera Awards, Irish-Canadian mezzo-soprano Wallis Giunta was named ‘Young Singer of the Year’, having been awarded the same title by The Arts Desk in 2017, a year which also saw her pick up the ‘Breakthrough Artist in UK Opera’ award at the What’s on Stage Opera Awards. At this Cadogan Hall lunchtime chamber recital she was making her Proms debut, and Giunta gave an assured, audience-winning performance which suggested that such accolades are more than deserved and that it won’t be long before she’s invited back. »

26 Aug 2018

Porgy and Bess in Seattle

When this production debuted last summer at Glimmerglass, my Opera Today colleague James Sohre found it a thoroughly successful mounting of George Gershwin and DuBose Heyward's noble but problematic opera. »

26 Aug 2018

John Wilson takes the Prommers out On the Town

The Hollywood Reporter called it the greatest musical ever produced. Leonard Bernstein had expressed concerns about his first Broadway musical, writing to Aaron Copland, ‘Maybe it will be a great hit, and maybe it will lay the great egg of all time. It’s an enormous gamble’, but in the event, On the Town opened at Broadway’s Adelphi Theatre on 28th December 1944 to rave reviews and laid golden foundation stones for the career paths of its prodigious creators - Bernstein, choreographer Jerome Robbins and writers Adolph Green and Betty Comden, whose average age at the time was twenty-seven. »

25 Aug 2018

The Barber of Seville
at the Rossini Opera Festival

Oh no, not another Barber! Well, it is the 150th anniversary of the world’s greatest opera composer so what better way to commemorate the occasion than to program his most famous opera! And hope for the best. »

23 Aug 2018

Saul, Glyndebourne Festival

Music reigned supreme at Glyndebourne’s production of Handel’s Saul, with warm lyricism and exquisite delicacy offered by its soloists alongside an impressive powerhouse of a Chorus. »

23 Aug 2018

1818 Rossini
at the 2018 Rossini Opera Festival

2018 may mark the 150th anniversary of Rossini’s death but of more interest is that it marks the 200th anniversary of the two operas he composed in 1818 — the one-act farce Adina, though not performed until 1826 in Lisbon (and rarely since) and the “dramma serio” Ricciardo e Zoraide, “a grotesque mixture of stupidities and improbabilities” according to a 1927 Rossini biographer. »

23 Aug 2018

London Bel Canto Festival: Aprile Millo at Cadogan Hall

What defines a ‘diva’? The Italian word, which came to be used in an operatic context at the end of the nineteenth century, derives from the Latin divus, meaning ‘goddess’. »

22 Aug 2018

PROM 51 - Wagner, Strauss and a Nørgård UK premiere

Eclectic, even visionary, Proms are one of the great hallmarks of this summer music festival - and this concert certainly fell into that category. On paper, little seemed to unify the first and second halves of the programme: Wagner and Richard Strauss with a (very overdue) UK premiere of Per Nørgård’s Third Symphony.  »

21 Aug 2018

The Sense of an Ending: the BBC Singers and Sakari Oramo

We are accustomed to seeing Finnish conductor Sakari Oramo at the helm of a large orchestra, baton in hand, guiding the instrumentalists with unassuming but precise authority and expressive, communicative musicianship. »

19 Aug 2018

Fables and the Fabulous from Sir Simon Rattle and the LSO at the Proms

Sir Simon Rattle and the London Symphony Orchestra took us through fairy-tale forests, antique lands and into fantasy worlds in this fabulous Prom, which celebrated Maurice Ravel’s genius as a musical story-teller. »

19 Aug 2018

The Bassarids at the Salzburg Festival

Hans Werner Henze’s fifth opera, The Bassarids (those who wear fox skins) had its world premiere at Salzburg’s Grosses Festspielhaus in 1966. Now, 52 years later Henze’s massive “opera seria” returns, but to the Felsenreitschule —the old riding school made into a theater that hosts the Salzburg Festival’s difficult operas, the Grosses Festspielhaus now dedicated to the grand repertoire. »

17 Aug 2018

Claude Debussy and Lili Boulanger commemorated at the Proms

Two French commemorations - ‘anniversaries’ always seems the wrong word - and surely is - here: the centenary of the deaths of Claude Debussy and Lili Boulanger. »

16 Aug 2018

Pique Dame in Salzburg

It was emeritus night at the Salzburg Festival with 75 year old maestro Mariss Jansons conducting 77 year old stage director Hans Neuenfels production about Pushkin’s 87 year old countess known as the Pique Dame.  »

15 Aug 2018

Lohengrin at Bayreuth

Three electrifying moments and the world is forever changed. »

15 Aug 2018

Salome in Salzburg

A Romeo Castellucci production is always news, it is even bigger news just now in Salzburg where Lithuanian soprano Asmik Grigorian has made her debut as the fifteen year-old Salome. »

14 Aug 2018

Vaughan Williams Dona nobis pacem - BBC Prom 41

Prom 41 at the Royal Albert Hall, London, with Edward Gardner conducting the BBCSO in Vaughan Williams's Dona nobis pacem, Elgar's Cello Concerto (Jean-Guihen Queyras) and Lili Boulanger . Extremely perceptive performances that revealed deep insight, far more profound than the ostensible "1918" theme  »

12 Aug 2018

John Wilson brings Broadway to South Kensington: West Side Story at the BBC Proms

There were two, equal ‘stars’ of this performance of the authorised concert version of Leonard Bernstein’s West Side Story at the Royal Albert Hall: ‘Lenny’ himself, whose vibrant score - by turns glossy and edgy - truly shone, and conductor John Wilson, who made it gleam, and who made us listen afresh and intently to every coloristic detail and toe-tapping, twisting rhythm. »

11 Aug 2018

Prom 36: Webern, Mahler, and Wagner

One of the joys of writing regularly – sometimes, just sometimes, I think too regularly – about performance has been the transformation, both conscious and unconscious, of my scholarship. »

09 Aug 2018

Prom 33: Thea Musgrave, Phoenix Rising, and Johannes Brahms, Ein deutsches Requiem, op.45

I am not sure I could find much of a connection between the two works on offer here. They offered ‘contrast’ of a sort, I suppose, yet not in a meaningful way such as I could discern. »

08 Aug 2018

Gianni Schicchi by Oberlin in Italy

It’s an all too rare pleasure to see Puccini’s only comedy as a stand alone opera. And more so when it is a careful production that uncovers the all too often overlooked musical and dramatic subtleties that abound in Puccini’s last opera. »

07 Aug 2018

Sarah Connolly and Joseph Middleton journey through the night at Cadogan Hall

The mood in the city is certainly soporific at the moment, as the blistering summer heat takes its toll and the thermometer shows no signs of falling. Fittingly, mezzo-soprano Dame Sarah Connolly and pianist Joseph Middleton presented a recital of English song settings united by the poetic themes of night, sleep, dreams and nightmares, juxtaposing masterpieces of the early-twentieth-century alongside new works by Mark-Anthony Turnage and Australian composer Lisa Illean, and two ‘long-lost’ songs by Britten. »

07 Aug 2018

Vanessa: Keith Warner's Glyndebourne production exposes truths and tragedies

“His child! It must not be born!” Keith Warner’s new production of Samuel Barber’s Vanessa for Glyndebourne Festival Opera makes two births, one intimated, the other aborted, the driving force of the tragedy which consumes two women, Vanessa and her niece Erika, rivals for the same young man, Anatol, son of Vanessa’s former lover. »

05 Aug 2018

Rollicking Rossini in Santa Fe

Santa Fe Opera welcomed home a winningly animated production of L’Italiana in Algeri this season that utterly delighted a vociferously responsive audience. »

05 Aug 2018

Rock solid Strauss Salomé- Salzburg

Richard Strauss Salomé from the Salzburg Festival, conducted by Franz Welser-Möst, a powerful interpretation of an opera which defies easy answers, performed and produced with such distinction thast it suceeds on every level. The words "Te saxa Loquuntur" (The stones are speaking to you) are projected onto the stage. Salzburg regulars will recognize this as a reference to the rock foundations on which part of the city is built, and the traditions of excellence the Festival represents. In this opera, the characters talk at cross-purposes, hearing without understanding. The phrase suggests that what might not be explicitly spoken might have much to reveal.  »

04 Aug 2018

Prom 26: Dido and Cleopatra – Queens of Fascination

In this, her Proms debut, Anna Prohaska offered something akin to a cantata of two queens, complementary and contrasted: Dido and Cleopatra. Returning in a sense to her ‘early music’ roots – her career has always been far richer, more varied, but that world has always played an important part – she collaborated with the Italian ‘period’ ensemble, Il Giardino Armonico and Giovanni Antonini. »

04 Aug 2018

Parsifal: Munich Opera Festival

And so, this year’s Munich Opera Festival and this year’s Bavarian State Opera season came to a close with everyone’s favourite Bühnenweihfestspiel, Parsifal, in the final outing this time around for Pierre Audi’s new production.  »

03 Aug 2018

Santa Fe: Atomic Doesn’t Quite Ignite

What more could we want than having Peter Sellars re-imagine his acclaimed staging of John Adams’ Doctor Atomic at the renowned Santa Fe Opera festival? »

03 Aug 2018

Santa Fe: Continuing a Proud Strauss Tradition

Santa Fe Opera has an enduring reputation for its Strauss, and this season’s enjoyable Ariadne auf Naxos surely made John Crosby smile proudly. »

03 Aug 2018

From the House of the Dead: Munich Opera Festival

Frank Castorf might have been born to direct From the House of the Dead. In this, his third opera project - or better, his third opera project in the opera house, for his Volksbühne Meistersinger must surely be reckoned with, even by those of us who did not see it - many of his hallmarks and those of his team are present, yet without the slightest hint of staleness, of anything other than being reborn for and in the work.  »

02 Aug 2018

Haydn's Orlando Paladino in Munich

Should you not like eighteenth-century opera very much, if at all, and should you have no or little interest in Haydn either, this may have been the production for you. The fundamental premise of Axel Ranisch’s staging of Orlando Paladino seems to have been that this was a work of little fundamental merit, or at least a work in a genre of little such merit, and that it needed the help of a modern medium - perhaps, it might even be claimed, an equivalent medium - to speak to a contemporary audience.  »

02 Aug 2018

Donizetti's 'Regiment' Ride the Highway: Opera della Luna at Wilton's Music Hall

'The score … is precisely one of those works that neither the composer nor the public takes seriously. The harmony, melody, rhythmic effects, instrumental and vocal combinations; it’s music, if you wish, but not new music. The orchestra consumes itself in useless noises…' »

01 Aug 2018

Bernstein Bemuses in New Mexico

Santa Fe Opera’s Candide is a nearly indefatigable romp that is currently parading on the Crosby Theatre stage, chockfull of inventive ideas. »

01 Aug 2018

Santa Fe Floats a Beauteous Butterfly

Two new stars moved triumphantly into the ongoing run of Santa Fe Opera’s mesmerizing rendition of Puccini’s Madame Butterfly. »