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Elsewhere

The Lighthouse at San Francisco’s Opera Parallèle

What more fitting memorial for composer Peter Maxwell Davies (d. 03/14/2016) than a splendid performance of The Lighthouse, the third of his eight works for the stage.

King’s Consort at Wigmore Hall

I suspect that many of those at the Wigmore Hall for The King’s Consort’s performance of the La Senna festeggiante (The Rejoicing Seine) were lured by the cachet of ‘Antonio Vivaldi’ and further enticed by the notion of a lover’s serenade at which the generic term ‘serenata’ seems to hint.

Bampton Classical Opera 2016

A Double-Bill of Divine Comedies

Kathleen Ferrier Awards 2016

Having enjoyed superb singing by a young cast of soloists in Classical Opera’s UK premiere of Jommelli’s Il Vogoleso the previous evening, I was delighted that the 2016 Kathleen Ferrier Awards Final at the Wigmore Hall confirmed the strength and depth of talent possessed by the young singers studying in and emerging from our academies and conservatoires.

A Conversation with Sir Nicholas Jackson

With its merry-go-round exchange of deluded and bewitched lovers, an orphan-turned-princess, a usurped prince, a jewel and a flower with magical properties, a march to the scaffold and a meddling ‘mistress-of-ceremonies’ who encourages the young lovers to disguise and deceive, William Makepeace Thackeray’s The Rose and the Ring has all the ingredients of an opera buffa.

Pacific Opera Project Recreates Mozart and Salieri Contest

On February 7, 1786, Emperor Joseph II of Austria had brand new one-act operas by Wolfgang Amadeus Mozart and Antonio Salieri performed in the Schönbrunn Palace’s Orangery.

Powerful chemistry in La Cenerentola in Cologne

Those poor opera lovers in Cologne have a never ending problem with the city’s opera house. Together with the rest of city, the construction of the new opera house is mired in political incompetence.

Tannhäuser: Royal Opera House, London

London remains starved of Wagner. This season, its major companies offer but two works, Tannhäuser from the Royal Opera and Tristan from ENO.

The Golden Cockerel in Düsseldorf

Dmitry Bertman’s hilarious staging of Rimsky-Korsakov’s political sex-comedy The Golden Cockerel in Düsseldorf.

San Diego Opera Presents a Tragic Madama Butterfly

On April 16, 2016, San Diego Opera presented Giacomo Puccini’s sixth opera, Madama Butterfly, in an intriguing production by Garnett Bruce. Roberto Oswald’s scenery included the usual Japanese styled house with many sliding doors and walls. On either side, however, were blooming cherry trees with rough trunks and gnarled branches that looked as though they had been growing on the property for a hundred years.

Simon Rattle conducts Tristan und Isolde

New Co-Production Tristan und Isolde with Metropolitan: Simon Rattle and Westbroek electrify Treliński’s Opera-Noir.

San Jose’s Smooth Streetcar Ride

In an operatic world crowded with sure-fire bread and butter repertoire, Opera San Jose has boldly chosen to lavish a new production on a dark horse, Andre Previn’s A Streetcar Named Desire.

Roméo et Juliette: Dutch National Opera and Ballet seal merger with leaden Berlioz

Choral symphony, oratorio, symphonic poem — Berlioz’s Roméo et Juliette does not fit into any mould. It has the potential to work as an opera-ballet, but incoherent storytelling and uninspired conducting undermined this production.

Donizetti : Lucia di Lammermoor, Royal Opera House

When Kasper Holten took the precaution of pre-warning ticket-holders that the Royal Opera House’s new production of Lucia di Lammermoor featured scene portraying ‘sexual acts’ and ‘violence’, one assumed that he was aiming to avert a re-run of the jeering and hectoring that accompanied last season’s Guillaume Tell. He even went so far as to offer concerned patrons a refund.

Five Reviews of Regina at Maryland Opera Studio

These are five very different reviews by students at the University of Maryland on its Opera Studio production of Regina — an interesting, informative and entertaining read . . .

Three Cheers for the English Touring Opera

‘Remember me, the one who is Pia;/ Siena made me, Maremma undid me.’ The speaker is Pia de’ Tolomei. She appears in a brief episode of Dante’s Divine Comedy (Purgatorio V, 130-136) which was the source for Gaetano Donizetti’s Pia de’ Tolomei - by way of Bartolomeo Sestini’s verse-novella of 1825.

Andriessen's De Materie at the Park Avenue Armory

"The large measure of formalism which forms the basis of De Materie does not in itself offer any guarantee that the work will be beautiful," says Dutch composer Louis Andriessen of his four-movement opera.

Falstaff Makes a Big Splash in Phoenix

On April 1, 2016, Arizona Opera presented Falstaff by Giuseppe Verdi (1813-1901) and Arrigo Boito (1842-1918) in Phoenix. Although Boito based most of his libretto on Shakespeare’s The Merry Wives of Windsor, he used material from Henry IV as well. Verdi wrote the music when he was close to the age of eighty. He was concerned about his ability at that advanced age, but he was immensely pleased with Boito’s text and decided to compose his second comedy, despite the fact that his first, Un giorno di regno, had not been successful.

Svadba in San Francisco

The brand new SF Opera Lab opened last month with artist William Kentridge’s staged Schubert Winterreise. Its second production just now, Svadba-Wedding — an a cappella opera for six female voices — unabashedly exposes the space in a different, non-theatrical configuration.

Benvenuto Cellini in Rome

One may think of Tosca as the most Roman of all operas, after all it has been performed at the Teatro Costanzi (Rome’s opera house) well over a thousand times since 1900. Though equally, maybe even more Roman is Hector Berlioz’ Benvenuto Cellini that has had only a dozen or so performances in Rome since 1838.


OPERA TODAY ARCHIVES »

Performances

04 May 2016

The Lighthouse at San Francisco’s Opera Parallèle

What more fitting memorial for composer Peter Maxwell Davies (d. 03/14/2016) than a splendid performance of The Lighthouse, the third of his eight works for the stage. »

Recently in Performances

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16 Sep 2013

Thomas Hampson: Mahler Songs

Thomas Hampson “lives” Mahler. He's the greatest Mahler singer of our time, and a serious Mahler scholar as well.  »

10 Sep 2013

Turandot, Royal Opera

The Royal Opera's production of Puccini's Turandot is nearly 30 years old. Created for the 1984 Olympics, Andrei Serban's production has been revived 15 times.  »

10 Sep 2013

Wigmore Hall Opening Gala, Terfel and Keenlyside

The Wigmore Hall 2013/14 season started in exuberant style. Simon Keenlyside, Bryn Terfel and Malcolm Martineau devised a programme that was festive and fun. And, this being the Wigmore Hall, the recital was as erudite as it was popular  »

06 Sep 2013

Herheim in Salzburg: Die Meistersinger von Nürnberg

Stefan Herheim’s Die Meistersinger von Nürnberg in Salzburg will transfer to the Met. Will audiences collapse in hysteria?  »

27 Aug 2013

Prom 57: Wagner — Parsifal

Prom 57’s Parsifal (Mark Elder, the Hallé) brought us John Tomlinson, perhaps the greatest Wagnerian bass of our time.  »

22 Aug 2013

Rossini Opera Festival, Pesaro 2013

An overly sophisticated L’italiana in Algeri, a sublime, interminable Guillaume Tell (William Tell), a nostalgic L’occasione fa il ladro. »

22 Aug 2013

Prom 51: Tippett, Britten & Elgar

This programme of twentieth-century British music burst dazzlingly into life with the blazing flourishes of Michael Tippett’s Fanfare No.5, arranged by Meirion Bowen from music drawn from the composer’s oratorio, The Mask of Time. »

19 Aug 2013

Prom 47: Brahms — A German Requiem

In the first of her two visits to the Royal Albert Hall this summer, Marin Alsop led the Orchestra of the Age of Enlightenment and its associated Choir through three nineteenth-century works which are united by their romantic intensity and progression from darkness to light.  »

19 Aug 2013

Grand Duchess of Gerolstein at Santa Fe

On Wednesday August 7, Santa Fe Opera presented an energetic, fun-loving production of Jacques Offenbach, Henri Meilhac and Ludovic Halévy's The Grand Duchess of Gerolstein.  »

19 Aug 2013

Santa Fe Opera Revives The Marriage of Figaro

On Thursday, August 8, Santa Fe Opera revived the Bruce Donnell production of Wolfgang Amadeus Mozart's The Marriage of Figaro.  »

17 Aug 2013

Prom 45: Tiippett’s The Midsummer Marriage

Sir Michael Tippett's The Midsummer Marriage has a lot of things against it, it requires a large cast including dancers and a large chorus and orchestra, the plot with its elements of Jungian analysis is confusing, the composer's libretto with its colloquial elements now sounds rather dated and frankly a bit embarrassing.  »

13 Aug 2013

La Donna del Lago at Santa Fe

Based on Sir Walter Scott’s narrative poem “The Lady of the Lake,” the opera by Rossini and librettist Andrea Leone Tottola was first seen in 1819 at the Teatro San Carlo in Naples. »

13 Aug 2013

Billy Budd at Glyndebourne

In their magnificent Glyndebourne production of Billy Budd, first seen in 2010 and revived here to mark Britten’s centenary anniversary, director Michael Grandage (revival director, Ian Rutherford) and designer Christopher Oram immerse us, quite literally, in the harsh realities of life aboard a late-eighteen-century man-’o-war: the uncompromisingly, and perhaps optimistically, named Indomitable. »

13 Aug 2013

Oscar: A Viable New Opera

Oscar Wilde wrote: “We are each our own devil, and we make this world our hell.” On July 27, 2013, Theodore Morrison’s opera Oscar had its world premiere at Santa Fe.  »

13 Aug 2013

Glimmerglass: Major League Move

“World-class” is an encomium often used indiscriminately by promoters and publicists but in light of Glimmerglass Festival’s triumphant Der Fliegende Holländer the press office has my full encouragement to use the phrase loud and often.  »

13 Aug 2013

Un ballo in maschera at Orange

A massive antique Roman theater where stadium opera is always grand opera and often good opera as well. »

08 Aug 2013

A Very Real Traviata

Conductor Leo Hussein, like many of the artists in the production, was making his debut. His take on the story was immediately ascertainable when he played parts of the overture with an earthy tone. This was Violetta’s world, where otherwise refined men wined, dined, and cavorted with the most expensive Parisian courtesans.  »

03 Aug 2013

Coleridge Taylor: The Song of Hiawatha, Three Choirs Festival

The Song of Hiawatha, Samuel Coleridge-Taylor at Gloucester Cathedral, highlight of this year's Three Choirs Festival.  »

01 Aug 2013

Glimmerglass’s handsomely staged ‘Passions’ expands the boundaries of oratorio

The double-bill program of sacred vocal works uses choreography, sets and costumes to heighten the drama within the music »

30 Jul 2013

Prom 20: Wagner — Götterdämmerung

By the end of the first act, I was convinced that, barring a catastrophe of, well, Götterdämmerung-like proportions, this would now turn out to be the greatest Ring since Bernard Haitink’s 1998 Royal Opera performances— also semi-staged, also at the Royal Albert Hall.  »

30 Jul 2013

Prom 19: Wagner — Tristan and Isolde

For those whose Wagnerian thirst had not yet been quenched by three parts of the Ring, the Proms now offered Tristan und Isolde. »

30 Jul 2013

Prom 18: Wagner — Siegfried

The brightest star in this performance proved once again to be the Staatskapelle Berlin, under Daniel Barenboim’s guidance. »

30 Jul 2013

Schubert’s Winterreise, Wigmore Hall

When faced with the illustrious Winterreises of the past and the renowned, and often highly original, interpretations of present-day performers, how is a tenor to approach Schubert’s setting of Wilhelm Müller’s pessimistic exploration of a mind spinning into disillusion and despair? »

30 Jul 2013

Something Rotten in the State of Arcady?

One can only imagine the small-ad: “exquisite small italianate water garden wishes to meet pastoral “little opera” in intimate setting, small cast and orchestra ideal, with music of delightful poise and accessibility. »

30 Jul 2013

The Aix Festival 2013

Don Giovanni — the coup de coeur. Elektra — a masterpiece. Rigoletto — a hit and a miss. »

24 Jul 2013

Prom 15: Wagner — Die Walküre

The superstitious would have us believe that it is better not to build up expectations, lest they be confounded.  »

23 Jul 2013

Glimmerglass’s rarely done ‘King for a Day’ a rare treat, well done

This zany production of Verdi’s only comic opera before ‘Falstaff’ keeps the singers in chaos and the audience in stitches  »

23 Jul 2013

Elena and The House Taken Over

That’s Helen (of Troy) by Cavalli, so maybe you are interested after all, though the more engaging experience was The House Taken Over by Vasco Mendonça. »

23 Jul 2013

Prom 14: Das Rheingold

For me, this is almost to have come full circle — though as anyone with even the slightest acquaintance with the Ring will tell you, the so-called ‘cycle’ does not end where it began, its world having been changed forever.  »

22 Jul 2013

A Music Of One’s Own: From The Diary of Virginia Woolf

The final concert in pianist Julius Drake’s Perspectives series united song, literature and biography through the prism of Dominick Argento’s Pulitzer Prize-winning song-cycle, From the Diary of Virginia Woolf. »

20 Jul 2013

Stockhausen at the BBC Proms

The Royal Albert Hall was made for Karl-Heinz Stockhausen. BBC Prom 11 2013 featured Gesang der Jünglinge and Welt-Parliament from Mittwoch from Licht. »

20 Jul 2013

Capriccio, Royal Opera

‘Wort oder Ton?’ may be the Countess’s question, but it is far from the only question asked in, let alone by, Capriccio.  »

19 Jul 2013

Glimmerglass premiere of ‘Camelot’ chivalrous, but hardly a knight to remember

David Pittsinger, as King Arthur, provided most of the magic in this pleasant but unspectacular production of the Lerner and Loewe musical »

19 Jul 2013

Don Pasquale, Glyndebourne

Donizetti’s late comedy Don Pasquale debuted in Paris in 1843 and has been popular ever since. It was produced at the Glyndebourne Festival in 1938 but, rather surprisingly, Mariame Clement’s 2013 production, refreshingly set in the 18th century rather than being update, was the first festival production since 1938.  »

19 Jul 2013

Prom 8: Adès’ Totentanz

This remarkably cohesive programme of works by Britten, Lutoslawski and Adès was underpinned by a dark intensity; tragic realism interwoven with transient intimations of hope. »

17 Jul 2013

Cléopâtre and Les Troyens in Marseille

There are forces to be reckoned with at l’Opéra de Marseille — a first class orchestra, a first class chorus, first class casts (with notable exception, see below) who inhabit an extraordinarily fine old opera house. »

17 Jul 2013

L’elisir d’amore, Opera Holland Park

Pia Furtado’s production of Donizetti’s gentle rom-com, L’elisir d’amore, opens in the greenhouse-laboratory of a sunflower factory — all steel trolleys and agronomic apparatus.  »

17 Jul 2013

Glimmerglass Festival’s ‘The Flying Dutchman’ a voyage to remember

Excellent staging and strong vocal efforts put wind in the sails of this legendary ghost ship »

13 Jul 2013

Ermonela Jaho — Singing and Character

Ermonela Jaho caused a sensation at Covent Garden in London five years ago, when she took over Violetta at short notice from Anna Netrebko.  »

11 Jul 2013

Britten: The Canticles

First performed at this year’s Brighton Festival and originally designed for the Theatre Royal Brighton, this multi-media staging of Benjamin Britten’s five Canticles by long-standing collaborators Neil Bartlett and Paule Constable, also had an outing at Snape Maltings Aldeburgh in May this year, and has now arrived on the austere stage of the Linbury Studio at the Royal Opera House. »

10 Jul 2013

Central City Opera: Rocky Mountain High

Central City Opera’s meticulous staging of Our Town makes as good a case as is likely possible for Ned Rorem’s operatic version of that classic play.  »

10 Jul 2013

Macbeth, Blackheath Halls

Since its inception in 2006, the annual community opera at Blackheath Halls has become a favourite fixture in the local summer calendar.  »

08 Jul 2013

Britten’s Curlew River and The Prodigal Son

Poised between ritual and drama, between East and West, between Zen-Buddhist symbolism and Christian medieval morality play, Britten’s three church parables pose some tricky problems — including a deliberately objectivised framing device which can distance the work from the audience, and, unusually for Britten, some less than effective musico-dramatic pacing.  »

08 Jul 2013

Musical Fireworks in Iowa

‘Tis the season for aerial starbursts, and for my money more than a few rockets could be sent up to laud Des Moines Metro Opera.  »

07 Jul 2013

La Rondine, Royal Opera House

La Rondine isn’t Puccini’s finest moment. As drama it’s a retread of La Bohème. The music resembles out-takes from Madama Butterfly. What holds it together is Magda. »

02 Jul 2013

Rameau Hippolyte et Aricie, Glyndebourne

Glyndebourne revitalizes Rameau's Hippolyte et Aricie. Baroque tastes were extravagant. Louis XIV, Le Roi Soleil, and his successor Louis XV, epitomized the aesthetic: audacity, not gentility, vigour, not timidity.  »

30 Jun 2013

Bizet : Pearl Fishers, Opera Holland Park London

Bizet’s The Pearl Fishers confirms the composer’s deftness in penning a good tune and spinning a faux-Oriental orchestral fabric. But, opera is more than simply a catchy melody or two, and if it wasn’t for the tenor-baritone friendship duet ‘Au Fond du Temple Saint’, the opera’s one-dimensional characters and dramatic stiltedness would probably see it consigned to the drawer marked ‘lesser-known, justly neglected’. »

29 Jun 2013

Thomas Hampson Simon Boccanegra, Royal Opera House London

Thomas Hampson's first Simon Boccanegra at the Royal Opera House makes this revival of Verdi's great opera worthwhile. It's a role which suits a singer of Hampson's intelligence.  »

28 Jun 2013

Händel’s First Opera at the Boston Early Music Festival

We’ll never know exactly how Handel’s first opera, Almira, Königin von Castilien, appeared at its 1705 premiere in Hamburg. »