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Elsewhere

Andrew Davis conducts Berlioz’s L’enfance du Christ at Hoddinott Hall

A weekend commemorating the 150th anniversary of the death of Hector Berlioz (1803-1869) entitled Berlioz: The Ultimate Romantic was launched in style from Cardiff’s Hoddinott Hall with a magnificent account of L’enfance du Christ (Childhood of Christ). The emotional impact of this ‘sacred trilogy’ seemed to gain further weight for its performance midway between Christmas and Easter, neatly encapsulating Christ’s journey from birth to death.

Love Songs: Temple Song Series

In contrast to the ‘single-shaming’ advertisement - “To the 12,750 people who ordered a single takeaway on Valentine’s Day. You ok, hun?” - for which the financial services company, Revolut, were taken to task, this Temple Music recital programme on 14th February put the emphasis firmly on partnerships: intimate, impassioned and impetuous.

Philip Glass: Akhnaten – English National Opera

There is a famous story that when Philip Glass first met Nadia Boulanger she pointed to a single bar of one of his early pieces and said: “There, that was written by a real composer”. Glass recalls that it was the only positive thing she ever said about him

Rachvelishvili excels in ROH Orchestra's Russian programme

Cardboard buds flaming into magic orchids. The frenzied whizz of a Catherine Wheel as it pushes forth its fiery petals. A harvest sky threshed and glittering with golden grain.

Independent Opera & Britten Sinfonia celebrate bicentenary of Queen Victoria & Prince Albert's births

To celebrate the bicentenary of Queen Victoria and Prince Albert’s births in 2019, Independent Opera (IO) and Britten Sinfonia present the first public performance of Joby Talbot’s new cantata A Sheen of Dew on Flowers on Thursday 11 April at the Barbican.

English National Opera to reprise its 5* production of Paul Bunyan at the historic Alexandra Palace Theatre

Following its sell-out success at Wilton’s Music Hall in September 2018, English National Opera’s acclaimed production of Benjamin Britten’s Paul Bunyan will be revived in May at the equally historically remarkable venue of Alexandra Palace Theatre.

Glyndebourne celebrates 25 years of its award-winning opera house in 2019

Unveiled in 1994, the new auditorium increased capacity by 50% to 1,200 seats and significantly improved backstage facilities. This allowed more people to enjoy world-class opera at Glyndebourne and enabled the company to stage bigger and more ambitious productions in the years that followed.

Luminous Mahler Symphony no.3: François-Xavier Roth, Gürzenich-Orchester Köln

Gustav Mahler's Symphony No.3 with François-Xavier Roth and the Gürzenich-Orchester Köln, now at last on CD, released by Harmonia Mundi, after the highly acclaimed live performance streamed a few months ago.

Down in flames: Berlioz's Les Troyens, Opéra de Paris

Hector Berlioz's Les Troyens with Philippe Jordan conducting the Opéra National de Paris. Since Les Troyens headlined the inauguration of Opéra Bastille 30 years ago, we might have expected something special of this new production. It should have been a triumph, with such a good conductor and some of the best singers in the business. But it wasn't.

Lucrèce Borgia in Toulouse

This famed murderess worked her magic on Toulouse’s Théâtre du Capitole stage, six dead including her beloved long lost son. It was Victor Hugo’s carefully crafted 1833 thriller recrafted by Italian librettist Felice Romano that became Donizetti’s fragile Lucrezia Borgia.

Amanda Majeski makes a stunning debut at Covent Garden in Richard Jones's new production of Kát’a Kabanová

How important is ‘context’, in opera? Or, ‘symbol’? How does one balance the realism of a broad social milieu with the expressionistic intensity of an individual’s psychological torment and fracture?

Returning to heaven: The Cardinall's Musick at Wigmore Hall

The Cardinall’s Musick invited us for a second time to join them in ‘the company of heaven’ at Wigmore Hall, in a recital that was framed by musical devotions to St Mary Magdalene and the Virgin Mary.

Diana Damrau’s Richard Strauss Residency at the Barbican: The first two concerts

Listening to these two concerts - largely devoted to the music of Richard Strauss, and given by the soprano Diana Damrau, and the superlative Bavarian Radio Symphony Orchestra in the second - I was reminded of Wilhelm Furtwängler’s observation that German music would be unthinkable without him.

De la Maison des Morts in Lyon

The obsessive Russian Dostoevsky’s novel cruelly objectified into music by Czech composer Leos Janacek brutalized into action by Polish director Krzysztof Warlikowski beatified by Argentine conductor Alejo Pérez.

A First-Ever Recording: Benjamin Godard’s 1890 Opera on Dante and Beatrice

The composer Benjamin Godard (1849–95) is today largely unknown to most music lovers. Specialist collectors, though, have been enjoying his songs (described as “imaginative and delightful” by Robert Moore in American Record Guide), his Concerto Romantique for violin (either in its entirety or just the dancelike Canzonetta, which David Oistrakh recorded winningly decades ago), and some substantial chamber and orchestral works that have received first recordings in recent years.

La Nuova Musica perform Handel's Alcina at St John's Smith Square

There was a full house at St John’s Smith Square for La Nuova Musica’s presentation of Handel’s Alcina.

Ermonela Jaho is an emotively powerful Violetta in ROH's La traviata

Perhaps it was the ‘Blue Monday’ effect, but the first Act of this revival of Richard Eyre’s 1994 production of La Traviata seemed strangely ‘consumptive’, its energy dissipating, its ‘breathing’ rather laboured.

Garsington Opera’s 30th anniversary season: four new productions including an Offenbach premiere

Garsington Opera’s 30th anniversary season will feature four new productions - the UK stage premiere of Offenbach’s Fantasio, Smetana’s The Bartered Bride, Mozart’s Don Giovanni and finally Britten’s The Turn of the Screw.

Vivaldi scores intriguing but uneven Dangerous Liaisons in The Hague

“Why should I spend good money on tables when I have men standing idle?” asks a Regency country squire in the British sitcom Blackadder the Third. The Marquise de Merteuil in OPERA2DAY’s Dangerous Liaisons would agree with him. Her servants support her dinner table, groaning with gateaux, on their backs.

Between Mendelssohn and Wagner: Max Bruch’s Die Loreley

Max Bruch Die Loreley recorded live in the Prinzregenstheater, Munich, in 2014, broadcast by BR Klassik and now released in a 3-CD set by CPO. Stefan Blunier conducts the Münchner Rundfunkorchester with Michaela Kaune, Magdalena Hinterdobler, Thomas Mohr and Jan-Hendrick Rootering heading the cast, with the Prager Philharmonischer Chor..


OPERA TODAY ARCHIVES »

Performances

18 Feb 2019

Andrew Davis conducts Berlioz’s L’enfance du Christ at Hoddinott Hall

A weekend commemorating the 150th anniversary of the death of Hector Berlioz (1803-1869) entitled Berlioz: The Ultimate Romantic was launched in style from Cardiff’s Hoddinott Hall with a magnificent account of L’enfance du Christ (Childhood of Christ). The emotional impact of this ‘sacred trilogy’ seemed to gain further weight for its performance midway between Christmas and Easter, neatly encapsulating Christ’s journey from birth to death. »

Recently in Performances

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22 Feb 2011

The Bartered Bride, New York

In the mid-nineteenth century, every nationality that did not possess a national state felt a need to prove itself, to square its shoulders and claim nationhood with all the identifying marks of a nation: a language with a literature, a tricolor flag, a national anthem extolling the people’s stalwart character and the country’s landscape (inevitably the loveliest in the world), a national theater and a national opera to be performed there. »

20 Feb 2011

Thomas Arne, Bampton Classical Opera

The first performance of Thomas Arne’s masque Alfred took place at Clivedon House on the Thames near Maidenhead, in August 1740. »

20 Feb 2011

Parsifal, ENO

This production retains a special place in my heart: its first outing in 1999 was my first Parsifal in the theatre. Saving up my student pennies, I made the journey not once but twice from Cambridge to London, was mightily impressed the first time and a little irritated the second.  »

18 Feb 2011

Anna Nicole, London

From the sublime (Parsifal, the night before) to the not-even-ridiculous.  »

17 Feb 2011

Opera Colorado’s ‘mermaid’ tremendous

The story is ages old, and every culture has a version of it: the mythic princess of an underwater realm longs for the love of a mortal man. »

15 Feb 2011

The Chill of Grace: A Winter Weekend at COC

At the moment, it seems inevitable that John Adams’ 1987 opera Nixon in China will become a fixture in the repertoire.  »

11 Feb 2011

Egyptian Queen in Parisian Rubble

Although Paris Opéra's Dream Team of soprano Natalie Dessay and director Laurent Pelly promised much for the SRO run of Giulio Cesare in Egitto, for the moment we will have to keep dreaming of what might have been.  »

08 Feb 2011

Don Pasquale, New York

Witty and airy as an after-dinner anecdote over biscuits and cognac, Don Pasquale (1844) is, unlikely as it may seem, almost the last opera Donizetti completed before his descent into the madness of tertiary syphilis. »

07 Feb 2011

Turandot, Florida Grand Opera

In 2010, Florida Grand Opera held a gala to honor Robert Heuer on his 25th anniversary as general director. »

07 Feb 2011

Nixon in China, New York

Preparing for the Met premier of Nixon in China, I resolved to forget—or place on hold—everything I remembered, or thought I remembered, about the real persons who are characters in this opera,  »

07 Feb 2011

Turandot, San Diego

The original story that formed the basis for the libretto of Puccini’s opera Turandot told of a Mongolian princess who insisted that any prospective husband endeavor to win a wrestling match with her.  »

06 Feb 2011

Magdalena Kozená, Wigmore Hall

It’s a rare recital that can be at one and the same time intensely intimate and extravagantly exuberant, but that’s just what Magdalena Kozená and the eight-piece Austrian ensemble Private Musicke achieved in this fascinating and exhilarating concert, which brought a thrill of passion, spontaneity and excitement to the usually more restrained and rarified atmosphere of the Wigmore Hall. »

06 Feb 2011

Les Contes d’Hoffmann, Florida Grand Opera

If you are ever lucky enough to have the opportunity to catch a great exponent of just one of two major roles — the heroines or villains — in Offenbach’s Les Contes d’Hoffmann, you should secure a seat maintenant.  »

06 Feb 2011

Randy Rossini Romp in Z-Town

If proof were needed, the Swiss capital’s heady new Le Comte Ory cements the notion that super-star Cecelia Bartoli certainly seems to have found an ideal home at Zurich Opera. »

06 Feb 2011

Jurowski, Das klagende Lied

Vladimir Jurowski and the London Philharmonic have repeated their success with Mahler’s Das klagende Lied at the Royal Festival Hall.  »

06 Feb 2011

Die Zauberflöte, Covent Garden

Premiered in 2003, and aired again in 2005 and 2008, this current revival of David McVicar’s Die Zauberflöte brings many ‘old hands’ back together to re-visit oft-frequented roles on familiar ground. »

06 Feb 2011

Heggie’s Dead Man Walking triumphs at HGO

The production of Jake Heggie’s Dead Man Walking currently on stage at the Houston Grand Opera is marvelously celebratory in its success. »

04 Feb 2011

Lucrezia Borgia, ENO

Donizetti’s Lucrezia Borgia at the English National Opera, London, is an interesting hybrid. The opera is performed “straight” so to speak, but encased in a frame of short filmed passages that add background and depth. These films don’t intrude, but enhance. »

03 Feb 2011

Mosheh, a VideOpera

Yoav Gal, an Israeli-born composer-in-residence at the HERE arts complex in Manhattan’s South Village, calls Mosheh a “VideOpera,” rightly giving as much place to what is seen (electronic projections) as to what is heard (from four sopranos playing the women in the prophet’s life and an orchestra of nine musicians). »

02 Feb 2011

Bérénice, Carnegie Hall

Albéric Magnard, inspired to abandon the law for music by a visit to Bayreuth in 1886, was wealthy enough to ignore the public and go off on his own to compose.  »

02 Feb 2011

Jurowski conducts Zemlinsky

This looked an enticing programme before Vladimir Jurowski, in conversation with the Southbank Centre’s Head of Music, Marshall Marcus, divulged its secrets.  »

02 Feb 2011

La Fanciulla in its Anniversary at Lyric Opera of Chicago

In its current production of Giacomo Puccini’s La fanciulla del West Lyric Opera of Chicago celebrates the centenary of the first performances of the opera.  »

01 Feb 2011

Maria Stuarda, Minnesota Opera

The 2010-2011 season for Minnesota Opera is steeped in Bel Canto opera selections, starting with Rossini’s Cenerentola this fall, currently featuring Donizetti’s Maria Stuarda, and for the spring, a production of Verdi’s La Traviata with acclaimed Violetta, Elizabeth Futral.  »

01 Feb 2011

Simon Boccanegra, New York

A few years ago, a certain major newspaper boasted a music critic who could not bring himself either to take opera seriously or to deny himself the opportunity to review it.  »

24 Jan 2011

Nabucco, Palm Beach Opera

Appearing on Palm Beach Opera’s website video player General Director Daniel Biaggi points out among the reasons to attend the first show of the company’s 2010-2011 season, “fantastic artists whose voices will blow you away.”  »

24 Jan 2011

Il barbiere di Siviglia, Covent Garden

In my July 2009 review of the first revival of Moshe Leiser’s and Patrice Caurier’s 2005 production of Il barbiere di Siviglia I commented that the directors, aided by conductor, Antonio Pappano, had reinvigorated this operatic ‘old friend’, injecting freshness and spontaneity into familiar material.  »

19 Jan 2011

James Gilchrist, Wigmore Hall

Arms swinging loosely at his side, a relaxed smile and bright eyes conveying his confident ease, James Gilchrist’s young wanderer bounded nimbly onto the stage at the Wigmore Hall, radiating and embodying the fresh optimism of spring, at the start of this technically assured and dramatically coherent performance of Schubert’s song cycle, Die schöne Müllerin. »

16 Jan 2011

The Magic Flute and La Traviata, New York

The dust on 65th Street is clearing up and the reviews for the renovated Lincoln Center for the Performing Arts are in — the piazza is being hailed as newly “inviting” by architects and arts critics alike, and rightly so.  »

16 Jan 2011

Tosca, Metropolitan Opera

They have been fiddling with Luc Bondy’s staging of Tosca. Scarpia doesn’t masturbate on the Madonna; he just sort of pinches her erotically.  »

16 Jan 2011

The Art of the Countertenor

Since he first came to notice a few years ago — in Messiah in this very hall, as Creonte at Covent Garden, and as Arsace in Partenope at New York City Opera, to name by a few recently acclaimed performances — many a starry accolade has been heaped upon young Welsh countertenor, Iestyn Davies: “achingly beautiful tone”,“unforgettable focus and poignancy” and “compelling sense of rhetoric” are typical of the bountiful superlatives.  »

05 Jan 2011

Un ballo in maschera at its roots

In its production this season of Verdi’s Un ballo in maschera Lyric Opera of Chicago has staged the work in its original locale at the royal court of Sweden.  »

31 Dec 2010

December at Los Angeles Opera: Lohengrin and Rigoletto

At the end of November Los Angeles Opera brought two productions to the stage of the Dorothy Chandler Pavilion.  »

31 Dec 2010

Pelléas et Mélisande, New York

Pelléas et Mélisande, Debussy’s impressionist drama closely based on Maeterlinck’s eerie, symbolist play, is not a terribly vocal opera; it calls more for the subtlety of art song style than the belting of great divas and divos. »

19 Dec 2010

Susan Bullock, Wigmore Hall

It may have been five years since Susan Bullock last performed at the Wigmore Hall, as her prominence on the world operatic stage has taken her away from the recital hall, but she wasted no time getting into her stride in this charming and musically varied concert.  »

19 Dec 2010

La Fanciulla del West, New York

La Fanciulla del West is Puccini’s love letter to an America that had acclaimed him joyously on his triumphant visit of 1907 to attend the Met premieres of Manon Lescaut and Madama Butterfly.  »

15 Dec 2010

Karlsruhe Tosca: Guns ‘n’ Jesus

Badisches Staastheater’s production of Tosca starts off with a bang.  »

14 Dec 2010

Paris: ‘Maler’ or ‘Malheur’?

No one could accuse the Paris Opera of pinching pennies (or Euro cents) in their lavishly expansive (and expensive) staging of Hindemith’s Mathis der Maler.  »

14 Dec 2010

Wagner Tannhäuser: Royal Opera House, London

The Royal Opera House itself is the star of this new production of Richard Wagner Tannhäuser. An intriguing twist on an opera that pits orgiastic excess against purity, pleasure against morality.  »

11 Dec 2010

La Bohème, New York

Perhaps the most unexpected occurrence of the evening was the malfunction of the Act I-Act II set change.  »

11 Dec 2010

Die Walküre at La Scala

The opening night of the new season at Teatro alla Scala Milan is a gala event, the most glamorous in the entire Italian opera year.  »

11 Dec 2010

Magic Flute, Phoenix

Wolfgang Amadeus Mozart and Emmanuel Schikaneder had known each other for some time before they wrote The Magic Flute. »

11 Dec 2010

Cecilia Bartoli at the Barbican Centre, London

Cecilia Bartoli is something of a phenomenon, capable of attracting an enthusiastic capacity crowd.  »

06 Dec 2010

Handel’s Alcina at Barbican Centre, London

The Barbican’s Great Performers season often acts as a receiving house for continental opera productions, thus giving us in London a chance to hear interesting performances without actually having to travel.  »

06 Dec 2010

A Midsummer Night’s Dream, Opera Australia

Transplanting Britten’s Shakespeare opera to an Indian setting seems at first an illogical step by Hollywood director Baz Luhrmann.  »

03 Dec 2010

Die Entführung aus den Serail, Queen Elizabeth Hall, London

With its tricky ‘orientalist’ connotations, Singspiel-originating spoken dialogue, not to mention the problem of finding five outstanding singers who can cope with the considerable demands of the solo roles (and the commercial challenge presented by the need to pay a chorus who sing barely a few bars of music), Mozart’s Die Entführung aus den Serail does not receive as many stagings as it deserves. »

03 Dec 2010

Midsummer Night’s Dream, Lyric Opera of Chicago

In a seamless realization with an ideal cast Lyric Opera of Chicago celebrates the magical antics and foibles of both human and fairy in its premiere production of Benjamin Britten’s Midsummer Night’s Dream.  »