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Elsewhere

ETO Autumn 2020 Season Announcement: Lyric Solitude

English Touring Opera are delighted to announce a season of lyric monodramas to tour nationally from October to December. The season features music for solo singer and piano by Argento, Britten, Tippett and Shostakovich with a bold and inventive approach to making opera during social distancing.

Eight Songs from Isolation: first opera written for a socially distanced world

Conductor Oliver Zeffman has commissioned the very first opera for a socially distanced world, which is now available to watch exclusively on Apple Music. Eight Songs From Isolation has been written by eight leading composers, specifically for streaming - rather than live performance - and is the first opera written for a time when the performers were unable to meet in person.

Let Music Live

Leading freelance musicians unite in Parliament Square to call for targeted support for colleagues in the arts and entertainment sector.

Murphy & Attridge celebrate performers' humanity with a creative response to lockdown

Duo Lewis Murphy (composer) and Laura Attridge (writer) have launched a charitable song project entitled Notes From Isolation. The resulting songs, featuring some of the UK's top singing talent, are being released online between August and October 2020 and can be enjoyed free of charge.

Love, always: Chanticleer, Live from London … via San Francisco

This tenth of ten Live from London concerts was in fact a recorded live performance from California. It was no less enjoyable for that, and it was also uplifting to learn that this wasn’t in fact the ‘last’ LfL event that we will be able to enjoy, courtesy of VOCES8 and their fellow vocal ensembles (more below …).

Dreams and delusions from Ian Bostridge and Imogen Cooper at Wigmore Hall

Ever since Wigmore Hall announced their superb series of autumn concerts, all streamed live and available free of charge, I’d been looking forward to this song recital by Ian Bostridge and Imogen Cooper.

Henry Purcell, Royal Welcome Songs for King Charles II Vol. III: The Sixteen/Harry Christophers

The Sixteen continues its exploration of Henry Purcell’s Welcome Songs for Charles II. As with Robert King’s pioneering Purcell series begun over thirty years ago for Hyperion, Harry Christophers is recording two Welcome Songs per disc.

The Royal Opera House unveils programme of new work alongside much-loved classics for live audiences this Autumn

The Royal Opera House is thrilled to announce an exciting, wide-ranging new line-up for its autumn programme. For the first time, extraordinary performances will be accessible online for a global audience through livestreams and for socially distanced live audiences at our home in Covent Garden. In a global first, we present a new opera in hyper-reality, alongside repertory favourites from both artistic companies.

Treasures of the English Renaissance: Stile Antico, Live from London

Although Stile Antico’s programme article for their Live from London recital introduced their selection from the many treasures of the English Renaissance in the context of the theological debates and upheavals of the Tudor and Elizabethan years, their performance was more evocative of private chamber music than of public liturgy.

Anima Rara: Ermonela Jaho

In February this year, Albanian soprano Ermonela Jaho made a highly lauded debut recital at Wigmore Hall - a concert which both celebrated Opera Rara’s 50th anniversary and honoured the career of the Italian soprano Rosina Storchio (1872-1945), the star of verismo who created the title roles in Leoncavallo’s La bohème and Zazà, Mascagni’s Lodoletta and Puccini’s Madama Butterfly.

A wonderful Wigmore Hall debut by Elizabeth Llewellyn

Evidently, face masks don’t stifle appreciative “Bravo!”s. And, reducing audience numbers doesn’t lower the volume of such acclamations. For, the audience at Wigmore Hall gave soprano Elizabeth Llewellyn and pianist Simon Lepper a greatly deserved warm reception and hearty response following this lunchtime recital of late-Romantic song.

Wexford Festival Opera Gala Concert - Remote Voices: as part of Waiting for Shakespeare …The Festival in the air

Some of the most famous and outstanding stars from the opera world are to take part in a very special evening from Wexford Festival Opera, including Aigul Akhmetshina, Joseph Calleja, Daniela Barcellona, Juan Diego Flórez, Igor Golovatenko, Ermonela Jaho, Sergey Romanovsky, and many more.

Requiem pour les temps futurs: An AI requiem for a post-modern society

Collapsology. Or, perhaps we should use the French word ‘Collapsologie’ because this is a transdisciplinary idea pretty much advocated by a series of French theorists - and apparently, mostly French theorists. It in essence focuses on the imminent collapse of modern society and all its layers - a series of escalating crises on a global scale: environmental, economic, geopolitical, governmental; the list is extensive.

OperaStreaming announces second season of nine new productions from the opera houses of Emilia-Romagna, free to view on YouTube

Following its successful launch in 2019, OperaStreaming streams nine operas on YouTube from the historic opera houses of Emilia-Romagna during the 2020-21 season, with fully-staged productions of Verdi's La traviata in October from Modena and Verdi'sOtello from Bologna in...

Connections Across Time: Sholto Kynoch on the 2020 Oxford Lieder Festival

‘A brief history of song’ is the subtitle of the 2020 Oxford Lieder Festival (10th-17th October), which will present an ambitious, diverse and imaginative programme of 40 performances and events.

The Sixteen: Music for Reflection, live from Kings Place

For this week’s Live from London vocal recital we moved from the home of VOCES8, St Anne and St Agnes in the City of London, to Kings Place, where The Sixteen - who have been associate artists at the venue for some time - presented a programme of music and words bound together by the theme of ‘reflection’.

Bampton Classical Opera 2020: Gluck's The Crown at St John's Smith Square

Bampton Classical Opera returns to the Baroque splendour of London’s St John’s Smith Square on November 6 with a concert performance of Gluck’s one-act opera The Crown, the first in the UK since 1987. The performance will also be filmed and available to watch on demand on the Bampton website from 9 November.

Iestyn Davies and Elizabeth Kenny explore Dowland's directness and darkness at Hatfield House

'Such is your divine Disposation that both you excellently understand, and royally entertaine the Exercise of Musicke.’

A new opera written during lockdown with three different endings to choose from to premiere this October as part of Wexford Festival Opera

While many of us spent lockdown at home taking it a little easier, composer Andrew Synnott wrote an opera.

Grange Park Opera presents Britten’s Owen Wingrave, filmed on location in haunted houses in Surrey and London

Owen Wingrave is part of the new Interim Season of 19 brand new events, all free to view online between September and December 2020.


OPERA TODAY ARCHIVES »

Performances

05 Oct 2020

ETO Autumn 2020 Season Announcement: Lyric Solitude

English Touring Opera are delighted to announce a season of lyric monodramas to tour nationally from October to December. The season features music for solo singer and piano by Argento, Britten, Tippett and Shostakovich with a bold and inventive approach to making opera during social distancing. »

Recently in Performances

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06 Mar 2013

Barber by ENO

ENO’s advertising emphasises the ‘25th anniversary year’ of Jonathan Miller’s staging of The Barber of Seville. It holds the stage well enough without offering any especial insight — at least by now.  »

05 Mar 2013

Wagner Parsifal at the Met

This prioduction of Wagner's Parsifal, directed by François Girard, premiered in Lyons last year. The Met, being a far wealthier house, was able to assemble a truly spectacular cast: Jonas Kaufmann, René Pape, Katarina Dalayman, Peter Mattei and Evgeny Nikitin. Success guaranteed, even if the production is European and modern. These performances set new benchmarks. This Parsifal will be the stuff of legend for decades to come. »

05 Mar 2013

An Interview with Virginia Zeani

Palm Beach audiences are famous for their glamour, but in recent years a special star has sparkled amid the jewels, sequins, feathers and furs (whatever the weather).  »

05 Mar 2013

Tosca, Royal Opera

Puccini’s “shabby little shocker”, to quote Kerman, does not invite subtlety. For those who feel that opera — a hybrid art form encompassing all the arts and embracing all of life and love, transfiguration and tragedy — is ideally suited to depicting the excesses of human ecstasy and suffering, Tosca epitomises the immoderations of the genre. »

05 Mar 2013

Bernarda Fink and the Italian Baroque

Argentinean mezzo-soprano Bernarda Fink continued her series residency at the Wigmore Hall with an unusual programme of Italian baroque works, partnered by the Academy of Ancient Music, led by violinist Rodolfo Richter.  »

02 Mar 2013

Eugene Onegin, Royal Opera

When opera companies arrange their seasonal schedules, one wonders how much thought they give to Valentine’s Day. If it falls in the midweek, it is potentially a very propitious day for getting people out: that is, if the opera is right. »

26 Feb 2013

Rigoletto at the Met

Michael Mayer’s glitzy neon lights production, set in Rat Pack-era Sin City, proves a fitting backdrop for an opera about a curse »

26 Feb 2013

Munich’s Rambunctious Ring

Bavarian State Opera’s recent staging of Der Ring des Nibelungen was often a restless, even reckless affair, but there is no denying its substantial musical assets.  »

21 Feb 2013

Hugo Wolf, Wigmore Hall

Fun and Hugo Wolf ? Wolf's songs are the epitome of art song, due great reverence. But they're also vibrant with good-hearted wit. This latest concert in Julius Drake's ongoing "Perspectives" series at the Wigmore Hall brought together Sophie Daneman, Ian Bostridge and Julius Drake, all of whom have been working together for many years. The chemistry was almost palpable.  »

17 Feb 2013

Charpentier’s Medea at ENO

In 1704, 11 years after its first performance in 1693 before the royal court of Louis XIV, and 17 years after the death of Lully — and at a time when the relative merits of respective French and Italian aesthetics were constantly and fiercely being debated — Marc-Antoine Charpentier’s Médée was condemned by the ‘Lullist’ faction, who were determined to defend their leader’s guardianship of the tragédie en musique, as an ‘abomination’: hard, dry and characterised by excess. »

17 Feb 2013

Stuttgart: Too Hot to Handel

With its staging of Alcina, Stuttgart Opera seems to set out to prove that George Friedrich Handel can be all ‘sexypants.’  »

14 Feb 2013

Elektra in Marseille

Sadistic revenge and sadistic challenge in equal parts. You know the story — if Oreste had not slaughtered his mother Elektra would have. And did over and over in nearly two hours of raving about killing her mother. Elektra is one of the repertory's more beloved operas. »

12 Feb 2013

Radamisto at Barbican Hall

Handel's Radamisto HWV 12a confirms the Barbican Hall as one of the finest places for baroque in London. Superb performances from David Daniels, Luca Pisaroni, and Patricia Bardon, with Harry Bicket conducting The English Concert from the harpsichord »

11 Feb 2013

Palm Beach Opera Celebrates New Season

Palm Beach Opera opened its new season with the opera that began it all, La Traviata.  »

11 Feb 2013

Bernarda Fink Residency, Wigmore Hall

For the first of her two February recitals at the Wigmore Hall, the Argentinean mezzo-soprano Bernarda Fink was joined by the Hugo Wolf Quartett in an eclectic, Italian-themed programme in which singer and instrumentalists sculpted diverse and beautiful musical vistas and communicated a remarkably coherent, shared vision. »

11 Feb 2013

Erik Satie, Socrate and Igor Stravinsky. Renard and other works

This concert was part of a greater weekend of concerts at the Southbank Centre looking at Paris during the second and third decades of the twentieth century, the weekend itself part of the year-long Rest is Noise season.  »

10 Feb 2013

Joyce DiDonato: Drama Queens

Joyce DiDonato brought her Drama Queens tour to the Barbican Hall last night, 6 February 2012. Accompanied by Il Complesso Barocco, directed by Dmitry Sinkovsky, she enabled us to hear a wide range of arias by mainly Italian baroque composers from Monteverdi to Handel, by way of Porta, Cesti, Orlandini and Hasse. »

10 Feb 2013

Die Entfûhrung aus dem Serail in Montpellier

The fearsome Ottoman Turks had threatened the Austrian borders for centuries. But Mozart’s little singspiel makes light of this truly serious situation, and offers a quite enlightened resolution for the conflict as well. »

10 Feb 2013

Dialogues of the Carmelites in Toulon

Boasting one of France’s grandest opera houses (said to be the model for Paris’ Opéra Garnier) Toulon hosts a season of five operas — Aida, Butterfly and Flute are hand in hand with Carmen and, yes, Dialogues des carmélites.  »

07 Feb 2013

Eugene Onegin at the Royal Opera House

Kasper Holten’s directorial debut in the Royal Opera House begins with silence.  »

06 Feb 2013

Fille du Regiment from San Diego Opera

Born to a very poor family in 1797, Gaetano Donizetti was lucky enough to become the pupil of Johann Simone Mayr, the Maestro di Capella of his native city, who recognized his talent and made sure he received appropriate instruction.  »

06 Feb 2013

Tosca by Arizona Opera

The libretto by Luigi Illica and Giuseppe Giacosa for Giacomo Puccini’s opera Tosca is based on Victorien Sardou’s French play, La Tosca.  »

06 Feb 2013

Amsterdam: Tell Hits a Bulls Eye

With a visually beautiful and dramatically honest staging, Netherlands Opera has made as compelling a case as I would imagine possible for Rossini’s grand opera Guillaume Tell. »

02 Feb 2013

Der Kaiser von Atlantis at the Staatsoper Berlin

Recent seasons have seen a surge in so-called ‘Holocaust operas,’ from Peter Androsch’s Spiegelrund, which premiered in Vienna last week, to Mieczysław Weinberg’s The Passenger, unveiled with a half-century of delay in Bregenz in 2010.  »

02 Feb 2013

A Timeless Hänsel und Gretel in Chicago

In remounting its 2001 production of Engelbert Humperdinck’s Hänsel und Gretel Lyric Opera of Chicago has demonstrated the timeless nature of the score and narrative as well as the ingenuity of the production with its thoughtful and touching updating to a twentieth-century milieu.  »

01 Feb 2013

Maria Stuarda at the Met

The Met’s opulent and well-sung Maria Stuarda cannot overcome its insipid libretto. »

31 Jan 2013

Soile Isokoski - Wigmore Hall - Sallinen

Soile Isokoski and Maria Viitasalo made a welcome return to theWigmore Hall, London. Their recital was a masterclass in what singing really should be about: not simply sound production, but the expression of meaning.  »

23 Jan 2013

Pelléas et Mélisande in Nice

Pelléas et Mélisande, in t-shirts and jeans, were out riding bicycles. They came upon a fountain. You know what happened. »

23 Jan 2013

Nash Ensemble, Wigmore Hall - Warlock, Britten

Surveying British chamber and instrumental music written between the 1890s and WWII, the Nash Ensemble’s Wigmore Hall residency series, Dreamers of Dreams, has illuminated the creativity and originality of British musical life during this period, revealing the shared and the idiosyncratic preoccupations of composers; the intertwined biographies of musicians; the influence of key individual performers on repertoire, style and idiom; the dialogue between old and new; and the prevailing shadows of war and irreversible change. »

20 Jan 2013

San Diego Opera new season 2013

The New Year 2013 is here and San Diego Opera will open its season at the end of this month. The company will present four well known operas: Gaetano Donizetti's The Daughter of the Regiment (La Fille du Regiment), Camille Saint-Saëns' Samson and Delilah, Ildebrando Pizzetti's Murder in the Cathedral (Assassinio nella Cathedrale) and Giuseppe Verdi's Aida along with a Mariachi opera: Cruzar la Cara de la Luna, (To Cross the Face of the Moon). »

20 Jan 2013

Sir Harrison Birtwistle The Minotaur ROH 2013

If, first time around, in 2008, The Minotaur offered the obvious excitement of the premiere, it was now noteworthy how quickly it had settled into repertory status. Not that it has yet been performed elsewhere than Covent Garden, though it should be as a matter of urgency, but that its 2013 outing proceeded with the apparent ease one might expect of, say, The Magic Flute or Carmen. That is surely testament both to the excellence of the performances we heard as well as to the stature of Birtwistle’s opera itself. »

19 Jan 2013

Baroque treasures at the Barbican, London

The Barbican is going have a bit of a baroque moment next month. Joyce DiDonato will be bringing her Drama Queens programme, then there will be complete performances of Handel's Radamisto and Lully's Phaeton.  »

16 Jan 2013

A Noteworthy Chicago Revival of Don Pasquale

In its recent run of Gaetano Donizetti’s Don Pasquale Lyric Opera of Chicago has taken the 1973 production from Covent Garden, via Dallas Opera, and revivified it with the efforts of an excellent cast and the local directorial debut of British bass-baritone Sir Thomas Allen.  »

15 Jan 2013

L’Italienne à Alger in Marseille

Once a mainstay of the repertory L’Italiana in Algeri now usually gives way to Il Turco in Italia when an opera company wants to give Il barbiere di Sivigllia and La cenerentola a rest.  »

10 Jan 2013

Echoes of Venice

The opening concert of the Wigmore Hall’s spring season exemplified the high standards of intelligent musicianship and imaginative programming so typical of the Hall’s artists. Soprano Carolyn Sampson and theorbo player Matthew Wadsworth presented a thoughtful, inventive programme, ‘Echoes of Venice’, alternating tender and impassioned songs of love with striking instrumental pieces.  »

09 Jan 2013

Hugo Wolf Songbooks, Wigmore Hall, Kirchschlager, Henschel, Drake

Julius Drake's latest Hugo Wolf Songbooks recital at the Wigmore Hall featured Angelika Kirchschlager and Dietrich Henschel. These singers have very different voices indeed, so Drake's programme made the most of the contrast. »

09 Jan 2013

In the Shadow of the Opéra

Graham Johnson chose the title "In the Shadow of the Opéra" for his recital at the Wigmore Hall, London, with Lucy Crowe and Christopher Maltman. Given the renaisaance in French opera, it's good that we should be thinking of the nature of French song and its relationship to French opera and culture. »

23 Dec 2012

Subject: Aimez-vous Meyerbeer?

Well, so many don’t nowadays, it appears to me, judging by the critical reception of Robert le Diable at the ROH. Rum-ti-tum? We recall Macbeth, Rigoletto, Trov and even Trav being characterised thus, popular fare but risible or blush- making, yet those works now command the highest respect.  »

17 Dec 2012

Courageous Winterreise : Florian Boesch, Wigmore Hall, London

Wintery weather in London for Florian Boesch's Schubert Winterreise at the Wigmore Hall. But what bliss to hear an austere interpretation that challenged assumptions !  »